UPC · Release
Beverly Sills
Last verified:
The UPC for “Beverly Sills And Friends” by Beverly Sills is 0028947763048. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-10-10. This release contains 28 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Manon : Acte III, Scene 1. “Je marche sur tous les chemins” (Manon) | — | ||
| 2 | Manon : Acte III, Scene 1. Gavotte “Obéissons, quand leur voix appelle” (Manon, Britgny) | — | ||
| 3 | Manon : Acte IV. “Un mot, s’il vous plaît, Chevalier” (Manon, des Grieux, cast) | — | ||
| 4 | Lucia di Lammermoor: Atto I. Duetto “Sulla tomba che rinserra” (Edgardo, Lucia) | — | ||
| 5 | Lucia di Lammermoor: Atto II. Scena 2. “Chi mi frena in tal momento?“ / “Chi raffrena il mio furore?“ (Sextet, coro) | — | ||
| 6 | I puritani: Atto I, Scena 2. Duetta “O amato zio“ … “Sai com’arde in petlo mio“ (Elvira, Giorgio) | — | ||
| 7 | I puritani: Atto I, Scena 2. “Chi mosse a’ miei desir il genitor?“ | — | ||
| 8 | I puritani: Atto I, Scena 2. “Odi … Qual suon si desta?“ | — | ||
| 9 | Anna Bolena: Atto II, Scena 1. “Dio, che mi vedi in core“ | — | ||
| 10 | Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio“ (Anna, Giovanna) | — | ||
| 11 | Anna Bolena: Atto II, Scena 1. “Dal mio cor punita io sono“ | — | ||
| 12 | Anna Bolena: Atto II, Scena 1. “Va, infelice, e teco reca“ | — | ||
| 13 | Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“ | — | ||
| 14 | Maria Stuarda: Atto II, Scena 3. “Deh! l’accogli!“ … “Morta al mondo, e morta al trono"“ (Leicester, Maria) | — | ||
| 15 | Maria Stuarda: Atto II, Scena 3. “Va, preparati, furente“ (Elisabetta) | — | ||
| 2-1 | Les Contes d’Hoffmann : Acte III. Barcarolle “Belle nuit, ô nuit d’amour“ (Niklausse, Giulietta) | — | ||
| 2-2 | Les Contes d’Hoffmann : Acte III. Duetto “Cher ange !” (Depertutto. Giulietta) | — | ||
| 2-3 | Les Contes d’Hoffmann : Acte III. “Malheureux, tu ne comprends donc pas” | — | ||
| 2-4 | The Ballad of Baby Doe: Act I, Scene 2 “Willow, where we meet together” (Baby Doe) | — | ||
| 2-5 | The Ballad of Baby Doe: Act I, Scene 2. “Oh, Mr. Tabor!” (Baby Doe, Tabor) | — | ||
| 2-6 | The Ballad of Baby Doe: Act I, Scene 2. “Warm as the autumn light” (Tabor, Baby Doe, Augusta) | — | ||
| 2-7 | Le Toréador : Acte I. ”Ah ! vous dirai-je, maman” (Coraline) | — | ||
| 2-8 | Der Hirt auf dem Felsen, D 965 | — | ||
| 2-9 | Meine Seele hort im Schen, HWV 207 | — | ||
| 2-10 | Artaxerxes: Act III, no 28. Aria “The soldier tir’d of war’s alarms” | — | ||
| 2-11 | “La rosa” (Cantata) | — | ||
| 2-12 | The Comedy of Errors: “Lo! Here the gentle lark“ | — | ||
| 2-13 | Der Zarewitsch: Akt I. “Einer wird kommen“ | — |
Musical Works (ISWC)
Credits Graph
0028947763048 is a Universal Product Code (UPC) assigned to Beverly Sills And Friends by Beverly Sills. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| THE BALLAD OF BABY DOE / ACT 1: WILLOW, WHERE WE MET TOGETHER | — | |
| THE BALLAD OF BABY DOE: OH, MR. TABOR! | — | |
| MOORE THE BALLAD OF BABY DOE ACT 1 WARM AS THE AUTUMN LIGHT | — | |
| Robert Devereux: Nunzio son del Parlamento (Cecil, Sara, Elisabetta, Paggio, Raleigh, Coro) | Beverly Sills, Sir Charles Mackerras, Royal Philharmonic Orchestra, Beverly Wolff, Kenneth McDonald, Gwynne Howell, Don Garrard, Ambrosian Opera Chorus & John McCarthy | — |
| "LUCIA DI LAMMERMOOR, PT. 1: ""SULLA TOMBA CHE RINSERRA\"": \""VERRANNO A TE SULL'AURE" | — | |
| "LUCIA DI LAMMERMOOR: ""CHI MI FRENA IN TAL MOMENTO\"" / \""CHI RAFFRENA IL MIO FURORE?" | — | |
| "MANON: ""JE MARCHE SUR LES CHEMINS" | T-101.072.203-7 | |
