UPC · Release
1000 Years of Classical Music
Various Artists
0028948124565
99 tracksReleased 2016-01-01
Last verified:
0028948124565 is the Universal Product Code (UPC barcode) for the release “1000 Years of Classical Music” by Various Artists, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include AUAB01450056, AUAB01450247, AUAB00350088.
Format
002GS1 prefix
8948Company prefix
12456Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC1000 Years of Classical Music
ISRC99 recordings
ISWC30 works
IPI1 songwriter
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Crux fidelis | David Russell, Neil McEwan | T-050.202.337-1 | |
| 2 | Sumer is icumen in (live) | The Song Company, Roland Peelman | — | |
| 3 | Spem in alium | Cantillation, Antony Walker | T-906.288.103-2 | |
| 4 | Lachrimae | Rosemary Hodgson | — | |
| 5 | Vespers of the Blessed Virgin Mary: 3. Nigra sum | Paul McMahon, Daniel Yeadon, Tommie Andersson | T-210.333.784-1 | |
| 6 | Dido and Aeneas, Z. 626, Act III: “Thy Hand, Belinda” … “When I Am Laid in Earth” | Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton | T-905.454.594-7 | |
| 7 | Sonata No. 10 "Crucifixio": III. Variatio | Rosanne Hunt, Linda Kent, Elizabeth Wallfisch | — | |
| 8 | Lidio e Clori: Duet "Ah sì, purtroppo è vero" (Allegro) | Jane Edwards, James Sanderson, Chacona, Rosalind Halton | — | |
| 9 | Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 10 | Dardanus: Paix favorable, paix adorable | Anna Fraser, David Greco, Orchestra of the Antipodes, Antony Walker | — | |
| 11 | Stabat Mater: I. Stabat mater dolorosa | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | T-003.016.535-5 | |
| 12 | Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 13 | Concerto in D minor for Two Violins, BWV1043: I. Vivace | Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra | — | |
| 14 | Lobet den Herrn, BWV 230 | Daniel Yeadon, Neal Peres Da Costa, Antony Walker | T-802.643.544-0 | |
| 15 | The Well-Tempered Clavier, Book I: Prelude in C major, BWV846 | Erin Helyard | T-910.415.372-2 | |
| 16 | Water Music Suite no. 2 in D major: Alla Hornpipe | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 17 | Messiah, HWV 56: Pt. 1: 4. “And the Glory of the Lord” | Cantillation, Orchestra of the Antipodes, Antony Walker | — | |
| 18 | Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate) | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-1 | Symphony for Strings in B-flat major: I. Allegro di molto | Geoffrey Lancaster, Tasmanian Symphony Chamber Players | — | |
| 2-2 | Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio | Sally Maer, Sinfonia Australis, William Motzing | — | |
| 2-3 | Die Jahreszeiten, Hob. XXI:3: Pt. 2 Der Sommer: "Welche Labung für die Sinne!" | Sara Macliver, Tasmanian Symphony Orchestra, Ola Rudner | — | |
| 2-4 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | — | |
| 2-5 | Piano Concerto no. 24 in C minor, K. 491: 2. Larghetto (cadenza by Piers Lane) | Piers Lane, Queensland Symphony Orchestra, Johannes Fritzsch | T-310.222.867-7 | |
| 2-6 | Le nozze di Figaro, K. 492, Act I: “Non più andrai” | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner | — | |
| 2-7 | Requiem, KV626: Dies irae | Cantillation, Orchestra of the Antipodes, Antony Walker | — | |
| 2-9 | String Quartet in F minor, op. 95 "Quartetto serioso": IV. Larghetto espressivo - Allegretto agitato (live) | Goldner String Quartet | — | |
| 2-10 | Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": 2. Adagio cantabile | Gerard Willems | T-001.397.158-8 | |
| 2-11 | Symphony no. 5: Allegro con brio | Tasmanian Symphony Orchestra, David Porcelijn | — | |
| 2-12 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace – Presto | Tasmanian Symphony Orchestra, David Porcelijn | — | |
| 3-1 | Adagio un poco moto from Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor' | Gerard Willems, Sinfonia Australis, Antony Walker | — | |
| 3-2 | Piano Trio no. 4 in G major, op. 65: III. Rondo (Vivace assai e scherzando) | The Australian Trio | — | |
| 3-3 | The Barber of Seville: Overture | Tasmanian Symphony Orchestra, Ola Rudner | T-306.482.271-1 | |
| 3-4 | Finale From “Trout” Quintet (Waiting for God Theme) | David Campbell, Jacqueline Cronin, Seraphim Trio | — | |
| 3-5 | Symphony no. 8, D. 759 "Unfinished": I. Allegro moderato | Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | T-902.685.630-4 | |
| 3-6 | Symphonie fantastique, H 48: IV. March to the Scaffold | Sydney Symphony Orchestra, Willem van Otterloo | T-922.067.243-5 | |
| 3-7 | The Hebrides (Fingal's Cave), op. 26 | Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | — | |
| 3-8 | Violin Concerto in E minor: Allegro non troppo - Allegro molto vivace | Sebastian Lang-Lessing, Tasmanian Symphony Orchestra, Niki Vasilakis | — | |
| 3-9 | Nocturne in B major, op. 32 no. 1 | Ewa Kupiec | T-321.873.354-7 | |
| 3-10 | Kinderscenen (Scenes from Childhood), op. 15: No. 7 Träumerei (Dreaming) | Stephanie McCallum | — | |
| 3-11 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": 2. Scherzo (Sehr mäßig) | Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | — | |
| 4-1 | Années de pèlerinage: 1ère année: Suisse, S. 160: 2. Au lac de Wallenstadt | Stephanie McCallum | — | |
| 4-2 | Carmen, WD 31 : Acte I. « L’amour est un oiseau rebelle » | Adelaide Vocal Project, Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton | T-305.625.648-1 | |
| 4-3 | Ein deutsches Requiem, op. 45: 4. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” | Melbourne Symphony Orchestra, Johannes Fritzsch | — | |
| 4-4 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | Melbourne Symphony Orchestra, Tadaaki Otaka | T-322.446.817-7 | |
| 4-5 | Symphony no. 4 in E-Flat major "Romantic": III. Scherzo (Bewegt) | Melbourne Symphony Orchestra, Herbert Soudant | — | |
| 4-6 | Voices of Spring Waltz, op. 410 | Queensland Symphony Orchestra, Vladimir Ponkin | T-900.248.427-7 | |
| 4-7 | Cello Concerto in B minor, op. 104: I. Allegro | Melbourne Symphony Orchestra, David Stanhope | — | |
| 4-8 | Symphony no. 9 in E minor, op. 95 (B. 178) "From the New World": I. Adagio - Allegro molto | Melbourne Symphony Orchestra, Tadaaki Otaka | — | |
| 4-9 | Peer Gynt Suite no. 1, op. 46: 4. In the Hall of the Mountain King | Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | T-909.597.505-6 | |
| 5-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Simon Tedeschi, Queensland Symphony Orchestra, Richard Bonynge | T-902.781.050-0 | |
| 5-2 | The Nutcracker, op. 71: Dance of the Toy Flutes | Queensland Symphony Orchestra, Werner Andreas Albert | — | |
| 5-3 | Violin Concerto, op. 35: III. Finale (Allegro vivacissimo) | Australian Youth Orchestra, Christoph Eschenbach | — | |
| 5-4 | Tannhäuser: Dich teure Halle (Act II) | Marilyn Richardson, Queensland Symphony Orchestra, Werner Andreas Albert | — | |
| 5-5 | Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) | Opera Australia Orchestra, Simone Young | T-900.021.750-5 | |
| 5-6 | Messa da Requiem: 4. Sanctus | Opera Australia Chorus, Opera Australia Orchestra, Simone Young | — | |
| 5-7 | Symphony no. 3 in C minor "Organ", op. 78: 2b. Maestoso - Più allegro - Molto allegro | Adelaide Symphony Orchestra, David Stanhope | — | |
| 5-8 | Pictures at an Exhibition: V. Ballet of the Chicks in Their Shells | Simon Tedeschi | — | |
| 5-9 | Requiem in D minor, op. 48: 4. Pie Jesu | Sara Macliver, Sinfonia Australis, Antony Walker | T-010.065.879-4 | |
| 5-10 | Turandot: Act III: "Nessun dorma" | Rosario La Spina, Queensland Symphony Orchestra, Stephen Mould | — | |
| 5-11 | Symphony no. 4 in G major: IV. Sehr behaglich (Very comfortably) | Melbourne Symphony Orchestra, Markus Stenz | — | |
| 5-12 | Symphony no. 5 in C-sharp minor: Part III: IV. Adagietto. Sehr langsam. | Melbourne Symphony Orchestra, Markus Stenz | — | |
| 6-1 | Prélude à ‘L’Après-midi d’un Faune’, L. 86 | Melbourne Symphony Orchestra, Jorge Mester | — | |
| 6-2 | Préludes, Book 1, L. 117: 6. Des pas sur la neige | Duncan Gifford | — | |
| 6-3 | Cello Concerto in E minor, op. 85: 1. Adagio – Moderato | Li-Wei Qin, Adelaide Symphony Orchestra, Nicholas Braithwaite | — | |
| 6-4 | Variations on an Original Theme, op. 36, "Enigma": Variation 9: Nimrod (Adagio) | Sydney Symphony Orchestra, Myer Fredman | T-010.115.427-1 | |
| 6-5 | The Planets, op. 32: 3. Mercury, the Winged Messenger | Queensland Symphony Orchestra, Nicholas Braithwaite | — | |
| 6-6 | Iberia: IV. El puerto | West Australian Symphony Orchestra, Jorge Mester | — | |
| 6-7 | Four Last Songs: Frühling (Spring) | Erin Wall, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 6-8 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Adelaide Symphony Orchestra, Arvo Volmer, Adele Anthony | — | |
| 6-9 | Symphony no. 2 in D major, op. 43: I. Allegretto | Adelaide Symphony Orchestra, Arvo Volmer | — | |
| 6-10 | Symphony no. 2 in E minor, op. 27: II. Allegro molto | Melbourne Symphony Orchestra, Tadaaki Otaka | — | |
| 6-11 | Piano Concerto no. 2 in C minor, op. 18: 1. Moderato - Live in Australia, 2003 | Roger Woodward, Sydney Symphony Orchestra, Charles Dutoit | — | |
| 7-1 | Gymnopedie no. 1 | Stephanie McCallum | T-050.018.340-3 | |
| 7-2 | Bolero | Sydney Symphony Orchestra, Stuart Challender | T-003.006.377-4 | |
| 7-3 | String Quartet in F major, M. 35: 2. Assez Vif, Très Rythmé | Australian String Quartet | — | |
| 7-4 | Pines of Rome: III. The Pine Trees of the Janiculum | West Australian Symphony Orchestra, Jorge Mester | — | |
| 7-5 | Pelleas und Melisande, op. 5: III. Langsam | Sydney Symphony Orchestra, Edo de Waart | — | |
| 7-6 | Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto | Melbourne Symphony Orchestra, Hiroyuki Iwaki | — | |
| 7-7 | The Rite of Spring, Pt. 2 - The Sacrifice: Sacrificial Dance - The Chosen One | Australian World Orchestra, Zubin Mehta | T-070.257.887-7 | |
| 7-8 | Romeo and Juliet, Suite no. 2, op. 64ter: Montagues and Capulets | West Australian Symphony Orchestra, Benjamin Northey | T-003.506.743-6 | |
| 7-9 | Songs of the Auvergne, Book I: 2. Baïlèro | Sara Macliver, Queensland Symphony Orchestra, Brett Kelly | T-004.013.305-8 | |
| 7-10 | Brigg Fair | Cantillation, Dan Walker, Paul Stanhope | — | |
| 7-11 | Carmina Burana: Fortuna Imperatrix Mundi: 1. "O Fortuna" | Australian Virtuosi, Cantillation, Synergy Percussion, Antony Walker | T-800.639.771-4 | |
| 7-12 | Fantasia on Greensleeves | Tasmanian Symphony Orchestra, David Stanhope | — | |
| 7-13 | Les Soirées de Nazelles, FP 84: Variation I: Le Comble de la distinction | Antony Gray | T-003.016.130-8 | |
| 7-14 | Four Sea Interludes from Peter Grimes, op. 33a: III. Moonlight (Andante comodo e rubato) | London Philharmonic Orchestra, Zhang Yi | — | |
| 8-1 | Appalachian Spring - Suite: VII. Shaker Melody ‘The Gift to be Simple’ | Melbourne Symphony Orchestra, Benjamin Northey | — | |
| 8-2 | Concerto de Aranjuez: I. Allegro con spirito | Slava Grigoryan, The Queensland Orchestra, Brett Kelly | T-041.489.061-1 | |
| 8-3 | Preludes: I. Allegro ben ritmato e deciso | Simon Tedeschi | — | |
| 8-4 | Symphony no. 8, op. 65: II. Allegretto | Adelaide Symphony Orchestra, Nicholas Braithwaite | — | |
| 8-5 | Turangalîla-symphonie: 3. Turangalîla I - Live | Melbourne Symphony Orchestra, Hiroyuki Iwaki | T-003.017.772-0 | |
| 8-6 | Adagio for Strings, op. 11 | Melbourne Symphony Orchestra, Jorge Mester | T-070.000.199-5 | |
| 8-7 | Gabriel’s Oboe | Diana Doherty, Sinfonia Australis, Mark Summerbell | T-005.002.184-5 | |
| 8-8 | Djilile | Tasmanian Symphony Orchestra, David Porcelijn | T-318.931.418-5 | |
| 8-9 | A Flock Descends into the Pentagonal Garden | Melbourne Symphony Orchestra, Hiroyuki Iwaki | T-901.136.700-3 | |
| 8-10 | Symphony No. 3 Op. 36 ‘Symphony of Sorrowful Songs’: II. Lento e largo | Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yussa | — | |
| 8-11 | Metamorphosis: III | Sally Whitwell | T-011.144.544-3 | |
| 8-12 | Three Gymnopédies: Gymnopédie no. 1 | Sydney Symphony Orchestra, Myer Fredman | — | |
| 8-13 | Dawn Mantras | Cantillation, Jane Sheldon, The Sydney Children's Choir, Ian Cleworth, Matthew Doyle, Jim Franklin, Brian Nixon, Rixon Thomas, Lyn Williams | — |
Sumer is icumen in (live)
The Song Company, Roland Peelman
—
Lachrimae
Rosemary Hodgson
—
Paul McMahon, Daniel Yeadon, Tommie Andersson
Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton
Sonata No. 10 "Crucifixio": III. Variatio
Rosanne Hunt, Linda Kent, Elizabeth Wallfisch
—
Lidio e Clori: Duet "Ah sì, purtroppo è vero" (Allegro)
Jane Edwards, James Sanderson, Chacona, Rosalind Halton
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
Dardanus: Paix favorable, paix adorable
Anna Fraser, David Greco, Orchestra of the Antipodes, Antony Walker
—
Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker
Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
Concerto in D minor for Two Violins, BWV1043: I. Vivace
Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra
—
Water Music Suite no. 2 in D major: Alla Hornpipe
Tasmanian Symphony Orchestra, Graham Abbott
—
Messiah, HWV 56: Pt. 1: 4. “And the Glory of the Lord”
Cantillation, Orchestra of the Antipodes, Antony Walker
—
Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate)
Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer
—
Symphony for Strings in B-flat major: I. Allegro di molto
Geoffrey Lancaster, Tasmanian Symphony Chamber Players
—
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio
Sally Maer, Sinfonia Australis, William Motzing
—
Die Jahreszeiten, Hob. XXI:3: Pt. 2 Der Sommer: "Welche Labung für die Sinne!"
Sara Macliver, Tasmanian Symphony Orchestra, Ola Rudner
—
Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
Tasmanian Symphony Orchestra, Sebastian Lang-Lessing
—
Piers Lane, Queensland Symphony Orchestra, Johannes Fritzsch
Le nozze di Figaro, K. 492, Act I: “Non più andrai”
Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner
—
Requiem, KV626: Dies irae
Cantillation, Orchestra of the Antipodes, Antony Walker
—
String Quartet in F minor, op. 95 "Quartetto serioso": IV. Larghetto espressivo - Allegretto agitato (live)
Goldner String Quartet
—
Symphony no. 5: Allegro con brio
Tasmanian Symphony Orchestra, David Porcelijn
—
Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace – Presto
Tasmanian Symphony Orchestra, David Porcelijn
—
Adagio un poco moto from Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor'
Gerard Willems, Sinfonia Australis, Antony Walker
—
Piano Trio no. 4 in G major, op. 65: III. Rondo (Vivace assai e scherzando)
The Australian Trio
—
Finale From “Trout” Quintet (Waiting for God Theme)
David Campbell, Jacqueline Cronin, Seraphim Trio
—
Tasmanian Symphony Orchestra, Sebastian Lang-Lessing
Sydney Symphony Orchestra, Willem van Otterloo
The Hebrides (Fingal's Cave), op. 26
Tasmanian Symphony Orchestra, Sebastian Lang-Lessing
—
Violin Concerto in E minor: Allegro non troppo - Allegro molto vivace
Sebastian Lang-Lessing, Tasmanian Symphony Orchestra, Niki Vasilakis
—
Kinderscenen (Scenes from Childhood), op. 15: No. 7 Träumerei (Dreaming)
Stephanie McCallum
—
Symphony no. 3 in E-flat major, op. 97 "Rhenish": 2. Scherzo (Sehr mäßig)
Tasmanian Symphony Orchestra, Sebastian Lang-Lessing
—
Années de pèlerinage: 1ère année: Suisse, S. 160: 2. Au lac de Wallenstadt
Stephanie McCallum
—
Adelaide Vocal Project, Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton
Ein deutsches Requiem, op. 45: 4. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
Melbourne Symphony Orchestra, Johannes Fritzsch
—
Melbourne Symphony Orchestra, Tadaaki Otaka
Symphony no. 4 in E-Flat major "Romantic": III. Scherzo (Bewegt)
Melbourne Symphony Orchestra, Herbert Soudant
—
Cello Concerto in B minor, op. 104: I. Allegro
Melbourne Symphony Orchestra, David Stanhope
—
Symphony no. 9 in E minor, op. 95 (B. 178) "From the New World": I. Adagio - Allegro molto
Melbourne Symphony Orchestra, Tadaaki Otaka
—
Tasmanian Symphony Orchestra, Sebastian Lang-Lessing
Simon Tedeschi, Queensland Symphony Orchestra, Richard Bonynge
The Nutcracker, op. 71: Dance of the Toy Flutes
Queensland Symphony Orchestra, Werner Andreas Albert
—
Violin Concerto, op. 35: III. Finale (Allegro vivacissimo)
Australian Youth Orchestra, Christoph Eschenbach
—
Tannhäuser: Dich teure Halle (Act II)
Marilyn Richardson, Queensland Symphony Orchestra, Werner Andreas Albert
—
Opera Australia Orchestra, Simone Young
Messa da Requiem: 4. Sanctus
Opera Australia Chorus, Opera Australia Orchestra, Simone Young
—
Symphony no. 3 in C minor "Organ", op. 78: 2b. Maestoso - Più allegro - Molto allegro
Adelaide Symphony Orchestra, David Stanhope
—
Pictures at an Exhibition: V. Ballet of the Chicks in Their Shells
Simon Tedeschi
—
Sara Macliver, Sinfonia Australis, Antony Walker
Turandot: Act III: "Nessun dorma"
Rosario La Spina, Queensland Symphony Orchestra, Stephen Mould
—
Symphony no. 4 in G major: IV. Sehr behaglich (Very comfortably)
Melbourne Symphony Orchestra, Markus Stenz
—
Symphony no. 5 in C-sharp minor: Part III: IV. Adagietto. Sehr langsam.
Melbourne Symphony Orchestra, Markus Stenz
—
Prélude à ‘L’Après-midi d’un Faune’, L. 86
Melbourne Symphony Orchestra, Jorge Mester
—
Préludes, Book 1, L. 117: 6. Des pas sur la neige
Duncan Gifford
—
Cello Concerto in E minor, op. 85: 1. Adagio – Moderato
Li-Wei Qin, Adelaide Symphony Orchestra, Nicholas Braithwaite
—
Sydney Symphony Orchestra, Myer Fredman
The Planets, op. 32: 3. Mercury, the Winged Messenger
Queensland Symphony Orchestra, Nicholas Braithwaite
—
Iberia: IV. El puerto
West Australian Symphony Orchestra, Jorge Mester
—
Four Last Songs: Frühling (Spring)
Erin Wall, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Adelaide Symphony Orchestra, Arvo Volmer, Adele Anthony
—
Symphony no. 2 in D major, op. 43: I. Allegretto
Adelaide Symphony Orchestra, Arvo Volmer
—
Symphony no. 2 in E minor, op. 27: II. Allegro molto
Melbourne Symphony Orchestra, Tadaaki Otaka
—
Piano Concerto no. 2 in C minor, op. 18: 1. Moderato - Live in Australia, 2003
Roger Woodward, Sydney Symphony Orchestra, Charles Dutoit
—
String Quartet in F major, M. 35: 2. Assez Vif, Très Rythmé
Australian String Quartet
—
Pines of Rome: III. The Pine Trees of the Janiculum
West Australian Symphony Orchestra, Jorge Mester
—
Pelleas und Melisande, op. 5: III. Langsam
Sydney Symphony Orchestra, Edo de Waart
—
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto
Melbourne Symphony Orchestra, Hiroyuki Iwaki
—
Australian World Orchestra, Zubin Mehta
West Australian Symphony Orchestra, Benjamin Northey
Sara Macliver, Queensland Symphony Orchestra, Brett Kelly
Brigg Fair
Cantillation, Dan Walker, Paul Stanhope
—
Australian Virtuosi, Cantillation, Synergy Percussion, Antony Walker
Fantasia on Greensleeves
Tasmanian Symphony Orchestra, David Stanhope
—
Four Sea Interludes from Peter Grimes, op. 33a: III. Moonlight (Andante comodo e rubato)
London Philharmonic Orchestra, Zhang Yi
—
Appalachian Spring - Suite: VII. Shaker Melody ‘The Gift to be Simple’
Melbourne Symphony Orchestra, Benjamin Northey
—
Slava Grigoryan, The Queensland Orchestra, Brett Kelly
Preludes: I. Allegro ben ritmato e deciso
Simon Tedeschi
—
Symphony no. 8, op. 65: II. Allegretto
Adelaide Symphony Orchestra, Nicholas Braithwaite
—
Melbourne Symphony Orchestra, Hiroyuki Iwaki
Melbourne Symphony Orchestra, Hiroyuki Iwaki
Symphony No. 3 Op. 36 ‘Symphony of Sorrowful Songs’: II. Lento e largo
Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yussa
—
Three Gymnopédies: Gymnopédie no. 1
Sydney Symphony Orchestra, Myer Fredman
—
Dawn Mantras
Cantillation, Jane Sheldon, The Sydney Children's Choir, Ian Cleworth, Matthew Doyle, Jim Franklin, Brian Nixon, Rixon Thomas, Lyn Williams
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in A major for Basset Clarinet, KV 622: II. Adagio | Craig Hill, Australian Brandenburg Orchestra, Paul Dyer | T-312.438.537-7 |
Craig Hill, Australian Brandenburg Orchestra, Paul Dyer
What other identifiers does this connect to?
Musical Works (ISWC)
T-005.002.184-5T-005.002.184-5T-010.115.427-1T-010.115.427-1T-070.000.199-5T-070.000.199-5T-306.482.271-1T-318.931.418-5T-802.643.544-0T-901.136.700-3
+20 more
T-901.134.571-4T-901.136.700-3T-902.091.036-5T-910.415.372-2T-910.415.372-2T-001.397.158-8T-003.006.377-4T-003.016.130-8T-003.016.535-5T-003.017.772-0T-003.506.743-6T-004.013.305-8T-010.065.879-4T-011.144.544-3T-041.489.061-1T-050.018.340-3T-050.202.337-1T-070.257.887-7T-210.333.784-1T-305.625.648-1
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000043148233000000004380021X00000000466813590000000051085332000000005517041100000000551720700000000055180951000000005550175100000000555039330000000063099985
+20 more
00000000631100050000000063112422000000006312515100000000632070340000000063231237000000006411777800000000769245340000000078404460000000007840667700000000784789960000000080122905000000008014724800000000810632060000000081730224000000008283295100000000838694650000000083916532000000008413423300000000899128070000000097827645
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What is UPC 0028948124565?
0028948124565 is a Universal Product Code (UPC) assigned to 1000 Years of Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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