UPC · Release
Johann Sebastian Bach, Stuttgarter Kammerorchester, Karl Münchinger
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0028947681168 is the Universal Product Code (UPC barcode) for the release “Orkestsuites / Brandenburgse Concerten / Musikalisches Opfer / Kunst der Fuge” by Johann Sebastian Bach, Stuttgarter Kammerorchester, Karl Münchinger, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include GBF077210431, GBF077210432, GBF077210451.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburgs Concert Nr. 1 in F, BWV 1046: I. Allegro | — | ||
| 2 | Brandenburgs Concert Nr. 1 in F, BWV 1046: II. Adagio | — | ||
| 3 | Brandenburgs Concert Nr. 1 in F, BWV 1046: III. Allegro | — | ||
| 4 | Brandenburgs Concert Nr. 1 in F, BWV 1046: IV. Minuetto - Trio - Minuetto - Polacca - Minuetto - Trio - Minuetto | — | ||
| 5 | Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro | Bernard Gabel, Aurèle Nicolet, Helmut Winschermann, Stuttgarter Kammerorchester, Karl Münchinger | T-011.422.353-8 | |
| 6 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Bernard Gabel, Aurèle Nicolet, Helmut Winschermann, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 7 | Brandenburgs Concert Nr. 2 in F, BWV 1047: III. Allegro | — | ||
| 8 | Brandenburgs Concert Nr. 3 in G, BWV 1048: I. Allegro | — | ||
| 9 | Brandenburgs Concert Nr. 3 in G, BWV 1048: II. Adagio | — | ||
| 10 | Brandenburgs Concert Nr. 3 in G, BWV 1048: III. Allegro | — | ||
| 11 | Brandenburg Concerto no. 4 in G major, BWV 1049: Allegro | Stoika Milanova, Aurèle Nicolet, Peter Reidemeister, Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 12 | Brandenburgs Concert Nr. 4 in G, BWV 1049: II. Andante | — | ||
| 13 | Brandenburgs Concert Nr. 4 in G, BWV 1049: III. Presto | — | ||
| 2-1 | Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: I. Allegro | — | ||
| 2-2 | Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: II. Affettuoso | — | ||
| 2-3 | Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: III. Allegro | — | ||
| 2-4 | Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: I. Allegro | — | ||
| 2-5 | Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: II. Adagio ma non troppo | — | ||
| 2-6 | Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: III. Allegro | — | ||
| 2-7 | Fugue in G minor BWV 542 | Stuttgarter Kammerorchester, Karl Münchinger | T-070.893.419-3 | |
| 2-8 | Fuga in A mineur, BWV 947 | — | ||
| 2-9 | Christmas Oratorio, BWV 248: Sinfonia | Stuttgart Chamber Orchestra, Karl Münchinger | T-070.024.961-1 | |
| 2-10 | Cantate 147, "Jesus meine Freude" | — | ||
| 2-11 | Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 3-1 | Suite no. 1 in C major, BWV 1066: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | T-702.622.103-6 | |
| 3-2 | Suite no. 1 in C major, BWV 1066: II. Courante | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-3 | Suite no. 1 in C major, BWV 1066: III. Gavotte I - Gavotte II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-4 | Suite no. 1 in C major, BWV 1066: IV. Forlane | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-5 | Suite no. 1 in C major, BWV 1066: V. Menuet I - Menuet II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-6 | Suite no. 1 in C major, BWV 1066: VI. Bourrée I - Bourrée II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-7 | Suite no. 1 in C major, BWV 1066: VII. Passepied I - Passepied II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-8 | Suite no. 2 in B minor, BWV 1067: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | T-702.622.103-6 | |
| 3-9 | Suite no. 2 in B minor, BWV 1067: II. Rondeau | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-10 | Suite no. 2 in B minor, BWV 1067: III. Sarabande | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-11 | Suite no. 2 in B minor, BWV 1067: IV. Bourrée I - Bourrée II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-12 | Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-13 | Suite no. 2 in B minor, BWV 1067: VI. Menuet | Wolfgang Schulz, Stuttgarter Kammerorchester, Karl Münchinger | T-011.654.484-3 | |
| 3-14 | Suite no. 2 in B minor, BWV 1067: VII. Badinerie | Wolfgang Schulz, Stuttgarter Kammerorchester, Karl Münchinger | T-011.654.484-3 | |
| 3-15 | Suite no. 3 in D major, BWV 1068: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-16 | Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 | |
| 3-17 | Suite no. 3 in D major, BWV 1068: III. Gavotte I - Gavotte II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-18 | Suite no. 3 in D major, BWV 1068: IV. Bourrée | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-19 | Suite no. 3 in D major, BWV 1068: V. Gigue | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-20 | Suite no. 4 in D major, BWV 1069: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-21 | Suite no. 4 in D major, BWV 1069: II. Bourrée I - Bourrée II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-22 | Suite no. 4 in D major, BWV 1069: III. Gavotte | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-23 | Suite no. 4 in D major, BWV 1069: IV. Menuet I - Menuet II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-24 | Suite no. 4 in D major, BWV 1069: V. Réjouissance | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 4-1 | Die Kunst der Fuge, BWV 1080: I. Contrapunctus I | — | ||
| 4-2 | Die Kunst der Fuge, BWV 1080: II. Contrapunctus II | — | ||
| 4-3 | Die Kunst der Fuge, BWV 1080: III. Contrapunctus III | — | ||
| 4-4 | Die Kunst der Fuge, BWV 1080: IV. Contrapunctus IV | — | ||
| 4-5 | Die Kunst der Fuge, BWV 1080: V. Contrapunctus V | — | ||
| 4-6 | Die Kunst der Fuge, BWV 1080: VI. Contrapunctus VI | — | ||
| 4-7 | Die Kunst der Fuge, BWV 1080: VII. Contrapunctus VII | — | ||
| 4-8 | Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus VIII | — | ||
| 4-9 | Die Kunst der Fuge, BWV 1080: IX. Contrapunctus IX | — | ||
| 4-10 | Die Kunst der Fuge, BWV 1080: X. Contrapunctus X | — | ||
| 4-11 | Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI | — | ||
| 4-12 | Die Kunst der Fuge, BWV 1080: XV. Canon alla octava | — | ||
| 4-13 | Die Kunst der Fuge, BWV 1080: XVII. Canon alla duodecima | — | ||
| 4-14 | Die Kunst der Fuge, BWV 1080: XVI. Canon alla decima | — | ||
| 4-15 | Die Kunst der Fuge, BWV 1080: XIV. Canon per augmentationem in contrario moto | — | ||
| 4-16 | Die Kunst der Fuge, BWV 1080: XIIIa. Contrapunctus XIII (rectus) | — | ||
| 4-17 | Die Kunst der Fuge, BWV 1080: XIIIb. Contrapunctus XIII (inversus) | — | ||
| 4-18 | Die Kunst der Fuge, BWV 1080: XIXa. Fuga a 2 Clavecimbali (rectus) | — | ||
| 4-19 | Die Kunst der Fuge, BWV 1080: XIXb. Fuga a 2 Clavecimbali (inversus) | — | ||
| 5-1 | Die Kunst der Fuge, BWV 1080: XIIa. Contrapunctus XII (rectus) | — | ||
| 5-2 | Die Kunst der Fuge, BWV 1080: XIIb. Contrapunctus XII (inversus) | — | ||
| 5-3 | Die Kunst der Fuge, BWV 1080: XVIII. Fuga a 4 soggetti | — | ||
| 5-4 | Musikalisches Opfer, BWV 1079: Ricercar a 3 | — | ||
| 5-5 | Musikalisches Opfer, BWV 1079: Canon perpetuus a 2 | — | ||
| 5-6 | Musikalisches Opfer, BWV 1079: Canon a 2 violini in unisono | — | ||
| 5-7 | Musikalisches Opfer, BWV 1079: Canon a 2 per motum contrarium | — | ||
| 5-8 | Musikalisches Opfer, BWV 1079: Canon a 2 augmentationem, contrario motu | — | ||
| 5-9 | Musikalisches Opfer, BWV 1079: Canon a 2 | — | ||
| 5-10 | Musikalisches Opfer, BWV 1079: Canon a 2 | — | ||
| 5-11 | Musikalisches Opfer, BWV 1079: Canon a 2 per tonos | — | ||
| 5-12 | Musikalisches Opfer, BWV 1079: Canon perpetuus contrario motu | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 5-13 | Musikalisches Opfer, BWV 1079: Canon a 4 | — | ||
| 5-14 | Musikalisches Opfer, BWV 1079: Fuga canonica | — | ||
| 5-15 | Musikalisches Opfer, BWV 1079: Sonata a 3, I. Largo | — | ||
| 5-16 | Musikalisches Opfer, BWV 1079: Sonata a 3, II. Allegro | — | ||
| 5-17 | Musikalisches Opfer, BWV 1079: Sonata a 3, III. Andante | — | ||
| 5-18 | Musikalisches Opfer, BWV 1079: Sonata a 3, IV. Allegro | — | ||
| 5-19 | Musikalisches Opfer, BWV 1079: Ricercar a 6 | — |
Musical Works (ISWC)
Identifier Graph
0028947681168 is a Universal Product Code (UPC) assigned to Orkestsuites / Brandenburgse Concerten / Musikalisches Opfer / Kunst der Fuge by Johann Sebastian Bach, Stuttgarter Kammerorchester, Karl Münchinger. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0028947681168 is the Universal Product Code (UPC barcode) for the release “Orkestsuites / Brandenburgse Concerten / Musikalisches Opfer / Kunst der Fuge” by Johann Sebastian Bach, Stuttgarter Kammerorchester, Karl Münchinger, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include GBF077210431, GBF077210432, GBF077210451.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburgs Concert Nr. 1 in F, BWV 1046: I. Allegro | — | ||
| 2 | Brandenburgs Concert Nr. 1 in F, BWV 1046: II. Adagio | — | ||
| 3 | Brandenburgs Concert Nr. 1 in F, BWV 1046: III. Allegro | — | ||
| 4 | Brandenburgs Concert Nr. 1 in F, BWV 1046: IV. Minuetto - Trio - Minuetto - Polacca - Minuetto - Trio - Minuetto | — | ||
| 5 | Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro | Bernard Gabel, Aurèle Nicolet, Helmut Winschermann, Stuttgarter Kammerorchester, Karl Münchinger | T-011.422.353-8 | |
| 6 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Bernard Gabel, Aurèle Nicolet, Helmut Winschermann, Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 7 | Brandenburgs Concert Nr. 2 in F, BWV 1047: III. Allegro | — | ||
| 8 | Brandenburgs Concert Nr. 3 in G, BWV 1048: I. Allegro | — | ||
| 9 | Brandenburgs Concert Nr. 3 in G, BWV 1048: II. Adagio | — | ||
| 10 | Brandenburgs Concert Nr. 3 in G, BWV 1048: III. Allegro | — | ||
| 11 | Brandenburg Concerto no. 4 in G major, BWV 1049: Allegro | Stoika Milanova, Aurèle Nicolet, Peter Reidemeister, Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 12 | Brandenburgs Concert Nr. 4 in G, BWV 1049: II. Andante | — | ||
| 13 | Brandenburgs Concert Nr. 4 in G, BWV 1049: III. Presto | — | ||
| 2-1 | Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: I. Allegro | — | ||
| 2-2 | Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: II. Affettuoso | — | ||
| 2-3 | Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: III. Allegro | — | ||
| 2-4 | Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: I. Allegro | — | ||
| 2-5 | Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: II. Adagio ma non troppo | — | ||
| 2-6 | Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: III. Allegro | — | ||
| 2-7 | Fugue in G minor BWV 542 | Stuttgarter Kammerorchester, Karl Münchinger | T-070.893.419-3 | |
| 2-8 | Fuga in A mineur, BWV 947 | — | ||
| 2-9 | Christmas Oratorio, BWV 248: Sinfonia | Stuttgart Chamber Orchestra, Karl Münchinger | T-070.024.961-1 | |
| 2-10 | Cantate 147, "Jesus meine Freude" | — | ||
| 2-11 | Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | — | |
| 3-1 | Suite no. 1 in C major, BWV 1066: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | T-702.622.103-6 | |
| 3-2 | Suite no. 1 in C major, BWV 1066: II. Courante | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-3 | Suite no. 1 in C major, BWV 1066: III. Gavotte I - Gavotte II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-4 | Suite no. 1 in C major, BWV 1066: IV. Forlane | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-5 | Suite no. 1 in C major, BWV 1066: V. Menuet I - Menuet II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-6 | Suite no. 1 in C major, BWV 1066: VI. Bourrée I - Bourrée II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-7 | Suite no. 1 in C major, BWV 1066: VII. Passepied I - Passepied II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-8 | Suite no. 2 in B minor, BWV 1067: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | T-702.622.103-6 | |
| 3-9 | Suite no. 2 in B minor, BWV 1067: II. Rondeau | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-10 | Suite no. 2 in B minor, BWV 1067: III. Sarabande | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-11 | Suite no. 2 in B minor, BWV 1067: IV. Bourrée I - Bourrée II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-12 | Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-13 | Suite no. 2 in B minor, BWV 1067: VI. Menuet | Wolfgang Schulz, Stuttgarter Kammerorchester, Karl Münchinger | T-011.654.484-3 | |
| 3-14 | Suite no. 2 in B minor, BWV 1067: VII. Badinerie | Wolfgang Schulz, Stuttgarter Kammerorchester, Karl Münchinger | T-011.654.484-3 | |
| 3-15 | Suite no. 3 in D major, BWV 1068: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-16 | Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 | |
| 3-17 | Suite no. 3 in D major, BWV 1068: III. Gavotte I - Gavotte II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-18 | Suite no. 3 in D major, BWV 1068: IV. Bourrée | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-19 | Suite no. 3 in D major, BWV 1068: V. Gigue | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-20 | Suite no. 4 in D major, BWV 1069: I. Ouverture | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-21 | Suite no. 4 in D major, BWV 1069: II. Bourrée I - Bourrée II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-22 | Suite no. 4 in D major, BWV 1069: III. Gavotte | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-23 | Suite no. 4 in D major, BWV 1069: IV. Menuet I - Menuet II | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 3-24 | Suite no. 4 in D major, BWV 1069: V. Réjouissance | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 4-1 | Die Kunst der Fuge, BWV 1080: I. Contrapunctus I | — | ||
| 4-2 | Die Kunst der Fuge, BWV 1080: II. Contrapunctus II | — | ||
| 4-3 | Die Kunst der Fuge, BWV 1080: III. Contrapunctus III | — | ||
| 4-4 | Die Kunst der Fuge, BWV 1080: IV. Contrapunctus IV | — | ||
| 4-5 | Die Kunst der Fuge, BWV 1080: V. Contrapunctus V | — | ||
| 4-6 | Die Kunst der Fuge, BWV 1080: VI. Contrapunctus VI | — | ||
| 4-7 | Die Kunst der Fuge, BWV 1080: VII. Contrapunctus VII | — | ||
| 4-8 | Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus VIII | — | ||
| 4-9 | Die Kunst der Fuge, BWV 1080: IX. Contrapunctus IX | — | ||
| 4-10 | Die Kunst der Fuge, BWV 1080: X. Contrapunctus X | — | ||
| 4-11 | Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI | — | ||
| 4-12 | Die Kunst der Fuge, BWV 1080: XV. Canon alla octava | — | ||
| 4-13 | Die Kunst der Fuge, BWV 1080: XVII. Canon alla duodecima | — | ||
| 4-14 | Die Kunst der Fuge, BWV 1080: XVI. Canon alla decima | — | ||
| 4-15 | Die Kunst der Fuge, BWV 1080: XIV. Canon per augmentationem in contrario moto | — | ||
| 4-16 | Die Kunst der Fuge, BWV 1080: XIIIa. Contrapunctus XIII (rectus) | — | ||
| 4-17 | Die Kunst der Fuge, BWV 1080: XIIIb. Contrapunctus XIII (inversus) | — | ||
| 4-18 | Die Kunst der Fuge, BWV 1080: XIXa. Fuga a 2 Clavecimbali (rectus) | — | ||
| 4-19 | Die Kunst der Fuge, BWV 1080: XIXb. Fuga a 2 Clavecimbali (inversus) | — | ||
| 5-1 | Die Kunst der Fuge, BWV 1080: XIIa. Contrapunctus XII (rectus) | — | ||
| 5-2 | Die Kunst der Fuge, BWV 1080: XIIb. Contrapunctus XII (inversus) | — | ||
| 5-3 | Die Kunst der Fuge, BWV 1080: XVIII. Fuga a 4 soggetti | — | ||
| 5-4 | Musikalisches Opfer, BWV 1079: Ricercar a 3 | — | ||
| 5-5 | Musikalisches Opfer, BWV 1079: Canon perpetuus a 2 | — | ||
| 5-6 | Musikalisches Opfer, BWV 1079: Canon a 2 violini in unisono | — | ||
| 5-7 | Musikalisches Opfer, BWV 1079: Canon a 2 per motum contrarium | — | ||
| 5-8 | Musikalisches Opfer, BWV 1079: Canon a 2 augmentationem, contrario motu | — | ||
| 5-9 | Musikalisches Opfer, BWV 1079: Canon a 2 | — | ||
| 5-10 | Musikalisches Opfer, BWV 1079: Canon a 2 | — | ||
| 5-11 | Musikalisches Opfer, BWV 1079: Canon a 2 per tonos | — | ||
| 5-12 | Musikalisches Opfer, BWV 1079: Canon perpetuus contrario motu | Stuttgarter Kammerorchester, Karl Münchinger | — | |
| 5-13 | Musikalisches Opfer, BWV 1079: Canon a 4 | — | ||
| 5-14 | Musikalisches Opfer, BWV 1079: Fuga canonica | — | ||
| 5-15 | Musikalisches Opfer, BWV 1079: Sonata a 3, I. Largo | — | ||
| 5-16 | Musikalisches Opfer, BWV 1079: Sonata a 3, II. Allegro | — | ||
| 5-17 | Musikalisches Opfer, BWV 1079: Sonata a 3, III. Andante | — | ||
| 5-18 | Musikalisches Opfer, BWV 1079: Sonata a 3, IV. Allegro | — | ||
| 5-19 | Musikalisches Opfer, BWV 1079: Ricercar a 6 | — |
