UPC · Release
Various Artists
Last verified:
The UPC for “A Tribute to John Cargher” by Various Artists is 0028948013791. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: ABC Classics. This release contains 64 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Music / “Caruso and Melba and the Gramophone…” | — | ||
| 3 | La sonnambula: “Ah, non giunge” | — | ||
| 4 | “Ah, non giunge… This Was Singing Good Enough to Start the Ball Rolling for My 1965 Special…” | — | ||
| 5 | Il tabarro: “È ben altro” … “Ho sognato una casseta” (Theme Music to Singers of Renown (complete)) | — | ||
| 6 | “The Theme of Singers of Renown… A Tenor Appeared in the Theme Music…” | — | ||
| 7 | Adriana Lecouvreur: “La dolcissima effigie” | — | ||
| 8 | “La Dolcissima Effigie… Well, Singers of Renown Growed and Growed…” | — | ||
| 9 | The Creed | — | ||
| 10 | “The Creed… For Example, Anni Frind Was the First Soprano to Sing and Record the Nuns’ Chorus…” | — | ||
| 11 | Die Fledermaus: “Täubchen, das entflattert ist” (Alfred and Adele’s Duet) | — | ||
| 12 | “You’re Listening to Singers of Renown… In Telling the History of This Program… High Notes…” | — | ||
| 13 | The Carnival of Venice | — | ||
| 14 | “The Carnival of Venice… Give a Thought to a Simple Waltz…” | — | ||
| 15 | Der Rosenkavalier: “Herr Kavalier” | — | ||
| 16 | “Herr Kavalier… The Recording of Local Opera or Concert Singers Is a Comparatively Recent Phenomenon…” | — | ||
| 17 | Carmen: “La fleur que tu m’avais jetée” (Flower Song) | — | ||
| 18 | “The Flower Song… But What About Singers of the Future?…” | — | ||
| 19 | “Admittedly, I’ve Been Producing Words and Music for This Program All These Years…” | — | ||
| 20 | Conclusion / Theme | — | ||
| 21 | Otello: “Si, pel ciel” | — | ||
| 22 | Manon Lescaut: « C’est l’histoire amoureuse » (Laughing Song) | — | ||
| 23 | La fanciulla del West: “Ch’ella mi creda” | — | ||
| 24 | Good Night | — | ||
| 2-1 | Introduction | — | ||
| 2-2 | Theme / “I Did Not Grow Up With Music…” | — | ||
| 2-3 | Cavalleria rusticana: Easter Hymn | — | ||
| 2-4 | “The Easter Hymn… I Went Without Meals to Attend a Fiendishly Expensive Gallery at Covent Garden: Two Shillings…” | — | ||
| 2-5 | Rigoletto: “Bella figlia dell’amore” (Quartet) | — | ||
| 2-6 | “No, I Never Heard Amelita Galli‐Curci… I Became a Dyed‐In‐The‐Wool Balletomane…” | — | ||
| 2-7 | Le Villi: Atto II. Duet “T’amai; mi tradisti ” | — | ||
| 2-8 | “Not a Famous Duet… I Had a Modest Record Collection by Then…” | — | ||
| 2-9 | Ernani: “Ernani involami” | — | ||
| 2-10 | “Ernani involami… On Being Demobbed in 1945, I Went Into the Theatre Business…” | — | ||
| 2-11 | There but for You Go I | — | ||
| 2-12 | “There, From the Original Cast of Brigadoon…” | — | ||
| 2-13 | I Talk to the Trees | — | ||
| 2-14 | “I Talk to the Trees… Almost by Accident I Ended Up in the Record Trade…” | — | ||
| 2-15 | Miserere (excerpt) | — | ||
| 2-16 | “These Days Roy Goodman Is a Renowned Conductor… I Left the Record Trade and a New, Many‐Sided Career Began…” | — | ||
| 2-17 | Hamlet : « Et maintenant"… “Pâle et blonde” (Mad Scene) | — | ||
| 2-18 | “The Voice of the Young Glenda Raymond Impersonating Melba… I Used to Take Opera Tours Around the World…” | — | ||
| 2-19 | Mefistofele: “Se tu mi doni” | — | ||
| 2-20 | Mefistofele: “Lontano, lontano” | — | ||
| 2-21 | Mefistofele: “Spunta l’aurora pallida” | — | ||
| 2-22 | “Three Extracts… Thank You…” | — | ||
| 2-23 | Conclusion / Theme | — | ||
| 2-24 | Die tote Stadt: “Glück, das mir verblieb” (Mariettalied) | — | ||
| 2-25 | Porgy and Bess: “Bess, You Is My Woman Now” | — | ||
| 2-26 | “My Next Item Is the Most Frequently Played Track…” | — | ||
| 2-27 | Candide: “It Must Be So” | — | ||
| 3-1 | Music for Pleasure Theme / Introduction | — | ||
| 3-2 | Roman Carnival, op. 9: Overture | — | ||
| 3-3 | Cavalleria Rusticana: Intermezzo | — | ||
| 3-4 | The Fool on the Hill: Yesterdays Concerto | — | ||
| 3-5 | Masquerade Waltz | — | ||
| 3-6 | Lakmé: Acte I. « Viens Mallika » | — | ||
| 3-7 | Le Bourgeois Gentilhomme: Intermezzo | — | ||
| 3-8 | Don John of Austria: Overture | — | ||
| 3-9 | Pavane | — | ||
| 3-10 | Trumpet Concerto in E‐flat: 1st Movement | — | ||
| 3-11 | The Wasps : March of the Kitchen Utensils | — | ||
| 3-12 | Symphony no. 2 “Joy of Life”: Gloria in excelsis | — | ||
| 3-13 | Rondo for Piano and Orchestra, op. posth. (Theme to Music for Pleasure) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
0028948013791 is a Universal Product Code (UPC) assigned to A Tribute to John Cargher by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “A Tribute to John Cargher” by Various Artists is 0028948013791. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: ABC Classics. This release contains 64 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Music / “Caruso and Melba and the Gramophone…” | — | ||
| 3 | La sonnambula: “Ah, non giunge” | — | ||
| 4 | “Ah, non giunge… This Was Singing Good Enough to Start the Ball Rolling for My 1965 Special…” | — | ||
| 5 | Il tabarro: “È ben altro” … “Ho sognato una casseta” (Theme Music to Singers of Renown (complete)) | — | ||
| 6 | “The Theme of Singers of Renown… A Tenor Appeared in the Theme Music…” | — | ||
| 7 | Adriana Lecouvreur: “La dolcissima effigie” | — | ||
| 8 | “La Dolcissima Effigie… Well, Singers of Renown Growed and Growed…” | — | ||
| 9 | The Creed | — | ||
| 10 | “The Creed… For Example, Anni Frind Was the First Soprano to Sing and Record the Nuns’ Chorus…” | — | ||
| 11 | Die Fledermaus: “Täubchen, das entflattert ist” (Alfred and Adele’s Duet) | — | ||
| 12 | “You’re Listening to Singers of Renown… In Telling the History of This Program… High Notes…” | — | ||
| 13 | The Carnival of Venice | — | ||
| 14 | “The Carnival of Venice… Give a Thought to a Simple Waltz…” | — | ||
| 15 | Der Rosenkavalier: “Herr Kavalier” | — | ||
| 16 | “Herr Kavalier… The Recording of Local Opera or Concert Singers Is a Comparatively Recent Phenomenon…” | — | ||
