UPC · Release
Maurizio Pollini
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The UPC for “Complete Recordings On Deutsche Grammophon” by Maurizio Pollini is 0028947963158. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 588 tracks, each with its own ISRC. Tracks include DEF057101700, DEF057101701, DEF057101702.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 4 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino | Maurizio Pollini | — | |
| 5 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso | Maurizio Pollini | — | |
| 6 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | Maurizio Pollini | — | |
| 7 | Piano Variations, op. 27: Sehr mässig | Maurizio Pollini | — | |
| 8 | Piano Variations, op. 27: Sehr schnell | Maurizio Pollini | — | |
| 9 | Piano Variations, op. 27: Ruhig, fliessend | Maurizio Pollini | T-329.454.645-1 | |
| 10 | Second sonata for Piano: I. Extrêmement rapide | Maurizio Pollini | — | |
| 11 | Second sonata for Piano: II. Lent | Maurizio Pollini | — | |
| 12 | Second sonata for Piano: III. Modéré, presque vif | Maurizio Pollini | — | |
| 13 | Second sonata for Piano: IV. Vif | Maurizio Pollini | — | |
| 2-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 2-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 2-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 2-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 2-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 2-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 2-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 2-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 2-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 2-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 2-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 2-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 2-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 2-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 2-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 2-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 2-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 2-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 2-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 2-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 2-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 2-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 2-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 2-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 3-1 | Klaviersonate Nr. 1 fis-moll, op. 11: I. Introduzione. Un poco Adagio - Allegro vivace | — | ||
| 3-2 | Klaviersonate Nr. 1 fis-moll, op. 11: II. Aria | — | ||
| 3-3 | Klaviersonate Nr. 1 fis-moll, op. 11: III. Scherzo e Intermezzo. Allegrissimo - Intermezzo - Tempo I | — | ||
| 3-4 | Klaviersonate Nr. 1 fis-moll, op. 11: IV. Finale. Allegro un poco maestoso - Presto Più Allegro | — | ||
| 3-5 | Fantasy in C major, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | Maurizio Pollini | — | |
| 3-6 | Fantasie in C, Op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Maurizio Pollini | — | |
| 3-7 | Fantasie in C, Op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Maurizio Pollini | — | |
| 4-1 | Como una ola de fuerza y luz: Beginning | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | T-920.035.883-4 | |
| 4-2 | Como una ola de fuerza y luz: 1. Interno dolce (Soprano entry: “Lusiano!”). Score: p. 8 | Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | T-005.002.517-6 | |
| 4-3 | Como una ola de fuerza y luz: 2. Duro deciso (Soprano: “en los vientos azarósos de esta tierra”). Score: p. 8bis | Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | T-005.002.517-6 | |
| 4-4 | Como una ola de fuerza y luz: Piano entry. Score: p. 8bis | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-5 | Como una ola de fuerza y luz: 3. Dolcissimo sereno (Soprano: “voces de niños doblen campanas dulces”). Score: p. 27 | Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-6 | Como una ola de fuerza y luz: Orchestra entry. Score: p. 28 | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-7 | Como una ola de fuerza y luz: Orchestra and piano entry. Score: p. 67 | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-8 | ..... sofferte onde serene ... | Maurizio Pollini | — | |
| 4-9 | Masse; Omaggio a Edgard Varese | Maurizio Pollini, Berliner Philharmoniker, Giuseppe Sinopoli | T-005.012.377-7 | |
| 5-1 | Wanderer-Fantaisie in C-Dur, D. 760: I. Allegro con fuoco ma non troppo | Maurizio Pollini | — | |
| 5-2 | Wanderer-Fantaisie in C-Dur, D. 760: II. Adagio | Maurizio Pollini | T-001.397.158-8 | |
| 5-3 | Wanderer-Fantaisie in C-Dur, D. 760: III. Presto | Maurizio Pollini | — | |
| 5-4 | Wanderer-Fantaisie in C-Dur, D. 760: IV. Allegro | Maurizio Pollini | — | |
| 5-5 | Klaviersonate a-moll, D. 845: I. Moderato | — | ||
| 5-6 | Klaviersonate a-moll, D. 845: II. Andante, poco moto | — | ||
| 5-7 | Klaviersonate a-moll, D. 845: III. Scherzo. Allegro vivace - Trio. Un poco più lento | — | ||
| 5-8 | Klaviersonate a-moll, D. 845: IV. Rondo. Allegro vivace | — | ||
| 6-1 | Three Piano Pieces, op. 11: I. Mäßig | Maurizio Pollini | — | |
| 6-2 | Three Piano Pieces, op. 11: II. Mäßige Achtel | Maurizio Pollini | — | |
| 6-3 | Three Piano Pieces, op. 11: III. Bewegt | Maurizio Pollini | — | |
| 6-4 | Six Little Piano Pieces, op. 19: I. Leicht, zart | Maurizio Pollini | — | |
| 6-5 | Six Little Piano Pieces, op. 19: II. Langsam | Maurizio Pollini | — | |
| 6-6 | Six Little Piano Pieces, op. 19: III. Sehr langsame Viertel | Maurizio Pollini | — | |
| 6-7 | Six Little Piano Pieces, op. 19: IV. Rasch, aber leicht | Maurizio Pollini | — | |
| 6-8 | Six Little Piano Pieces, op. 19: V. Etwas rasch | Maurizio Pollini | — | |
| 6-9 | Six Little Piano Pieces, op. 19: VI. Sehr langsam | Maurizio Pollini | — | |
| 6-10 | Five Piano Pieces, op. 23: I. Sehr langsam | Maurizio Pollini | — | |
| 6-11 | Five Piano Pieces, op. 23: II. Sehr rasch | Maurizio Pollini | — | |
| 6-12 | Five Piano Pieces, op. 23: III. Langsam | Maurizio Pollini | — | |
| 6-13 | Five Piano Pieces, op. 23: IV. Schwungvoll | Maurizio Pollini | — | |
| 6-14 | Five Piano Pieces, op. 23: V. Walzer | Maurizio Pollini | — | |
| 6-15 | Suite for Piano, op. 25: Präludium. Rasch | Maurizio Pollini | T-070.160.313-5 | |
| 6-16 | Suite for Piano, op. 25: Gavotte. Etwas langsam, nicht hastig (attacca) | Maurizio Pollini | — | |
| 6-17 | Suite for Piano, op. 25: Musette. Rascher | Maurizio Pollini | — | |
| 6-18 | Suite for Piano, op. 25: Gavotte (da capo) | Maurizio Pollini | — | |
| 6-19 | Suite for Piano, op. 25: Intermezzo | Maurizio Pollini | — | |
| 6-20 | Suite for Piano, op. 25: Minuett. Moderato – Trio | Maurizio Pollini | — | |
| 6-21 | Suite for Piano, op. 25: Gigue. Rasch | Maurizio Pollini | — | |
| 6-22 | Piano Piece, op. 33a: Mäßig | Maurizio Pollini | — | |
| 6-23 | Piano Piece, op. 33b: Mäßig langsam | Maurizio Pollini | — | |
| 7-1 | 24 Préludes, op. 28: No. 1 C-dur: Agitato | — | ||
| 7-2 | 24 Préludes, op. 28: No. 2 a-moll: Lento | — | ||
| 7-3 | 24 Préludes, op. 28: No. 3 G-dur: Vivace | — | ||
| 7-4 | 24 Préludes, op. 28: No. 4 e-moll: Largo | — | ||
| 7-5 | 24 Préludes, op. 28: No. 5 D-dur: Allegro molto | — | ||
| 7-6 | 24 Préludes, op. 28: No. 6 h-moll: Lento assai | — | ||
| 7-7 | 24 Préludes, op. 28: No. 7 A-dur: Andantino | — | ||
| 7-8 | 24 Préludes, op. 28: No. 8 fis-moll: Molto agitato | — | ||
| 7-9 | 24 Préludes, op. 28: No. 9 E-dur: Largo | — | ||
| 7-10 | 24 Préludes, op. 28: No. 10 cis-moll: Allegro molto | — | ||
| 7-11 | 24 Préludes, op. 28: No. 11 H-dur: Vivace | — | ||
| 7-12 | 24 Préludes, op. 28: No. 12 gis-moll: Presto | — | ||
| 7-13 | 24 Préludes, op. 28: No. 13 Fis-dur: Lento | — | ||
| 7-14 | 24 Préludes, op. 28: No. 14 es-moll: Allegro | — | ||
| 7-15 | 24 Préludes, op. 28: No. 15 Des-dur: Sostenuto | — | ||
| 7-16 | 24 Préludes, op. 28: No. 16 b-moll: Presto con fuoco | — | ||
| 7-17 | 24 Préludes, op. 28: No. 17 As-dur: Allegretto | — | ||
| 7-18 | 24 Préludes, op. 28: No. 18 f-moll: Allegro molto | — | ||
| 7-19 | 24 Préludes, op. 28: No. 19 Es-dur: Vivace | — | ||
| 7-20 | 24 Préludes, op. 28: no. 20 C-moll: Largo | Maurizio Pollini | T-308.384.655-9 | |
| 7-21 | 24 Préludes, op. 28: No. 21 B-dur: Cantabile | — | ||
| 7-22 | 24 Préludes, op. 28: No. 22 g-moll: Molto agitato | — | ||
| 7-23 | 24 Préludes, op. 28: No. 23 F-dur: Moderato | — | ||
| 7-24 | 24 Préludes, op. 28: No. 24 d-moll: Allegro appassionato | — | ||
| 8-1 | Piano Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | Maurizio Pollini | — | |
| 8-2 | Piano Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia) | Maurizio Pollini | — | |
| 8-3 | Piano Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Maurizio Pollini | — | |
| 8-4 | Piano Sonata no. 28 in A, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro) | Maurizio Pollini | — | |
| 8-5 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 8-6 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | Maurizio Pollini | T-911.517.582-1 | |
| 8-7 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | Maurizio Pollini | — | |
| 8-8 | Sonate No. 29 B-Dur, Op. 106 "Hammerklavier": IV. Largo - Allegro Risoluto | Maurizio Pollini | — | |
| 9-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Maurizio Pollini | — | |
| 9-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Maurizio Pollini | T-330.117.470-5 | |
| 9-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Maurizio Pollini | — | |
| 9-4 | Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo | Maurizio Pollini | — | |
| 9-5 | Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto | Maurizio Pollini | — | |
| 9-6 | Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo - Fuga (Allegro ma non troppo) | Maurizio Pollini | — | |
| 9-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Maurizio Pollini | — | |
| 9-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Maurizio Pollini | — | |
| 10-1 | Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato | Maurizio Pollini | — | |
| 10-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso | Maurizio Pollini | — | |
| 10-3 | Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio | Maurizio Pollini | — | |
| 10-4 | Polonaise no. 4 in C minor, op. 40 no. 2: Allegro maestoso | Maurizio Pollini | T-922.054.556-2 | |
| 10-5 | Polonaise no. 5 in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Maurizio Pollini | T-918.019.319-5 | |
| 10-6 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 10-7 | Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Maurizio Pollini | — | |
| 11-1 | Piano Concerto no. 23 in A major, K 488: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 11-2 | Piano Concerto no. 23 in A major, K 488: II. Adagio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 11-3 | Piano Concerto no. 23 in A major, K 488: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 11-4 | Piano Concerto no. 19 in F major, K 459: I. Allegro vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-5 | Piano Concerto no. 19 in F major, K 459: II. Allegretto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-6 | Piano Concerto no. 19 in F major, K 459: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 12-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo | Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado | T-322.446.876-8 | |
| 12-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato | Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado | T-322.446.817-7 | |
| 12-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante – Più adagio | Maurizio Pollini, Robert Scheiwein, Wiener Philharmoniker, Claudio Abbado | T-322.449.900-3 | |
| 12-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso — Un poco più presto | Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado | T-322.446.992-1 | |
| 13-1 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 13-2 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 13-3 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: III. Rondo. Allegro scherzando | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 13-4 | Klavierkonzerte no. 2 B-dur, op. 19: I. Allegro con brio | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | — | |
| 13-5 | Klavierkonzerte no. 2 B-dur, op. 19: II. Adagio | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | T-900.137.304-2 | |
| 13-6 | Klavierkonzerte no. 2 B-dur, op. 19: III. Rondo: Molto Allegro | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | — | |
| 14-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 15-1 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070.161.055-0 | |
| 15-2 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 15-3 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700.095.171-5 | |
| 16-1 | Concerto for Piano and Orchestra no. 1: I. Allegro moderato - Allegro | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-2 | Concerto for Piano and Orchestra no. 1: II. Andante - Allegro - attacca: | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-3 | Concerto for Piano and Orchestra no. 1: III. Allegro molto | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-4 | Concerto for Piano and Orchestra no. 2: I. Allegro | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-5 | Concerto for Piano and Orchestra no. 2: II. Adagio - Presto - Adagio | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-6 | Concerto for Piano and Orchestra no. 2: III. Allegro molto - Presto | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 17-1 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 1. Allegro non troppo — Poco sostenuto — Tempo I | Quartetto Italiano, Maurizio Pollini | T-902.764.002-4 | |
| 17-2 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 2. Andante, un poco adagio | Quartetto Italiano, Maurizio Pollini | — | |
| 17-3 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 3. Scherzo. Allegro | Quartetto Italiano, Maurizio Pollini | — | |
| 17-4 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 4. Finale. Poco sostenuto — Allegro non troppo — Tempo I — Presto, non troppo | Quartetto Italiano, Maurizio Pollini | — | |
| 18-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso — Poco più moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 18-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 18-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 19-1 | Symphonic Studies, Op. 13: Theme | Maurizio Pollini | T-061.498.272-7 | |
| 19-2 | Symphonic Studies, Op. 13: Etude I | Maurizio Pollini | — | |
| 19-3 | Symphonic Studies, Op. 13: Etude II | Maurizio Pollini | — | |
| 19-4 | Symphonic Studies, Op. 13: Etude III | Maurizio Pollini | — | |
| 19-5 | Symphonic Studies, Op. 13: Variation III - Etude IV | Maurizio Pollini | — | |
| 19-6 | Symphonic Studies, Op. 13: Variation IV - Etude V | Maurizio Pollini | — | |
| 19-7 | Symphonic Studies, Op. 13: Appendix - Variation I | Maurizio Pollini | — | |
| 19-8 | Symphonic Studies, Op. 13: Appendix - Variation II | Maurizio Pollini | T-003.038.364-2 | |
| 19-9 | Symphonic Studies, Op. 13 - Appendix: Variation III | Maurizio Pollini | — | |
| 19-10 | Symphonic Studies, Op. 13 - Appendix: Variation IV | Maurizio Pollini | — | |
| 19-11 | Symphonic Etudes in Variation Form: Variation post. V | — | ||
| 19-12 | Etüde VI Agitato | — | ||
| 19-13 | Etüde VII Allegro molto | — | ||
| 19-14 | Etüde VIII | — | ||
| 19-15 | Etüde IX. Presto possibile | — | ||
| 19-16 | Etüde X. | — | ||
| 19-17 | Etüde XI. | — | ||
| 19-18 | Etüde XII Allegro brillante | — | ||
| 19-19 | Arabeske in C, Op. 18 | Maurizio Pollini | — | |
| 20-1 | Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento | Maurizio Pollini | — | |
| 20-2 | Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo | Maurizio Pollini | — | |
| 20-3 | Piano Sonata No. 2 in B flat minor, Op. 35: III. Marche funèbre. Lento - attacca: | Maurizio Pollini | T-915.712.196-5 | |
| 20-4 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto | Maurizio Pollini | T-309.554.578-7 | |
| 20-5 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | Maurizio Pollini | T-911.517.582-1 | |
| 20-6 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | Maurizio Pollini | T-911.517.582-1 | |
| 20-7 | Piano Sonata No. 3, Op. 58: III. Largo | Maurizio Pollini | T-911.517.582-1 | |
| 20-8 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto ma non tanto | Maurizio Pollini | T-309.554.578-7 | |
| 21-1 | Piano Sonata in C minor, D. 958: I. Allegro | Maurizio Pollini | T-306.395.786-4 | |
| 21-2 | Piano Sonata in C minor, D. 958: II. Adagio | Maurizio Pollini | — | |
| 21-3 | Piano Sonata in C minor, D. 958: III. Menuetto. Allegro — Trio | Maurizio Pollini | — | |
| 21-4 | Piano Sonata in C minor, D. 958: IV. Allegro | Maurizio Pollini | — | |
| 21-5 | Piano Sonata in A major, D. 959: I. Allegro | Maurizio Pollini | T-306.395.786-4 | |
| 21-6 | Piano Sonata in A major, D. 959: II. Andantino | Maurizio Pollini | T-304.361.655-9 | |
| 21-7 | Piano Sonata in A major, D. 959: III. Scherzo. Allegro vivace — Trio. Un poco più lento | Maurizio Pollini | — | |
| 21-8 | Piano Sonata in A major, D. 959: IV. Rondo. Allegretto | Maurizio Pollini | — | |
| 22-1 | Piano Sonata in B-flat major, D 960: I. Molto moderato | — | ||
| 22-2 | Piano Sonata in B-flat major, D 960: II. Andante sostenuto | — | ||
| 22-3 | Piano Sonata in B-flat major, D 960: III. Scherzo. Allegro vivace con delicatezza | — | ||
| 22-4 | Piano Sonata in B-flat major, D 960: IV. Allegro, ma non troppo - Presto | — | ||
| 22-5 | Allegretto in C minor, D 915 | Maurizio Pollini | T-011.751.253-4 | |
| 22-6 | Drei Klavierstücke, D. 946 no. 1 in E-flat minor: Allegro Assai - Andante - Andantino | Maurizio Pollini | — | |
| 22-7 | Drei Klavierstücke, D. 946 no. 2 in E-flat major: Allegretto - L'istesso Tempo | Maurizio Pollini | — | |
| 22-8 | Drei Klavierstücke, D. 946 no. 3 in C: Allegro | Maurizio Pollini | — | |
| 23-1 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo – Allegro | Maurizio Pollini | T-310.769.687-3 | |
| 23-2 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | Maurizio Pollini | T-310.769.687-3 | |
| 23-3 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Maurizio Pollini | T-310.769.687-3 | |
| 23-4 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | — | ||
| 23-5 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 23-6 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 23-7 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 23-8 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 23-9 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 23-10 | Piano Sonata no. 26 in E-flat major, op. 81a "Les adieux": I. Das Lebewohl. Adagio - Allegro | — | ||
| 23-11 | Piano Sonata no. 26 in E-flat major, op. 81a "Les adieux": II. Abwesenheit. Andante espressivo | — | ||
| 23-12 | Piano Sonata no. 26 in E-flat major, op. 81a "Les adieux": III. Das Wiedersehn. Vivacissimamente | — | ||
| 24-1 | Piano Sonata in B minor | — | ||
| 24-2 | Nuages gris | — | ||
| 24-3 | Unstern! (Sinistre) | — | ||
| 24-4 | La lugubre gondola I | — | ||
| 24-5 | R.W.-Venezia | — | ||
| 25-1 | Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 | |
| 25-2 | Konzert für Klavier und Orchester a-moll, op. 54: 2. Intermezzo. Andantino grazioso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 | |
| 25-3 | Konzert für Klavier und Orchester a-moll, op. 54: 3. Allegro vivace | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 | |
| 25-4 | Konzert für Klavier und Orchester, op. 42: Andante - | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 25-5 | Konzert für Klavier und Orchester, op. 42: Molto allegro - | — | ||
| 25-6 | Konzert für Klavier und Orchester, op. 42: Adagio - | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-001.397.158-8 | |
| 25-7 | Konzert für Klavier und Orchester, op. 42: Giocoso (Moderato) - Stretto | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 26-1 | Scherzo no. 1 in B minor, op. 20 | Maurizio Pollini | T-308.384.655-9 | |
| 26-2 | Scherzo no. 2 in B‐flat minor, op. 31 | Maurizio Pollini | — | |
| 26-3 | Scherzo no. 3 in C‐sharp minor, op. 39 | Maurizio Pollini | T-918.063.801-1 | |
| 26-4 | Scherzo no. 4 in E major, op. 54 | Maurizio Pollini | — | |
| 26-5 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 26-6 | Barcarolle in F-sharp major, Op. 60 | Maurizio Pollini | T-905.382.146-8 | |
| 27-1 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-2 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-3 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-4 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | — | |
| 27-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | — | |
| 27-7 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | — | |
| 27-8 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 27-9 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 27-10 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 27-11 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 28-1 | Etudes, L. 136 : I. Pour les « cinq doigts » d’après monsieur Czerny | Maurizio Pollini | T-326.034.905-7 | |
| 28-2 | Etudes, L. 136 : II. Pour les tierces | Maurizio Pollini | — | |
| 28-3 | Etudes, L. 136 : III. Pour les quartes | Maurizio Pollini | — | |
| 28-4 | Etudes, L. 136 : IV. Pour les sixtes | Maurizio Pollini | — | |
| 28-5 | Etudes, L. 136 : V. Pour les octaves | Maurizio Pollini | — | |
| 28-6 | Etudes, L. 136 : VI. Pour les huits doigts | Maurizio Pollini | T-326.034.908-0 | |
| 28-7 | Douze Etudes pour le piano No. 7: Pour les degrés chromatiques | Maurizio Pollini | — | |
| 28-8 | Douze Etudes pour le piano No. 8: Pour les agréments | Maurizio Pollini | — | |
| 28-9 | Douze Etudes pour le piano No. 9: Pour les notes répétées | Maurizio Pollini | — | |
| 28-10 | Douze Etudes pour le piano No. 10: Pour les sonorités opposées | Maurizio Pollini | — | |
| 28-11 | Douze Etudes pour le piano No. 11: Pour les arpèges composés | Maurizio Pollini | — | |
| 28-12 | Douze Etudes pour le piano No. 12: Pour les accords | Maurizio Pollini | — | |
| 28-13 | Sonate pour piano, op. 1: Mäßig bewegt | — | ||
| 29-1 | Klavierkonzert Nr. 1 C-Dur, Op. 15: I. Allegro con brio | — | ||
| 29-2 | Klavierkonzert Nr. 1 C-Dur, Op. 15: II. Largo | — | ||
| 29-3 | Klavierkonzert Nr. 1 C-Dur, Op. 15: III. Rondo. Allegro [scherzando] | — | ||
| 29-4 | Klavierkonzert Nr. 2 B-Dur, Op. 19: I. Allegro con brio | — | ||
| 29-5 | Klavierkonzert Nr. 2 B-Dur, Op. 19: II. Adagio | — | ||
| 29-6 | Klavierkonzert Nr. 2 B-Dur, Op. 19: III. Rondo. Molto allegro | — | ||
| 30-1 | Klavierkonzert Nr. 3 c-Moll, op. 37: I. Allegro con brio | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-2 | Klavierkonzert Nr. 3 c-Moll, Op. 37: II. Largo | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-3 | Klavierkonzert Nr. 3 c-Moll, op. 37: III. Rondo. Allegro | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-4 | Klavierkonzert Nr. 4 G-Dur, op. 58: I. Allegro moderato | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-5 | Klavierkonzert Nr. 4 G-Dur, op. 58: II. Andante con moto | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-6 | Klavierkonzert Nr. 4 G-Dur, op. 58: III. Rondo. Vivace | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 31-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 31-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio | — | ||
| 31-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondeau: Allegro | — | ||
| 31-4 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio | — | ||
| 31-5 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: II. Allegro | — | ||
| 31-6 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: III. Adagio | — | ||
| 31-7 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: IV. Marcia | — | ||
| 31-8 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: V. Allegretto | — | ||
| 31-9 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: VI. Presto | — | ||
| 32-1 | Concerto for Piano and Orchestra no. 1 in D Minor, op. 15: I. Maestoso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 32-2 | Concerto for Piano and Orchestra no. 1 in D Minor, op. 15: II. Adagio | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 32-3 | Concerto for Piano and Orchestra no. 1 in D Minor, op. 15: III. Rondo. Allegro Non Troppo | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 33-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 33-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 33-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 33-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 34-1 | Préludes : 1er Livre : I. Danseuses de Delphes : Lent et grave | — | ||
| 34-2 | Préludes : 1er Livre : II. Voiles : Modéré | — | ||
| 34-3 | Préludes : 1er Livre : III. Le vent dans la plaine : Animé | — | ||
| 34-4 | Préludes : 1er Livre : IV. « Les sons et les parfums tournent dans l'air du soir » : Modéré | — | ||
| 34-5 | Préludes : 1er Livre : V. Les collines d'Anacapri : Très modéré | — | ||
| 34-6 | Préludes : 1er Livre : VI. Des pas sur la neige : Triste et lent | — | ||
| 34-7 | Préludes : 1er Livre : VII. Ce qu'a vu le vent d'ouest : Animé et tumultueux | — | ||
| 34-8 | Préludes : 1er Livre : VIII. La fille aux cheveux de lin : Très calme et doucement expressif | — | ||
| 34-9 | Préludes : 1er Livre : IX. La sérénade interrompue : Modérément animé | — | ||
| 34-10 | Préludes : 1er Livre : X. La cathédrale engloutie : Profondément calme | — | ||
| 34-11 | Préludes : 1er Livre : XI. La danse de Puck : Capricieux et léger | — | ||
| 34-12 | Préludes : 1er Livre : XII. Minstrels : Modéré | — | ||
| 34-13 | L'Isle joyeuse : Modéré et très souple | — | ||
| 35-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 35-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 35-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 35-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 35-5 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 35-6 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 35-7 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 35-8 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | — | ||
| 35-9 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — | |
| 35-10 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Maurizio Pollini | — | |
| 35-11 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — | |
| 36-1 | 33 Variationen über einen Walzer von Diabelli op. 120: Tema. Vivace | Maurizio Pollini | — | |
| 36-2 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 1 Alla Marcia maestoso | Maurizio Pollini | — | |
| 36-3 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 2 Poco allegro | Maurizio Pollini | — | |
| 36-4 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 3 L`istesso tempo | Maurizio Pollini | — | |
| 36-5 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 4 Un poco più vivace | Maurizio Pollini | — | |
| 36-6 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 5 Allegro vivace | Maurizio Pollini | — | |
| 36-7 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 6 Allegro ma non troppo e serioso | Maurizio Pollini | — | |
| 36-8 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 7 Un poco più allegro | Maurizio Pollini | — | |
| 36-9 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 8 Poco vivace | Maurizio Pollini | — | |
| 36-10 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 9 Allegro pesante e risoluto | Maurizio Pollini | — | |
| 36-11 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 10 Presto | Maurizio Pollini | — | |
| 36-12 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 11 Allegretto | Maurizio Pollini | — | |
| 36-13 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 12 Un poco più moto | Maurizio Pollini | — | |
| 36-14 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 13 Vivace | Maurizio Pollini | — | |
| 36-15 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 14 Grave e maestoso | Maurizio Pollini | — | |
| 36-16 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 15 Presto scherzando | Maurizio Pollini | — | |
| 36-17 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 16 Allegro | Maurizio Pollini | — | |
| 36-18 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 17 | Maurizio Pollini | — | |
| 36-19 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 18 Poco moderato | Maurizio Pollini | — | |
| 36-20 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 19 Presto | Maurizio Pollini | — | |
| 36-21 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 20 Andante | Maurizio Pollini | — | |
| 36-22 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 21 Allegro con brio - Meno allegro | Maurizio Pollini | — | |
| 36-23 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 22 Allegro molto (alla "Notte e giorno faticar" di Mozart) | Maurizio Pollini | — | |
| 36-24 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 23 Allegro assai | Maurizio Pollini | — | |
| 36-25 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 24 Fughetta. Andante | Maurizio Pollini | — | |
| 36-26 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 25 Allegro | Maurizio Pollini | — | |
| 36-27 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 26 | Maurizio Pollini | — | |
| 36-28 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 27 Vivace | Maurizio Pollini | — | |
| 36-29 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 28 Allegro | Maurizio Pollini | — | |
| 36-30 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 29 Adagio ma non troppo | Maurizio Pollini | — | |
| 36-31 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 30 Andante, sempre cantabile | Maurizio Pollini | — | |
| 36-32 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 31 Largo, molto espressivo | Maurizio Pollini | — | |
| 36-33 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 32 Fuga. Allegro | Maurizio Pollini | — | |
| 36-34 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 33 Tempo di Menuetto, moderato (ma non tirarsi dietro) | Maurizio Pollini | — | |
| 37-1 | Ballade no. 1 in G minor, op. 23 | Maurizio Pollini | T-917.141.447-4 | |
| 37-2 | Ballade no. 2 in F major, op. 38 | Maurizio Pollini | — | |
| 37-3 | Ballade no. 3 in A‐flat major, op. 47 | Maurizio Pollini | T-913.821.070-5 | |
| 37-4 | Ballade no. 4 in F minor, op. 52 | Maurizio Pollini | — | |
| 37-5 | Prélude in C‐sharp minor, op. 45 | Maurizio Pollini | — | |
| 37-6 | Fantaisie in F minor, op. 49 | Maurizio Pollini | — | |
| 38-1 | Davidsbündlertänze, op. 6: 1. Lebhaft | — | ||
| 38-2 | Davidsbündlertänze, op. 6: 2. Innig | — | ||
| 38-3 | Davidsbündlertänze, op. 6: 3. Etwas hahnbüchen | — | ||
| 38-4 | Davidsbündlertänze, op. 6: 4. Ungeduldig | — | ||
| 38-5 | Davidsbündlertänze, op. 6: 5. Einfach | — | ||
| 38-6 | Davidsbündlertänze, op. 6: 6. Sehr rasch und in sich hinein | — | ||
| 38-7 | Davidsbündlertänze, op. 6: 7. Nicht schnell und mit äußerst starker Empfindung | — | ||
| 38-8 | Davidsbündlertänze, op. 6: 8. Frisch | — | ||
| 38-9 | Davidsbündlertänze, op. 6: 9. ♩ = 126 | — | ||
| 38-10 | Davidsbündlertänze, op. 6: 10. Balladenmäßig, sehr rasch | — | ||
| 38-11 | Davidsbündlertänze, op. 6: 11. Einfach | — | ||
| 38-12 | Davidsbündlertänze, op. 6: 12. Mit Humor | — | ||
| 38-13 | Davidsbündlertänze, op. 6: 13. Wild und lustig | — | ||
| 38-14 | Davidsbündlertänze, op. 6: 14. Zart und singend | — | ||
| 38-15 | Davidsbündlertänze, op. 6: 15. Frisch | — | ||
| 38-16 | Davidsbündlertänze, op. 6: 16. Mit gutem Humor | — | ||
| 38-17 | Davidsbündlertänze, op. 6: 17. Wie aus der Ferne | — | ||
| 38-18 | Davidsbündlertänze, op. 6: 18. Nicht schnell | — | ||
| 38-19 | Concert sans orchestre, op. 14: 1. Allegro brillante | — | ||
| 38-20 | Concert sans orchestre, op. 14: 2. Quasi Variazioni. Andantino de Clara Wieck | — | ||
| 38-21 | Concert sans orchestre, op. 14: 3. Prestissimo possibile | — | ||
| 39-1 | Allegro in B minor, Op. 8 | — | ||
| 39-2 | Kreisleriana Op. 16: I. Äußerst bewegt | — | ||
| 39-3 | Kreisleriana Op. 16: II. Sehg innig | — | ||
| 39-4 | Kreisleriana Op. 16: III. Sehr aufgeregt | — | ||
| 39-5 | Kreisleriana Op. 16: IV. Sehr langsam | — | ||
| 39-6 | Kreisleriana Op. 16: V. Sehr lebhaft | — | ||
| 39-7 | Kreisleriana Op. 16: VI. Sehr langsam | — | ||
| 39-8 | Kreisleriana Op. 16: VII. Sehr rasch | — | ||
| 39-9 | Kreisleriana Op. 16: VIII. Schnell und spielend | — | ||
| 39-10 | Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo | — | ||
| 39-11 | Gesänge der Frühe, Op. 133: II. Belebt, nicht zu rasch | — | ||
| 39-12 | Gesänge der Frühe, Op. 133: III. Lebhaft | — | ||
| 39-13 | Gesänge der Frühe, Op. 133: IV. Bewegt | — | ||
| 39-14 | Gesänge der Frühe, Op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes Tempo | — | ||
| 40-1 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | Maurizio Pollini | — | |
| 40-2 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | Maurizio Pollini | — | |
| 40-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Maurizio Pollini | T-306.395.786-4 | |
| 40-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto - attacca: | Maurizio Pollini | — | |
| 40-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Maurizio Pollini | T-031.682.208-8 | |
| 40-6 | Piano Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro, ma non troppo | Maurizio Pollini | — | |
| 40-7 | Piano Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | Maurizio Pollini | — | |
| 40-8 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Maurizio Pollini | — | |
| 40-9 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Maurizio Pollini | — | |
| 41-1 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 41-2 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 41-3 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 41-4 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 41-5 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 41-6 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 41-7 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 41-8 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 41-9 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 41-10 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 41-11 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 41-12 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 41-13 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 42-1 | Piano Concerto no. 17 in G major, K. 453 "Second Ployer": I. Allegro | — | ||
| 42-2 | Piano Concerto no. 17 in G major, K. 453 "Second Ployer": II. Andante | — | ||
| 42-3 | Piano Concerto no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | — | ||
| 42-4 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro | — | ||
| 42-5 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | — | ||
| 42-6 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai | — | ||
| 43-1 | 3 Nocturnes, op. 9, no. 1 in B-flat minor: Larghetto | — | ||
| 43-2 | 3 Nocturnes, op. 9, no. 2 in E-flat major: Andante | — | ||
| 43-3 | 3 Nocturnes, op. 9, no. 3 in B major: Allegretto | — | ||
| 43-4 | 3 Nocturnes, op. 15, no. 1 in F major: Andante cantabile | — | ||
| 43-5 | 3 Nocturnes, op. 15, no. 2 in F-sharp major: Larghetto | — | ||
| 43-6 | 3 Nocturnes, op. 15, no. 3 in G minor: Lento | — | ||
| 43-7 | 2 Nocturnes, op. 27, no. 1 in C-sharp minor: Larghetto | — | ||
| 43-8 | 2 Nocturnes, op. 27, no. 2 in D-flat major: Lento sostenuto | — | ||
| 43-9 | 2 Nocturnes, op. 32, no. 1 in B major: Andante sostenuto | — | ||
| 43-10 | 2 Nocturnes, op. 32, no. 2 in A-flat major: Lento | — | ||
| 44-1 | 2 Nocturnes, op. 37, no. 1 in G minor: Andante sostenuto | — | ||
| 44-2 | 2 Nocturnes, op. 37, no. 2 in G major: Andantino | — | ||
| 44-3 | 2 Nocturnes, op. 48, no. 1 in C minor: Lento | — | ||
| 44-4 | 2 Nocturnes, op. 48, no. 2 in F-sharp minor: Andantino | — | ||
| 44-5 | 2 Nocturnes, op. 55, no. 1 in F minor: Andante | — | ||
| 44-6 | 2 Nocturnes, op. 55, no. 2 in E-flat major: Lento sostenuto | — | ||
| 44-7 | 2 Nocturnes, op. 62, no. 1 in B major: Andante | — | ||
| 44-8 | 2 Nocturnes, op. 62, no. 2 in E major: Lento | — | ||
| 44-9 | Nocturne, op. post. 72, no. 1 in E minor: Andante | — | ||
| 45-1 | Piano Sonatas, op. 2: No. 1 in F minor: I. Allegro | — | ||
| 45-2 | Piano Sonatas, op. 2: No. 1 in F minor: II. Adagio | — | ||
| 45-3 | Piano Sonatas, op. 2: No. 1 in F minor: III. Menuetto. Allegretto | — | ||
| 45-4 | Piano Sonatas, op. 2: No. 1 in F minor: IV. Prestissimo | — | ||
| 45-5 | Piano Sonatas, op. 2: No. 2 in A major: I. Allegro vivace | — | ||
| 45-6 | Piano Sonatas, op. 2: No. 2 in A major: II. Largo appassionato | — | ||
| 45-7 | Piano Sonatas, op. 2 no. 2 in A major: III. Scherzo. Allegretto | Maurizio Pollini | — | |
| 45-8 | Piano Sonatas, op. 2: No. 2 in A major: IV. Rondo. Grazioso | — | ||
| 45-9 | Piano Sonatas, op. 2: No. 3 in C major: I. Allegro con brio | — | ||
| 45-10 | Piano Sonatas, op. 2: No. 3 in C major: II. Adagio | — | ||
| 45-11 | Piano Sonatas, op. 2 no. 3 in C major: III. Scherzo. Allegro | Maurizio Pollini | T-911.517.582-1 | |
| 45-12 | Piano Sonatas, op. 2: No. 3 in C major: IV. Allegro assai | — | ||
| 46-1 | Piano Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 46-2 | Piano Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 46-3 | Piano Concerto no. 12 in A major, K. 414: III. Rondo. Allegretto | — | ||
| 46-4 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | — | ||
| 46-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | — | ||
| 46-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | — | ||
| 47-1 | Ballade no. 2 in F major, op. 38 | — | ||
| 47-2 | 4 Mazurkas, op. 33: no. 1 in G-sharp minor: Lento | — | ||
| 47-3 | 4 Mazurkas, op. 33: no. 2 in D major: Vivace | — | ||
| 47-4 | 4 Mazurkas, op. 33: no. 3 in C major: Semplice | — | ||
