The Classic 100: Voice The Top 10 & Selected Highlights

UPC · Release

The Classic 100: Voice The Top 10 & Selected Highlights

Various Artists

0028948149568
26 tracksReleased 2017-01-01

Last verified:

0028948149568 is the Universal Product Code (UPC barcode) for the release The Classic 100: Voice The Top 10 & Selected Highlights by Various Artists, released 2017-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include AUAB01650272, AUAB00450329, AUAB00250105.

Format

002GS1 prefix
8948Company prefix
14956Product
8Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Classic 100: Voice The Top 10 & Selected Highlights
ISRC26 recordings
ISWC18 works
IPI1 songwriter

Track List (26)

Symphony no. 9 in D minor, op. 125 “Choral”: 4. Finale (Presto – Allegro assai)
Cheryl Barker, Elizabeth Campbell, Teddy Tahu Rhodes, Steve Davislim, The Sydney Philharmonia Choir, Australian World Orchestra, Alexander Briger
Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint »
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods
Messiah, HWV 56, Pt. 2: no. 44 Chorus: “Hallelujah!”
Messiah, HWV 56, Pt. 2: no. 44 Chorus: “Hallelujah!”
Cantillation, Orchestra of the Antipodes, Antony Walker
Requiem in D minor, op. 48: 4. Pie Jesu
Sara Macliver, Sinfonia Australis, Antony Walker
Miserere a 5 & 4
Cantillation, Antony Walker
Requiem in D minor, K. 626: 3f. Sequentia: Lacrimosa
Cantillation, Orchestra of the Antipodes, Antony Walker
Lakmé, Acte I : « Sous le dôme épais » (Flower Duet)
Victoria Lambourn, Milica Ilic, Tasmanian Symphony Orchestra, Andrew Greene
Vier letzte Lieder, TrV 296: 4. Im Abendrot
Vier letzte Lieder, TrV 296: 4. Im Abendrot
Erin Wall, Melbourne Symphony Orchestra, Sir Andrew Davis
Carmina Burana, “Ave formosissima ” … “O Fortuna”
Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Sydney Philharmonia Orchestra, Antony Walker
Madama Butterfly, Act II: 27. Humming Chorus
Madama Butterfly, Act II: 27. Humming Chorus
Opera Queensland Chorus, Queensland Symphony Orchestra, Johannes Fritzsch
Coronation Anthem no. 1 "Zadok the Priest, HWV258
Coronation Anthem no. 1 "Zadok the Priest, HWV258
Australian Brandenburg Orchestra, Brandenburg Choir, Paul Dyer
Ave verum corpus, K. 618
Cantillation, Orchestra of the Antipodes, Antony Walker
Rusalka, op. 114, B. 203, Act I: Song to the Moon: “Mesicku na nebi hlubokém”
Rusalka, op. 114, B. 203, Act I: Song to the Moon: “Mesicku na nebi hlubokém”
Nicole Car, The Australian Opera and Ballet Orchestra, Andrea Molino
Turandot, Act III: “Nessun dorma”
Turandot, Act III: “Nessun dorma”
Rosario La Spina, Orchestre Philharmonique De Monte Carlo, Richard Mills
Carmen, WD 31, Act II: « Votre toast, je peux vous le rendre » – « Toréador, en garde »
Teddy Tahu Rhodes, Alison Morgan, Jenny Duck-Chong, Sally-Anne Russell, Cantillation, Sinfonia Australis, Antony Walker
Die Zauberflöte, K. 620, Act II: “Der Hölle Rache kocht in meinem Herzen”
Die Zauberflöte, K. 620, Act II: “Der Hölle Rache kocht in meinem Herzen”
Emma Matthews, Tasmanian Symphony Orchestra, Marko Letonja
Le nozze di Figaro, K. 492, Act I: “Non più andrai”
Le nozze di Figaro, K. 492, Act I: “Non più andrai”
Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola Rudner
Wild Swans: Eliza Aria
Wild Swans: Eliza Aria
Jane Sheldon, Tasmanian Symphony Orchestra, Ola Rudner
Spem in alium
Cantillation, Antony Walker
Sea Pictures, op. 37: 1. Sea Slumber Song
Sea Pictures, op. 37: 1. Sea Slumber Song
Elizabeth Campbell, Adelaide Symphony Orchestra, Nicholas Braithwaite
Ein deutsches Requiem, op. 45: 4. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
Ein deutsches Requiem, op. 45: 4. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
Melbourne Symphony Orchestra, Johannes Fritzsch
Tosca, Act III, S. 69: “E lucevan le stelle”
Rosario La Spina, Queensland Symphony Orchestra, Stephen Mould
Dawn Mantras
Dawn Mantras
Cantillation, Jane Sheldon, The Sydney Children's Choir, Ian Cleworth, Matthew Doyle, Jim Franklin, Brian Nixon, Rixon Thomas, Lyn Williams

Additional database matches (2)

Les Pêcheurs de perles, WD 13, Acte I : « Au fond du temple saint »
David Hobson, Teddy Tahu Rhodes, Sinfonia Australis, Thomas Woods

Identifier Graph

UPCThe Classic 100…ISRCSymphony no. 9 …ISRCLes Pêcheurs de…ISRCMessiah, HWV 56…ISRCRequiem in D mi…ISRCMiserere a 5 & 4

People also ask

What is UPC 0028948149568?
UPC 0028948149568 is the Universal Product Code (barcode) for "The Classic 100: Voice The Top 10 & Selected Highlights" by Various Artists.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0028948149568?
UPC 0028948149568 contains 26 tracks, each with its own ISRC.
SourcesMLCMusicBrainzNotes3 sources

Verified on

What is UPC 0028948149568?

0028948149568 is a Universal Product Code (UPC) assigned to The Classic 100: Voice The Top 10 & Selected Highlights by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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