| 17 | Carmen: “La fleur que tu m’avais jetée” (Flower Song) | — | ||
| 18 | “The Flower Song… But What About Singers of the Future?…” | — | ||
| 19 | “Admittedly, I’ve Been Producing Words and Music for This Program All These Years…” | — | ||
| 20 | Conclusion / Theme | — | ||
| 21 | Otello: “Si, pel ciel” | — | ||
| 22 | Manon Lescaut: « C’est l’histoire amoureuse » (Laughing Song) | — | ||
| 23 | La fanciulla del West: “Ch’ella mi creda” | — | ||
| 24 | Good Night | — | ||
| 2-1 | Introduction | — | ||
| 2-2 | Theme / “I Did Not Grow Up With Music…” | — | ||
| 2-3 | Cavalleria rusticana: Easter Hymn | — | ||
| 2-4 | “The Easter Hymn… I Went Without Meals to Attend a Fiendishly Expensive Gallery at Covent Garden: Two Shillings…” | — | ||
| 2-5 | Rigoletto: “Bella figlia dell’amore” (Quartet) | — | ||
| 2-6 | “No, I Never Heard Amelita Galli‐Curci… I Became a Dyed‐In‐The‐Wool Balletomane…” | — | ||
| 2-7 | Le Villi: Atto II. Duet “T’amai; mi tradisti ” | — | ||
| 2-8 | “Not a Famous Duet… I Had a Modest Record Collection by Then…” | — | ||
| 2-9 | Ernani: “Ernani involami” | — | ||
| 2-10 | “Ernani involami… On Being Demobbed in 1945, I Went Into the Theatre Business…” | — | ||
| 2-11 | There but for You Go I | — | ||
| 2-12 | “There, From the Original Cast of Brigadoon…” | — | ||
| 2-13 | I Talk to the Trees | — | ||
| 2-14 | “I Talk to the Trees… Almost by Accident I Ended Up in the Record Trade…” | — | ||
| 2-15 | Miserere (excerpt) | — | ||
| 2-16 | “These Days Roy Goodman Is a Renowned Conductor… I Left the Record Trade and a New, Many‐Sided Career Began…” | — | ||
| 2-17 | Hamlet : « Et maintenant"… “Pâle et blonde” (Mad Scene) | — | ||
| 2-18 | “The Voice of the Young Glenda Raymond Impersonating Melba… I Used to Take Opera Tours Around the World…” | — | ||
| 2-19 | Mefistofele: “Se tu mi doni” | — | ||
| 2-20 | Mefistofele: “Lontano, lontano” | — | ||
| 2-21 | Mefistofele: “Spunta l’aurora pallida” | — | ||
| 2-22 | “Three Extracts… Thank You…” | — | ||
| 2-23 | Conclusion / Theme | — | ||
| 2-24 | Die tote Stadt: “Glück, das mir verblieb” (Mariettalied) | — | ||
| 2-25 | Porgy and Bess: “Bess, You Is My Woman Now” | — | ||
| 2-26 | “My Next Item Is the Most Frequently Played Track…” | — | ||
| 2-27 | Candide: “It Must Be So” | — | ||
| 3-1 | Music for Pleasure Theme / Introduction | — | ||
| 3-2 | Roman Carnival, op. 9: Overture | — | ||
| 3-3 | Cavalleria Rusticana: Intermezzo | — | ||
| 3-4 | The Fool on the Hill: Yesterdays Concerto | — | ||
| 3-5 | Masquerade Waltz | — | ||
| 3-6 | Lakmé: Acte I. « Viens Mallika » | — | ||
| 3-7 | Le Bourgeois Gentilhomme: Intermezzo | — | ||
| 3-8 | Don John of Austria: Overture | — | ||
| 3-9 | Pavane | — | ||
| 3-10 | Trumpet Concerto in E‐flat: 1st Movement | — | ||
| 3-11 | The Wasps : March of the Kitchen Utensils | — | ||
| 3-12 | Symphony no. 2 “Joy of Life”: Gloria in excelsis | — | ||
| 3-13 | Rondo for Piano and Orchestra, op. posth. (Theme to Music for Pleasure) | — |