| MANON / ACT 3: OBÉISSONS QUAND LEUR VOIX APPELLE | T-101.072.203-7 | |
| MANON / ACT 4: UN MOT, S'IL VOUS PLAIT, CHEVALIER | T-101.072.203-7 | |
| EINER WIRD KOMMEN | — | |
| Maria Stuarda: "Deh! l'accogli" - "Morta al mondo, e morta al trono" | Beverly Sills, Aldo Ceccato, London Philharmonic Orchestra, Eileen Farrell, Patricia Kern, Stuart Burrows, Louis Quilico & Christian Du Plessis | — |
| Maria Stuarda: "Va, preparati, furente" | Beverly Sills, Aldo Ceccato, London Philharmonic Orchestra, Eileen Farrell, Patricia Kern, Stuart Burrows, Christian Du Plessis, Louis Quilico, John Alldis Choir & John Alldis | — |
| AH! VOUS DIRAI-JE, MAMAN | — | |
| DER HIRT AUF DEM FELSEN, D.965 | — | |
| Antaxerxes: The soldier tir'd of war's alarms | Beverly Sills, Charles Treger, Leslie Parnas & Charles Wadsworth | — |
| Meine Seele hört im Sehen | Beverly Sills, Paula Robison, Leslie Parnas & Charles Wadsworth | — |
| Cantata "La rosa" | Beverly Sills, Leslie Parnas & Charles Wadsworth | — |
| BISHOP: LO! HEAR THE GENTLE LARK | — | |
| DIO, CHE MI VEDI IN CORE | — | |
| SUL SUO CAPO AGGRAVI UN DIO (ANNA, GIOVANNA) | — | |
| DAL MIO COR PUNITA IO SONO (GIOVANNA, ANNA) | — | |
| VA, INFELICE | — | |
| The Tales of Hoffmann : Barcarolle « Belle nuit ô nuit d'amour » | Susanne Marsee, Beverly Sills, John Alldis Choir, London Symphony Orchestra, Julius Rudel | — |
| The Tales of Hoffmann : Cher ange ! | Norman Treigle, Beverly Sills, Stuart Burrows, London Symphony Orchestra, Julius Rudel | — |
| The Tales of Hoffmann : Malheureux, tu ne comprends donc pas. Ô dieu, de quelle ivresse. Si ta présence m'est ravie | Beverly Sills, Stuart Burrows, London Symphony Orchestra, Julius Rudel | — |
| I PURITANI: O AMATO ZIO, O MIO SECONDO PADRE! | T-801.744.062-0 | |
| I PURITANI: CHI MOSSO A' MIEI DESIR IL GENITOR? | T-801.744.062-0 | |
| I PURITANI: ODI. QUAL SUON SI DESTA? | T-801.744.062-0 |
The UPC for “Beverly Sills And Friends” by Beverly Sills is 0028947763048. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-10-10. This release contains 28 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Manon : Acte III, Scene 1. “Je marche sur tous les chemins” (Manon) | — | ||
| 2 | Manon : Acte III, Scene 1. Gavotte “Obéissons, quand leur voix appelle” (Manon, Britgny) | — | ||
| 3 | Manon : Acte IV. “Un mot, s’il vous plaît, Chevalier” (Manon, des Grieux, cast) | — | ||
| 4 | Lucia di Lammermoor: Atto I. Duetto “Sulla tomba che rinserra” (Edgardo, Lucia) | — | ||
| 5 | Lucia di Lammermoor: Atto II. Scena 2. “Chi mi frena in tal momento?“ / “Chi raffrena il mio furore?“ (Sextet, coro) | — | ||
| 6 | I puritani: Atto I, Scena 2. Duetta “O amato zio“ … “Sai com’arde in petlo mio“ (Elvira, Giorgio) | — | ||
| 7 | I puritani: Atto I, Scena 2. “Chi mosse a’ miei desir il genitor?“ | — | ||
| 8 | I puritani: Atto I, Scena 2. “Odi … Qual suon si desta?“ | — | ||
| 9 | Anna Bolena: Atto II, Scena 1. “Dio, che mi vedi in core“ | — | ||
| 10 | Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio“ (Anna, Giovanna) | — | ||
| 11 | Anna Bolena: Atto II, Scena 1. “Dal mio cor punita io sono“ | — | ||
| 12 | Anna Bolena: Atto II, Scena 1. “Va, infelice, e teco reca“ | — | ||
| 13 | Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“ | — | ||
| 14 | Maria Stuarda: Atto II, Scena 3. “Deh! l’accogli!“ … “Morta al mondo, e morta al trono"“ (Leicester, Maria) | — | ||
| 15 | Maria Stuarda: Atto II, Scena 3. “Va, preparati, furente“ (Elisabetta) | — | ||
| 2-1 | Les Contes d’Hoffmann : Acte III. Barcarolle “Belle nuit, ô nuit d’amour“ (Niklausse, Giulietta) | — | ||
| 2-2 | Les Contes d’Hoffmann : Acte III. Duetto “Cher ange !” (Depertutto. Giulietta) | — | ||
| 2-3 | Les Contes d’Hoffmann : Acte III. “Malheureux, tu ne comprends donc pas” | — | ||
| 2-4 | The Ballad of Baby Doe: Act I, Scene 2 “Willow, where we meet together” (Baby Doe) | — | ||
| 2-5 | The Ballad of Baby Doe: Act I, Scene 2. “Oh, Mr. Tabor!” (Baby Doe, Tabor) | — | ||
| 2-6 | The Ballad of Baby Doe: Act I, Scene 2. “Warm as the autumn light” (Tabor, Baby Doe, Augusta) | — | ||
| 2-7 | Le Toréador : Acte I. ”Ah ! vous dirai-je, maman” (Coraline) | — | ||
| 2-8 | Der Hirt auf dem Felsen, D 965 | — | ||
| 2-9 | Meine Seele hort im Schen, HWV 207 | — | ||
| 2-10 | Artaxerxes: Act III, no 28. Aria “The soldier tir’d of war’s alarms” | — | ||
| 2-11 | “La rosa” (Cantata) | — | ||
| 2-12 | The Comedy of Errors: “Lo! Here the gentle lark“ | — | ||
| 2-13 | Der Zarewitsch: Akt I. “Einer wird kommen“ | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| THE BALLAD OF BABY DOE / ACT 1: WILLOW, WHERE WE MET TOGETHER | — | |
| THE BALLAD OF BABY DOE: OH, MR. TABOR! | — | |
| MOORE THE BALLAD OF BABY DOE ACT 1 WARM AS THE AUTUMN LIGHT | — | |
| Robert Devereux: Nunzio son del Parlamento (Cecil, Sara, Elisabetta, Paggio, Raleigh, Coro) | Beverly Sills, Sir Charles Mackerras, Royal Philharmonic Orchestra, Beverly Wolff, Kenneth McDonald, Gwynne Howell, Don Garrard, Ambrosian Opera Chorus & John McCarthy | — |
| "LUCIA DI LAMMERMOOR, PT. 1: ""SULLA TOMBA CHE RINSERRA\"": \""VERRANNO A TE SULL'AURE" | — | |
| "LUCIA DI LAMMERMOOR: ""CHI MI FRENA IN TAL MOMENTO\"" / \""CHI RAFFRENA IL MIO FURORE?" | — | |
| "MANON: ""JE MARCHE SUR LES CHEMINS" | T-101.072.203-7 | |
| MANON / ACT 3: OBÉISSONS QUAND LEUR VOIX APPELLE | T-101.072.203-7 | |
| MANON / ACT 4: UN MOT, S'IL VOUS PLAIT, CHEVALIER | T-101.072.203-7 | |
| EINER WIRD KOMMEN | — | |
| Maria Stuarda: "Deh! l'accogli" - "Morta al mondo, e morta al trono" | Beverly Sills, Aldo Ceccato, London Philharmonic Orchestra, Eileen Farrell, Patricia Kern, Stuart Burrows, Louis Quilico & Christian Du Plessis | — |
| Maria Stuarda: "Va, preparati, furente" | Beverly Sills, Aldo Ceccato, London Philharmonic Orchestra, Eileen Farrell, Patricia Kern, Stuart Burrows, Christian Du Plessis, Louis Quilico, John Alldis Choir & John Alldis | — |
| AH! VOUS DIRAI-JE, MAMAN | — | |
| DER HIRT AUF DEM FELSEN, D.965 | — | |
| Antaxerxes: The soldier tir'd of war's alarms | Beverly Sills, Charles Treger, Leslie Parnas & Charles Wadsworth | — |
| Meine Seele hört im Sehen | Beverly Sills, Paula Robison, Leslie Parnas & Charles Wadsworth | — |
| Cantata "La rosa" | Beverly Sills, Leslie Parnas & Charles Wadsworth | — |
| BISHOP: LO! HEAR THE GENTLE LARK | — | |
| DIO, CHE MI VEDI IN CORE | — | |
| SUL SUO CAPO AGGRAVI UN DIO (ANNA, GIOVANNA) | — | |
| DAL MIO COR PUNITA IO SONO (GIOVANNA, ANNA) | — | |
| VA, INFELICE | — | |
| The Tales of Hoffmann : Barcarolle « Belle nuit ô nuit d'amour » | Susanne Marsee, Beverly Sills, John Alldis Choir, London Symphony Orchestra, Julius Rudel | — |
| The Tales of Hoffmann : Cher ange ! | Norman Treigle, Beverly Sills, Stuart Burrows, London Symphony Orchestra, Julius Rudel | — |
| The Tales of Hoffmann : Malheureux, tu ne comprends donc pas. Ô dieu, de quelle ivresse. Si ta présence m'est ravie | Beverly Sills, Stuart Burrows, London Symphony Orchestra, Julius Rudel | — |
| I PURITANI: O AMATO ZIO, O MIO SECONDO PADRE! | T-801.744.062-0 | |
| I PURITANI: CHI MOSSO A' MIEI DESIR IL GENITOR? | T-801.744.062-0 | |
| I PURITANI: ODI. QUAL SUON SI DESTA? | T-801.744.062-0 |
