UPC · Release
Brendel spielt Beethoven (Klavierkonzerte / Klaviersonaten)
Alfred Brendel
0028948040032
98 tracksReleased 2010-01-01Decca
Last verified:
0028948040032 is the Universal Product Code (UPC barcode) for the release “Brendel spielt Beethoven (Klavierkonzerte / Klaviersonaten)” by Alfred Brendel, released 2010-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include NLA500200001, NLA500200002, NLA500200003.
Format
002GS1 prefix
8948Company prefix
04003Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBrendel spielt Beethoven (Klavierkonzerte / Klaviersonaten)
ISRC98 recordings
ISWC18 works
IPI1 songwriter
Track List (98)
| # | Track Title | Artist(s) | ISWC |
|---|---|---|---|
| 1 | I. ANDANTE | — | |
| 2 | 2. ALLEGRO MOLTO E VIVACE | — | |
| 3 | BEETHOVEN: PIANO SONATA NO.13 IN E FLAT, OP.27 NO.1 - 3. ADAGIO CON ESPRESSIONE | — | |
| 4 | Unknown | — | |
| 5 | BEETHOVEN: PIANO SONATA NO.22 IN F, OP.54 - 1. IN TEMPO D'UN MENUETTO | — | |
| 6 | BEETHOVEN: PIANO SONATA NO.22 IN F, OP.54 - 2. ALLEGRETTO | — | |
| 7 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": I. Largo – Allegro | Alfred Brendel | T-310.769.687-3 |
| 8 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": II. Adagio | Alfred Brendel | — |
| 9 | Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": III. Allegretto | Alfred Brendel | T-310.769.687-3 |
| 10 | 1. ADAGIO CANTABILE - ALLEGRO MA NON TROPPO | — | |
| 11 | 2. ALLEGRO VIVACE | — | |
| 12 | 1. ALLEGRO | — | |
| 13 | "BEETHOVEN: PIANO SONATA NO.29 IN B FLAT, OP.106 -""HAMMERKLAVIER"" - 2. SCHERZO (ASSAI VIVACE - PRESTO - PRESTISSIMO - TEMPO I)" | — | |
| 14 | 3. ADAGIO SOSTENUTO | — | |
| 15 | Unknown | — | |
| 16 | Sonate Nr. 23 f-moll op. 57 "Appassionata": I. Allegro assai | Alfred Brendel | T-306.395.786-4 |
| 17 | Sonate Nr. 23 f-moll op. 57 "Appassionata": II. Andante con moto – | Alfred Brendel | — |
| 18 | Sonate Nr. 23 f-moll op. 57 "Appassionata": III. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 |
| 19 | 2. ARIETTA (ADAGIO MOLTO SEMPLICE E CANTABILE) | — | |
| 20 | 1. MAESTOSO - ALLEGRO CON BRIO ED APPASSIONATO | — | |
| 21 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Alfred Brendel | — |
| 22 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto | Alfred Brendel | — |
| 23 | Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto | Alfred Brendel | — |
| 24 | 1. PRESTO ALLA TEDESCA | — | |
| 25 | 2. ANDANTE | — | |
| 26 | 3. VIVACE | — | |
| 27 | 1. PRESTO | T-070.160.313-5 | |
| 28 | 2. LARGO E MESTO | — | |
| 29 | 3. MENUETTO (ALLEGRO) | — | |
| 30 | 4. RONDO (ALLEGRO) | T-800.132.125-2 | |
| 31 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | Alfred Brendel | — |
| 32 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | Alfred Brendel | — |
| 33 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | Alfred Brendel | T-312.439.094-5 |
| 34 | 1. MODERATO CANTABILE MOLTO ESPRESSIVO | — | |
| 35 | 2. ALLEGRO MOLTO | — | |
| 36 | 3. ADAGIO MA NON TROPPO | — | |
| 37 | 1. ALLEGRO | T-306.395.786-4 | |
| 38 | 2. ALLEGRETTO | — | |
| 39 | 3. PRESTO | — | |
| 40 | BEETHOVEN: PIANO SONATA NO.27 IN E MINOR, OP.90 - 1. MIT LEBHAFTIGKEIT UND DURCHAUS MIT EMPFINDUNG UND AUSDRUCK | — | |
| 41 | BEETHOVEN: PIANO SONATA NO.27 IN E MINOR, OP.90 - 2. NICHT ZU GESCHWIND UND SEHR SINGBAR VORGETRAGEN | — | |
| 42 | Unknown | — | |
| 43 | 2. PRESTISSIMO | — | |
| 44 | 3. GESANGVOLL, MIT INNIGSTER EMPFINDUNG (ANDANTE MOLTO CANTABILE ED ESPRESSIVO) | — | |
| 45 | BEETHOVEN: PIANO SONATA NO.28 IN A, OP.101 - 1. ETWAS LEBHAFT UND MIT DER INNIGSTEN EMPFINDUNG (ALLEGRETTO MA NON TROPPO) | — | |
| 46 | 2. LEBHAFT, MARSCHMÄßIG (VIVACE ALLA MARCIA) | — | |
| 47 | BEETHOVEN: PIANO SONATA NO.28 IN A, OP.101 - 3. LANGSAM UND SEHNSUCHTSVOLL (ADAGIO MA NON TROPPO, CON AFFETTO) | — | |
| 48 | Unknown | — | |
| 49 | 1. ALLEGRO | T-070.160.313-5 | |
| 50 | BEETHOVEN: PIANO SONATA NO.9 IN E, OP.14 NO.1 - 2. ALLEGRETTO | — | |
| 51 | 3. RONDO (ALLEGRO COMODO) | — | |
| 53 | BEETHOVEN: PIANO SONATA NO.10 IN G, OP.14 NO.2 - 2. ANDANTE | — | |
| 54 | 3. SCHERZO (ALLEGRO ASSAI) | T-306.395.786-4 | |
| 55 | Sonate Nr. 8 c-moll op. 13 "Pathétique": I. Grave – Allegro di molto e con brio | Alfred Brendel | T-915.723.669-6 |
| 56 | Sonate Nr. 8 c-moll op. 13 "Pathétique": II. Adagio cantabile | Alfred Brendel | T-001.397.158-8 |
| 57 | Sonate Nr. 8 c-moll op. 13 "Pathétique": III. Rondo. Allegro | Alfred Brendel | T-306.482.598-1 |
| 58 | 1. ANDANTE | T-070.160.313-5 | |
| 59 | 2. RONDO (ALLEGRO) | T-800.132.125-2 | |
| 60 | "PIANO SONATA NO.18 IN E FLAT, OP.31 NO.3 -""THE HUNT"": 1. ALLEGRO" | T-070.161.055-0 | |
| 61 | "BEETHOVEN: PIANO SONATA NO.18 IN E FLAT, OP.31 NO.3 -""THE HUNT"" - 2. SCHERZO (ALLEGRETTO VIVACE)" | — | |
| 62 | "BEETHOVEN: PIANO SONATA NO.18 IN E FLAT, OP.31 NO.3 -""THE HUNT"" - 3. MENUETTO (MODERATO E GRAZIOSO)" | — | |
| 63 | 4. PRESTO CON FUOCO | — | |
| 64 | 1. ALLEGRO VIVACE | — | |
| 65 | PIANO SONATA NO.2 IN A, OP.2 NO.2: 2. LARGO APPASSIONATO | — | |
| 66 | 3. SCHERZO (ALLEGRETTO) | — | |
| 67 | BEETHOVEN: PIANO SONATA NO.2 IN A, OP.2 NO.2 - 4. RONDO (GRAZIOSO) | — | |
| 68 | Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro | Alfred Brendel | — |
| 69 | Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante | Alfred Brendel | T-800.722.074-9 |
| 70 | Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro assai | Alfred Brendel | T-306.395.786-4 |
| 71 | Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | Alfred Brendel | T-031.682.208-8 |
| 72 | 1. ALLEGRO MOLTO E CON BRIO | — | |
| 73 | Unknown | — | |
| 74 | 3. ALLEGRO | — | |
| 75 | BEETHOVEN: PIANO SONATA NO.4 IN E FLAT, OP.7 - 4. RONDO (POCO ALLEGRETTO E GRAZIOSO) | — | |
| 76 | PIANO SONATA NO.5 IN C MINOR, OP.10 NO.1: 1. ALLEGRO MOLTO E CON BRIO | — | |
| 77 | PIANO SONATA NO.5 IN C MINOR, OP.10 NO.1: 2. ADAGIO MOLTO | — | |
| 79 | II. ADAGIO | — | |
| 80 | 3. MENUETTO (ALLEGRETTO) | — | |
| 81 | BEETHOVEN: 4. PRESTISSIMO - 4. PRESTISSIMO | — | |
| 82 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Alfred Brendel | — |
| 83 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | Alfred Brendel | T-800.722.074-9 |
| 84 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | Alfred Brendel | — |
| 85 | 1. ALLEGRO MA NON TROPPO | T-031.682.208-8 | |
| 86 | 2. TEMPO DI MENUETTO | T-312.439.209-8 | |
| 87 | 1. ALLEGRO CON BRIO | — | |
| 88 | 2. ADAGIO | — | |
| 89 | 3. SCHERZO (ALLEGRO) | — | |
| 90 | 4. ALLEGRO ASSAI | T-306.395.786-4 | |
| 91 | 1. ALLEGRO CON BRIO | — | |
| 92 | 2. ADAGIO CON MOLTO ESPRESSIONE | — | |
| 93 | 3. MENUETTO | — | |
| 94 | BEETHOVEN: PIANO SONATA NO.11 IN B FLAT, OP.22 - 4. RONDO (ALLEGRETTO) | — | |
| 95 | 1. ANDANTE CON VARIAZIONI | — | |
| 96 | BEETHOVEN: PIANO SONATA NO.12 IN A FLAT, OP.26 - 2. SCHERZO (ALLEGRO MOLTO) | — | |
| 97 | Unknown | — | |
| 98 | 4. ALLEGRO | T-318.676.528-2 | |
| 99 | 1. ALLEGRO VIVACE | — | |
| 100 | 2. ADAGIO GRAZIOSO | — |
I. ANDANTE
—
2. ALLEGRO MOLTO E VIVACE
—
BEETHOVEN: PIANO SONATA NO.13 IN E FLAT, OP.27 NO.1 - 3. ADAGIO CON ESPRESSIONE
—
Unknown
—
BEETHOVEN: PIANO SONATA NO.22 IN F, OP.54 - 1. IN TEMPO D'UN MENUETTO
—
BEETHOVEN: PIANO SONATA NO.22 IN F, OP.54 - 2. ALLEGRETTO
—
Sonata No. 17 in D minor, Op. 31 No. 2 "Der Sturm": II. Adagio
Alfred Brendel
—
1. ADAGIO CANTABILE - ALLEGRO MA NON TROPPO
—
2. ALLEGRO VIVACE
—
1. ALLEGRO
—
"BEETHOVEN: PIANO SONATA NO.29 IN B FLAT, OP.106 -""HAMMERKLAVIER"" - 2. SCHERZO (ASSAI VIVACE - PRESTO - PRESTISSIMO - TEMPO I)"
—
3. ADAGIO SOSTENUTO
—
Unknown
—
Sonate Nr. 23 f-moll op. 57 "Appassionata": II. Andante con moto –
Alfred Brendel
—
2. ARIETTA (ADAGIO MOLTO SEMPLICE E CANTABILE)
—
1. MAESTOSO - ALLEGRO CON BRIO ED APPASSIONATO
—
Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Alfred Brendel
—
Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto
Alfred Brendel
—
Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto
Alfred Brendel
—
1. PRESTO ALLA TEDESCA
—
2. ANDANTE
—
3. VIVACE
—
2. LARGO E MESTO
—
3. MENUETTO (ALLEGRO)
—
Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio
Alfred Brendel
—
Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto
Alfred Brendel
—
Alfred Brendel
1. MODERATO CANTABILE MOLTO ESPRESSIVO
—
2. ALLEGRO MOLTO
—
3. ADAGIO MA NON TROPPO
—
2. ALLEGRETTO
—
3. PRESTO
—
BEETHOVEN: PIANO SONATA NO.27 IN E MINOR, OP.90 - 1. MIT LEBHAFTIGKEIT UND DURCHAUS MIT EMPFINDUNG UND AUSDRUCK
—
BEETHOVEN: PIANO SONATA NO.27 IN E MINOR, OP.90 - 2. NICHT ZU GESCHWIND UND SEHR SINGBAR VORGETRAGEN
—
Unknown
—
2. PRESTISSIMO
—
3. GESANGVOLL, MIT INNIGSTER EMPFINDUNG (ANDANTE MOLTO CANTABILE ED ESPRESSIVO)
—
BEETHOVEN: PIANO SONATA NO.28 IN A, OP.101 - 1. ETWAS LEBHAFT UND MIT DER INNIGSTEN EMPFINDUNG (ALLEGRETTO MA NON TROPPO)
—
2. LEBHAFT, MARSCHMÄßIG (VIVACE ALLA MARCIA)
—
BEETHOVEN: PIANO SONATA NO.28 IN A, OP.101 - 3. LANGSAM UND SEHNSUCHTSVOLL (ADAGIO MA NON TROPPO, CON AFFETTO)
—
Unknown
—
BEETHOVEN: PIANO SONATA NO.9 IN E, OP.14 NO.1 - 2. ALLEGRETTO
—
3. RONDO (ALLEGRO COMODO)
—
BEETHOVEN: PIANO SONATA NO.10 IN G, OP.14 NO.2 - 2. ANDANTE
—
"BEETHOVEN: PIANO SONATA NO.18 IN E FLAT, OP.31 NO.3 -""THE HUNT"" - 2. SCHERZO (ALLEGRETTO VIVACE)"
—
"BEETHOVEN: PIANO SONATA NO.18 IN E FLAT, OP.31 NO.3 -""THE HUNT"" - 3. MENUETTO (MODERATO E GRAZIOSO)"
—
4. PRESTO CON FUOCO
—
1. ALLEGRO VIVACE
—
PIANO SONATA NO.2 IN A, OP.2 NO.2: 2. LARGO APPASSIONATO
—
3. SCHERZO (ALLEGRETTO)
—
BEETHOVEN: PIANO SONATA NO.2 IN A, OP.2 NO.2 - 4. RONDO (GRAZIOSO)
—
Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro
Alfred Brendel
—
1. ALLEGRO MOLTO E CON BRIO
—
Unknown
—
3. ALLEGRO
—
BEETHOVEN: PIANO SONATA NO.4 IN E FLAT, OP.7 - 4. RONDO (POCO ALLEGRETTO E GRAZIOSO)
—
PIANO SONATA NO.5 IN C MINOR, OP.10 NO.1: 1. ALLEGRO MOLTO E CON BRIO
—
PIANO SONATA NO.5 IN C MINOR, OP.10 NO.1: 2. ADAGIO MOLTO
—
II. ADAGIO
—
3. MENUETTO (ALLEGRETTO)
—
BEETHOVEN: 4. PRESTISSIMO - 4. PRESTISSIMO
—
Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux"
Alfred Brendel
—
Alfred Brendel
Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour"
Alfred Brendel
—
1. ALLEGRO CON BRIO
—
2. ADAGIO
—
3. SCHERZO (ALLEGRO)
—
1. ALLEGRO CON BRIO
—
2. ADAGIO CON MOLTO ESPRESSIONE
—
3. MENUETTO
—
BEETHOVEN: PIANO SONATA NO.11 IN B FLAT, OP.22 - 4. RONDO (ALLEGRETTO)
—
1. ANDANTE CON VARIAZIONI
—
BEETHOVEN: PIANO SONATA NO.12 IN A FLAT, OP.26 - 2. SCHERZO (ALLEGRO MOLTO)
—
Unknown
—
1. ALLEGRO VIVACE
—
2. ADAGIO GRAZIOSO
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 1. ALLEGRO | T-070.160.313-5 | |
| 1. ALLEGRO | T-070.160.313-5 |
What other identifiers does this connect to?
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 0028948040032?
0028948040032 is a Universal Product Code (UPC) assigned to Brendel spielt Beethoven (Klavierkonzerte / Klaviersonaten) by Alfred Brendel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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