UPC · Release
A Tribute to John Cargher
Various Artists
0028948013791
62 tracksReleased 2008-01-01ABC Classics
Last verified:
0028948013791 is the Universal Product Code (UPC barcode) for the release “A Tribute to John Cargher” by Various Artists, released 2008-01-01 on ABC Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC.
Format
002GS1 prefix
8948Company prefix
01379Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCA Tribute to John Cargher
ISWC4 works
IPI4 songwriters
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Music / “Caruso and Melba and the Gramophone…” | — | ||
| 3 | La sonnambula: “Ah, non giunge” | — | ||
| 4 | “Ah, non giunge… This Was Singing Good Enough to Start the Ball Rolling for My 1965 Special…” | — | ||
| 5 | Il tabarro: “È ben altro” … “Ho sognato una casseta” (Theme Music to Singers of Renown (complete)) | — | ||
| 6 | “The Theme of Singers of Renown… A Tenor Appeared in the Theme Music…” | — | ||
| 7 | Adriana Lecouvreur: “La dolcissima effigie” | — | ||
| 8 | “La Dolcissima Effigie… Well, Singers of Renown Growed and Growed…” | — | ||
| 9 | The Creed | — | ||
| 10 | “The Creed… For Example, Anni Frind Was the First Soprano to Sing and Record the Nuns’ Chorus…” | — | ||
| 11 | Die Fledermaus: “Täubchen, das entflattert ist” (Alfred and Adele’s Duet) | — | ||
| 12 | “You’re Listening to Singers of Renown… In Telling the History of This Program… High Notes…” | — | ||
| 13 | The Carnival of Venice | — | ||
| 14 | “The Carnival of Venice… Give a Thought to a Simple Waltz…” | — | ||
| 15 | Der Rosenkavalier: “Herr Kavalier” | — | ||
| 16 | “Herr Kavalier… The Recording of Local Opera or Concert Singers Is a Comparatively Recent Phenomenon…” | — | ||
| 17 | Carmen: “La fleur que tu m’avais jetée” (Flower Song) | — | ||
| 18 | “The Flower Song… But What About Singers of the Future?…” | — | ||
| 19 | “Admittedly, I’ve Been Producing Words and Music for This Program All These Years…” | — | ||
| 20 | Conclusion / Theme | — | ||
| 21 | Otello: “Si, pel ciel” | — | ||
| 22 | Manon Lescaut: « C’est l’histoire amoureuse » (Laughing Song) | — | ||
| 23 | La fanciulla del West: “Ch’ella mi creda” | — | ||
| 24 | Good Night | — | ||
| 2-2 | Theme / “I Did Not Grow Up With Music…” | — | ||
| 2-3 | Cavalleria rusticana: Easter Hymn | — | ||
| 2-4 | “The Easter Hymn… I Went Without Meals to Attend a Fiendishly Expensive Gallery at Covent Garden: Two Shillings…” | — | ||
| 2-5 | Rigoletto: “Bella figlia dell’amore” (Quartet) | — | ||
| 2-6 | “No, I Never Heard Amelita Galli‐Curci… I Became a Dyed‐In‐The‐Wool Balletomane…” | — | ||
| 2-7 | Le Villi: Atto II. Duet “T’amai; mi tradisti ” | — | ||
| 2-8 | “Not a Famous Duet… I Had a Modest Record Collection by Then…” | — | ||
| 2-9 | Ernani: “Ernani involami” | — | ||
| 2-10 | “Ernani involami… On Being Demobbed in 1945, I Went Into the Theatre Business…” | — | ||
| 2-11 | There but for You Go I | — | ||
| 2-12 | “There, From the Original Cast of Brigadoon…” | — | ||
| 2-13 | I Talk to the Trees | — | ||
| 2-14 | “I Talk to the Trees… Almost by Accident I Ended Up in the Record Trade…” | — | ||
| 2-15 | Miserere (excerpt) | — | ||
| 2-16 | “These Days Roy Goodman Is a Renowned Conductor… I Left the Record Trade and a New, Many‐Sided Career Began…” | — | ||
| 2-17 | Hamlet : « Et maintenant"… “Pâle et blonde” (Mad Scene) | — | ||
| 2-18 | “The Voice of the Young Glenda Raymond Impersonating Melba… I Used to Take Opera Tours Around the World…” | — | ||
| 2-19 | Mefistofele: “Se tu mi doni” | — | ||
| 2-20 | Mefistofele: “Lontano, lontano” | — | ||
| 2-21 | Mefistofele: “Spunta l’aurora pallida” | — | ||
| 2-22 | “Three Extracts… Thank You…” | — | ||
| 2-24 | Die tote Stadt: “Glück, das mir verblieb” (Mariettalied) | — | ||
| 2-25 | Porgy and Bess: “Bess, You Is My Woman Now” | — | ||
| 2-26 | “My Next Item Is the Most Frequently Played Track…” | — | ||
| 2-27 | Candide: “It Must Be So” | — | ||
| 3-1 | Music for Pleasure Theme / Introduction | — | ||
| 3-2 | Roman Carnival, op. 9: Overture | — | ||
| 3-3 | Cavalleria Rusticana: Intermezzo | — | ||
| 3-4 | The Fool on the Hill: Yesterdays Concerto | — | ||
| 3-5 | Masquerade Waltz | — | ||
| 3-6 | Lakmé: Acte I. « Viens Mallika » | — | ||
| 3-7 | Le Bourgeois Gentilhomme: Intermezzo | — | ||
| 3-8 | Don John of Austria: Overture | — | ||
| 3-9 | Pavane | — | ||
| 3-10 | Trumpet Concerto in E‐flat: 1st Movement | — | ||
| 3-11 | The Wasps : March of the Kitchen Utensils | — | ||
| 3-12 | Symphony no. 2 “Joy of Life”: Gloria in excelsis | — | ||
| 3-13 | Rondo for Piano and Orchestra, op. posth. (Theme to Music for Pleasure) | — |
Introduction
—
Music / “Caruso and Melba and the Gramophone…”
—
La sonnambula: “Ah, non giunge”
—
“Ah, non giunge… This Was Singing Good Enough to Start the Ball Rolling for My 1965 Special…”
—
Il tabarro: “È ben altro” … “Ho sognato una casseta” (Theme Music to Singers of Renown (complete))
—
“The Theme of Singers of Renown… A Tenor Appeared in the Theme Music…”
—
Adriana Lecouvreur: “La dolcissima effigie”
—
“La Dolcissima Effigie… Well, Singers of Renown Growed and Growed…”
—
The Creed
—
“The Creed… For Example, Anni Frind Was the First Soprano to Sing and Record the Nuns’ Chorus…”
—
Die Fledermaus: “Täubchen, das entflattert ist” (Alfred and Adele’s Duet)
—
“You’re Listening to Singers of Renown… In Telling the History of This Program… High Notes…”
—
The Carnival of Venice
—
“The Carnival of Venice… Give a Thought to a Simple Waltz…”
—
Der Rosenkavalier: “Herr Kavalier”
—
“Herr Kavalier… The Recording of Local Opera or Concert Singers Is a Comparatively Recent Phenomenon…”
—
Carmen: “La fleur que tu m’avais jetée” (Flower Song)
—
“The Flower Song… But What About Singers of the Future?…”
—
“Admittedly, I’ve Been Producing Words and Music for This Program All These Years…”
—
Conclusion / Theme
—
Otello: “Si, pel ciel”
—
Manon Lescaut: « C’est l’histoire amoureuse » (Laughing Song)
—
La fanciulla del West: “Ch’ella mi creda”
—
Good Night
—
Theme / “I Did Not Grow Up With Music…”
—
Cavalleria rusticana: Easter Hymn
—
“The Easter Hymn… I Went Without Meals to Attend a Fiendishly Expensive Gallery at Covent Garden: Two Shillings…”
—
Rigoletto: “Bella figlia dell’amore” (Quartet)
—
“No, I Never Heard Amelita Galli‐Curci… I Became a Dyed‐In‐The‐Wool Balletomane…”
—
Le Villi: Atto II. Duet “T’amai; mi tradisti ”
—
“Not a Famous Duet… I Had a Modest Record Collection by Then…”
—
Ernani: “Ernani involami”
—
“Ernani involami… On Being Demobbed in 1945, I Went Into the Theatre Business…”
—
There but for You Go I
—
“There, From the Original Cast of Brigadoon…”
—
I Talk to the Trees
—
“I Talk to the Trees… Almost by Accident I Ended Up in the Record Trade…”
—
Miserere (excerpt)
—
“These Days Roy Goodman Is a Renowned Conductor… I Left the Record Trade and a New, Many‐Sided Career Began…”
—
Hamlet : « Et maintenant"… “Pâle et blonde” (Mad Scene)
—
“The Voice of the Young Glenda Raymond Impersonating Melba… I Used to Take Opera Tours Around the World…”
—
Mefistofele: “Se tu mi doni”
—
Mefistofele: “Lontano, lontano”
—
Mefistofele: “Spunta l’aurora pallida”
—
“Three Extracts… Thank You…”
—
Die tote Stadt: “Glück, das mir verblieb” (Mariettalied)
—
Porgy and Bess: “Bess, You Is My Woman Now”
—
“My Next Item Is the Most Frequently Played Track…”
—
Candide: “It Must Be So”
—
Music for Pleasure Theme / Introduction
—
Roman Carnival, op. 9: Overture
—
Cavalleria Rusticana: Intermezzo
—
The Fool on the Hill: Yesterdays Concerto
—
Masquerade Waltz
—
Lakmé: Acte I. « Viens Mallika »
—
Le Bourgeois Gentilhomme: Intermezzo
—
Don John of Austria: Overture
—
Pavane
—
Trumpet Concerto in E‐flat: 1st Movement
—
The Wasps : March of the Kitchen Utensils
—
Symphony no. 2 “Joy of Life”: Gloria in excelsis
—
Rondo for Piano and Orchestra, op. posth. (Theme to Music for Pleasure)
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000049074976000000005933637800000000594502500000000061558367000000006301883100000000630916840000000063328151000000007142599800000000778375710000000078766234
+40 more
000000008077126X0000000080820236000000008083794300000000809441590000000081116195000000008116148X00000000811876550000000081232129000000008123292X0000000081400778000000008169487600000000817730050000000081818787000000008186683400000000834914310000000083492864000000008357618700000000836785380000000083696410000000008373097300000000839165320000000084271078000000010232380500000001066286300000000108602274000000010867501900000001090696270000000109090565000000010917815300000001094053870000000109631667000000010970712300000001097136540000000110089027000000011012466200000001101778010000000110225666000000011027992000000001102953300000000110312284
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 0028948013791?
0028948013791 is a Universal Product Code (UPC) assigned to A Tribute to John Cargher by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm