UPC · Release
Messiah: A Sacred Oratorio
Handel, Cantillation, Orchestra of the Antipodes, Macliver, Sherman, Field, McMahon, Rhodes, Walker
0028947663546
55 tracksReleased 2007-01-01
Last verified:
0028947663546 is the Universal Product Code (UPC barcode) for the release “Messiah: A Sacred Oratorio” by Handel, Cantillation, Orchestra of the Antipodes, Macliver, Sherman, Field, McMahon, Rhodes, Walker, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 55 tracks, each with its own ISRC.
Format
002GS1 prefix
8947Company prefix
66354Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (55)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Messiah, Part 1 (No. 1): Sinfony | — | ||
| 2 | The Messiah, Part 1 (No. 2): Accompanied Recitative (Tenor), Comfort Ye | — | ||
| 3 | The Messiah, Part 1 (No. 3): Air (Tenor), Ev'ry Valley | — | ||
| 4 | The Messiah, Part 1 (No. 4): Chorus, And the glory of the Lord | — | ||
| 5 | The Messiah, Part 1 (No. 5): Accompanied Recitative (Bass), Thus saith the Lord | — | ||
| 6 | The Messiah, Part 1 (No. 6): Air (Countertenor), But who may abide? | — | ||
| 7 | The Messiah, Part 1 (No. 7): Chorus, And He shall purify | — | ||
| 8 | The Messiah, Part 1 (No. 8): Recitative (Alto), Behold, a virgin shall conceive | — | ||
| 9 | The Messiah, Part 1 (No. 9): Air (Alto) & Chorus, O thou that tellest | — | ||
| 10 | The Messiah, Part 1 (No. 10): Accompanied Recitative (Bass), For behold, darkness | — | ||
| 11 | The Messiah, Part 1 (No. 11): Air (Bass), The people that walked in darkness | — | ||
| 12 | The Messiah, Part 1 (No. 12): Chorus, For unto us a child is born | — | ||
| 13 | The Messiah, Part 1 (No. 13): Pifa | — | ||
| 14 | The Messiah, Part 1 (No. 14a): Recitative (Soprano), There were shepherds | — | ||
| 15 | The Messiah, Part 1 (No. 14b): Accompanied Recitative (Soprano), And lo, the angel of the Lord | — | ||
| 16 | The Messiah, Part 1 (No. 15): Recitative (Soprano), And the angel said unto them | — | ||
| 17 | The Messiah, Part 1 (No. 16): Accompanied Recitative (Soprano), And suddenly there was with the angel | — | ||
| 18 | The Messiah, Part 1 (No. 17): Chorus, Glory to God | — | ||
| 19 | The Messiah, Part 1 (No. 18): Air (Soprano), Rejoice greatly | — | ||
| 20 | The Messiah, Part 1 (No. 19): Recitative (Alto), Then shall the eyes of the blind | — | ||
| 21 | The Messiah, Part 1 (No. 20): Duet (Alto, Soprano), He shall feed his flock | — | ||
| 22 | The Messiah, Part 1 (No. 21): Chorus, His yoke is easy | — | ||
| 23 | The Messiah, Part 2 (No. 22): Chorus, Behold the lamb of God | — | ||
| 24 | The Messiah, Part 2 (No. 23): Air (Alto), He was despised | — | ||
| 2-1 | The Messiah, Part 2 (No. 24): Chorus, Surely he hath borne our griefs | — | ||
| 2-2 | The Messiah, Part 2 (No. 25): Chorus, And with His stripes | — | ||
| 2-3 | The Messiah, Part 2 (No. 26): Chorus, All we, like sheep | — | ||
| 2-4 | The Messiah, Part 2 (No. 27): Accompanied Recitative (Tenor), All they that see Him | — | ||
| 2-5 | The Messiah, Part 2 (No. 28): Chorus, He trusted in God | — | ||
| 2-6 | The Messiah, Part 2 (No. 29): Accompanied Recitative (Tenor), Thy rebuke hath broken His heart | — | ||
| 2-7 | The Messiah, Part 2 (No. 30): Air (Tenor), Behold and see | — | ||
| 2-8 | The Messiah, Part 2 (No. 31): Accompanied Recitative (Tenor), He was cut off | — | ||
| 2-9 | The Messiah, Part 2 (No. 32): Air (Soprano), Behold and see | — | ||
| 2-10 | The Messiah, Part 2 (No. 33): Chorus, Lift up your heads | — | ||
| 2-11 | The Messiah, Part 2 (No. 34): Recitative (Tenor), Unto which of the Angels | — | ||
| 2-12 | The Messiah, Part 2 (No. 35): Chorus, Let all the angels | — | ||
| 2-13 | The Messiah, Part 2 (No. 36): Air (Countertenor), Thou art gone up on high | — | ||
| 2-14 | The Messiah, Part 2 (No. 37): Chorus, The Lord gave us the word | — | ||
| 2-15 | The Messiah, Part 2 (No. 38): Air (Soprano), How beautiful are the feet | — | ||
| 2-16 | The Messiah, Part 2 (No. 39): Chorus, Their sound is gone out | — | ||
| 2-17 | The Messiah, Part 2 (No. 40): Air (Bass), Why do the nations | — | ||
| 2-18 | The Messiah, Part 2 (No. 41): Chorus, Let us break their bonds asunder | — | ||
| 2-19 | The Messiah, Part 2 (No. 42): Recitative (Tenor), He hath dwelleth in heaven | — | ||
| 2-20 | The Messiah, Part 2 (No. 43): Air (Tenor), Thou shalt break them | — | ||
| 2-21 | The Messiah, Part 2 (No. 44): Chorus, Hallelujah! | — | ||
| 2-22 | The Messiah, Part 3 (No. 45): Air (Soprano), I know that me Redeemer liveth | — | ||
| 2-23 | The Messiah, Part 3 (No. 46): Chorus, since by man came death | — | ||
| 2-24 | The Messiah, Part 3 (No. 47): Accompanied Recitative (Bass), Behold I tell you a mystery | — | ||
| 2-25 | The Messiah, Part 3 (No. 48): Air (Bass), The trumpet shall sound | — | ||
| 2-26 | The Messiah, Part 3 (No. 49): Recitative (Countertenor), Then shall be brought to pass | — | ||
| 2-27 | The Messiah, Part 3 (No. 50): Duet (Countertenor, Tenor), O death, where is thy sting | — | ||
| 2-28 | The Messiah, Part 3 (No. 51): Chorus, But thanks be to God | — | ||
| 2-29 | The Messiah, Part 3 (No. 52): Air (Alto), If God be for us | — | ||
| 2-30 | The Messiah, Part 3 (No. 53): Chorus, Worthy is the Lamb | — | ||
| 2-31 | The Messiah, Part 3 (No. 54): Chorus, Amen | — |
The Messiah, Part 1 (No. 1): Sinfony
—
The Messiah, Part 1 (No. 2): Accompanied Recitative (Tenor), Comfort Ye
—
The Messiah, Part 1 (No. 3): Air (Tenor), Ev'ry Valley
—
The Messiah, Part 1 (No. 4): Chorus, And the glory of the Lord
—
The Messiah, Part 1 (No. 5): Accompanied Recitative (Bass), Thus saith the Lord
—
The Messiah, Part 1 (No. 6): Air (Countertenor), But who may abide?
—
The Messiah, Part 1 (No. 7): Chorus, And He shall purify
—
The Messiah, Part 1 (No. 8): Recitative (Alto), Behold, a virgin shall conceive
—
The Messiah, Part 1 (No. 9): Air (Alto) & Chorus, O thou that tellest
—
The Messiah, Part 1 (No. 10): Accompanied Recitative (Bass), For behold, darkness
—
The Messiah, Part 1 (No. 11): Air (Bass), The people that walked in darkness
—
The Messiah, Part 1 (No. 12): Chorus, For unto us a child is born
—
The Messiah, Part 1 (No. 13): Pifa
—
The Messiah, Part 1 (No. 14a): Recitative (Soprano), There were shepherds
—
The Messiah, Part 1 (No. 14b): Accompanied Recitative (Soprano), And lo, the angel of the Lord
—
The Messiah, Part 1 (No. 15): Recitative (Soprano), And the angel said unto them
—
The Messiah, Part 1 (No. 16): Accompanied Recitative (Soprano), And suddenly there was with the angel
—
The Messiah, Part 1 (No. 17): Chorus, Glory to God
—
The Messiah, Part 1 (No. 18): Air (Soprano), Rejoice greatly
—
The Messiah, Part 1 (No. 19): Recitative (Alto), Then shall the eyes of the blind
—
The Messiah, Part 1 (No. 20): Duet (Alto, Soprano), He shall feed his flock
—
The Messiah, Part 1 (No. 21): Chorus, His yoke is easy
—
The Messiah, Part 2 (No. 22): Chorus, Behold the lamb of God
—
The Messiah, Part 2 (No. 23): Air (Alto), He was despised
—
The Messiah, Part 2 (No. 24): Chorus, Surely he hath borne our griefs
—
The Messiah, Part 2 (No. 25): Chorus, And with His stripes
—
The Messiah, Part 2 (No. 26): Chorus, All we, like sheep
—
The Messiah, Part 2 (No. 27): Accompanied Recitative (Tenor), All they that see Him
—
The Messiah, Part 2 (No. 28): Chorus, He trusted in God
—
The Messiah, Part 2 (No. 29): Accompanied Recitative (Tenor), Thy rebuke hath broken His heart
—
The Messiah, Part 2 (No. 30): Air (Tenor), Behold and see
—
The Messiah, Part 2 (No. 31): Accompanied Recitative (Tenor), He was cut off
—
The Messiah, Part 2 (No. 32): Air (Soprano), Behold and see
—
The Messiah, Part 2 (No. 33): Chorus, Lift up your heads
—
The Messiah, Part 2 (No. 34): Recitative (Tenor), Unto which of the Angels
—
The Messiah, Part 2 (No. 35): Chorus, Let all the angels
—
The Messiah, Part 2 (No. 36): Air (Countertenor), Thou art gone up on high
—
The Messiah, Part 2 (No. 37): Chorus, The Lord gave us the word
—
The Messiah, Part 2 (No. 38): Air (Soprano), How beautiful are the feet
—
The Messiah, Part 2 (No. 39): Chorus, Their sound is gone out
—
The Messiah, Part 2 (No. 40): Air (Bass), Why do the nations
—
The Messiah, Part 2 (No. 41): Chorus, Let us break their bonds asunder
—
The Messiah, Part 2 (No. 42): Recitative (Tenor), He hath dwelleth in heaven
—
The Messiah, Part 2 (No. 43): Air (Tenor), Thou shalt break them
—
The Messiah, Part 2 (No. 44): Chorus, Hallelujah!
—
The Messiah, Part 3 (No. 45): Air (Soprano), I know that me Redeemer liveth
—
The Messiah, Part 3 (No. 46): Chorus, since by man came death
—
The Messiah, Part 3 (No. 47): Accompanied Recitative (Bass), Behold I tell you a mystery
—
The Messiah, Part 3 (No. 48): Air (Bass), The trumpet shall sound
—
The Messiah, Part 3 (No. 49): Recitative (Countertenor), Then shall be brought to pass
—
The Messiah, Part 3 (No. 50): Duet (Countertenor, Tenor), O death, where is thy sting
—
The Messiah, Part 3 (No. 51): Chorus, But thanks be to God
—
The Messiah, Part 3 (No. 52): Air (Alto), If God be for us
—
The Messiah, Part 3 (No. 53): Chorus, Worthy is the Lamb
—
The Messiah, Part 3 (No. 54): Chorus, Amen
—
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 0028947663546?
0028947663546 is a Universal Product Code (UPC) assigned to Messiah: A Sacred Oratorio by Handel, Cantillation, Orchestra of the Antipodes, Macliver, Sherman, Field, McMahon, Rhodes, Walker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 55 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm