UPC · Release
Rule Britannia: The Music That Made Britain Great
Various Artists
Last verified:
0028947640615 is the Universal Product Code (UPC barcode) for the release “Rule Britannia: The Music That Made Britain Great” by Various Artists, released 2010-10-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC. Tracks include AUAB00950212, AUAB01050481, AUAB01050482.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (39)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for the Royal Fireworks: La Réjouissance (Rejoicing) | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2 | The Planets: Jupiter, the Bringer of Jollity | Queensland Symphony Orchestra, Nicholas Braithwaite | T-101.257.909-6 | |
| 3 | The Watermill | — | ||
| 4 | Crown Imperial: Coronation March | Tasmanian Symphony Orchestra, Marc Taddei | — | |
| 5 | The Prince of Denmark’s March (Trumpet Voluntary) | — | ||
| 6 | The Princess Elizabeth from The Three Elizabeths Suite | West Australian Symphony Orchestra, David Measham | — | |
| 7 | Eternal Father, Strong to Save (The Royal Navy Hymn) | — | ||
| 8 | Colonel Bogey: March | — | ||
| 9 | Fantasia on Greensleeves | Tasmanian Symphony Orchestra, David Stanhope | — | |
| 10 | Zadok the Priest | — | ||
| 11 | Enigma Variations, op. 36: Nimrod | Adelaide Symphony Orchestra, David Stanhope | T-010.115.427-1 | |
| 12 | The Dam Busters: March | — | ||
| 13 | On Hearing the First Cuckoo in Spring | — | ||
| 14 | Pomp and Circumstance March no. 3 | — | ||
| 15 | The Lark Ascending (excerpt) | — | ||
| 16 | Rule Britannia | Nicole Car, Tasmanian Symphony Orchestra Chorus, Tasmanian Symphony Orchestra, Marc Taddei | T-329.505.429-0 | |
| 2-1 | Pomp and Circumstance March no. 1 (Land of Hope and Glory) | — | ||
| 2-2 | Fairest Isle | Sara Macliver, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-3 | Elizabethan Serenade | — | ||
| 2-4 | Hallelujah! from Messiah | — | ||
| 2-5 | Let the Bright Seraphim | — | ||
| 2-6 | Pineapple Poll: Scene 1: 1. Opening Dance | — | ||
| 2-7 | Pineapple Poll: Scene 1: 2. Poll's Dance | — | ||
| 2-8 | Pineapple Poll: Scene 1: 3. Captain Belaye's Dance | — | ||
| 2-9 | Pineapple Poll: Scene 1: 4. Pas de trois | — | ||
| 2-10 | Pineapple Poll: Scene 2: 6. Jasper's Dance | — | ||
| 2-11 | Pineapple Poll: Scene 3: 6. Belaye's Hornpipe | — | ||
| 2-12 | Pineapple Poll: Scene 3: 7. Reconciliation of Poll and Jasper | — | ||
| 2-13 | Pineapple Poll: Scene 3: 8. Finale | — | ||
| 2-14 | Arrival of the Queen of Sheba | — | ||
| 2-15 | Bright Is the Ring of Words | — | ||
| 2-16 | Knightsbridge – March | — | ||
| 2-17 | Pomp and Circumstance March no. 4 | — | ||
| 2-18 | Somerset:Folk Songs – March | — | ||
| 2-19 | The Yesterday Concerto | — | ||
| 2-20 | 633 Squadron – Main Theme | — | ||
| 2-21 | Jerusalem | Cantillation, David Drury, Brett Weymark | T-011.632.761-7 | |
| 2-22 | God Save the Queen | Tasmanian Symphony Orchestra Chorus, Tasmanian Symphony Orchestra, Marc Taddei | — | |
| 2-23 | Auld Lang Syne | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 0028947640615?
0028947640615 is a Universal Product Code (UPC) assigned to Rule Britannia: The Music That Made Britain Great by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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