UPC · Release
The Classic 100: Baroque & Before; Volume 1
Various Artists
0028948208173
82 tracksReleased 2014-01-01
Last verified:
0028948208173 is the Universal Product Code (UPC barcode) for the release “The Classic 100: Baroque & Before; Volume 1” by Various Artists, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include AUAB09750051, AUAB09750052, AUAB09750053.
Format
002GS1 prefix
8948Company prefix
20817Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Classic 100: Baroque & Before; Volume 1
ISRC57 recordings
ISWC25 works
IPI1 songwriter
Track List (82)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah, HWV56 - highlights: No. 1 Sinfony | — | ||
| 2 | Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye | — | ||
| 3 | Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley | — | ||
| 4 | Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord | — | ||
| 5 | Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord | — | ||
| 6 | Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide | — | ||
| 7 | Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born | — | ||
| 8 | Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds | — | ||
| 9 | Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord | — | ||
| 10 | Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them | — | ||
| 11 | Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel | — | ||
| 12 | Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God | — | ||
| 13 | Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly | — | ||
| 14 | Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind | — | ||
| 15 | Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock | — | ||
| 16 | Messiah, HWV56 - highlights: No. 23 (Alto) He was despised | — | ||
| 17 | Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs | — | ||
| 18 | Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations | — | ||
| 19 | Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder | — | ||
| 20 | Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah! | — | ||
| 21 | Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth | — | ||
| 22 | Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery | — | ||
| 23 | Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound | — | ||
| 24 | Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb | — | ||
| 25 | Messiah, HWV56 - highlights: No. 52 (Chorus) Amen | — | ||
| 2-1 | Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 2-2 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-3 | The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-4 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: I. Allegro non molto - Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-902.802.010-2 | |
| 2-5 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-6 | The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-7 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: I. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-911.640.004-5 | |
| 2-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno" (Autumn): II. Adagio molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-9 | The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-10 | The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: I. Allegro non molto | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | T-910.094.792-0 | |
| 2-11 | Concerto in F minor, RV 297 "L'inverno" (Winter): II. Largo | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-12 | Concerto in F minor, RV 297 "L'inverno" (Winter): III. Allegro | Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer | — | |
| 2-13 | Miserere a 5 & 4 | Cantillation, Antony Walker | T-900.079.512-0 | |
| 2-14 | Water Music Suite No.1 In F major, HWV348: I. Ouverture | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-15 | Water Music Suite No.1 In F major, HWV348: II. Adagio e staccato | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-16 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-17 | Water Music Suite No.1 In F major, HWV348: IV. Andante | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-18 | Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-19 | Water Music Suite No.1 In F major, HWV348: V. [Allegro] | Tasmanian Symphony Orchestra, Graham Abbott | T-902.876.200-7 | |
| 2-20 | Water Music Suite No.1 In F major, HWV348: VI. Air | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-21 | Water Music Suite No.1 In F major, HWV348: VII. Minuet | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-22 | Water Music Suite no. 1 In F major, HWV348: VIII. Bourrée | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 2-23 | Water Music Suite No.1 In F major, HWV348: IX. Hornpipe | Tasmanian Symphony Orchestra, Graham Abbott | T-802.233.407-3 | |
| 2-24 | Water Music Suite No.1 In F major, HWV348: X. [Air] | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 3-1 | Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 3-2 | Canon and Gigue in D major: I. Canon | Adelaide Symphony Orchestra, David Stanhope | T-923.834.635-5 | |
| 3-3 | Dido and Aeneas, Z626: Thy Hand, Belinda…When I Am Laid in Earth (Dido's Lament) | Fiona Campbell, Orchestra of the Antipodes, Antony Walker | T-905.454.594-7 | |
| 3-4 | Zadok The Priest - Coronation Anthem, HWV258 | Harry Christophers, The Sixteen | — | |
| 3-5 | Music for the Royal Fireworks: La Réjouissance (Rejoicing) | Tasmanian Symphony Orchestra, Graham Abbott | — | |
| 3-6 | Spem in alium | Cantillation, Antony Walker | T-906.288.103-2 | |
| 3-7 | Concerto in D minor for Two Violins, BWV1043: I. Vivace | Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra | — | |
| 3-8 | Goldberg Variations, BWV988: I: Aria And Variation I | Jacqueline Ogeil | — | |
| 3-9 | Gloria in D major, Rv589: I. Gloria in excelsis Deo (Glory to God in the Highest) | Sydney Philharmonia Motet Choir, Sydney Philharmonia Orchestra, Antony Walker | T-905.452.179-8 | |
| 3-10 | Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — | |
| 3-11 | Stabat Mater: I. Stabat mater dolorosa | Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker | T-003.016.535-5 | |
| 3-12 | Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 3-13 | Herz und Mund und Tat und Leben, Cantata BWV 147: 10. “Jesus bleibet meine Freude” | Cantillation, Orchestra of the Antipodes, Brett Weymark | T-905.387.081-8 | |
| 3-14 | Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T-306.483.194-9 | |
| 3-15 | Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo) | Tasmanian Symphony Orchestra, David Stanhope | — | |
| 3-16 | Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants) | Choir of the Enlightenment, Grace Davidson, William Gaunt, Kirsty Hopkins, Matthew Long, Nicholas Mulroy, Stuart Young, Orchestra of the Age of Enlightenment, Robert Howarth | — | |
| 3-17 | Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Michael Dudman | — | |
| 4-1 | Brandenburg Concerto no. 5, BWV1050: I. Allegro (excerpt) | Orchestra of the Antipodes, Antony Walker | — | |
| 4-2 | Solomon HWV 67: Arrival of the Queen of Sheba | The Brandenburg Orchestra, Paul Dyer | T-905.292.018-0 | |
| 4-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 4-4 | The Well-Tempered Clavier, Book I: Prelude in C major, BWV846 | Erin Helyard | T-910.415.372-2 | |
| 4-5 | Greensleeves | Gareth Koch | T-060.760.647-2 | |
| 4-6 | Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet | Christophe Dumaux, Andreas Scholl, Accademia Bizantina, Stefano Montanari | — | |
| 4-7 | Serse (Xerxes), HWV 40, Act I: Ombra mai fu | David Hobson, Sinfonia Australis, Antony Walker | — | |
| 4-8 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Orchestra of the Antipodes, Antony Walker | — | |
| 4-9 | Flow My Tears | Paul McMahon, Tommie Andersson, Daniel Yeadon | T-922.066.269-1 | |
| 4-10 | BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!" | Orchestra of the Sixteen, Harry Christophers | — | |
| 4-11 | Rinaldo, HWV 7a : Atto II. "Lascia ch’io pianga" | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | T-917.040.806-7 | |
| 4-13 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Orchestra of the Antipodes, Antony Walker | T-070.160.313-5 | |
| 4-14 | Brandenburg Concerto no. 6 in B-flat, BWV 1051: 1. Allegro | Orchestra of the Antipodes, Erin Helyard | T-801.411.105-9 | |
| 4-15 | The Prince of Denmark's March (Trumpet Voluntary) | West Australian Symphony Orchestra, Benjamin Northey | T-071.156.658-3 | |
| 4-16 | Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro | Leonard Grigoryan, Slava Grigoryan, Tasmanian Symphony Orchestra, Benjamin Northey | T-070.160.313-5 | |
| 4-17 | Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate) | Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer | — |
Messiah, HWV56 - highlights: No. 1 Sinfony
—
Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye
—
Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley
—
Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord
—
Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord
—
Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide
—
Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born
—
Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds
—
Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord
—
Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them
—
Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel
—
Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God
—
Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly
—
Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind
—
Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock
—
Messiah, HWV56 - highlights: No. 23 (Alto) He was despised
—
Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs
—
Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations
—
Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder
—
Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah!