| 47-5 | 4 Mazurkas, op. 33: no. 4 in B minor: Mesto | — | ||
| 47-6 | 3 Waltzes, op. 34: no. 1 in A-flat major: Vivace | — | ||
| 47-7 | 3 Waltzes, op. 34: no. 2 in A minor: Lento | — | ||
| 47-8 | 3 Waltzes, op. 34: no. 3 in F major: Vivace | — | ||
| 47-9 | Impromptu no. 2 in F-sharp major, op. 36 | — | ||
| 47-10 | Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento | — | ||
| 47-11 | Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo | — | ||
| 47-12 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre: Lento | — | ||
| 47-13 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale: Presto | — | ||
| 48-1 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846: I. Præludium | Maurizio Pollini | T-910.415.372-2 | |
| 48-2 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846: II. Fuga | Maurizio Pollini | T-325.603.871-4 | |
| 48-3 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: I. Præludium | Maurizio Pollini | T-315.964.113-7 | |
| 48-4 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: II. Fuga | Maurizio Pollini | — | |
| 48-5 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: I. Præludium | Maurizio Pollini | — | |
| 48-6 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: II. Fuga | Maurizio Pollini | T-913.821.070-5 | |
| 48-7 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: I. Præludium | Maurizio Pollini | — | |
| 48-8 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: II. Fuga | Maurizio Pollini | T-011.696.501-5 | |
| 48-9 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: I. Præludium | Maurizio Pollini | — | |
| 48-10 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: II. Fuga | Maurizio Pollini | — | |
| 48-11 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: I. Præludium | Maurizio Pollini | T-800.673.625-1 | |
| 48-12 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: II. Fuga | Maurizio Pollini | — | |
| 48-13 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 7 in E-flat major, BWV 852: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 48-14 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 7 in E-flat major, BWV 852: II. Fuga | Maurizio Pollini | T-922.046.111-0 | |
| 48-15 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 8 in E-flat minor, BWV 853: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 48-16 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 8 in E-flat minor, BWV 853: II. Fuga | Maurizio Pollini | T-922.046.010-6 | |
| 48-17 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: I. Præludium | Maurizio Pollini | — | |
| 48-18 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: II. Fuga | Maurizio Pollini | — | |
| 48-19 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 48-20 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: II. Fuga | Maurizio Pollini | — | |
| 48-21 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 11 in F major, BWV 856: I. Præludium | Maurizio Pollini | — | |
| 48-22 | The Well-Tempered Clavier, Book 1: Prelude no. 11 in F major, BWV 856/1 | Johann Sebastian Bach | — | |
| 48-23 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 12 in F minor, BWV 857: I. Præludium | Maurizio Pollini | — | |
| 48-24 | The Well-Tempered Clavier, Book 1: Prelude no. 12 in F minor, BWV 857/1 | Johann Sebastian Bach | T-320.964.450-4 | |
| 49-1 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: I. Præludium | Maurizio Pollini | — | |
| 49-2 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: II. Fuga | Maurizio Pollini | — | |
| 49-3 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: I. Præludium | Maurizio Pollini | — | |
| 49-4 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: II. Fuga | Maurizio Pollini | T-329.412.466-2 | |
| 49-5 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: I. Præludium | Maurizio Pollini | — | |
| 49-6 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: II. Fuga | Maurizio Pollini | T-329.412.466-2 | |
| 49-7 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: I. Præludium | Maurizio Pollini | — | |
| 49-8 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: II. Fuga | Maurizio Pollini | T-329.412.466-2 | |
| 49-9 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: I. Præludium | Maurizio Pollini | — | |
| 49-10 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: II. Fuga | Maurizio Pollini | — | |
| 49-11 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 49-12 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: II. Fuga | Maurizio Pollini | — | |
| 49-13 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: I. Præludium | Maurizio Pollini | — | |
| 49-14 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: II. Fuga | Maurizio Pollini | — | |
| 49-15 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: I. Præludium | Maurizio Pollini | — | |
| 49-16 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: II. Fuga | Maurizio Pollini | — | |
| 49-17 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: I. Præludium | Maurizio Pollini | — | |
| 49-18 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: II. Fuga | Maurizio Pollini | — | |
| 49-19 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: I. Præludium | Maurizio Pollini | — | |
| 49-20 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: II. Fuga | Maurizio Pollini | — | |
| 49-21 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: I. Præludium | Maurizio Pollini | — | |
| 49-22 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: II. Fuga | Maurizio Pollini | — | |
| 49-23 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: I. Præludium | Maurizio Pollini | — | |
| 49-24 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: II. Fuga | Maurizio Pollini | — | |
| 50-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | — | ||
| 50-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 50-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 51-1 | 24 Préludes, op. 28: No. 1 in C major. Agitato | Maurizio Pollini | — | |
| 51-2 | 24 Préludes, op. 28: No. 2 in A minor. Lento | Maurizio Pollini | — | |
| 51-3 | 24 Préludes, op. 28: No. 3 in G major. Vivace | Maurizio Pollini | — | |
| 51-4 | 24 Préludes, op. 28: No. 4 in E minor. Largo | Maurizio Pollini | T-924.555.517-3 | |
| 51-5 | 24 Préludes, op. 28: No. 5 in D major. Allegro molto | Maurizio Pollini | — | |
| 51-6 | 24 Préludes, op. 28: No. 6 in B minor. Lento assai | Maurizio Pollini | — | |
| 51-7 | 24 Préludes, op. 28: No. 7 in A major. Andantino | Maurizio Pollini | — | |
| 51-8 | 24 Préludes, op. 28: No. 8 in F-sharp minor. Molto agitato | Maurizio Pollini | T-918.063.801-1 | |
| 51-9 | 24 Préludes, op. 28: No. 9 in E major. Largo | Maurizio Pollini | T-906.148.797-6 | |
| 51-10 | 24 Préludes, op. 28: No. 10 in C-sharp minor. Allegro molto | Maurizio Pollini | T-915.981.383-9 | |
| 51-11 | 24 Préludes, op. 28: No. 11 in B major. Vivace | Maurizio Pollini | — | |
| 51-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor. Presto | Maurizio Pollini | T-702.884.109-2 | |
| 51-13 | 24 Préludes, op. 28: No. 13 in F-sharp major. Lento | Maurizio Pollini | — | |
| 51-14 | 24 Préludes, op. 28: No. 14 in E-flat minor. Allegro | Maurizio Pollini | T-922.046.010-6 | |
| 51-15 | 24 Préludes, op. 28: No. 15 in D-flat major ("Raindrop"). Sostenuto | Maurizio Pollini | — | |
| 51-16 | 24 Préludes, op. 28: No. 16 in B-flat minor. Presto con fuoco | Maurizio Pollini | — | |
| 51-17 | 24 Préludes, op. 28: No. 17 in A-flat major. Allegretto | Maurizio Pollini | T-903.060.250-7 | |
| 51-18 | 24 Préludes, op. 28: No. 18 in F minor. Allegro molto | Maurizio Pollini | — | |
| 51-19 | 24 Préludes, op. 28: No. 19 in E-flat major. Vivace | Maurizio Pollini | T-906.148.797-6 | |
| 51-20 | 24 Préludes, op. 28: No. 20 in C minor. Largo | Maurizio Pollini | T-308.384.655-9 | |
| 51-21 | 24 Préludes, op. 28: No. 21 in B-flat major. Cantabile | Maurizio Pollini | — | |
| 51-22 | 24 Préludes, op. 28: No. 22 G minor. Molto agitato | Maurizio Pollini | T-917.141.447-4 | |
| 51-23 | 24 Préludes, op. 28: No. 23 in F major. Moderato | Maurizio Pollini | — | |
| 51-24 | 24 Préludes, op. 28: No. 24 in D minor. Allegro appassionato | Maurizio Pollini | — | |
| 51-25 | 2 Nocturnes, op. 27: No. 1 in C-sharp minor. Larghetto | Maurizio Pollini | T-313.926.187-9 | |
| 51-26 | 2 Nocturnes, op. 27: No. 2 in D-flat major. Lento sostenuto | Maurizio Pollini | — | |
| 51-27 | 4 Mazurkas, op. 30: No. 1 in C minor. Allegretto non tanto | Maurizio Pollini | — | |
| 51-28 | 4 Mazurkas, op. 30: No. 2 in B minor. Vivace | Maurizio Pollini | — | |
| 51-29 | 4 Mazurkas, op. 30: No. 3 in D-flat major. Allegro non troppo | Maurizio Pollini | — | |
| 51-30 | 4 Mazurkas, op. 30: No. 4 in C-sharp minor. Allegretto | Maurizio Pollini | T-918.063.801-1 | |
| 51-31 | Scherzo no. 2 in B‐flat minor, op. 31: Presto | Maurizio Pollini | — | |
| 52-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Maurizio Pollini | — | |
| 52-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Maurizio Pollini | — | |
| 52-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | Maurizio Pollini | — | |
| 52-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Maurizio Pollini | — | |
| 52-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 52-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Maurizio Pollini | — | |
| 52-7 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Maurizio Pollini | — | |
| 52-8 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 52-9 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Maurizio Pollini | — | |
| 52-10 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Maurizio Pollini | — | |
| 52-11 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Maurizio Pollini | — | |
| 52-12 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Maurizio Pollini | — | |
| 52-13 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Maurizio Pollini | — | |
| 52-14 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Maurizio Pollini | — | |
| 53-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 53-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 53-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante - Più adagio | — | ||
| 53-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 54-1 | Piano Sonata no. 16 in G, op. 31 no. 1: 1. Allegro vivace | — | ||
| 54-2 | Piano Sonata no. 16 in G, op. 31 no. 1: 2. Adagio grazioso | — | ||
| 54-3 | Piano Sonata no. 16 in G, op. 31 no. 1: 3. Rondo (Allegretto) | — | ||
| 54-4 | Piano Sonata no. 17 in D minor, op. 31 no. 2 -'Tempest': 1. Largo - Allegro | — | ||
| 54-5 | Piano Sonata no. 17 in D minor, op. 31 no. 2 -'Tempest': 2. Adagio | — | ||
| 54-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 -'Tempest': 3. Allegretto | — | ||
| 54-7 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 1. Allegro | — | ||
| 54-8 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 2. Scherzo (Allegretto vivace) | — | ||
| 54-9 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 3. Menuetto (Moderato e grazioso) | — | ||
| 54-10 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 4. Presto con fuoco | — | ||
| 54-11 | Piano Sonata no. 19 in G minor, op. 49 no. 1: 1. Andante | — | ||
| 54-12 | Piano Sonata no. 19 in G minor, op. 49 no. 1: 2. Rondo (Allegro) | — | ||
| 54-13 | Piano Sonata no. 20 in G, op. 49 no. 2: 1. Allegro ma non troppo | — | ||
| 54-14 | Piano Sonata no. 20 in G, op. 49 no. 2: 2. Tempo di Menuetto | — | ||
| 55-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 55-2 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 55-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — |
Identifier Graph
0028947963158 is a Universal Product Code (UPC) assigned to Complete Recordings On Deutsche Grammophon by Maurizio Pollini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 588 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Songwriters/Publishers (IPI)
The UPC for “Complete Recordings On Deutsche Grammophon” by Maurizio Pollini is 0028947963158. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 588 tracks, each with its own ISRC. Tracks include DEF057101700, DEF057101701, DEF057101702.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 4 | Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino | Maurizio Pollini | — | |
| 5 | Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso | Maurizio Pollini | — | |
| 6 | Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato | Maurizio Pollini | — | |
| 7 | Piano Variations, op. 27: Sehr mässig | Maurizio Pollini | — | |
| 8 | Piano Variations, op. 27: Sehr schnell | Maurizio Pollini | — | |
| 9 | Piano Variations, op. 27: Ruhig, fliessend | Maurizio Pollini | T-329.454.645-1 | |
| 10 | Second sonata for Piano: I. Extrêmement rapide | Maurizio Pollini | — | |
| 11 | Second sonata for Piano: II. Lent | Maurizio Pollini | — | |
| 12 | Second sonata for Piano: III. Modéré, presque vif | Maurizio Pollini | — | |
| 13 | Second sonata for Piano: IV. Vif | Maurizio Pollini | — | |
| 2-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 2-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 2-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 2-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 2-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 2-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 2-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 2-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 2-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 2-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 2-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 2-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 2-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 2-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 2-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 2-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 2-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 2-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 2-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 2-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 2-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 2-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 2-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 2-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 3-1 | Klaviersonate Nr. 1 fis-moll, op. 11: I. Introduzione. Un poco Adagio - Allegro vivace | — | ||
| 3-2 | Klaviersonate Nr. 1 fis-moll, op. 11: II. Aria | — | ||
| 3-3 | Klaviersonate Nr. 1 fis-moll, op. 11: III. Scherzo e Intermezzo. Allegrissimo - Intermezzo - Tempo I | — | ||
| 3-4 | Klaviersonate Nr. 1 fis-moll, op. 11: IV. Finale. Allegro un poco maestoso - Presto Più Allegro | — | ||
| 3-5 | Fantasy in C major, Op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen - Im Legendenton - Tempo I | Maurizio Pollini | — | |
| 3-6 | Fantasie in C, Op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | Maurizio Pollini | — | |
| 3-7 | Fantasie in C, Op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Maurizio Pollini | — | |
| 4-1 | Como una ola de fuerza y luz: Beginning | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | T-920.035.883-4 | |
| 4-2 | Como una ola de fuerza y luz: 1. Interno dolce (Soprano entry: “Lusiano!”). Score: p. 8 | Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | T-005.002.517-6 | |
| 4-3 | Como una ola de fuerza y luz: 2. Duro deciso (Soprano: “en los vientos azarósos de esta tierra”). Score: p. 8bis | Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | T-005.002.517-6 | |
| 4-4 | Como una ola de fuerza y luz: Piano entry. Score: p. 8bis | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-5 | Como una ola de fuerza y luz: 3. Dolcissimo sereno (Soprano: “voces de niños doblen campanas dulces”). Score: p. 27 | Slavka Taskova, Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-6 | Como una ola de fuerza y luz: Orchestra entry. Score: p. 28 | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-7 | Como una ola de fuerza y luz: Orchestra and piano entry. Score: p. 67 | Maurizio Pollini, Symphonieorchester des Bayerischen Rundfunks, Claudio Abbado | — | |
| 4-8 | ..... sofferte onde serene ... | Maurizio Pollini | — | |
| 4-9 | Masse; Omaggio a Edgard Varese | Maurizio Pollini, Berliner Philharmoniker, Giuseppe Sinopoli | T-005.012.377-7 | |
| 5-1 | Wanderer-Fantaisie in C-Dur, D. 760: I. Allegro con fuoco ma non troppo | Maurizio Pollini | — | |
| 5-2 | Wanderer-Fantaisie in C-Dur, D. 760: II. Adagio | Maurizio Pollini | T-001.397.158-8 | |
| 5-3 | Wanderer-Fantaisie in C-Dur, D. 760: III. Presto | Maurizio Pollini | — | |
| 5-4 | Wanderer-Fantaisie in C-Dur, D. 760: IV. Allegro | Maurizio Pollini | — | |
| 5-5 | Klaviersonate a-moll, D. 845: I. Moderato | — | ||
| 5-6 | Klaviersonate a-moll, D. 845: II. Andante, poco moto | — | ||
| 5-7 | Klaviersonate a-moll, D. 845: III. Scherzo. Allegro vivace - Trio. Un poco più lento | — | ||
| 5-8 | Klaviersonate a-moll, D. 845: IV. Rondo. Allegro vivace | — | ||
| 6-1 | Three Piano Pieces, op. 11: I. Mäßig | Maurizio Pollini | — | |
| 6-2 | Three Piano Pieces, op. 11: II. Mäßige Achtel | Maurizio Pollini | — | |
| 6-3 | Three Piano Pieces, op. 11: III. Bewegt | Maurizio Pollini | — | |
| 6-4 | Six Little Piano Pieces, op. 19: I. Leicht, zart | Maurizio Pollini | — | |
| 6-5 | Six Little Piano Pieces, op. 19: II. Langsam | Maurizio Pollini | — | |
| 6-6 | Six Little Piano Pieces, op. 19: III. Sehr langsame Viertel | Maurizio Pollini | — | |
| 6-7 | Six Little Piano Pieces, op. 19: IV. Rasch, aber leicht | Maurizio Pollini | — | |
| 6-8 | Six Little Piano Pieces, op. 19: V. Etwas rasch | Maurizio Pollini | — | |
| 6-9 | Six Little Piano Pieces, op. 19: VI. Sehr langsam | Maurizio Pollini | — | |
| 6-10 | Five Piano Pieces, op. 23: I. Sehr langsam | Maurizio Pollini | — | |
| 6-11 | Five Piano Pieces, op. 23: II. Sehr rasch | Maurizio Pollini | — | |
| 6-12 | Five Piano Pieces, op. 23: III. Langsam | Maurizio Pollini | — | |
| 6-13 | Five Piano Pieces, op. 23: IV. Schwungvoll | Maurizio Pollini | — | |
| 6-14 | Five Piano Pieces, op. 23: V. Walzer | Maurizio Pollini | — | |
| 6-15 | Suite for Piano, op. 25: Präludium. Rasch | Maurizio Pollini | T-070.160.313-5 | |
| 6-16 | Suite for Piano, op. 25: Gavotte. Etwas langsam, nicht hastig (attacca) | Maurizio Pollini | — | |
| 6-17 | Suite for Piano, op. 25: Musette. Rascher | Maurizio Pollini | — | |
| 6-18 | Suite for Piano, op. 25: Gavotte (da capo) | Maurizio Pollini | — | |
| 6-19 | Suite for Piano, op. 25: Intermezzo | Maurizio Pollini | — | |
| 6-20 | Suite for Piano, op. 25: Minuett. Moderato – Trio | Maurizio Pollini | — | |
| 6-21 | Suite for Piano, op. 25: Gigue. Rasch | Maurizio Pollini | — | |
| 6-22 | Piano Piece, op. 33a: Mäßig | Maurizio Pollini | — | |
| 6-23 | Piano Piece, op. 33b: Mäßig langsam | Maurizio Pollini | — | |
| 7-1 | 24 Préludes, op. 28: No. 1 C-dur: Agitato | — | ||
| 7-2 | 24 Préludes, op. 28: No. 2 a-moll: Lento | — | ||
| 7-3 | 24 Préludes, op. 28: No. 3 G-dur: Vivace | — | ||
| 7-4 | 24 Préludes, op. 28: No. 4 e-moll: Largo | — | ||
| 7-5 | 24 Préludes, op. 28: No. 5 D-dur: Allegro molto | — | ||
| 7-6 | 24 Préludes, op. 28: No. 6 h-moll: Lento assai | — | ||
| 7-7 | 24 Préludes, op. 28: No. 7 A-dur: Andantino | — | ||
| 7-8 | 24 Préludes, op. 28: No. 8 fis-moll: Molto agitato | — | ||
| 7-9 | 24 Préludes, op. 28: No. 9 E-dur: Largo | — | ||
| 7-10 | 24 Préludes, op. 28: No. 10 cis-moll: Allegro molto | — | ||
| 7-11 | 24 Préludes, op. 28: No. 11 H-dur: Vivace | — | ||
| 7-12 | 24 Préludes, op. 28: No. 12 gis-moll: Presto | — | ||
| 7-13 | 24 Préludes, op. 28: No. 13 Fis-dur: Lento | — | ||
| 7-14 | 24 Préludes, op. 28: No. 14 es-moll: Allegro | — | ||
| 7-15 | 24 Préludes, op. 28: No. 15 Des-dur: Sostenuto | — | ||
| 7-16 | 24 Préludes, op. 28: No. 16 b-moll: Presto con fuoco | — | ||
| 7-17 | 24 Préludes, op. 28: No. 17 As-dur: Allegretto | — | ||
| 7-18 | 24 Préludes, op. 28: No. 18 f-moll: Allegro molto | — | ||
| 7-19 | 24 Préludes, op. 28: No. 19 Es-dur: Vivace | — | ||
| 7-20 | 24 Préludes, op. 28: no. 20 C-moll: Largo | Maurizio Pollini | T-308.384.655-9 | |
| 7-21 | 24 Préludes, op. 28: No. 21 B-dur: Cantabile | — | ||
| 7-22 | 24 Préludes, op. 28: No. 22 g-moll: Molto agitato | — | ||
| 7-23 | 24 Préludes, op. 28: No. 23 F-dur: Moderato | — | ||
| 7-24 | 24 Préludes, op. 28: No. 24 d-moll: Allegro appassionato | — | ||
| 8-1 | Piano Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo) | Maurizio Pollini | — | |
| 8-2 | Piano Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia) | Maurizio Pollini | — | |
| 8-3 | Piano Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Maurizio Pollini | — | |
| 8-4 | Piano Sonata no. 28 in A, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro) | Maurizio Pollini | — | |
| 8-5 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 8-6 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | Maurizio Pollini | T-911.517.582-1 | |
| 8-7 | Piano Sonata no. 29 in B-flat, op. 106 "Hammerklavier": III. Adagio sostenuto | Maurizio Pollini | — | |
| 8-8 | Sonate No. 29 B-Dur, Op. 106 "Hammerklavier": IV. Largo - Allegro Risoluto | Maurizio Pollini | — | |
| 9-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | Maurizio Pollini | — | |
| 9-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | Maurizio Pollini | T-330.117.470-5 | |
| 9-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | Maurizio Pollini | — | |
| 9-4 | Piano Sonata no. 31 in A-Flat major, op. 110: I. Moderato cantabile molto espressivo | Maurizio Pollini | — | |
| 9-5 | Piano Sonata no. 31 in A-Flat major, op. 110: II. Allegro molto | Maurizio Pollini | — | |
| 9-6 | Piano Sonata no. 31 in A-Flat major, op. 110: III. Adagio ma non troppo - Fuga (Allegro ma non troppo) | Maurizio Pollini | — | |
| 9-7 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Maurizio Pollini | — | |
| 9-8 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | Maurizio Pollini | — | |
| 10-1 | Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato | Maurizio Pollini | — | |
| 10-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso | Maurizio Pollini | — | |
| 10-3 | Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio | Maurizio Pollini | — | |
| 10-4 | Polonaise no. 4 in C minor, op. 40 no. 2: Allegro maestoso | Maurizio Pollini | T-922.054.556-2 | |
| 10-5 | Polonaise no. 5 in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Maurizio Pollini | T-918.019.319-5 | |
| 10-6 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 10-7 | Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Maurizio Pollini | — | |
| 11-1 | Piano Concerto no. 23 in A major, K 488: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 11-2 | Piano Concerto no. 23 in A major, K 488: II. Adagio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 11-3 | Piano Concerto no. 23 in A major, K 488: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 11-4 | Piano Concerto no. 19 in F major, K 459: I. Allegro vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-5 | Piano Concerto no. 19 in F major, K 459: II. Allegretto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 11-6 | Piano Concerto no. 19 in F major, K 459: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 12-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo | Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado | T-322.446.876-8 | |
| 12-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato | Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado | T-322.446.817-7 | |
| 12-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante – Più adagio | Maurizio Pollini, Robert Scheiwein, Wiener Philharmoniker, Claudio Abbado | T-322.449.900-3 | |
| 12-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso — Un poco più presto | Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado | T-322.446.992-1 | |
| 13-1 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 13-2 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 13-3 | Konzert für Klavier und Orchester no. 1 C‐Dur, op. 15: III. Rondo. Allegro scherzando | Maurizio Pollini, Wiener Philharmoniker, Eugen Jochum | — | |
| 13-4 | Klavierkonzerte no. 2 B-dur, op. 19: I. Allegro con brio | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | — | |
| 13-5 | Klavierkonzerte no. 2 B-dur, op. 19: II. Adagio | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | T-900.137.304-2 | |
| 13-6 | Klavierkonzerte no. 2 B-dur, op. 19: III. Rondo: Molto Allegro | Wiener Philharmoniker, Maurizio Pollini, Eugen Jochum | — | |
| 14-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 14-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-909.876.873-1 | |
| 15-1 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-070.161.055-0 | |
| 15-2 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: II. Adagio un poco mosso (attacca) | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 15-3 | Klavierkonzert Nr. 5 Es-Dur, op. 73 “Emperor”: III. Rondo. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-700.095.171-5 | |
| 16-1 | Concerto for Piano and Orchestra no. 1: I. Allegro moderato - Allegro | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-2 | Concerto for Piano and Orchestra no. 1: II. Andante - Allegro - attacca: | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-3 | Concerto for Piano and Orchestra no. 1: III. Allegro molto | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-4 | Concerto for Piano and Orchestra no. 2: I. Allegro | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-5 | Concerto for Piano and Orchestra no. 2: II. Adagio - Presto - Adagio | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 16-6 | Concerto for Piano and Orchestra no. 2: III. Allegro molto - Presto | Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 17-1 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 1. Allegro non troppo — Poco sostenuto — Tempo I | Quartetto Italiano, Maurizio Pollini | T-902.764.002-4 | |
| 17-2 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 2. Andante, un poco adagio | Quartetto Italiano, Maurizio Pollini | — | |
| 17-3 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 3. Scherzo. Allegro | Quartetto Italiano, Maurizio Pollini | — | |
| 17-4 | Quintet for Piano, 2 Violins, Viola, and Violoncello in F minor, op. 34: 4. Finale. Poco sostenuto — Allegro non troppo — Tempo I — Presto, non troppo | Quartetto Italiano, Maurizio Pollini | — | |
| 18-1 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso — Poco più moderato | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 18-2 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 18-3 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 19-1 | Symphonic Studies, Op. 13: Theme | Maurizio Pollini | T-061.498.272-7 | |
| 19-2 | Symphonic Studies, Op. 13: Etude I | Maurizio Pollini | — | |
| 19-3 | Symphonic Studies, Op. 13: Etude II | Maurizio Pollini | — | |
| 19-4 | Symphonic Studies, Op. 13: Etude III | Maurizio Pollini | — | |
| 19-5 | Symphonic Studies, Op. 13: Variation III - Etude IV | Maurizio Pollini | — | |
| 19-6 | Symphonic Studies, Op. 13: Variation IV - Etude V | Maurizio Pollini | — | |
| 19-7 | Symphonic Studies, Op. 13: Appendix - Variation I | Maurizio Pollini | — | |
| 19-8 | Symphonic Studies, Op. 13: Appendix - Variation II | Maurizio Pollini | T-003.038.364-2 | |
| 19-9 | Symphonic Studies, Op. 13 - Appendix: Variation III | Maurizio Pollini | — | |
| 19-10 | Symphonic Studies, Op. 13 - Appendix: Variation IV | Maurizio Pollini | — | |
| 19-11 | Symphonic Etudes in Variation Form: Variation post. V | — | ||
| 19-12 | Etüde VI Agitato | — | ||
| 19-13 | Etüde VII Allegro molto | — | ||
| 19-14 | Etüde VIII | — | ||
| 19-15 | Etüde IX. Presto possibile | — | ||
| 19-16 | Etüde X. | — | ||
| 19-17 | Etüde XI. | — | ||
| 19-18 | Etüde XII Allegro brillante | — | ||
| 19-19 | Arabeske in C, Op. 18 | Maurizio Pollini | — | |
| 20-1 | Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento | Maurizio Pollini | — | |
| 20-2 | Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo | Maurizio Pollini | — | |
| 20-3 | Piano Sonata No. 2 in B flat minor, Op. 35: III. Marche funèbre. Lento - attacca: | Maurizio Pollini | T-915.712.196-5 | |
| 20-4 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto | Maurizio Pollini | T-309.554.578-7 | |
| 20-5 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | Maurizio Pollini | T-911.517.582-1 | |
| 20-6 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | Maurizio Pollini | T-911.517.582-1 | |
| 20-7 | Piano Sonata No. 3, Op. 58: III. Largo | Maurizio Pollini | T-911.517.582-1 | |
| 20-8 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto ma non tanto | Maurizio Pollini | T-309.554.578-7 | |
| 21-1 | Piano Sonata in C minor, D. 958: I. Allegro | Maurizio Pollini | T-306.395.786-4 | |
| 21-2 | Piano Sonata in C minor, D. 958: II. Adagio | Maurizio Pollini | — | |
| 21-3 | Piano Sonata in C minor, D. 958: III. Menuetto. Allegro — Trio | Maurizio Pollini | — | |
| 21-4 | Piano Sonata in C minor, D. 958: IV. Allegro | Maurizio Pollini | — | |
| 21-5 | Piano Sonata in A major, D. 959: I. Allegro | Maurizio Pollini | T-306.395.786-4 | |
| 21-6 | Piano Sonata in A major, D. 959: II. Andantino | Maurizio Pollini | T-304.361.655-9 | |
| 21-7 | Piano Sonata in A major, D. 959: III. Scherzo. Allegro vivace — Trio. Un poco più lento | Maurizio Pollini | — | |
| 21-8 | Piano Sonata in A major, D. 959: IV. Rondo. Allegretto | Maurizio Pollini | — | |
| 22-1 | Piano Sonata in B-flat major, D 960: I. Molto moderato | — | ||
| 22-2 | Piano Sonata in B-flat major, D 960: II. Andante sostenuto | — | ||
| 22-3 | Piano Sonata in B-flat major, D 960: III. Scherzo. Allegro vivace con delicatezza | — | ||
| 22-4 | Piano Sonata in B-flat major, D 960: IV. Allegro, ma non troppo - Presto | — | ||
| 22-5 | Allegretto in C minor, D 915 | Maurizio Pollini | T-011.751.253-4 | |
| 22-6 | Drei Klavierstücke, D. 946 no. 1 in E-flat minor: Allegro Assai - Andante - Andantino | Maurizio Pollini | — | |
| 22-7 | Drei Klavierstücke, D. 946 no. 2 in E-flat major: Allegretto - L'istesso Tempo | Maurizio Pollini | — | |
| 22-8 | Drei Klavierstücke, D. 946 no. 3 in C: Allegro | Maurizio Pollini | — | |
| 23-1 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": I. Largo – Allegro | Maurizio Pollini | T-310.769.687-3 | |
| 23-2 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": II. Adagio | Maurizio Pollini | T-310.769.687-3 | |
| 23-3 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "The Tempest": III. Allegretto | Maurizio Pollini | T-310.769.687-3 | |
| 23-4 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio | — | ||
| 23-5 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 23-6 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 23-7 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 23-8 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 23-9 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 23-10 | Piano Sonata no. 26 in E-flat major, op. 81a "Les adieux": I. Das Lebewohl. Adagio - Allegro | — | ||
| 23-11 | Piano Sonata no. 26 in E-flat major, op. 81a "Les adieux": II. Abwesenheit. Andante espressivo | — | ||
| 23-12 | Piano Sonata no. 26 in E-flat major, op. 81a "Les adieux": III. Das Wiedersehn. Vivacissimamente | — | ||
| 24-1 | Piano Sonata in B minor | — | ||
| 24-2 | Nuages gris | — | ||
| 24-3 | Unstern! (Sinistre) | — | ||
| 24-4 | La lugubre gondola I | — | ||
| 24-5 | R.W.-Venezia | — | ||
| 25-1 | Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 | |
| 25-2 | Konzert für Klavier und Orchester a-moll, op. 54: 2. Intermezzo. Andantino grazioso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 | |
| 25-3 | Konzert für Klavier und Orchester a-moll, op. 54: 3. Allegro vivace | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-909.264.262-1 | |
| 25-4 | Konzert für Klavier und Orchester, op. 42: Andante - | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 25-5 | Konzert für Klavier und Orchester, op. 42: Molto allegro - | — | ||
| 25-6 | Konzert für Klavier und Orchester, op. 42: Adagio - | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | T-001.397.158-8 | |
| 25-7 | Konzert für Klavier und Orchester, op. 42: Giocoso (Moderato) - Stretto | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 26-1 | Scherzo no. 1 in B minor, op. 20 | Maurizio Pollini | T-308.384.655-9 | |
| 26-2 | Scherzo no. 2 in B‐flat minor, op. 31 | Maurizio Pollini | — | |
| 26-3 | Scherzo no. 3 in C‐sharp minor, op. 39 | Maurizio Pollini | T-918.063.801-1 | |
| 26-4 | Scherzo no. 4 in E major, op. 54 | Maurizio Pollini | — | |
| 26-5 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 26-6 | Barcarolle in F-sharp major, Op. 60 | Maurizio Pollini | T-905.382.146-8 | |
| 27-1 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-2 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-3 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-4 | Piano Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante – Allegro – Tempo I – attacca: | Maurizio Pollini | — | |
| 27-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | — | |
| 27-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | — | |
| 27-7 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato | Maurizio Pollini | — | |
| 27-8 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 27-9 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 27-10 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 27-11 | Piano Sonata no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | Maurizio Pollini | — | |
| 28-1 | Etudes, L. 136 : I. Pour les « cinq doigts » d’après monsieur Czerny | Maurizio Pollini | T-326.034.905-7 | |
| 28-2 | Etudes, L. 136 : II. Pour les tierces | Maurizio Pollini | — | |
| 28-3 | Etudes, L. 136 : III. Pour les quartes | Maurizio Pollini | — | |
| 28-4 | Etudes, L. 136 : IV. Pour les sixtes | Maurizio Pollini | — | |
| 28-5 | Etudes, L. 136 : V. Pour les octaves | Maurizio Pollini | — | |
| 28-6 | Etudes, L. 136 : VI. Pour les huits doigts | Maurizio Pollini | T-326.034.908-0 | |
| 28-7 | Douze Etudes pour le piano No. 7: Pour les degrés chromatiques | Maurizio Pollini | — | |
| 28-8 | Douze Etudes pour le piano No. 8: Pour les agréments | Maurizio Pollini | — | |
| 28-9 | Douze Etudes pour le piano No. 9: Pour les notes répétées | Maurizio Pollini | — | |
| 28-10 | Douze Etudes pour le piano No. 10: Pour les sonorités opposées | Maurizio Pollini | — | |
| 28-11 | Douze Etudes pour le piano No. 11: Pour les arpèges composés | Maurizio Pollini | — | |
| 28-12 | Douze Etudes pour le piano No. 12: Pour les accords | Maurizio Pollini | — | |
| 28-13 | Sonate pour piano, op. 1: Mäßig bewegt | — | ||
| 29-1 | Klavierkonzert Nr. 1 C-Dur, Op. 15: I. Allegro con brio | — | ||
| 29-2 | Klavierkonzert Nr. 1 C-Dur, Op. 15: II. Largo | — | ||
| 29-3 | Klavierkonzert Nr. 1 C-Dur, Op. 15: III. Rondo. Allegro [scherzando] | — | ||
| 29-4 | Klavierkonzert Nr. 2 B-Dur, Op. 19: I. Allegro con brio | — | ||
| 29-5 | Klavierkonzert Nr. 2 B-Dur, Op. 19: II. Adagio | — | ||
| 29-6 | Klavierkonzert Nr. 2 B-Dur, Op. 19: III. Rondo. Molto allegro | — | ||
| 30-1 | Klavierkonzert Nr. 3 c-Moll, op. 37: I. Allegro con brio | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-2 | Klavierkonzert Nr. 3 c-Moll, Op. 37: II. Largo | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-3 | Klavierkonzert Nr. 3 c-Moll, op. 37: III. Rondo. Allegro | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-4 | Klavierkonzert Nr. 4 G-Dur, op. 58: I. Allegro moderato | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-5 | Klavierkonzert Nr. 4 G-Dur, op. 58: II. Andante con moto | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 30-6 | Klavierkonzert Nr. 4 G-Dur, op. 58: III. Rondo. Vivace | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 31-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 31-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio | — | ||
| 31-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondeau: Allegro | — | ||
| 31-4 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio | — | ||
| 31-5 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: II. Allegro | — | ||
| 31-6 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: III. Adagio | — | ||
| 31-7 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: IV. Marcia | — | ||
| 31-8 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: V. Allegretto | — | ||
| 31-9 | Fantasia for piano, chorus and orchestra in C minor, op. 80 “Choral Fantasy”: VI. Presto | — | ||
| 32-1 | Concerto for Piano and Orchestra no. 1 in D Minor, op. 15: I. Maestoso | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 32-2 | Concerto for Piano and Orchestra no. 1 in D Minor, op. 15: II. Adagio | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 32-3 | Concerto for Piano and Orchestra no. 1 in D Minor, op. 15: III. Rondo. Allegro Non Troppo | Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | — | |
| 33-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 33-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 33-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 33-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 34-1 | Préludes : 1er Livre : I. Danseuses de Delphes : Lent et grave | — | ||
| 34-2 | Préludes : 1er Livre : II. Voiles : Modéré | — | ||
| 34-3 | Préludes : 1er Livre : III. Le vent dans la plaine : Animé | — | ||
| 34-4 | Préludes : 1er Livre : IV. « Les sons et les parfums tournent dans l'air du soir » : Modéré | — | ||
| 34-5 | Préludes : 1er Livre : V. Les collines d'Anacapri : Très modéré | — | ||
| 34-6 | Préludes : 1er Livre : VI. Des pas sur la neige : Triste et lent | — | ||
| 34-7 | Préludes : 1er Livre : VII. Ce qu'a vu le vent d'ouest : Animé et tumultueux | — | ||
| 34-8 | Préludes : 1er Livre : VIII. La fille aux cheveux de lin : Très calme et doucement expressif | — | ||
| 34-9 | Préludes : 1er Livre : IX. La sérénade interrompue : Modérément animé | — | ||
| 34-10 | Préludes : 1er Livre : X. La cathédrale engloutie : Profondément calme | — | ||
| 34-11 | Préludes : 1er Livre : XI. La danse de Puck : Capricieux et léger | — | ||
| 34-12 | Préludes : 1er Livre : XII. Minstrels : Modéré | — | ||
| 34-13 | L'Isle joyeuse : Modéré et très souple | — | ||
| 35-1 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | — | ||
| 35-2 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | — | ||
| 35-3 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | — | ||
| 35-4 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | — | ||
| 35-5 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 35-6 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 35-7 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 35-8 | Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | — | ||
| 35-9 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — | |
| 35-10 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto - attacca | Maurizio Pollini | — | |
| 35-11 | Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo | Maurizio Pollini | — | |
| 36-1 | 33 Variationen über einen Walzer von Diabelli op. 120: Tema. Vivace | Maurizio Pollini | — | |
| 36-2 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 1 Alla Marcia maestoso | Maurizio Pollini | — | |
| 36-3 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 2 Poco allegro | Maurizio Pollini | — | |
| 36-4 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 3 L`istesso tempo | Maurizio Pollini | — | |
| 36-5 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 4 Un poco più vivace | Maurizio Pollini | — | |
| 36-6 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 5 Allegro vivace | Maurizio Pollini | — | |
| 36-7 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 6 Allegro ma non troppo e serioso | Maurizio Pollini | — | |
| 36-8 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 7 Un poco più allegro | Maurizio Pollini | — | |
| 36-9 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 8 Poco vivace | Maurizio Pollini | — | |
| 36-10 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 9 Allegro pesante e risoluto | Maurizio Pollini | — | |
| 36-11 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 10 Presto | Maurizio Pollini | — | |
| 36-12 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 11 Allegretto | Maurizio Pollini | — | |
| 36-13 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 12 Un poco più moto | Maurizio Pollini | — | |
| 36-14 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 13 Vivace | Maurizio Pollini | — | |
| 36-15 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 14 Grave e maestoso | Maurizio Pollini | — | |
| 36-16 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 15 Presto scherzando | Maurizio Pollini | — | |
| 36-17 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 16 Allegro | Maurizio Pollini | — | |
| 36-18 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 17 | Maurizio Pollini | — | |
| 36-19 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 18 Poco moderato | Maurizio Pollini | — | |
| 36-20 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 19 Presto | Maurizio Pollini | — | |
| 36-21 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 20 Andante | Maurizio Pollini | — | |
| 36-22 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 21 Allegro con brio - Meno allegro | Maurizio Pollini | — | |
| 36-23 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 22 Allegro molto (alla "Notte e giorno faticar" di Mozart) | Maurizio Pollini | — | |
| 36-24 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 23 Allegro assai | Maurizio Pollini | — | |
| 36-25 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 24 Fughetta. Andante | Maurizio Pollini | — | |
| 36-26 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 25 Allegro | Maurizio Pollini | — | |
| 36-27 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 26 | Maurizio Pollini | — | |
| 36-28 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 27 Vivace | Maurizio Pollini | — | |
| 36-29 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 28 Allegro | Maurizio Pollini | — | |
| 36-30 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 29 Adagio ma non troppo | Maurizio Pollini | — | |
| 36-31 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 30 Andante, sempre cantabile | Maurizio Pollini | — | |
| 36-32 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 31 Largo, molto espressivo | Maurizio Pollini | — | |
| 36-33 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 32 Fuga. Allegro | Maurizio Pollini | — | |
| 36-34 | 33 Variationen über einen Walzer von Diabelli op. 120: Var. 33 Tempo di Menuetto, moderato (ma non tirarsi dietro) | Maurizio Pollini | — | |
| 37-1 | Ballade no. 1 in G minor, op. 23 | Maurizio Pollini | T-917.141.447-4 | |
| 37-2 | Ballade no. 2 in F major, op. 38 | Maurizio Pollini | — | |
| 37-3 | Ballade no. 3 in A‐flat major, op. 47 | Maurizio Pollini | T-913.821.070-5 | |
| 37-4 | Ballade no. 4 in F minor, op. 52 | Maurizio Pollini | — | |
| 37-5 | Prélude in C‐sharp minor, op. 45 | Maurizio Pollini | — | |
| 37-6 | Fantaisie in F minor, op. 49 | Maurizio Pollini | — | |
| 38-1 | Davidsbündlertänze, op. 6: 1. Lebhaft | — | ||
| 38-2 | Davidsbündlertänze, op. 6: 2. Innig | — | ||
| 38-3 | Davidsbündlertänze, op. 6: 3. Etwas hahnbüchen | — | ||
| 38-4 | Davidsbündlertänze, op. 6: 4. Ungeduldig | — | ||
| 38-5 | Davidsbündlertänze, op. 6: 5. Einfach | — | ||
| 38-6 | Davidsbündlertänze, op. 6: 6. Sehr rasch und in sich hinein | — | ||
| 38-7 | Davidsbündlertänze, op. 6: 7. Nicht schnell und mit äußerst starker Empfindung | — | ||
| 38-8 | Davidsbündlertänze, op. 6: 8. Frisch | — | ||
| 38-9 | Davidsbündlertänze, op. 6: 9. ♩ = 126 | — | ||
| 38-10 | Davidsbündlertänze, op. 6: 10. Balladenmäßig, sehr rasch | — | ||
| 38-11 | Davidsbündlertänze, op. 6: 11. Einfach | — | ||
| 38-12 | Davidsbündlertänze, op. 6: 12. Mit Humor | — | ||
| 38-13 | Davidsbündlertänze, op. 6: 13. Wild und lustig | — | ||
| 38-14 | Davidsbündlertänze, op. 6: 14. Zart und singend | — | ||
| 38-15 | Davidsbündlertänze, op. 6: 15. Frisch | — | ||
| 38-16 | Davidsbündlertänze, op. 6: 16. Mit gutem Humor | — | ||
| 38-17 | Davidsbündlertänze, op. 6: 17. Wie aus der Ferne | — | ||
| 38-18 | Davidsbündlertänze, op. 6: 18. Nicht schnell | — | ||
| 38-19 | Concert sans orchestre, op. 14: 1. Allegro brillante | — | ||
| 38-20 | Concert sans orchestre, op. 14: 2. Quasi Variazioni. Andantino de Clara Wieck | — | ||
| 38-21 | Concert sans orchestre, op. 14: 3. Prestissimo possibile | — | ||
| 39-1 | Allegro in B minor, Op. 8 | — | ||
| 39-2 | Kreisleriana Op. 16: I. Äußerst bewegt | — | ||
| 39-3 | Kreisleriana Op. 16: II. Sehg innig | — | ||
| 39-4 | Kreisleriana Op. 16: III. Sehr aufgeregt | — | ||
| 39-5 | Kreisleriana Op. 16: IV. Sehr langsam | — | ||
| 39-6 | Kreisleriana Op. 16: V. Sehr lebhaft | — | ||
| 39-7 | Kreisleriana Op. 16: VI. Sehr langsam | — | ||
| 39-8 | Kreisleriana Op. 16: VII. Sehr rasch | — | ||
| 39-9 | Kreisleriana Op. 16: VIII. Schnell und spielend | — | ||
| 39-10 | Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo | — | ||
| 39-11 | Gesänge der Frühe, Op. 133: II. Belebt, nicht zu rasch | — | ||
| 39-12 | Gesänge der Frühe, Op. 133: III. Lebhaft | — | ||
| 39-13 | Gesänge der Frühe, Op. 133: IV. Bewegt | — | ||
| 39-14 | Gesänge der Frühe, Op. 133: V. Im Anfang ruhiges, im Verlauf bewegtes Tempo | — | ||
| 40-1 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto | Maurizio Pollini | — | |
| 40-2 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto | Maurizio Pollini | — | |
| 40-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | Maurizio Pollini | T-306.395.786-4 | |
| 40-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto - attacca: | Maurizio Pollini | — | |
| 40-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro, ma non troppo - Presto | Maurizio Pollini | T-031.682.208-8 | |
| 40-6 | Piano Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro, ma non troppo | Maurizio Pollini | — | |
| 40-7 | Piano Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace | Maurizio Pollini | — | |
| 40-8 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Maurizio Pollini | — | |
| 40-9 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Maurizio Pollini | — | |
| 41-1 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 41-2 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 41-3 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | — | ||
| 41-4 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | — | ||
| 41-5 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | — | ||
| 41-6 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | — | ||
| 41-7 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | — | ||
| 41-8 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 41-9 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 41-10 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 41-11 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 41-12 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 41-13 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | — | ||
| 42-1 | Piano Concerto no. 17 in G major, K. 453 "Second Ployer": I. Allegro | — | ||
| 42-2 | Piano Concerto no. 17 in G major, K. 453 "Second Ployer": II. Andante | — | ||
| 42-3 | Piano Concerto no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto | — | ||
| 42-4 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro | — | ||
| 42-5 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | — | ||
| 42-6 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai | — | ||
| 43-1 | 3 Nocturnes, op. 9, no. 1 in B-flat minor: Larghetto | — | ||
| 43-2 | 3 Nocturnes, op. 9, no. 2 in E-flat major: Andante | — | ||
| 43-3 | 3 Nocturnes, op. 9, no. 3 in B major: Allegretto | — | ||
| 43-4 | 3 Nocturnes, op. 15, no. 1 in F major: Andante cantabile | — | ||
| 43-5 | 3 Nocturnes, op. 15, no. 2 in F-sharp major: Larghetto | — | ||
| 43-6 | 3 Nocturnes, op. 15, no. 3 in G minor: Lento | — | ||
| 43-7 | 2 Nocturnes, op. 27, no. 1 in C-sharp minor: Larghetto | — | ||
| 43-8 | 2 Nocturnes, op. 27, no. 2 in D-flat major: Lento sostenuto | — | ||
| 43-9 | 2 Nocturnes, op. 32, no. 1 in B major: Andante sostenuto | — | ||
| 43-10 | 2 Nocturnes, op. 32, no. 2 in A-flat major: Lento | — | ||
| 44-1 | 2 Nocturnes, op. 37, no. 1 in G minor: Andante sostenuto | — | ||
| 44-2 | 2 Nocturnes, op. 37, no. 2 in G major: Andantino | — | ||
| 44-3 | 2 Nocturnes, op. 48, no. 1 in C minor: Lento | — | ||
| 44-4 | 2 Nocturnes, op. 48, no. 2 in F-sharp minor: Andantino | — | ||
| 44-5 | 2 Nocturnes, op. 55, no. 1 in F minor: Andante | — | ||
| 44-6 | 2 Nocturnes, op. 55, no. 2 in E-flat major: Lento sostenuto | — | ||
| 44-7 | 2 Nocturnes, op. 62, no. 1 in B major: Andante | — | ||
| 44-8 | 2 Nocturnes, op. 62, no. 2 in E major: Lento | — | ||
| 44-9 | Nocturne, op. post. 72, no. 1 in E minor: Andante | — | ||
| 45-1 | Piano Sonatas, op. 2: No. 1 in F minor: I. Allegro | — | ||
| 45-2 | Piano Sonatas, op. 2: No. 1 in F minor: II. Adagio | — | ||
| 45-3 | Piano Sonatas, op. 2: No. 1 in F minor: III. Menuetto. Allegretto | — | ||
| 45-4 | Piano Sonatas, op. 2: No. 1 in F minor: IV. Prestissimo | — | ||
| 45-5 | Piano Sonatas, op. 2: No. 2 in A major: I. Allegro vivace | — | ||
| 45-6 | Piano Sonatas, op. 2: No. 2 in A major: II. Largo appassionato | — | ||
| 45-7 | Piano Sonatas, op. 2 no. 2 in A major: III. Scherzo. Allegretto | Maurizio Pollini | — | |
| 45-8 | Piano Sonatas, op. 2: No. 2 in A major: IV. Rondo. Grazioso | — | ||
| 45-9 | Piano Sonatas, op. 2: No. 3 in C major: I. Allegro con brio | — | ||
| 45-10 | Piano Sonatas, op. 2: No. 3 in C major: II. Adagio | — | ||
| 45-11 | Piano Sonatas, op. 2 no. 3 in C major: III. Scherzo. Allegro | Maurizio Pollini | T-911.517.582-1 | |
| 45-12 | Piano Sonatas, op. 2: No. 3 in C major: IV. Allegro assai | — | ||
| 46-1 | Piano Concerto no. 12 in A major, K. 414: I. Allegro | — | ||
| 46-2 | Piano Concerto no. 12 in A major, K. 414: II. Andante | — | ||
| 46-3 | Piano Concerto no. 12 in A major, K. 414: III. Rondo. Allegretto | — | ||
| 46-4 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | — | ||
| 46-5 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | — | ||
| 46-6 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | — | ||
| 47-1 | Ballade no. 2 in F major, op. 38 | — | ||
| 47-2 | 4 Mazurkas, op. 33: no. 1 in G-sharp minor: Lento | — | ||
| 47-3 | 4 Mazurkas, op. 33: no. 2 in D major: Vivace | — | ||
| 47-4 | 4 Mazurkas, op. 33: no. 3 in C major: Semplice | — | ||
| 47-5 | 4 Mazurkas, op. 33: no. 4 in B minor: Mesto | — | ||
| 47-6 | 3 Waltzes, op. 34: no. 1 in A-flat major: Vivace | — | ||
| 47-7 | 3 Waltzes, op. 34: no. 2 in A minor: Lento | — | ||
| 47-8 | 3 Waltzes, op. 34: no. 3 in F major: Vivace | — | ||
| 47-9 | Impromptu no. 2 in F-sharp major, op. 36 | — | ||
| 47-10 | Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento | — | ||
| 47-11 | Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo | — | ||
| 47-12 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre: Lento | — | ||
| 47-13 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale: Presto | — | ||
| 48-1 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846: I. Præludium | Maurizio Pollini | T-910.415.372-2 | |
| 48-2 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C major, BWV 846: II. Fuga | Maurizio Pollini | T-325.603.871-4 | |
| 48-3 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: I. Præludium | Maurizio Pollini | T-315.964.113-7 | |
| 48-4 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C minor, BWV 847: II. Fuga | Maurizio Pollini | — | |
| 48-5 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: I. Præludium | Maurizio Pollini | — | |
| 48-6 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 3 in C-sharp major, BWV 848: II. Fuga | Maurizio Pollini | T-913.821.070-5 | |
| 48-7 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: I. Præludium | Maurizio Pollini | — | |
| 48-8 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 4 in C-sharp minor, BWV 849: II. Fuga | Maurizio Pollini | T-011.696.501-5 | |
| 48-9 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: I. Præludium | Maurizio Pollini | — | |
| 48-10 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 5 in D major, BWV 850: II. Fuga | Maurizio Pollini | — | |
| 48-11 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: I. Præludium | Maurizio Pollini | T-800.673.625-1 | |
| 48-12 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 6 in D minor, BWV 851: II. Fuga | Maurizio Pollini | — | |
| 48-13 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 7 in E-flat major, BWV 852: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 48-14 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 7 in E-flat major, BWV 852: II. Fuga | Maurizio Pollini | T-922.046.111-0 | |
| 48-15 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 8 in E-flat minor, BWV 853: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 48-16 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 8 in E-flat minor, BWV 853: II. Fuga | Maurizio Pollini | T-922.046.010-6 | |
| 48-17 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: I. Præludium | Maurizio Pollini | — | |
| 48-18 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 9 in E major, BWV 854: II. Fuga | Maurizio Pollini | — | |
| 48-19 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 48-20 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 10 in E minor, BWV 855: II. Fuga | Maurizio Pollini | — | |
| 48-21 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 11 in F major, BWV 856: I. Præludium | Maurizio Pollini | — | |
| 48-22 | The Well-Tempered Clavier, Book 1: Prelude no. 11 in F major, BWV 856/1 | Johann Sebastian Bach | — | |
| 48-23 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 12 in F minor, BWV 857: I. Præludium | Maurizio Pollini | — | |
| 48-24 | The Well-Tempered Clavier, Book 1: Prelude no. 12 in F minor, BWV 857/1 | Johann Sebastian Bach | T-320.964.450-4 | |
| 49-1 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: I. Præludium | Maurizio Pollini | — | |
| 49-2 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 13 in F-sharp major, BWV 858: II. Fuga | Maurizio Pollini | — | |
| 49-3 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: I. Præludium | Maurizio Pollini | — | |
| 49-4 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 14 in F-sharp minor, BWV 859: II. Fuga | Maurizio Pollini | T-329.412.466-2 | |
| 49-5 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: I. Præludium | Maurizio Pollini | — | |
| 49-6 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 15 in G major, BWV 860: II. Fuga | Maurizio Pollini | T-329.412.466-2 | |
| 49-7 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: I. Præludium | Maurizio Pollini | — | |
| 49-8 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 16 in G minor, BWV 861: II. Fuga | Maurizio Pollini | T-329.412.466-2 | |
| 49-9 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: I. Præludium | Maurizio Pollini | — | |
| 49-10 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 17 in A-flat major, BWV 862: II. Fuga | Maurizio Pollini | — | |
| 49-11 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: I. Præludium | Maurizio Pollini | T-922.046.010-6 | |
| 49-12 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 18 in G-sharp minor, BWV 863: II. Fuga | Maurizio Pollini | — | |
| 49-13 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: I. Præludium | Maurizio Pollini | — | |
| 49-14 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 19 in A major, BWV 864: II. Fuga | Maurizio Pollini | — | |
| 49-15 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: I. Præludium | Maurizio Pollini | — | |
| 49-16 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 20 in A minor, BWV 865: II. Fuga | Maurizio Pollini | — | |
| 49-17 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: I. Præludium | Maurizio Pollini | — | |
| 49-18 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 21 in B-flat major, BWV 866: II. Fuga | Maurizio Pollini | — | |
| 49-19 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: I. Præludium | Maurizio Pollini | — | |
| 49-20 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 22 in B-flat minor, BWV 867: II. Fuga | Maurizio Pollini | — | |
| 49-21 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: I. Præludium | Maurizio Pollini | — | |
| 49-22 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 23 in B major, BWV 868: II. Fuga | Maurizio Pollini | — | |
| 49-23 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: I. Præludium | Maurizio Pollini | — | |
| 49-24 | The Well-Tempered Clavier, Book I: Prelude and Fugue No. 24 in B minor, BWV 869: II. Fuga | Maurizio Pollini | — | |
| 50-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso: Poco più moderato | — | ||
| 50-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | — | ||
| 50-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) | — | ||
| 51-1 | 24 Préludes, op. 28: No. 1 in C major. Agitato | Maurizio Pollini | — | |
| 51-2 | 24 Préludes, op. 28: No. 2 in A minor. Lento | Maurizio Pollini | — | |
| 51-3 | 24 Préludes, op. 28: No. 3 in G major. Vivace | Maurizio Pollini | — | |
| 51-4 | 24 Préludes, op. 28: No. 4 in E minor. Largo | Maurizio Pollini | T-924.555.517-3 | |
| 51-5 | 24 Préludes, op. 28: No. 5 in D major. Allegro molto | Maurizio Pollini | — | |
| 51-6 | 24 Préludes, op. 28: No. 6 in B minor. Lento assai | Maurizio Pollini | — | |
| 51-7 | 24 Préludes, op. 28: No. 7 in A major. Andantino | Maurizio Pollini | — | |
| 51-8 | 24 Préludes, op. 28: No. 8 in F-sharp minor. Molto agitato | Maurizio Pollini | T-918.063.801-1 | |
| 51-9 | 24 Préludes, op. 28: No. 9 in E major. Largo | Maurizio Pollini | T-906.148.797-6 | |
| 51-10 | 24 Préludes, op. 28: No. 10 in C-sharp minor. Allegro molto | Maurizio Pollini | T-915.981.383-9 | |
| 51-11 | 24 Préludes, op. 28: No. 11 in B major. Vivace | Maurizio Pollini | — | |
| 51-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor. Presto | Maurizio Pollini | T-702.884.109-2 | |
| 51-13 | 24 Préludes, op. 28: No. 13 in F-sharp major. Lento | Maurizio Pollini | — | |
| 51-14 | 24 Préludes, op. 28: No. 14 in E-flat minor. Allegro | Maurizio Pollini | T-922.046.010-6 | |
| 51-15 | 24 Préludes, op. 28: No. 15 in D-flat major ("Raindrop"). Sostenuto | Maurizio Pollini | — | |
| 51-16 | 24 Préludes, op. 28: No. 16 in B-flat minor. Presto con fuoco | Maurizio Pollini | — | |
| 51-17 | 24 Préludes, op. 28: No. 17 in A-flat major. Allegretto | Maurizio Pollini | T-903.060.250-7 | |
| 51-18 | 24 Préludes, op. 28: No. 18 in F minor. Allegro molto | Maurizio Pollini | — | |
| 51-19 | 24 Préludes, op. 28: No. 19 in E-flat major. Vivace | Maurizio Pollini | T-906.148.797-6 | |
| 51-20 | 24 Préludes, op. 28: No. 20 in C minor. Largo | Maurizio Pollini | T-308.384.655-9 | |
| 51-21 | 24 Préludes, op. 28: No. 21 in B-flat major. Cantabile | Maurizio Pollini | — | |
| 51-22 | 24 Préludes, op. 28: No. 22 G minor. Molto agitato | Maurizio Pollini | T-917.141.447-4 | |
| 51-23 | 24 Préludes, op. 28: No. 23 in F major. Moderato | Maurizio Pollini | — | |
| 51-24 | 24 Préludes, op. 28: No. 24 in D minor. Allegro appassionato | Maurizio Pollini | — | |
| 51-25 | 2 Nocturnes, op. 27: No. 1 in C-sharp minor. Larghetto | Maurizio Pollini | T-313.926.187-9 | |
| 51-26 | 2 Nocturnes, op. 27: No. 2 in D-flat major. Lento sostenuto | Maurizio Pollini | — | |
| 51-27 | 4 Mazurkas, op. 30: No. 1 in C minor. Allegretto non tanto | Maurizio Pollini | — | |
| 51-28 | 4 Mazurkas, op. 30: No. 2 in B minor. Vivace | Maurizio Pollini | — | |
| 51-29 | 4 Mazurkas, op. 30: No. 3 in D-flat major. Allegro non troppo | Maurizio Pollini | — | |
| 51-30 | 4 Mazurkas, op. 30: No. 4 in C-sharp minor. Allegretto | Maurizio Pollini | T-918.063.801-1 | |
| 51-31 | Scherzo no. 2 in B‐flat minor, op. 31: Presto | Maurizio Pollini | — | |
| 52-1 | Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Maurizio Pollini | — | |
| 52-2 | Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Maurizio Pollini | — | |
| 52-3 | Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro | Maurizio Pollini | — | |
| 52-4 | Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Maurizio Pollini | — | |
| 52-5 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 52-6 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Maurizio Pollini | — | |
| 52-7 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Maurizio Pollini | — | |
| 52-8 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Maurizio Pollini | T-070.160.313-5 | |
| 52-9 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Maurizio Pollini | — | |
| 52-10 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Maurizio Pollini | — | |
| 52-11 | Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Maurizio Pollini | — | |
| 52-12 | Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Maurizio Pollini | — | |
| 52-13 | Piano Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Maurizio Pollini | — | |
| 52-14 | Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Maurizio Pollini | — | |
| 53-1 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 53-2 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 53-3 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante - Più adagio | — | ||
| 53-4 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - Un poco più presto | — | ||
| 54-1 | Piano Sonata no. 16 in G, op. 31 no. 1: 1. Allegro vivace | — | ||
| 54-2 | Piano Sonata no. 16 in G, op. 31 no. 1: 2. Adagio grazioso | — | ||
| 54-3 | Piano Sonata no. 16 in G, op. 31 no. 1: 3. Rondo (Allegretto) | — | ||
| 54-4 | Piano Sonata no. 17 in D minor, op. 31 no. 2 -'Tempest': 1. Largo - Allegro | — | ||
| 54-5 | Piano Sonata no. 17 in D minor, op. 31 no. 2 -'Tempest': 2. Adagio | — | ||
| 54-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 -'Tempest': 3. Allegretto | — | ||
| 54-7 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 1. Allegro | — | ||
| 54-8 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 2. Scherzo (Allegretto vivace) | — | ||
| 54-9 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 3. Menuetto (Moderato e grazioso) | — | ||
| 54-10 | Piano Sonata no. 18 in E-flat, op. 31 no. 3 -'The Hunt': 4. Presto con fuoco | — | ||
| 54-11 | Piano Sonata no. 19 in G minor, op. 49 no. 1: 1. Andante | — | ||
| 54-12 | Piano Sonata no. 19 in G minor, op. 49 no. 1: 2. Rondo (Allegro) | — | ||
| 54-13 | Piano Sonata no. 20 in G, op. 49 no. 2: 1. Allegro ma non troppo | — | ||
| 54-14 | Piano Sonata no. 20 in G, op. 49 no. 2: 2. Tempo di Menuetto | — | ||
| 55-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | — | ||
| 55-2 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni | — | ||
| 55-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | — |
