UPC · Release
The Classic 100 - Swoon
Various Artists
0028948232178
100 tracksReleased 2015-06-01
Last verified:
0028948232178 is the Universal Product Code (UPC barcode) for the release “The Classic 100 - Swoon” by Various Artists, released 2015-06-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include AUAB00550571, AUAB00250025, AUAB00550705.
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002GS1 prefix
8948Company prefix
23217Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCThe Classic 100 - Swoon
ISRC8 recordings
ISWC17 works
IPI4 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Lark Ascending: Romance for Violin and Orchestra | — | ||
| 2 | Clarinet Concerto in A major, KV622: II. Adagio | — | ||
| 3 | Adagio for Strings, op. 11 | — | ||
| 4 | Spiegel im Spiegel (Mirror Within Mirror) | — | ||
| 5 | Miserere | — | ||
| 6 | Méditation From Thaïs | — | ||
| 7 | Variations on an Original Theme, op. 36 “Enigma”: IX. Nimrod | — | ||
| 8 | Gabriel’s Oboe from The Mission | — | ||
| 9 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 10 | Adagio in G minor (excerpt) | — | ||
| 2-1 | Trois Gymnopédies: Gymnopédie no. 1 | — | ||
| 2-2 | Cello Concerto in E minor, op. 85: 1. Adagio – Moderato | Li-Wei Qin, Adelaide Symphony Orchestra, Nicholas Braithwaite | — | |
| 2-3 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Adagietto | — | ||
| 2-5 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 2-6 | Ave, verum Corpus, KV618 | — | ||
| 2-7 | Je crois entendre encore (I Think I Hear It Still) From Les Pêcheurs de Perles (The Pearl Fishers) | — | ||
| 2-8 | Fantasia on a Theme by Thomas Tallis (excerpt) | — | ||
| 2-9 | Im Abendrot (In Sunset’s Glow) From Four Last Songs | — | ||
| 2-10 | The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) (From "The Gadfly") | David Stanhope | — | |
| 2-11 | Spartacus: Adagio of Spartacus and Phrygia | — | ||
| 2-12 | Humming Chorus From Madama Butterfly | — | ||
| 3-1 | Concierto de Aranjuez: II. Adagio | — | ||
| 3-2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 3-3 | Mache Dich, Mein Herze, Rein From St Matthew Passion, BWV244 | — | ||
| 3-4 | Requiem KV626: Lacrimosa | — | ||
| 3-5 | Canon and Gigue in D major: 1. Canon | — | ||
| 3-6 | Cello Suite no. 1 in G major BWV1007: 1. Prelude | — | ||
| 3-7 | Piano Concerto no. 21 in C major KV467 “Elvira Madigan”: II. Andante | — | ||
| 3-8 | Dido‘s Lament: Thy Hand Belinda… When I Am Laid in Earth | — | ||
| 3-9 | Intermezzo | [unknown] | T-931.666.624-7 | |
| 3-10 | Lakmé: Sous le dôme épais (Flower Duet) | [unknown] | T-316.901.758-3 | |
| 3-11 | Le Carnaval Des Animaux (The Carnival of the Animals): Le Cygne (The Swan) | — | ||
| 3-12 | Rhapsody on a Theme of Paganini op. 43: 18th Variation | — | ||
| 3-13 | Song to the Moon From Rusalka | — | ||
| 3-14 | Wooden Ships From Antarctica - Suite for Guitar and Orchestra | — | ||
| 4-1 | Va', Pensiero (Chorus of the Hebrew Slaves) From Nabucco | — | ||
| 4-2 | Concerto in D Minor for Two Violins, BWV1043: II. Largo Ma Non Tanto | — | ||
| 4-3 | Solveig's Song From Peer Gynt Suite No. 2 Op. 55 | — | ||
| 4-4 | Clair de Lune (Moonlight) From Suite Bergamasque | — | ||
| 4-5 | Venus the Bringer of Peace From the Planets - Suite Op. 32 | — | ||
| 4-6 | Pifa (Pastoral Symphony) From Messiah HWV56 | — | ||
| 4-7 | Spem in Alium | — | ||
| 4-8 | Soave Sia Il Vento (May the Breeze Be Gentle) From Cosi Fan Tutte | — | ||
| 4-9 | Symphony No. 9 in E Minor, Op. 95 'From the New World': II. Largo (excerpt) | — | ||
| 4-10 | The Nutcracker: Pas de Deux (Sugar-Plum Fairy and the Prince) | — | ||
| 4-11 | Benedictus | Laura Wright, The City of Prague Philharmonic Orchestra | T-927.457.223-5 | |
| 4-12 | Baïlèro From Songs of the Auvergne, Book 1 | — | ||
| 4-13 | Eliza Aria From Wild Swans - Concert Suite | — | ||
| 4-14 | Tristan Und Isolde: Prelude | — | ||
| 5-1 | Schindler's List: Main Theme | — | ||
| 5-2 | Dawn Mantras | Cantillation, Jane Sheldon, The Sydney Children's Choir, Ian Cleworth, Matthew Doyle, Jim Franklin, Brian Nixon, Rixon Thomas, Lyn Williams | — | |
| 5-3 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': 1. Adagio Sostenuto | Gerard Willems | — | |
| 5-4 | Largo (Ombra Mai Fù) From Xerxes, HWV40 | — | ||
| 5-5 | Prélude À 'l'Après-Midi D'Un Faune' | — | ||
| 5-6 | Small Town | — | ||
| 5-7 | Cantus in Memoriam Benjamin Britten | — | ||
| 5-8 | Violin Concerto in D Major, Op. 61: II. Larghetto | — | ||
| 5-9 | The Hebrides (Fingal's Cave) Op. 26 | — | ||
| 5-10 | Slava V Vyshnikh Bogu (Glory to God in the Highest) From All-Night Vigil, Op. 37 | — | ||
| 6-1 | Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | — | ||
| 6-2 | Jesu Joy of Man's Desiring | — | ||
| 6-3 | Bagatelle No. 25 in A Minor 'Für Elise' | — | ||
| 6-4 | Symphony No. 9 in D Minor, Op. 125 'Choral': III. Adagio Molto E Cantabile - Andante Moderato | — | ||
| 6-5 | Pavane Pour Une Infante Défunte (Pavane for a Dead Princess) | — | ||
| 6-6 | Nocturne From a Midsummer Night's Dream - Incidental Music Op. 61 | — | ||
| 6-7 | Symphony No. 7 in A Major, Op. 92: II. Allegretto | — | ||
| 6-8 | Jesus Bleibet Meine Freude (Jesu Joy of Man's Desiring) | — | ||
| 6-9 | Dance of the Blessed Spirits From Orphée Et Eurydice | — | ||
| 6-10 | Cinema Paradiso: Main Theme | — | ||
| 6-11 | Goldberg Variations BWV988: Aria | — | ||
| 6-12 | Impromptu in G-Flat Major, D899 No. 3 | — | ||
| 6-13 | Agnus Dei From Mass in B Minor, BWV232 | — | ||
| 6-14 | Pie Jesu From Requiem | — | ||
| 7-1 | Cantique de Jean Racine, Op. 11 | — | ||
| 7-2 | Lascia, ch'io pianga (Let me weep) from Rinaldo, HWV7 | — | ||
| 7-3 | Piano Concerto No. 23 in A Major, KV488: II. Adagio | — | ||
| 7-4 | Clarinet Quintet in A Major, KV581: II. Larghetto | — | ||
| 7-5 | Wie lieblich sind deine Wohnungen (How Lovely Are Thy Dwellings) | — | ||
| 7-6 | Symphony No. 3 Op. 36 ‘Symphony of Sorrowful Songs’: II. Lento e largo | Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yussa | — | |
| 7-7 | Brandenburg Concerto No. 5 in D Major, BWV1050: II. Affettuoso | — | ||
| 7-8 | Mon cœur s'ouvre à ta voix (My heart opens at the sound of your voice) from Samson et Dalila (Samson and Delilah) | — | ||
| 7-9 | Pavane Op. 50 | — | ||
| 7-10 | Summertime From Porgy and Bess | — | ||
| 7-11 | Concerto for Flute and Harp in C Major, KV299: II. Andantino | — | ||
| 7-12 | Marietta's Song: Glück das mir verblieb (Happiness That Has Stayed with Me) From Die tote Stadt (The Dead City) | — | ||
| 8-1 | Gnossienne No. 4 | — | ||
| 8-2 | Symphony No. 6 in F Major, Op. 68 'Pastoral': II. Szene Am Bach (Scene by the Brook): Andante Molto Moto (excerpt) | — | ||
| 8-3 | Piano Concerto No. 1 in E Minor, Op. 11: II. Romanze (Larghetto) | — | ||
| 8-4 | Ave Maria D839 (Ellen's Third Song From the Lady of the Lake) | — | ||
| 8-5 | Left Bank Waltz From Little Suite for Strings | — | ||
| 8-6 | Cello Concerto in B Minor, Op. 104: II. Adagio Ma Non Troppo | — | ||
| 8-7 | Stabat Mater: XII. Quando Corpus Morietur (When My Body Dies) | — | ||
| 8-8 | Song for Athene | — | ||
| 8-9 | Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | — | ||
| 8-10 | Casta Diva (Chaste Goddess) From Norma | — | ||
| 8-11 | Morgen! (Tomorrow!) Op. 27 No. 4 | — | ||
| 8-12 | Ave Maria | — | ||
| 8-13 | Air ('Air on the G String') From Orchestral Suite No. 3 in D Major, BWV1068 | — | ||
| 8-14 | O Mió Babbino Caro (Papa Dearest) From Gianni Schicchi | — |
The Lark Ascending: Romance for Violin and Orchestra
—
Clarinet Concerto in A major, KV622: II. Adagio
—
Adagio for Strings, op. 11
—
Spiegel im Spiegel (Mirror Within Mirror)
—
Miserere
—
Méditation From Thaïs
—
Variations on an Original Theme, op. 36 “Enigma”: IX. Nimrod
—
Gabriel’s Oboe from The Mission
—
Requiem, op. 48: IV. Pie Jesu
—
Adagio in G minor (excerpt)
—
Trois Gymnopédies: Gymnopédie no. 1
—
Cello Concerto in E minor, op. 85: 1. Adagio – Moderato
Li-Wei Qin, Adelaide Symphony Orchestra, Nicholas Braithwaite
—
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
—
Symphony no. 5 in C minor, op. 67: IV. Adagietto
—
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto
—
Ave, verum Corpus, KV618
—
Je crois entendre encore (I Think I Hear It Still) From Les Pêcheurs de Perles (The Pearl Fishers)
—
Fantasia on a Theme by Thomas Tallis (excerpt)
—
Im Abendrot (In Sunset’s Glow) From Four Last Songs
—
The Gadfly Suite, Op. 97a: 8. Romance (Arr. by Lev Atovmyan) (From "The Gadfly")
David Stanhope
—
Spartacus: Adagio of Spartacus and Phrygia
—
Humming Chorus From Madama Butterfly
—
Concierto de Aranjuez: II. Adagio
—
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
—
Mache Dich, Mein Herze, Rein From St Matthew Passion, BWV244
—
Requiem KV626: Lacrimosa
—
Canon and Gigue in D major: 1. Canon
—
Cello Suite no. 1 in G major BWV1007: 1. Prelude
—
Piano Concerto no. 21 in C major KV467 “Elvira Madigan”: II. Andante
—
Dido‘s Lament: Thy Hand Belinda… When I Am Laid in Earth
—
Le Carnaval Des Animaux (The Carnival of the Animals): Le Cygne (The Swan)
—
Rhapsody on a Theme of Paganini op. 43: 18th Variation
—
Song to the Moon From Rusalka
—
Wooden Ships From Antarctica - Suite for Guitar and Orchestra
—
Va', Pensiero (Chorus of the Hebrew Slaves) From Nabucco
—
Concerto in D Minor for Two Violins, BWV1043: II. Largo Ma Non Tanto
—
Solveig's Song From Peer Gynt Suite No. 2 Op. 55
—
Clair de Lune (Moonlight) From Suite Bergamasque
—
Venus the Bringer of Peace From the Planets - Suite Op. 32
—
Pifa (Pastoral Symphony) From Messiah HWV56
—
Spem in Alium
—
Soave Sia Il Vento (May the Breeze Be Gentle) From Cosi Fan Tutte
—
Symphony No. 9 in E Minor, Op. 95 'From the New World': II. Largo (excerpt)
—
The Nutcracker: Pas de Deux (Sugar-Plum Fairy and the Prince)
—
Baïlèro From Songs of the Auvergne, Book 1
—
Eliza Aria From Wild Swans - Concert Suite
—
Tristan Und Isolde: Prelude
—
Schindler's List: Main Theme
—
Dawn Mantras
Cantillation, Jane Sheldon, The Sydney Children's Choir, Ian Cleworth, Matthew Doyle, Jim Franklin, Brian Nixon, Rixon Thomas, Lyn Williams
—
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': 1. Adagio Sostenuto
Gerard Willems
—
Largo (Ombra Mai Fù) From Xerxes, HWV40
—
Prélude À 'l'Après-Midi D'Un Faune'
—
Small Town
—
Cantus in Memoriam Benjamin Britten
—
Violin Concerto in D Major, Op. 61: II. Larghetto
—
The Hebrides (Fingal's Cave) Op. 26
—
Slava V Vyshnikh Bogu (Glory to God in the Highest) From All-Night Vigil, Op. 37
—
Violin Concerto No. 2 in E Minor, Op. 64: II. Andante
—
Jesu Joy of Man's Desiring
—
Bagatelle No. 25 in A Minor 'Für Elise'
—
Symphony No. 9 in D Minor, Op. 125 'Choral': III. Adagio Molto E Cantabile - Andante Moderato
—
Pavane Pour Une Infante Défunte (Pavane for a Dead Princess)
—
Nocturne From a Midsummer Night's Dream - Incidental Music Op. 61
—
Symphony No. 7 in A Major, Op. 92: II. Allegretto
—
Jesus Bleibet Meine Freude (Jesu Joy of Man's Desiring)
—
Dance of the Blessed Spirits From Orphée Et Eurydice
—
Cinema Paradiso: Main Theme
—
Goldberg Variations BWV988: Aria
—
Impromptu in G-Flat Major, D899 No. 3
—
Agnus Dei From Mass in B Minor, BWV232
—
Pie Jesu From Requiem
—
Cantique de Jean Racine, Op. 11
—
Lascia, ch'io pianga (Let me weep) from Rinaldo, HWV7
—
Piano Concerto No. 23 in A Major, KV488: II. Adagio
—
Clarinet Quintet in A Major, KV581: II. Larghetto
—
Wie lieblich sind deine Wohnungen (How Lovely Are Thy Dwellings)
—
Symphony No. 3 Op. 36 ‘Symphony of Sorrowful Songs’: II. Lento e largo
Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yussa
—
Brandenburg Concerto No. 5 in D Major, BWV1050: II. Affettuoso
—
Mon cœur s'ouvre à ta voix (My heart opens at the sound of your voice) from Samson et Dalila (Samson and Delilah)
—
Pavane Op. 50
—
Summertime From Porgy and Bess
—
Concerto for Flute and Harp in C Major, KV299: II. Andantino
—
Marietta's Song: Glück das mir verblieb (Happiness That Has Stayed with Me) From Die tote Stadt (The Dead City)
—
Gnossienne No. 4
—
Symphony No. 6 in F Major, Op. 68 'Pastoral': II. Szene Am Bach (Scene by the Brook): Andante Molto Moto (excerpt)
—
Piano Concerto No. 1 in E Minor, Op. 11: II. Romanze (Larghetto)
—
Ave Maria D839 (Ellen's Third Song From the Lady of the Lake)
—
Left Bank Waltz From Little Suite for Strings
—
Cello Concerto in B Minor, Op. 104: II. Adagio Ma Non Troppo
—
Stabat Mater: XII. Quando Corpus Morietur (When My Body Dies)
—
Song for Athene
—
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio
—
Casta Diva (Chaste Goddess) From Norma
—
Morgen! (Tomorrow!) Op. 27 No. 4
—
Ave Maria
—
Air ('Air on the G String') From Orchestral Suite No. 3 in D Major, BWV1068
—
O Mió Babbino Caro (Papa Dearest) From Gianni Schicchi
—
What other identifiers does this connect to?
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00000000291118720000000034413410000000004380021X0000000046681359000000005550175100000000555415180000000063018831000000006309168400000000631100050000000063125151
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00000000631292670000000063231237000000006332815100000000641177780000000071425998000000007268462500000000769245340000000078404460000000007840667700000000784789960000000079094476000000008014724800000000818248100000000081852678000000008283295100000000834928640000000083869465000000008391653200000000841109790000000084134233
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What is UPC 0028948232178?
0028948232178 is a Universal Product Code (UPC) assigned to The Classic 100 - Swoon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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