—
Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth
—
Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery
—
Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound
—
Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb
—
Messiah, HWV56 - highlights: No. 52 (Chorus) Amen
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
Concerto in F major, op. 8 no. 3, RV 293 "L'Autunno" (Autumn): II. Adagio molto
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
Concerto in F minor, RV 297 "L'inverno" (Winter): II. Largo
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Concerto in F minor, RV 297 "L'inverno" (Winter): III. Allegro
Elizabeth Wallfisch, Australian Brandenburg Orchestra, Paul Dyer
—
Water Music Suite No.1 In F major, HWV348: I. Ouverture
Tasmanian Symphony Orchestra, Graham Abbott
—
Tasmanian Symphony Orchestra, Graham Abbott
Tasmanian Symphony Orchestra, Graham Abbott
Tasmanian Symphony Orchestra, Graham Abbott
Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo
Tasmanian Symphony Orchestra, Graham Abbott
—
Tasmanian Symphony Orchestra, Graham Abbott
Tasmanian Symphony Orchestra, Graham Abbott
Water Music Suite No.1 In F major, HWV348: VII. Minuet
Tasmanian Symphony Orchestra, Graham Abbott
—
Water Music Suite no. 1 In F major, HWV348: VIII. Bourrée
Tasmanian Symphony Orchestra, Graham Abbott
—
Tasmanian Symphony Orchestra, Graham Abbott
Water Music Suite No.1 In F major, HWV348: X. [Air]
Tasmanian Symphony Orchestra, Graham Abbott
—
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
—
Fiona Campbell, Orchestra of the Antipodes, Antony Walker
Zadok The Priest - Coronation Anthem, HWV258
Harry Christophers, The Sixteen
—
Music for the Royal Fireworks: La Réjouissance (Rejoicing)
Tasmanian Symphony Orchestra, Graham Abbott
—
Concerto in D minor for Two Violins, BWV1043: I. Vivace
Richard Tognetti, Helena Rathbone, Australian Chamber Orchestra
—
Goldberg Variations, BWV988: I: Aria And Variation I
Jacqueline Ogeil
—
Sydney Philharmonia Motet Choir, Sydney Philharmonia Orchestra, Antony Walker
Suite no. 1 in G major BWV 1007: I. Prelude
Michael Goldschlager
—
Sara Macliver, Sally-Anne Russell, Orchestra of the Antipodes, Antony Walker
Brandenburg Concerto no. 3 in G major, BWV1048: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
Cantillation, Orchestra of the Antipodes, Brett Weymark
Orchestra of the Sixteen, Harry Christophers
Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo)
Tasmanian Symphony Orchestra, David Stanhope
—
Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants)
Choir of the Enlightenment, Grace Davidson, William Gaunt, Kirsty Hopkins, Matthew Long, Nicholas Mulroy, Stuart Young, Orchestra of the Age of Enlightenment, Robert Howarth
—
Toccata and Fugue in D Minor, BWV 565: 1. Toccata
Michael Dudman
—
Brandenburg Concerto no. 5, BWV1050: I. Allegro (excerpt)
Orchestra of the Antipodes, Antony Walker
—
Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet
Christophe Dumaux, Andreas Scholl, Accademia Bizantina, Stefano Montanari
—
Serse (Xerxes), HWV 40, Act I: Ombra mai fu
David Hobson, Sinfonia Australis, Antony Walker
—
Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
Orchestra of the Antipodes, Antony Walker
—
BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!"
Orchestra of the Sixteen, Harry Christophers
—
Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer
Orchestra of the Antipodes, Antony Walker
Orchestra of the Antipodes, Erin Helyard
West Australian Symphony Orchestra, Benjamin Northey
Leonard Grigoryan, Slava Grigoryan, Tasmanian Symphony Orchestra, Benjamin Northey
Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate)
Yvonne Kenny, Australian Brandenburg Orchestra, Paul Dyer
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace) | Choir of the AAM, Academy of Ancient Music, Richard Egarr | T-915.682.948-0 |
| Suite no. 1 in G major BWV 1007: I. Prelude | Michael Goldschlager | — |
Choir of the AAM, Academy of Ancient Music, Richard Egarr
Suite no. 1 in G major BWV 1007: I. Prelude
Michael Goldschlager
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000029111872000000006312515100000000784044600000000079094476000000008136307300000000828329510000000083869465000000008991280700000001023355820000000106628630
+22 more
00000001066302630000000107467912000000010956154X0000000109898417000000011008902700000001102287870000000110888611000000011491564800000001194168800000000119453534000000011947326000000001195238970000000119573608000000012103915600000001217793490000000122601585000000012315430X00000003844210820000000406132805000000040724033000000004445805530000000448096419
Credits Graph
People also ask
SourcesMLCMusicBrainzNotes3 sources
Verified on
What is UPC 0028948208173?
0028948208173 is a Universal Product Code (UPC) assigned to The Classic 100: Baroque & Before; Volume 1 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm