UPC · Release
The Classic 100: Baroque & Before
Various Artists
0028948208081
24 tracksReleased 2014-01-01
Last verified:
0028948208081 is the Universal Product Code (UPC barcode) for the release “The Classic 100: Baroque & Before” by Various Artists, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include AUAB09750051, AUAB09750052, AUAB09750053.
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Credit Chain
UPCThe Classic 100: Baroque & Before
ISRC24 recordings
ISWC38 works
IPI1 songwriter
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T9116400045 | |
| 2-2 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-3 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-4 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: I. Allegro non molto - Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T9028020102 | |
| 2-5 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-6 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-7 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T9116400045 | |
| 2-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno" (Autumn): II. Adagio molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-9 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-10 | The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: I. Allegro non molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T9100947920 | |
| 2-11 | Concerto in F minor, RV 297 "L'inverno" (Winter): II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-12 | Concerto in F minor, RV 297 "L'inverno" (Winter): III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-13 | Miserere a 5 & 4 | Cantillation, Antony Walker | T9000795120 | |
| 2-14 | Water Music Suite No.1 In F major, HWV348: I. Ouverture | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-15 | Water Music Suite No.1 In F major, HWV348: II. Adagio e staccato | Tasmanian Symphony Orchestra, Graham Abbott | T8022334073 | |
| 2-16 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T8022334073 | |
| 2-17 | Water Music Suite No.1 In F major, HWV348: IV. Andante | Tasmanian Symphony Orchestra, Graham Abbott | T8022334073 | |
| 2-18 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-19 | Water Music Suite No.1 In F major, HWV348: V. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T9028762007 | |
| 2-20 | Water Music Suite No.1 In F major, HWV348: VI. Air | Tasmanian Symphony Orchestra, Graham Abbott | T8022334073 | |
| 2-21 | Water Music Suite No.1 In F major, HWV348: VII. Minuet | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-22 | Water Music Suite no. 1 In F major, HWV348: VIII. Bourrée | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-23 | Water Music Suite No.1 In F major, HWV348: IX. Hornpipe | Tasmanian Symphony Orchestra, Graham Abbott | T8022334073 | |
| 2-24 | Water Music Suite No.1 In F major, HWV348: X. [Air] | Tasmanian Symphony Orchestra, Graham Abbott | — |
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno" (Autumn): II. Adagio molto
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
Concerto in F minor, RV 297 "L'inverno" (Winter): II. Largo
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Concerto in F minor, RV 297 "L'inverno" (Winter): III. Allegro
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Water Music Suite No.1 In F major, HWV348: I. Ouverture
Tasmanian Symphony Orchestra, Graham Abbott
—
Tasmanian Symphony Orchestra, Graham Abbott
Tasmanian Symphony Orchestra, Graham Abbott
Tasmanian Symphony Orchestra, Graham Abbott
Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo
Tasmanian Symphony Orchestra, Graham Abbott
—
Tasmanian Symphony Orchestra, Graham Abbott
Tasmanian Symphony Orchestra, Graham Abbott
Water Music Suite No.1 In F major, HWV348: VII. Minuet
Tasmanian Symphony Orchestra, Graham Abbott
—
Water Music Suite no. 1 In F major, HWV348: VIII. Bourrée
Tasmanian Symphony Orchestra, Graham Abbott
—
Tasmanian Symphony Orchestra, Graham Abbott
Water Music Suite No.1 In F major, HWV348: X. [Air]
Tasmanian Symphony Orchestra, Graham Abbott
—
Additional database matches (69)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Michael Dudman | — |
| Gloria in D major, Rv589: I. Gloria in excelsis Deo (Glory to God in the Highest) | Sydney Philharmonia Motet Choir, Sydney Philharmonia Orchestra, Antony Walker | T9054521798 |
| Magnificat in D major, BWV 243: Magnificat anima mea dominum | Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Sydney Philharmonia, Antony Walker | — |
| Greensleeves | Gareth Koch | T0607606472 |
| Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — |
| Veni, veni Emmanuel (O Come, O Come Emmanuel) | Cantillation, Paul McMahon, Brett Weymark | T9193195801 |
| Serse (Xerxes), HWV 40, Act I: Ombra mai fu | David Hobson, Sinfonia Australis, Antony Walker | — |
| Ave verum corpus a 4 | Cantillation, Brett Weymark | T0318828511 |
| Spem in alium | Cantillation, Antony Walker | T9062881032 |
| Oboe Concerto in D minor, op. 9 no. 2, R 454: Adagio | Diana Doherty, Sinfonia Australis Ensemble, Mark Summerbell | — |
| Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden" | Sara Macliver, Orchestra of the Antipodes, Antony Walker | T3259547274 |
| Cantata BWV 78: Duet "Wir eilen mit Schwachen, doch emsigen Schritten" | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | — |
| The Fairy Queen, Z629: If Love's a Sweet Passion | Cantillation, Sara Macliver, Orchestra of the Antipodes, Antony Walker | T0118036013 |
| Solomon HWV 67: Arrival of the Queen of Sheba | The Brandenburg Orchestra, Paul Dyer | T9052920180 |
| Flow My Tears | Paul McMahon, Tommie Andersson, Daniel Yeadon | T9220662691 |
| Stabat Mater: I. Stabat mater dolorosa | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | T0030165355 |
| L'incoronazione di Poppea The Coronation Of Poppea: Pur ti miro (I Gaze Upon You) | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | — |
| Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo) | Tasmanian Symphony Orchestra, David Stanhope | — |
| Violin Partita No. 2 In D minor, BWV1004: V. Ciaconna | Richard Tognetti | — |
| Dido and Aeneas, Z626: Thy Hand, Belinda…When I Am Laid in Earth (Dido's Lament) | Fiona Campbell, Orchestra of the Antipodes, Antony Walker | T9054545947 |
| Concerto in D minor for Two Violins, BWV1043: I. Vivace | Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra | — |
| Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | T-905.387.081-8 |
| Cantata BWV140 'Wachet auf, ruft uns die Stimme' (A Voice Is Calling Awake!): Zion hört die Wächter singen (Zion Hears the Watchmen Singing) | Cantillation, Orchestra of the Antipodes, Brett Weymark | — |
| Judas Maccabaeus, HWV63: Mourn, Ye Afflicted Children | Cantillation, Orchestra of the Antipodes, Antony Walker | — |
| Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro | Orchestra of the Antipodes, Antony Walker | — |
| Canon and Gigue in D major: I. Canon | Adelaide Symphony Orchestra, David Stanhope | T9238346355 |
| Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro | Leonard Grigoryan, Slava Grigoryan, Tasmanian Symphony Orchestra, Benjamin Northey | T0701603135 |
| Music for the Royal Fireworks: La Réjouissance (Rejoicing) | Tasmanian Symphony Orchestra, Graham Abbott | — |
| Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate) | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | — |
| Semele, HWV58: Where'er You Walk | Angus Wood, Sirius Ensemble, Antony Walker | — |
| The Prince of Denmark's March (Trumpet Voluntary) | West Australian Symphony Orchestra, Benjamin Northey | T0711566583 |
| Te Deum, H146: Prelude | West Australian Symphony Orchestra, Benjamin Northey | T9007986143 |
| Brandenburg Concerto no. 5, BWV1050: I. Allegro (excerpt) | Orchestra of the Antipodes, Antony Walker | — |
| Cantata BWV82 'Ich habe genug' (I Have Enough): I. Ich habe genug, ich habe den Heiland (I Have Enough, I Have Held the Saviour in My Arms) | Teddy Tahu Rhodes, Kirsten Barry, Orchestra of the Antipodes, Antony Walker | — |
| Bist du bei mir (With You at My Side), BWV508 | Teddy Tahu Rhodes, Orchestra of the Antipodes, Antony Walker | T9002017881 |
| Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Orchestra of the Antipodes, Antony Walker | — |
| Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Orchestra of the Antipodes, Antony Walker | T0701603135 |
| Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Orchestra of the Antipodes, Antony Walker | — |
| Brandenburg Concerto no. 6 in B-flat, BWV 1051: 1. Allegro | Orchestra of the Antipodes, Erin Helyard | T8014111059 |
| Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — |
| Suite no. 2 in D minor BWV 1008: V. Menuets I & II | Michael Goldschlager | — |
| Cello Suite No. 6 in C major, BWV1012: V. Gavottes I & II | Michael Goldschlager | — |
| O Ecclesia (O Church, My Beloved) | Brandenburg Choir, Jonathan Bradley, Paul Dyer | — |
| Goldberg Variations, BWV988: I: Aria And Variation I | Jacqueline Ogeil | — |
| The Well-Tempered Clavier, Book I: Prelude in C major, BWV846 | Erin Helyard | T-910.415.372-2 |
| L'orfeo (Orpheus): Toccata…Dal mio Permesso amato - excerpt (From My Beloved River Permessus) | Sara Macliver, Orchestra of the Antipodes, Antony Walker | — |
| Sonnerie de Ste-Geneviève du Mont-de-Paris (The Bells Of St Genevieve) | Anthea Cottee, Matthew Greco, Erin Helyard, Simon Martyn-Ellis | — |
| Orchestral Suite No. 3 In D Major, BWV1068: II. Air 'Air on the G String' | Peter Edwards, Michael Fortescue, Barbara Jane Gilby, Sue-Ellen Paulsen, Janet Rutherford, Geoffrey Lancaster | T-914.248.874-2 |
| Funeral Music for Queen Mary: March - Canzona - March | Graham Ashton Brass Ensemble | — |
| Rinaldo, HWV 7a : Atto II. "Lascia ch’io pianga" | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | T9170408067 |
| Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden" | Sara Macliver, Orchestra of the Antipodes, Antony Walker | — |
| Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — |
| Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — |
| Missa Papae Marcelli: Kyrie | The Tallis Scholars, Peter Phillips | T9054521812 |
| Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet | Christophe Dumaux, Andreas Scholl, Accademia Bizantina, Stefano Montanari | — |
| BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!" | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T3064831949 |
| Zadok The Priest - Coronation Anthem, HWV258 | Harry Christophers, The Sixteen | — |
| Dixit Dominus, HWV232: I. Dixit Dominus domino meo (The Lord Said to My Lord) | Harry Christophers, The Sixteen | — |
| Magnificat (Primo) | Simon Berridge, Jeremy Budd, Grace Davidson, Mark Dobell, Robert Macdonald, Julian Stocker, Elin Manahan Thomas, Stuart Young, Harry Christophers, The Sixteen | T9220422173 |
| Magnificat, H. 772: I. Magnificat | Choir of King's College, Cambridge, Academy of St Martin in the Fields, Philip Ledger | — |
| Terpsichore, No. 262: Ballet des sorciers à 4 / No. 277: Ballet des Princesses à 4 / No. 268: Ballet à 4 / No. 277: Ballet des Princesses à 4 | New London Consort, Philip Pickett | — |
| Trumpet Voluntary | Jeremiah Clarke | T3064827647 |
| Concerto à cinque in G major, op. 9 no. 6: I. Allegro | Alfredo Bernardini, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | T0116197331 |
| Concerto à cinque in B-flat major, op. 9 no. 11: I. Allegro | Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | — |
| The Coventry Carol | The King’s Singers | — |
| Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants) | Choir of the Enlightenment, Grace Davidson, William Gaunt, Kirsty Hopkins, Matthew Long, Nicholas Mulroy, Stuart Young, Orchestra of the Age of Enlightenment, Robert Howarth | — |
| St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace) | Choir of the AAM, Academy of Ancient Music, Richard Egarr | T-915.682.948-0 |
| Kyrie eleison | Esther Labourdette, Benjamin Bagby, Sequentia | — |
Toccata and Fugue in D Minor, BWV 565: 1. Toccata
Michael Dudman
—
Sydney Philharmonia Motet Choir, Sydney Philharmonia Orchestra, Antony Walker
Magnificat in D major, BWV 243: Magnificat anima mea dominum
Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Sydney Philharmonia, Antony Walker
—
Gareth Koch
Suite no. 1 in G major BWV 1007: I. Prelude
Michael Goldschlager
—
Cantillation, Paul McMahon, Brett Weymark
Serse (Xerxes), HWV 40, Act I: Ombra mai fu
David Hobson, Sinfonia Australis, Antony Walker
—
Cantillation, Brett Weymark
Cantillation, Antony Walker
Oboe Concerto in D minor, op. 9 no. 2, R 454: Adagio
Diana Doherty, Sinfonia Australis Ensemble, Mark Summerbell
—
Sara Macliver, Orchestra of the Antipodes, Antony Walker
Cantata BWV 78: Duet "Wir eilen mit Schwachen, doch emsigen Schritten"
Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker
—
Cantillation, Sara Macliver, Orchestra of the Antipodes, Antony Walker
The Brandenburg Orchestra, Paul Dyer
Paul McMahon, Tommie Andersson, Daniel Yeadon
Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker
L'incoronazione di Poppea The Coronation Of Poppea: Pur ti miro (I Gaze Upon You)
Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker
—
Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo)
Tasmanian Symphony Orchestra, David Stanhope
—
Violin Partita No. 2 In D minor, BWV1004: V. Ciaconna
Richard Tognetti
—
Fiona Campbell, Orchestra of the Antipodes, Antony Walker
Concerto in D minor for Two Violins, BWV1043: I. Vivace
Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra
—
Cantillation, Orchestra of the Antipodes, Brett Weymark
Cantata BWV140 'Wachet auf, ruft uns die Stimme' (A Voice Is Calling Awake!): Zion hört die Wächter singen (Zion Hears the Watchmen Singing)
Cantillation, Orchestra of the Antipodes, Brett Weymark
—
Judas Maccabaeus, HWV63: Mourn, Ye Afflicted Children
Cantillation, Orchestra of the Antipodes, Antony Walker
—
Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
Adelaide Symphony Orchestra, David Stanhope
Leonard Grigoryan, Slava Grigoryan, Tasmanian Symphony Orchestra, Benjamin Northey
Music for the Royal Fireworks: La Réjouissance (Rejoicing)
Tasmanian Symphony Orchestra, Graham Abbott
—
Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate)
Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer
—
Semele, HWV58: Where'er You Walk
Angus Wood, Sirius Ensemble, Antony Walker
—
West Australian Symphony Orchestra, Benjamin Northey
West Australian Symphony Orchestra, Benjamin Northey
Brandenburg Concerto no. 5, BWV1050: I. Allegro (excerpt)
Orchestra of the Antipodes, Antony Walker
—
Cantata BWV82 'Ich habe genug' (I Have Enough): I. Ich habe genug, ich habe den Heiland (I Have Enough, I Have Held the Saviour in My Arms)
Teddy Tahu Rhodes, Kirsten Barry, Orchestra of the Antipodes, Antony Walker
—
Teddy Tahu Rhodes, Orchestra of the Antipodes, Antony Walker
Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
Orchestra of the Antipodes, Antony Walker
Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
Orchestra of the Antipodes, Erin Helyard
Suite no. 1 in G major BWV 1007: I. Prelude
Michael Goldschlager
—
Suite no. 2 in D minor BWV 1008: V. Menuets I & II
Michael Goldschlager
—
Cello Suite No. 6 in C major, BWV1012: V. Gavottes I & II
Michael Goldschlager
—
O Ecclesia (O Church, My Beloved)
Brandenburg Choir, Jonathan Bradley, Paul Dyer
—
Goldberg Variations, BWV988: I: Aria And Variation I
Jacqueline Ogeil
—
L'orfeo (Orpheus): Toccata…Dal mio Permesso amato - excerpt (From My Beloved River Permessus)
Sara Macliver, Orchestra of the Antipodes, Antony Walker
—
Sonnerie de Ste-Geneviève du Mont-de-Paris (The Bells Of St Genevieve)
Anthea Cottee, Matthew Greco, Erin Helyard, Simon Martyn-Ellis
—
Peter Edwards, Michael Fortescue, Barbara Jane Gilby, Sue-Ellen Paulsen, Janet Rutherford, Geoffrey Lancaster
Funeral Music for Queen Mary: March - Canzona - March
Graham Ashton Brass Ensemble
—
Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer
Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden"
Sara Macliver, Orchestra of the Antipodes, Antony Walker
—
Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima
Musica Antiqua Köln, Reinhard Goebel
—
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
The Tallis Scholars, Peter Phillips
Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet
Christophe Dumaux, Andreas Scholl, Accademia Bizantina, Stefano Montanari
—
BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!"
Orchestra of the Sixteen, Harry Christophers
—
Orchestra of the Sixteen, Harry Christophers
Zadok The Priest - Coronation Anthem, HWV258
Harry Christophers, The Sixteen
—
Dixit Dominus, HWV232: I. Dixit Dominus domino meo (The Lord Said to My Lord)
Harry Christophers, The Sixteen
—
Simon Berridge, Jeremy Budd, Grace Davidson, Mark Dobell, Robert Macdonald, Julian Stocker, Elin Manahan Thomas, Stuart Young, Harry Christophers, The Sixteen
Magnificat, H. 772: I. Magnificat
Choir of King's College, Cambridge, Academy of St Martin in the Fields, Philip Ledger
—
Terpsichore, No. 262: Ballet des sorciers à 4 / No. 277: Ballet des Princesses à 4 / No. 268: Ballet à 4 / No. 277: Ballet des Princesses à 4
New London Consort, Philip Pickett
—
Jeremiah Clarke
Alfredo Bernardini, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood
Concerto à cinque in B-flat major, op. 9 no. 11: I. Allegro
Frank de Bruine, Academy of Ancient Music, Christopher Hogwood
—
The Coventry Carol
The King’s Singers
—
Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants)
Choir of the Enlightenment, Grace Davidson, William Gaunt, Kirsty Hopkins, Matthew Long, Nicholas Mulroy, Stuart Young, Orchestra of the Age of Enlightenment, Robert Howarth
—
Choir of the AAM, Academy of Ancient Music, Richard Egarr
Kyrie eleison
Esther Labourdette, Benjamin Bagby, Sequentia
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-905.387.081-8T-910.415.372-2T-910415372-2T-914.248.874-2T-914248874-2T-915.682.948-0T-915682948-0T-915683038-5T-915711225-9T0030165355
+28 more
T0116197331T0118036013T0318828511T0607606472T0701603135T0711566583T3064827647T3064831949T3259547274T8014111059T8022334073T9000795120T9002017881T9007986143T9028020102T9028762007T9052920180T9054521798T9054521812T9054545947T9062881032T9100947920T9116400045T9170408067T9193195801T9220422173T9220662691T9238346355
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000291118720000000043148233000000005525085X0000000055503933000000006158120900000000630419430000000063102179000000006312515100000000784044600000000079094476
+40 more
000000008012290500000000804509090000000081038019000000008136307300000000818427280000000082832951000000008386946500000000839810940000000089912807000000009008499X000000010140081300000001023355820000000106628630000000010663026300000001074679120000000109207006000000010941075X000000010956154X0000000109898417000000011008902700000001101298420000000110177457000000011022878700000001103322690000000110888611000000011297410X000000011443908X000000011454207900000001147198230000000114725481000000011476696100000001147693610000000114915648000000011508011X000000011938871X00000001194168800000000119453534000000011945647900000001194732600000000119523897
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What is UPC 0028948208081?
0028948208081 is a Universal Product Code (UPC) assigned to The Classic 100: Baroque & Before by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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