UPC · Album

Kodály: Háry János / Bartók: Duke Bluebeard's Castle

Kodály, Bartók, István Kertész

0028948068142
38 tracksReleased 2012-01-01

Last verified:

0028948068142 is the Universal Product Code (UPC barcode) for the release Kodály: Háry János / Bartók: Duke Bluebeard's Castle by Kodály, Bartók, István Kertész, released 2012-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 38 tracks, each with its own ISRC. Tracks include GBF076510111, GBF076510112, GBF076510113.

Format

002GS1 prefix
8948Company prefix
06814Product
2Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCKodály: Háry János / Bartók: Duke Bluebeard's Castle
ISRC38 recordings
ISWC1 work
IPI1 songwriter

Track List (38)

A Kékszakállú herceg vára: Opening "Megérkeztünk"
Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
Duke Bluebeard's Castle, op. 11: Door 1
Walter Berry, Christa Ludwig, London Symphony Orchestra, István Kertész
A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver"
Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!"
Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
Duke Bluebeard's Castle, op. 11: Door 4
Walter Berry, Christa Ludwig, London Symphony Orchestra, István Kertész
A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam"
Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
Duke Bluebeard's Castle, op. 11: Door 6
Walter Berry, Christa Ludwig, London Symphony Orchestra, István Kertész
A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat"
Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
Háry János, op. 15: Introduction and Overture
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: The Hussar's Flute Solo
Peter Ustinov, John Leach, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: The Old Woman
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: The Jewish Family
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: The Hungarian Girls
Edinburgh Festival Chorus, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: Örzse's Song, 'Sei! verd meg Isten'
Erzsébet Komlóssy, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: Duet - 'Red Apple', 'Piros alma'
Erzsébet Komlóssy, György Melis, Peter Ustinov, John Leach, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: Uncle Marczi's Drinking Song, 'Ó, mely sok hal'
László Palócz, Peter Ustinov, John Leach, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: Love Duet, 'Tiszán innen, Dunán túl'
Erzsébet Komlóssy, György Melis, Peter Ustinov, John Leach, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act I - At the Russian-Hungarian Frontier: Intermezzo
Peter Ustinov, John Leach, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act II - Back in Vienna: Cuckoo Song, 'Ku-ku-ku-kuskám'
Olga Szönyi, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act II - Back in Vienna: The Wild Stallion
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act II - Back in Vienna: The Viennese Musical Clock
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act II - Back in Vienna: Örzse's Love Song, 'Hogyan tudtál, rózsám'
Erzsébet Komlóssy, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act II - Back in Vienna: Chicken Song, 'Haj, két tikom'
Erzsébet Komlóssy, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act II - Back in Vienna: Soldier's Song, 'ébresztö Férfikar'
Edinburgh Festival Chorus, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Entry of the French
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Entry of Napoleon
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Funeral March
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Napoleon's Song, 'Óh, te vén sülülülü'
György Melis, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Gypsy Music
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Bombazine's Song, 'Hagyj békét, viaskodó'
Zsolt Bende, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act III - The Battle: Song of the Hussar, 'A jó lovas katonának'
Edinburgh Festival Chorus, György Melis, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Duet with chorus, 'Gyújtottam gyertyát'
Margit László, Olga Szönyi, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Entry of the Emperor
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Entry & Song of the Princess, 'Á, bé, cé, dé'
Peter Ustinov, Wandsworth School Boys’ Choir, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Exit of the Princess
Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Örzse's Song, 'Szegény vagyok'
Erzsébet Komlóssy, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Háry's Song, 'Felszántom a császár udvarát'
György Melis, Peter Ustinov, London Symphony Orchestra, István Kertész
Háry János, op. 15: Act IV - The Imperial Palace in Vienna: Finale, 'Szegény derék magyar nép'
Edinburgh Festival Chorus, Erzsébet Komlóssy, György Melis, Peter Ustinov, John Leach, London Symphony Orchestra, István Kertész

People also ask

What is UPC 0028948068142?
UPC 0028948068142 is the Universal Product Code (barcode) for "Kodály: Háry János / Bartók: Duke Bluebeard's Castle" by Kodály, Bartók, István Kertész.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0028948068142?
UPC 0028948068142 contains 38 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 0028948068142?

0028948068142 is a Universal Product Code (UPC) assigned to Kodály: Háry János / Bartók: Duke Bluebeard's Castle by Kodály, Bartók, István Kertész. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 38 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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