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Various Artists
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0028948208081 is the Universal Product Code (UPC barcode) for the release “The Classic 100: Baroque & Before” by Various Artists, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 144 tracks, each with its own ISRC. Tracks include AUAB09750051, AUAB09750052, AUAB09750053.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah, HWV56 - highlights: No. 1 Sinfony | — | ||
| 2 | Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye | — | ||
| 3 | Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley | — | ||
| 4 | Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord | — | ||
| 5 | Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord | — | ||
| 6 | Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide | — | ||
| 7 | Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born | — | ||
| 8 | Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds | — | ||
| 9 | Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord | — | ||
| 10 | Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them | — | ||
| 11 | Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel | — | ||
| 12 | Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God | — | ||
| 13 | Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly | — | ||
| 14 | Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind | — | ||
| 15 | Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock | — | ||
| 16 | Messiah, HWV56 - highlights: No. 23 (Alto) He was despised | — | ||
| 17 | Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs | — | ||
| 18 | Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations | — | ||
| 19 | Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder | — | ||
| 20 | Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah! | — | ||
| 21 | Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth | — | ||
| 22 | Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery | — | ||
| 23 | Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound | — | ||
| 24 | Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb | — | ||
| 25 | Messiah, HWV56 - highlights: No. 52 (Chorus) Amen | — | ||
| 2-1 | Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 2-2 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-3 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-4 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: I. Allegro non molto - Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-902.802.010-2 | |
| 2-5 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-6 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-7 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 2-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno" (Autumn): II. Adagio molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-9 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-10 | The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: I. Allegro non molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-910.094.792-0 | |
| 2-11 | Concerto in F minor, RV 297 "L'inverno" (Winter): II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-12 | Concerto in F minor, RV 297 "L'inverno" (Winter): III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-13 | Miserere a 5 & 4 | Cantillation, Antony Walker | T-900.079.512-0 | |
| 2-14 | Water Music Suite No.1 In F major, HWV348: I. Ouverture | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-15 | Water Music Suite No.1 In F major, HWV348: II. Adagio e staccato | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-16 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-17 | Water Music Suite No.1 In F major, HWV348: IV. Andante | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-18 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-19 | Water Music Suite No.1 In F major, HWV348: V. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T-902.876.200-7 | |
| 2-20 | Water Music Suite No.1 In F major, HWV348: VI. Air | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-21 | Water Music Suite No.1 In F major, HWV348: VII. Minuet | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-22 | Water Music Suite no. 1 In F major, HWV348: VIII. Bourrée | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-23 | Water Music Suite No.1 In F major, HWV348: IX. Hornpipe | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-24 | Water Music Suite No.1 In F major, HWV348: X. [Air] | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 3-1 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-2 | Canon and Gigue in D major: I. Canon | Adelaide Symphony Orchestra, David Stanhope | T-923.834.635-5 | |
| 3-3 | Dido and Aeneas, Z626: Thy Hand, Belinda…When I Am Laid in Earth (Dido's Lament) | Fiona Campbell, Orchestra of the Antipodes, Antony Walker | T-905.454.594-7 | |
| 3-4 | Zadok The Priest - Coronation Anthem, HWV258 | Harry Christophers, The Sixteen | — | |
| 3-5 | Music for the Royal Fireworks: La Réjouissance (Rejoicing) | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 3-6 | Spem in alium | Cantillation, Antony Walker | T-906.288.103-2 | |
| 3-7 | Concerto in D minor for Two Violins, BWV1043: I. Vivace | Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra | — | |
| 3-8 | Goldberg Variations, BWV988: I: Aria And Variation I | Jacqueline Ogeil | — | |
| 3-9 | Gloria in D major, Rv589: I. Gloria in excelsis Deo (Glory to God in the Highest) | Sydney Philharmonia Motet Choir, Sydney Philharmonia Orchestra, Antony Walker | T-905.452.179-8 | |
| 3-10 | Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — | |
| 3-11 | Stabat Mater: I. Stabat mater dolorosa | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | T-003.016.535-5 | |
| 3-12 | Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 3-13 | Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | T-905.387.081-8 | |
| 3-14 | Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T-306.483.194-9 | |
| 3-15 | Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo) | Tasmanian Symphony Orchestra, David Stanhope | — | |
| 3-16 | Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants) | Choir of the Enlightenment, Grace Davidson, William Gaunt, Kirsty Hopkins, Matthew Long, Nicholas Mulroy, Stuart Young, Orchestra of the Age of Enlightenment, Robert Howarth | — | |
| 3-17 | Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Michael Dudman | — | |
| 4-1 | Brandenburg Concerto no. 5, BWV1050: I. Allegro (excerpt) | Orchestra of the Antipodes, Antony Walker | — | |
| 4-2 | Solomon HWV 67: Arrival of the Queen of Sheba | The Brandenburg Orchestra, Paul Dyer | T-905.292.018-0 | |
| 4-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 4-4 | The Well-Tempered Clavier, Book I: Prelude in C major, BWV846 | Erin Helyard | T-910.415.372-2 | |
| 4-5 | Greensleeves | Gareth Koch | T-060.760.647-2 | |
| 4-6 | Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet | Christophe Dumaux, Andreas Scholl, Accademia Bizantina, Stefano Montanari | — | |
| 4-7 | Serse (Xerxes), HWV 40, Act I: Ombra mai fu | David Hobson, Sinfonia Australis, Antony Walker | — | |
| 4-8 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 4-9 | Flow My Tears | Paul McMahon, Tommie Andersson, Daniel Yeadon | T-922.066.269-1 | |
| 4-10 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!" | Orchestra of the Sixteen, Harry Christophers | — | |
| 4-11 | Rinaldo, HWV 7a : Atto II. "Lascia ch’io pianga" | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | T-917.040.806-7 | |
| 4-13 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Orchestra of the Antipodes, Antony Walker | T-070.160.313-5 | |
| 4-14 | Brandenburg Concerto no. 6 in B-flat, BWV 1051: 1. Allegro | Orchestra of the Antipodes, Erin Helyard | T-801.411.105-9 | |
| 4-15 | The Prince of Denmark's March (Trumpet Voluntary) | West Australian Symphony Orchestra, Benjamin Northey | T-071.156.658-3 | |
| 4-16 | Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro | Leonard Grigoryan, Slava Grigoryan, Tasmanian Symphony Orchestra, Benjamin Northey | T-070.160.313-5 | |
| 4-17 | Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate) | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 5-1 | L'incoronazione di Poppea The Coronation Of Poppea: Pur ti miro (I Gaze Upon You) | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | — | |
| 5-2 | Cantata BWV140 'Wachet auf, ruft uns die Stimme' (A Voice Is Calling Awake!): Zion hört die Wächter singen (Zion Hears the Watchmen Singing) | Cantillation, Orchestra of the Antipodes, Brett Weymark | — | |
| 5-3 | Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden" | Sara Macliver, Orchestra of the Antipodes, Antony Walker | T-325.954.727-4 | |
| 5-4 | Orchestral Suite No. 3 In D Major, BWV1068: II. Air 'Air on the G String' | Peter Edwards, Michael Fortescue, Barbara Jane Gilby, Sue-Ellen Paulsen, Janet Rutherford, Geoffrey Lancaster | T-914.248.874-2 | |
| 5-5 | L'orfeo (Orpheus): Toccata…Dal mio Permesso amato - excerpt (From My Beloved River Permessus) | Sara Macliver, Orchestra of the Antipodes, Antony Walker | — | |
| 5-6 | Dixit Dominus, HWV232: I. Dixit Dominus domino meo (The Lord Said to My Lord) | Harry Christophers, The Sixteen | — | |
| 5-7 | Veni, veni Emmanuel (O Come, O Come Emmanuel) | Cantillation, Paul McMahon, Brett Weymark | T-919.319.580-1 | |
| 5-8 | Sonnerie de Ste-Geneviève du Mont-de-Paris (The Bells Of St Genevieve) | Anthea Cottee, Matthew Greco, Erin Helyard, Simon Martyn-Ellis | — | |
| 5-9 | Oboe Concerto in D minor, op. 9 no. 2, R 454: Adagio | Diana Doherty, Sinfonia Australis Ensemble, Mark Summerbell | — | |
| 5-10 | Semele, HWV58: Where'er You Walk | Angus Wood, Sirius Ensemble, Antony Walker | — | |
| 5-11 | Funeral Music for Queen Mary: March - Canzona - March | Graham Ashton Brass Ensemble | — | |
| 5-12 | Magnificat in D major, BWV 243: Magnificat anima mea dominum | Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Sydney Philharmonia, Antony Walker | — | |
| 5-13 | The Coventry Carol | The King’s Singers | — | |
| 5-14 | Ave verum corpus a 4 | Cantillation, Brett Weymark | T-031.882.851-1 | |
| 5-15 | Cantata BWV 78: Duet "Wir eilen mit Schwachen, doch emsigen Schritten" | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | — | |
| 6-1 | Violin Partita No. 2 In D minor, BWV1004: V. Ciaconna | Richard Tognetti | — | |
| 6-2 | O Ecclesia (O Church, My Beloved) | Brandenburg Choir, Jonathan Bradley, Paul Dyer | — | |
| 6-3 | The Fairy Queen, Z629: If Love's a Sweet Passion | Cantillation, Sara Macliver, Orchestra of the Antipodes, Antony Walker | T-011.803.601-3 | |
| 6-4 | Te Deum, H146: Prelude | West Australian Symphony Orchestra, Benjamin Northey | T-900.798.614-3 | |
| 6-5 | Kyrie eleison | Esther Labourdette, Benjamin Bagby, Sequentia | — | |
| 6-6 | Terpsichore, No. 262: Ballet des sorciers à 4 / No. 277: Ballet des Princesses à 4 / No. 268: Ballet à 4 / No. 277: Ballet des Princesses à 4 | New London Consort, Philip Pickett | — | |
| 6-7 | Cantata BWV82 'Ich habe genug' (I Have Enough): I. Ich habe genug, ich habe den Heiland (I Have Enough, I Have Held the Saviour in My Arms) | Teddy Tahu Rhodes, Kirsten Barry, Orchestra of the Antipodes, Antony Walker | — | |
| 6-8 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-9 | Magnificat, H. 772: I. Magnificat | Choir of King's College, Cambridge, Academy of St Martin in the Fields, Philip Ledger | — | |
| 6-10 | Magnificat (Primo) | Simon Berridge, Jeremy Budd, Grace Davidson, Mark Dobell, Robert Macdonald, Julian Stocker, Elin Manahan Thomas, Stuart Young, Harry Christophers, The Sixteen | T-922.042.217-3 | |
| 6-11 | Missa Papae Marcelli: Kyrie | The Tallis Scholars, Peter Phillips | T-905.452.181-2 | |
| 6-12 | Trumpet Voluntary | Jeremiah Clarke | T-306.482.764-7 | |
| 6-13 | Judas Maccabaeus, HWV63: Mourn, Ye Afflicted Children | Cantillation, Orchestra of the Antipodes, Antony Walker | — | |
| 6-14 | Bist du bei mir (With You at My Side), BWV508 | Teddy Tahu Rhodes, Orchestra of the Antipodes, Antony Walker | T-900.201.788-1 | |
| 7-1 | Cello Suite No. 3 in C major, BWV1009: IV. Sarabande | — | ||
| 7-2 | Toccata and Fugue in D minor, BWV538 'Dorian': I. Toccata | — | ||
| 7-3 | Violin Concerto in A minor, BWV1041: I. [Allegro] | — | ||
| 7-4 | Trumpet Concerto in D major TWV51:D7: I. Adagio | — | ||
| 7-5 | Concerto Grosso in A major, Op. 6 No. 11, HWV329: I. Andante larghetto e staccato | — | ||
| 7-6 | Harpsichord Suite No. 5 in E major, HWV430 'Harmonious Blacksmith': IV. Air and Variations | — | ||
| 7-7 | Cello Suite No. 6 in C major, BWV1012: V. Gavottes I & II | Michael Goldschlager | — | |
| 7-8 | Violin Sonata in D minor, Op. 5 No. 12 'La Follia' | — | ||
| 7-9 | Musique de Table (Tafelmusik): Production I, No. 1 - Suite in E minor, TWV55:e1: I. Ouverture (Lentement - Vite - Lentement) | — | ||
| 7-10 | Suite no. 2 in D minor BWV 1008: V. Menuets I & II | Michael Goldschlager | — | |
| 7-11 | Guitar Concerto in D major, RV93 (originally for lute): II. Largo | — | ||
| 7-12 | Stabat Mater in eight parts | — | ||
| 7-13 | Mass for Four Voices: Sanctus - Benedictus | — | ||
| 7-14 | Les Indes galantes (The Amorous Indies): Overture | — | ||
| 8-1 | Alcina, HWV34: Tornami a vagheggiar (Turn Your Gaze to Me with Longing) | — | ||
| 8-2 | Stabat Mater, Rv621: I. Stabat mater dolorosa (The mother stood in sorrow) | — | ||
| 8-3 | Rejoice In The Lord Alway, Z49 'Bell Anthem' | — | ||
| 8-4 | Concerto for 2 Trumpets in C major, RV537: I. Allegro | — | ||
| 8-5 | Chiome d'oro (Golden Tresses) | — | ||
| 8-6 | Ode for St Cecilia's Day, HWV76: The Trumpet's Loud Clangour | — | ||
| 8-7 | Violin Sonata in G minor 'The Devil's Trill': III. Andante - Allegro | — | ||
| 8-8 | Le Bourgeois gentilhomme (The Would-Be Nobleman): Marche pour la cérémonie des Turcs (March for the Turks' Ceremony) | — | ||
| 8-9 | Passacaglia and Fugue in C minor, BWV582: II. Fugue | — | ||
| 8-10 | Dixit Dominus in D major RV594: Virgam virtutis tuae | — | ||
| 8-11 | Second Book of Harpsichord Pieces: Les Baricades mistérieuses | — | ||
| 8-12 | Violin Concerto in E major, BWV1042: III. Allegro assai | — | ||
| 8-13 | Mass for Five Voices: Agnus Dei | — | ||
| 8-14 | Concerto à cinque in B-flat major, op. 9 no. 11: I. Allegro | Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-15 | Keyboard Partita No. 1 in B-flat major, BWV825: IV. Sarabande | — | ||
| 8-16 | Llibre Vermell: Mariam matrem virginem (Mary, Virgin Mother) | — | ||
| 8-17 | Rosary Sonata No. 11 in G major 'Resurrectio' (The Resurrection): II. Surrexit Christus hodie | — | ||
| 8-18 | Concerto à cinque in G major, op. 9 no. 6: I. Allegro | Alfredo Bernardini, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | T-011.619.733-1 | |
| 8-19 | Sumer Is Icumen In | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — |
| Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden" | Sara Macliver, Orchestra of the Antipodes, Antony Walker | — |
| St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace) | Choir of the AAM, Academy of Ancient Music, Richard Egarr | T-915.682.948-0 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
0028948208081 is a Universal Product Code (UPC) assigned to The Classic 100: Baroque & Before by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 144 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0028948208081 is the Universal Product Code (UPC barcode) for the release “The Classic 100: Baroque & Before” by Various Artists, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 144 tracks, each with its own ISRC. Tracks include AUAB09750051, AUAB09750052, AUAB09750053.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah, HWV56 - highlights: No. 1 Sinfony | — | ||
| 2 | Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye | — | ||
| 3 | Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley | — | ||
| 4 | Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord | — | ||
| 5 | Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord | — | ||
| 6 | Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide | — | ||
| 7 | Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born | — | ||
| 8 | Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds | — | ||
| 9 | Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord | — | ||
| 10 | Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them | — | ||
| 11 | Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel | — | ||
| 12 | Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God | — | ||
| 13 | Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly | — | ||
| 14 | Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind | — | ||
| 15 | Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock | — | ||
| 16 | Messiah, HWV56 - highlights: No. 23 (Alto) He was despised | — | ||
| 17 | Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs | — | ||
| 18 | Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations | — | ||
| 19 | Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder | — | ||
| 20 | Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah! | — | ||
| 21 | Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth | — | ||
| 22 | Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery | — | ||
| 23 | Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound | — | ||
| 24 | Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb | — | ||
| 25 | Messiah, HWV56 - highlights: No. 52 (Chorus) Amen | — | ||
| 2-1 | Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 2-2 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-3 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-4 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: I. Allegro non molto - Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-902.802.010-2 | |
| 2-5 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-6 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-7 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 2-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno" (Autumn): II. Adagio molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-9 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-10 | The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: I. Allegro non molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-910.094.792-0 | |
| 2-11 | Concerto in F minor, RV 297 "L'inverno" (Winter): II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-12 | Concerto in F minor, RV 297 "L'inverno" (Winter): III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-13 | Miserere a 5 & 4 | Cantillation, Antony Walker | T-900.079.512-0 | |
| 2-14 | Water Music Suite No.1 In F major, HWV348: I. Ouverture | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-15 | Water Music Suite No.1 In F major, HWV348: II. Adagio e staccato | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-16 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-17 | Water Music Suite No.1 In F major, HWV348: IV. Andante | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-18 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-19 | Water Music Suite No.1 In F major, HWV348: V. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T-902.876.200-7 | |
| 2-20 | Water Music Suite No.1 In F major, HWV348: VI. Air | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-21 | Water Music Suite No.1 In F major, HWV348: VII. Minuet | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-22 | Water Music Suite no. 1 In F major, HWV348: VIII. Bourrée | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-23 | Water Music Suite No.1 In F major, HWV348: IX. Hornpipe | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-24 | Water Music Suite No.1 In F major, HWV348: X. [Air] | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 3-1 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-2 | Canon and Gigue in D major: I. Canon | Adelaide Symphony Orchestra, David Stanhope | T-923.834.635-5 | |
| 3-3 | Dido and Aeneas, Z626: Thy Hand, Belinda…When I Am Laid in Earth (Dido's Lament) | Fiona Campbell, Orchestra of the Antipodes, Antony Walker | T-905.454.594-7 | |
| 3-4 | Zadok The Priest - Coronation Anthem, HWV258 | Harry Christophers, The Sixteen | — | |
| 3-5 | Music for the Royal Fireworks: La Réjouissance (Rejoicing) | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 3-6 | Spem in alium | Cantillation, Antony Walker | T-906.288.103-2 | |
| 3-7 | Concerto in D minor for Two Violins, BWV1043: I. Vivace | Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra | — | |
| 3-8 | Goldberg Variations, BWV988: I: Aria And Variation I | Jacqueline Ogeil | — | |
| 3-9 | Gloria in D major, Rv589: I. Gloria in excelsis Deo (Glory to God in the Highest) | Sydney Philharmonia Motet Choir, Sydney Philharmonia Orchestra, Antony Walker | T-905.452.179-8 | |
| 3-10 | Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — | |
| 3-11 | Stabat Mater: I. Stabat mater dolorosa | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | T-003.016.535-5 | |
| 3-12 | Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 3-13 | Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | T-905.387.081-8 | |
| 3-14 | Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T-306.483.194-9 | |
| 3-15 | Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo) | Tasmanian Symphony Orchestra, David Stanhope | — | |
| 3-16 | Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants) | Choir of the Enlightenment, Grace Davidson, William Gaunt, Kirsty Hopkins, Matthew Long, Nicholas Mulroy, Stuart Young, Orchestra of the Age of Enlightenment, Robert Howarth | — | |
| 3-17 | Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Michael Dudman | — | |
| 4-1 | Brandenburg Concerto no. 5, BWV1050: I. Allegro (excerpt) | Orchestra of the Antipodes, Antony Walker | — | |
| 4-2 | Solomon HWV 67: Arrival of the Queen of Sheba | The Brandenburg Orchestra, Paul Dyer | T-905.292.018-0 | |
| 4-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 4-4 | The Well-Tempered Clavier, Book I: Prelude in C major, BWV846 | Erin Helyard | T-910.415.372-2 | |
| 4-5 | Greensleeves | Gareth Koch | T-060.760.647-2 | |
| 4-6 | Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet | Christophe Dumaux, Andreas Scholl, Accademia Bizantina, Stefano Montanari | — | |
| 4-7 | Serse (Xerxes), HWV 40, Act I: Ombra mai fu | David Hobson, Sinfonia Australis, Antony Walker | — | |
| 4-8 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 4-9 | Flow My Tears | Paul McMahon, Tommie Andersson, Daniel Yeadon | T-922.066.269-1 | |
| 4-10 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!" | Orchestra of the Sixteen, Harry Christophers | — | |
| 4-11 | Rinaldo, HWV 7a : Atto II. "Lascia ch’io pianga" | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | T-917.040.806-7 | |
| 4-13 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Orchestra of the Antipodes, Antony Walker | T-070.160.313-5 | |
| 4-14 | Brandenburg Concerto no. 6 in B-flat, BWV 1051: 1. Allegro | Orchestra of the Antipodes, Erin Helyard | T-801.411.105-9 | |
| 4-15 | The Prince of Denmark's March (Trumpet Voluntary) | West Australian Symphony Orchestra, Benjamin Northey | T-071.156.658-3 | |
| 4-16 | Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro | Leonard Grigoryan, Slava Grigoryan, Tasmanian Symphony Orchestra, Benjamin Northey | T-070.160.313-5 | |
| 4-17 | Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate) | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 5-1 | L'incoronazione di Poppea The Coronation Of Poppea: Pur ti miro (I Gaze Upon You) | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | — | |
| 5-2 | Cantata BWV140 'Wachet auf, ruft uns die Stimme' (A Voice Is Calling Awake!): Zion hört die Wächter singen (Zion Hears the Watchmen Singing) | Cantillation, Orchestra of the Antipodes, Brett Weymark | — | |
| 5-3 | Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden" | Sara Macliver, Orchestra of the Antipodes, Antony Walker | T-325.954.727-4 | |
| 5-4 | Orchestral Suite No. 3 In D Major, BWV1068: II. Air 'Air on the G String' | Peter Edwards, Michael Fortescue, Barbara Jane Gilby, Sue-Ellen Paulsen, Janet Rutherford, Geoffrey Lancaster | T-914.248.874-2 | |
| 5-5 | L'orfeo (Orpheus): Toccata…Dal mio Permesso amato - excerpt (From My Beloved River Permessus) | Sara Macliver, Orchestra of the Antipodes, Antony Walker | — | |
| 5-6 | Dixit Dominus, HWV232: I. Dixit Dominus domino meo (The Lord Said to My Lord) | Harry Christophers, The Sixteen | — | |
| 5-7 | Veni, veni Emmanuel (O Come, O Come Emmanuel) | Cantillation, Paul McMahon, Brett Weymark | T-919.319.580-1 | |
| 5-8 | Sonnerie de Ste-Geneviève du Mont-de-Paris (The Bells Of St Genevieve) | Anthea Cottee, Matthew Greco, Erin Helyard, Simon Martyn-Ellis | — | |
| 5-9 | Oboe Concerto in D minor, op. 9 no. 2, R 454: Adagio | Diana Doherty, Sinfonia Australis Ensemble, Mark Summerbell | — | |
| 5-10 | Semele, HWV58: Where'er You Walk | Angus Wood, Sirius Ensemble, Antony Walker | — | |
| 5-11 | Funeral Music for Queen Mary: March - Canzona - March | Graham Ashton Brass Ensemble | — | |
| 5-12 | Magnificat in D major, BWV 243: Magnificat anima mea dominum | Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Sydney Philharmonia, Antony Walker | — | |
| 5-13 | The Coventry Carol | The King’s Singers | — | |
| 5-14 | Ave verum corpus a 4 | Cantillation, Brett Weymark | T-031.882.851-1 | |
| 5-15 | Cantata BWV 78: Duet "Wir eilen mit Schwachen, doch emsigen Schritten" | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | — | |
| 6-1 | Violin Partita No. 2 In D minor, BWV1004: V. Ciaconna | Richard Tognetti | — | |
| 6-2 | O Ecclesia (O Church, My Beloved) | Brandenburg Choir, Jonathan Bradley, Paul Dyer | — | |
| 6-3 | The Fairy Queen, Z629: If Love's a Sweet Passion | Cantillation, Sara Macliver, Orchestra of the Antipodes, Antony Walker | T-011.803.601-3 | |
| 6-4 | Te Deum, H146: Prelude | West Australian Symphony Orchestra, Benjamin Northey | T-900.798.614-3 | |
| 6-5 | Kyrie eleison | Esther Labourdette, Benjamin Bagby, Sequentia | — | |
| 6-6 | Terpsichore, No. 262: Ballet des sorciers à 4 / No. 277: Ballet des Princesses à 4 / No. 268: Ballet à 4 / No. 277: Ballet des Princesses à 4 | New London Consort, Philip Pickett | — | |
| 6-7 | Cantata BWV82 'Ich habe genug' (I Have Enough): I. Ich habe genug, ich habe den Heiland (I Have Enough, I Have Held the Saviour in My Arms) | Teddy Tahu Rhodes, Kirsten Barry, Orchestra of the Antipodes, Antony Walker | — | |
| 6-8 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-9 | Magnificat, H. 772: I. Magnificat | Choir of King's College, Cambridge, Academy of St Martin in the Fields, Philip Ledger | — | |
| 6-10 | Magnificat (Primo) | Simon Berridge, Jeremy Budd, Grace Davidson, Mark Dobell, Robert Macdonald, Julian Stocker, Elin Manahan Thomas, Stuart Young, Harry Christophers, The Sixteen | T-922.042.217-3 | |
| 6-11 | Missa Papae Marcelli: Kyrie | The Tallis Scholars, Peter Phillips | T-905.452.181-2 | |
| 6-12 | Trumpet Voluntary | Jeremiah Clarke | T-306.482.764-7 | |
| 6-13 | Judas Maccabaeus, HWV63: Mourn, Ye Afflicted Children | Cantillation, Orchestra of the Antipodes, Antony Walker | — | |
| 6-14 | Bist du bei mir (With You at My Side), BWV508 | Teddy Tahu Rhodes, Orchestra of the Antipodes, Antony Walker | T-900.201.788-1 | |
| 7-1 | Cello Suite No. 3 in C major, BWV1009: IV. Sarabande | — | ||
| 7-2 | Toccata and Fugue in D minor, BWV538 'Dorian': I. Toccata | — | ||
| 7-3 | Violin Concerto in A minor, BWV1041: I. [Allegro] | — | ||
| 7-4 | Trumpet Concerto in D major TWV51:D7: I. Adagio | — | ||
| 7-5 | Concerto Grosso in A major, Op. 6 No. 11, HWV329: I. Andante larghetto e staccato | — | ||
| 7-6 | Harpsichord Suite No. 5 in E major, HWV430 'Harmonious Blacksmith': IV. Air and Variations | — | ||
| 7-7 | Cello Suite No. 6 in C major, BWV1012: V. Gavottes I & II | Michael Goldschlager | — | |
| 7-8 | Violin Sonata in D minor, Op. 5 No. 12 'La Follia' | — | ||
| 7-9 | Musique de Table (Tafelmusik): Production I, No. 1 - Suite in E minor, TWV55:e1: I. Ouverture (Lentement - Vite - Lentement) | — | ||
| 7-10 | Suite no. 2 in D minor BWV 1008: V. Menuets I & II | Michael Goldschlager | — | |
| 7-11 | Guitar Concerto in D major, RV93 (originally for lute): II. Largo | — | ||
| 7-12 | Stabat Mater in eight parts | — | ||
| 7-13 | Mass for Four Voices: Sanctus - Benedictus | — | ||
| 7-14 | Les Indes galantes (The Amorous Indies): Overture | — | ||
| 8-1 | Alcina, HWV34: Tornami a vagheggiar (Turn Your Gaze to Me with Longing) | — | ||
| 8-2 | Stabat Mater, Rv621: I. Stabat mater dolorosa (The mother stood in sorrow) | — | ||
| 8-3 | Rejoice In The Lord Alway, Z49 'Bell Anthem' | — | ||
| 8-4 | Concerto for 2 Trumpets in C major, RV537: I. Allegro | — | ||
| 8-5 | Chiome d'oro (Golden Tresses) | — | ||
| 8-6 | Ode for St Cecilia's Day, HWV76: The Trumpet's Loud Clangour | — | ||
| 8-7 | Violin Sonata in G minor 'The Devil's Trill': III. Andante - Allegro | — | ||
| 8-8 | Le Bourgeois gentilhomme (The Would-Be Nobleman): Marche pour la cérémonie des Turcs (March for the Turks' Ceremony) | — | ||
| 8-9 | Passacaglia and Fugue in C minor, BWV582: II. Fugue | — | ||
| 8-10 | Dixit Dominus in D major RV594: Virgam virtutis tuae | — | ||
| 8-11 | Second Book of Harpsichord Pieces: Les Baricades mistérieuses | — | ||
| 8-12 | Violin Concerto in E major, BWV1042: III. Allegro assai | — | ||
| 8-13 | Mass for Five Voices: Agnus Dei | — | ||
| 8-14 | Concerto à cinque in B-flat major, op. 9 no. 11: I. Allegro | Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | — | |
| 8-15 | Keyboard Partita No. 1 in B-flat major, BWV825: IV. Sarabande | — | ||
| 8-16 | Llibre Vermell: Mariam matrem virginem (Mary, Virgin Mother) | — | ||
| 8-17 | Rosary Sonata No. 11 in G major 'Resurrectio' (The Resurrection): II. Surrexit Christus hodie | — | ||
| 8-18 | Concerto à cinque in G major, op. 9 no. 6: I. Allegro | Alfredo Bernardini, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | T-011.619.733-1 | |
| 8-19 | Sumer Is Icumen In | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — |
| Cantata BWV 208: Aria (Soprano) "Schafe können sicher weiden" | Sara Macliver, Orchestra of the Antipodes, Antony Walker | — |
| St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace) | Choir of the AAM, Academy of Ancient Music, Richard Egarr | T-915.682.948-0 |
