UPC · Release
The New Stravinsky Complete Edition
Igor Stravinsky
0028948399628
618 tracksReleased 2021-03-05
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0028948399628 is the Universal Product Code (UPC barcode) for the release “The New Stravinsky Complete Edition” by Igor Stravinsky, released 2021-03-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 618 tracks, each with its own ISRC. Tracks include DEF059231001, DEF059231002, DEF059231003.
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8948Company prefix
39962Product
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Credit Chain
UPCThe New Stravinsky Complete Edition
ISRC119 recordings
ISWC12 works
IPI6 songwriters
Track List (618)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'oiseau de feu: I. Introduction | Chicago Symphony Orchestra, Pierre Boulez | T-901.571.571-6 | |
| 2 | L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3 | L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 4 | L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 5 | L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 6 | L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 7 | L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo) | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 8 | L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 9 | L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 10 | L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | T-316.219.192-2 | |
| 11 | L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 12 | L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 13 | L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 14 | L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 15 | L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-1 | Pétrouchka: First Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-2 | Pétrouchka: Second Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-3 | Pétrouchka: Third Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-4 | Pétrouchka: Fourth Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-5 | The Rite of Spring: I. The Adoration of the Earth | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 2-6 | The Rite of Spring: II. The Sacrifice | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 3-1 | Le Rossignol - Introduction | — | ||
| 3-2 | Le Rossignol - 'Nevod Brosal Nebesnyy Dukh' | — | ||
| 3-3 | Le Rossignol - 'Akh! S Neba Vysoty Blesnuv' | — | ||
| 3-4 | Le Rossignol - 'Vot I Dostigli My Opushki Lesa' | — | ||
| 3-5 | Le Rossignol - 'Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat'' | — | ||
| 3-6 | Le Rossignol - Entr'acte (Courants D'Air) - 'Ognya, Ognya' | — | ||
| 3-7 | Le Rossignol - Marche Chinoise - 'Velikiy Imperator' | — | ||
| 3-8 | Le Rossignol - Chant Du Rossignol - 'Akh! Serdtse Dobroye' | — | ||
| 3-9 | Le Rossignol - Jeu Du Rossignol Mécanique - 'Tsk, Tsk, Tsk, Tsk...' | — | ||
| 3-10 | Le Rossignol - Introduction - 'My Vse Pred Toboy' | — | ||
| 3-11 | Le Rossignol - 'Mne Slushat' Nravitsya' | — | ||
| 3-12 | Le Rossignol - Cortège Solennel - 'Zdravstvuyte' | — | ||
| 3-13 | Le Chant du rossignol - Introduction | — | ||
| 3-14 | Le Chant du rossignol - Marche Chinoise | — | ||
| 3-15 | Le Chant du rossignol - Chant Du Rossignol | — | ||
| 3-16 | Le Chant du rossignol - Jeu Du Rossignol Mécanique | — | ||
| 4-1 | Renard | — | ||
| 4-2 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-3 | The Soldier's Tale - 'Phew, This Isn't A Bad Sort Of Spot' (Narrator, Soldier) | — | ||
| 4-4 | The Soldier's Tale - Music For Scene 1: Airs By A Stream | — | ||
| 4-5 | The Soldier's Tale - 'Enter The Devil' (Narrator, Devil, Soldier) | — | ||
| 4-6 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-7 | The Soldier's Tale - 'Hurray, Here We Are! We're Home At Last!' (Narrator) | — | ||
| 4-8 | The Soldier's Tale - Music For Scene 2: Pastorale | — | ||
| 4-9 | The Soldier's Tale - 'The Devil Is Standing There' (Narrator, Soldier, Devil) | — | ||
| 4-10 | The Soldier's Tale - Music For The End Of Scene 2 | — | ||
| 4-11 | The Soldier's Tale - 'He Took Up The Book' (Narrator) | — | ||
| 4-12 | The Soldier's Tale - Airs By A Stream - 'Just To Stretch Out On The Grass' (Narrator) | — | ||
| 4-13 | The Soldier's Tale - 'They Have Nothing - And Yet They Have It All' (Narrator, Soldier, Devil) | — | ||
| 4-14 | The Soldier's Tale - Music For Scene 3: Airs By A Stream - 'The Devil Has Disappeared' (Narrator) | — | ||
| 4-15 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-16 | The Soldier's Tale - 'Now He Comes To Another Land' (Narrator) | — | ||
| 4-17 | The Soldier's Tale - The Royal March | — | ||
| 4-18 | The Soldier's Tale - 'They Gave The Word For The Band To Play' (Narrator, Soldier, Devil) | — | ||
| 4-19 | The Soldier's Tale - The Little Concert - 'Princess, Now We Can Safely Say' (Narrator) | — | ||
| 4-20 | The Soldier's Tale - 3 Dances: 1. Tango | — | ||
| 4-21 | The Soldier's Tale - 3 Dances: 2. Valse | — | ||
| 4-22 | The Soldier's Tale - 3 Dances: 3. Ragtime - 'The Soldier Holds The Princess Close' (Narrator) | — | ||
| 4-23 | The Soldier's Tale - The Devil's Dance - 'The Devil's Exhausted' (Narrator) | — | ||
| 4-24 | The Soldier's Tale - Little Chorale | — | ||
| 4-25 | The Soldier's Tale - The Devil's Song - 'All Right! I Shall Have To Wait' (Devil) | — | ||
| 4-26 | The Soldier's Tale - Great Chorale - 'You Must Not Seek To Add' (Narrator) | — | ||
| 4-27 | The Soldier's Tale - 'I Have Everything, He Thinks' (Narrator) | — | ||
| 4-28 | The Soldier's Tale - Triumphal March Of The Devil | — | ||
| 5-1 | Pulcinella: I. Ouverture: Allegro moderato | London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 5-2 | Pulcinella: II. Serenata: Larghetto | Ryland Davies, London Symphony Orchestra, Claudio Abbado | — | |
| 5-3 | Pulcinella: III. Scherzino: Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 5-4 | Pulcinella: Poco più vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 5-5 | Pulcinella: IV. Allegro | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 5-6 | Pulcinella: V. Andantino | London Symphony Orchestra, Claudio Abbado | — | |
| 5-7 | Pulcinella: VI. Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 5-8 | Pulcinella: VII. Allegretto | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 5-9 | Pulcinella: VIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 5-10 | Pulcinella: IX. Allegro (alla breve) | John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-11 | Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto) | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-12 | Pulcinella: XI. Allegro - alla breve | London Symphony Orchestra, Claudio Abbado | — | |
| 5-13 | Pulcinella: XII. Tarantella | London Symphony Orchestra, Claudio Abbado | — | |
| 5-14 | Pulcinella: XIII. Andantino | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 5-15 | Pulcinella: XIV. Allegro | London Symphony Orchestra, Claudio Abbado | T-922.067.243-5 | |
| 5-16 | Pulcinella: XV. Gavotta con due variazioni | London Symphony Orchestra, Claudio Abbado | — | |
| 5-17 | Pulcinella: XVI. Vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 5-18 | Pulcinella: XVII. Tempo di minuetto | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-19 | Pulcinella: XVIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 5-20 | Mavra - Overture | — | ||
| 5-21 | Mavra - 'Drug Moy Milyy' (Parasha) | — | ||
| 5-22 | Mavra - 'Kolokol'chiki Zvenyat' (Hussar) | — | ||
| 5-23 | Mavra - 'U Pesen Vsekh Slova Odni' (Parasha, Hussar) | — | ||
| 5-24 | Mavra - 'Moya Strast' Sil'neye Stanovitsya' (Parasha, Hussar) | — | ||
| 5-25 | Mavra - 'Izbavi Bog Prislugu' (Mother, Parasha) | — | ||
| 5-26 | Mavra - 'Net, Ne Zabyt' Vo Veki Mne Pokoynitsu' (Mother) | — | ||
| 5-27 | Mavra - 'Zhelayu Zdravstvovat'!' (Neighbour, Mother) | — | ||
| 5-28 | Mavra - 'Gde Tak Dolgo Ty Byla?' (Mother, Neighbour, Parasha, Cook) | — | ||
| 5-29 | Mavra - 'Parasha!' / 'Ya, Vasiliy Milyy!' (Parasha, Cook) | — | ||
| 5-30 | Mavra - 'Ya Pamyat'yu Ne Izmenyu' (Parasha, Cook) | — | ||
| 5-31 | Mavra - 'Parasha!' / 'Slyshish'?' (Mother, Parasha, Cook) | — | ||
| 5-32 | Mavra - 'Ya Zhdu, Ya Zhdu Pokorno' (Cook) | — | ||
| 5-33 | Mavra - 'Pozhaluy Vremya Nastupilo Pobrit'sya' (Cook, Mother, Parasha, Neighbour) | — | ||
| 6-1 | Les Noces - At The Bride's House (The Tresses): Kosa L' Moya Ko | — | ||
| 6-2 | Les Noces - At The Bridegroom's House: Prechistaya Mat', Khodi | — | ||
| 6-3 | Les Noces - The Departure Of The Bride: Blagoslavlyalsya Svetyël Mesyats | — | ||
| 6-4 | Les Noces - The Wedding Feast: Yagoda S Yagodoy Sokatilasya | — | ||
| 6-5 | Oedipus rex - Spectateurs, Vous Allez Entendre (Narrator) - Caedit Nos Pestis (Chorus, Oedipus) | — | ||
| 6-6 | Oedipus Rex - Voici Créon, Beau-Frère D'Œdipe (Narrator) - Respondit Deus (Creon) | — | ||
| 6-7 | Oedipus Rex - Non Reperias Vetus Scelus (Oedipus, Chorus) | — | ||
| 6-8 | Oedipus Rex - Œdipe Interroge La Fontaine De Vérité (Narrator) - Delie Exspectamus (Chorus) | — | ||
| 6-9 | Oedipus Rex - Dicere Non Possum (Tiresias, Oedipus) | — | ||
| 6-10 | Oedipus Rex - Invidia Fortunam Odit (Oedipus) | — | ||
| 6-11 | Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) | — | ||
| 6-12 | Oedipus Rex - La Dispute Des Princes Attire Jocaste (Narrator) | — | ||
| 6-13 | Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) | — | ||
| 6-14 | Oedipus Rex - Nonn' Erubescite, Reges (Jocasta, Chorus, Oedipus) | — | ||
| 6-15 | Oedipus Rex - Ego Senem Cecidi (Oedipus) | — | ||
| 6-16 | Oedipus Rex - Le Témoin Du Meurtre Sort De L'Ombre (Narrator) - Adest Omniscius Pastor (Chorus, Messenger, Shepherd) | — | ||
| 6-17 | Oedipus Rex - Oportebat Tacere, Nunquam Loqui (Shepherd) | — | ||
| 6-18 | Oedipus Rex - Nonne Monstrum Rescituri (Oedipus) | — | ||
| 6-19 | Oedipus Rex - In Monte Reppertus Est (Shepherd, Chorus, Oedipus) - Et Maintenant, Vous Allez Entendre (Narrator) | — | ||
| 6-20 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 6-21 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 6-22 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 7-1 | Apollon musagète - Naissance d'Apollon | — | ||
| 7-2 | Apollon musagète - Variation d'Apollon | — | ||
| 7-3 | Apollon musagète - Pas d'action | — | ||
| 7-4 | Apollon musagète - Variation de Calliope | — | ||
| 7-5 | Apollon musagète - Variation de Polymnie | — | ||
| 7-6 | Apollon musagète - Variation de Terpsichore | — | ||
| 7-7 | Apollon musagète - Variation d'Apollon | — | ||
| 7-8 | Apollon musagète - Pas de deux | — | ||
| 7-9 | Apollon musagète - Coda | — | ||
| 7-10 | Apollon musagète - Apothéose | — | ||
| 7-11 | The Fairy's Kiss - Andante | — | ||
| 7-12 | The Fairy's Kiss - Allegro sostenuto | — | ||
| 7-13 | The Fairy's Kiss - Fig. 27 | — | ||
| 7-14 | The Fairy's Kiss - Andante | — | ||
| 7-15 | The Fairy's Kiss - Tempo giusto | — | ||
| 7-16 | The Fairy's Kiss - Valse | — | ||
| 7-17 | The Fairy's Kiss - Doppio movimento | — | ||
| 7-18 | The Fairy's Kiss - Moderato | — | ||
| 7-19 | The Fairy's Kiss - Allegretto grazioso | — | ||
| 7-20 | The Fairy's Kiss - Entrée | — | ||
| 7-21 | The Fairy's Kiss - Adagio | — | ||
| 7-22 | The Fairy's Kiss - Variation | — | ||
| 7-23 | The Fairy's Kiss - Coda | — | ||
| 7-24 | The Fairy's Kiss - Scène | — | ||
| 7-25 | The Fairy's Kiss - L'istesso tempo | — | ||
| 8-1 | Perséphone: I. Perséphone ravie | London Philharmonic Orchestra, Kent Nagano | — | |
| 8-2 | Perséphone: II. Perséphone aux Enfers | London Philharmonic Orchestra, Kent Nagano | — | |
| 8-3 | Perséphone: III. Perséphone renaissante | London Philharmonic Orchestra, Kent Nagano | — | |
| 9-1 | Jeu de cartes - First deal | — | ||
| 9-2 | Jeu de cartes - Second deal | — | ||
| 9-3 | Jeu de cartes - Third deal | — | ||
| 9-4 | Scènes de ballet - Introduction. Andante | — | ||
| 9-5 | Scènes de ballet - Danses. Moderato | — | ||
| 9-6 | Scènes de ballet - Variation. Con moto | — | ||
| 9-7 | Scènes de ballet - Pantomime. Lento | — | ||
| 9-8 | Scènes de ballet - Pas de deux. Adagio | — | ||
| 9-9 | Scènes de ballet - Pantomime. Agitato ma tempo giusto | — | ||
| 9-10 | Scènes de ballet - Variation. Risoluto | — | ||
| 9-11 | Scènes de ballet - Variation. Andantino | — | ||
| 9-12 | Scènes de ballet - Pantomime. Andantino | — | ||
| 9-13 | Scènes de ballet - Danses. Con moto | — | ||
| 9-14 | Scènes de ballet - Apothéose. Poco meno mosso | — | ||
| 9-15 | Orpheus - Lento sostenuto | — | ||
| 9-16 | Orpheus - Air de danse. Andante con moto | — | ||
| 9-17 | Orpheus - L'Ange de la Mort et sa danse | — | ||
| 9-18 | Orpheus - Interlude. L'istesso tempo | — | ||
| 9-19 | Orpheus - Pas des Furies. Agitato in piano | — | ||
| 9-20 | Orpheus - Air de danse. Grave | — | ||
| 9-21 | Orpheus - Interlude. L'istesso tempo | — | ||
| 9-22 | Orpheus - Air de danse. L'istesso tempo | — | ||
| 9-23 | Orpheus - Pas d'action. Andantino leggiadro | — | ||
| 9-24 | Orpheus - Pas de deux. Andante sostenuto | — | ||
| 9-25 | Orpheus - Interlude. Moderato Assai | — | ||
| 9-26 | Orpheus - Pas d'action. vivace | — | ||
| 9-27 | Orpheus - Apothéose d'Orphée. Lento sostenuto | — | ||
| 10-1 | The Rake's Progress - Act 1 - Prelude | — | ||
| 10-2 | The Rake's Progress - Act 1 - 'The Woods Are Green' | — | ||
| 10-3 | The Rake's Progress - Act 1 - 'Anne, My Dear' | — | ||
| 10-4 | The Rake's Progress - Act 1 - 'Here I Stand' - 'Since It Is Not By Merit' | — | ||
| 10-5 | The Rake's Progress - Act 1 - 'Tom Rakewell?' | — | ||
| 10-6 | The Rake's Progress - Act 1 - 'Fair Lady, Gracious Gentlemen' - 'I Wished But Once' | — | ||
| 10-7 | The Rake's Progress - Act 1 - 'I'll Call The Coachman, Sir' | — | ||
| 10-8 | The Rake's Progress - Act 1 - 'Farewell For Now' | — | ||
| 10-9 | The Rake's Progress - Act 1 - 'All Is Ready, Sir' | — | ||
| 10-10 | The Rake's Progress - Act 1 - 'Dear Father Trulove' - 'Laughter And Light' | — | ||
| 10-11 | The Rake's Progress - Act 1 - 'With Air Commanding And Weapon Handy' | — | ||
| 10-12 | The Rake's Progress - Act 1 - Bryn Terfel, Ian Bostridge, Anne Howells / 'Come, Tom' | — | ||
| 10-13 | The Rake's Progress - Act 1 - 'Soon Dawn Will Glitter' | — | ||
| 10-14 | The Rake's Progress - Act 1 - Bryn Terfel / 'Sisters Of Venus, Brothers Of Mars' | — | ||
| 10-15 | The Rake's Progress - Act 1 - 'Love, Too Frequently Betrayed' | — | ||
| 10-16 | The Rake's Progress - Act 1 - 'How Sad A Song' | — | ||
| 10-17 | The Rake's Progress - Act 1 - 'The Sun Is Bright, The Grass Is Green' | — | ||
| 10-18 | The Rake's Progress - Act 1 - 'No Word From Tom' | — | ||
| 10-19 | The Rake's Progress - Act 1 - 'Quietly, Night' | — | ||
| 10-20 | The Rake's Progress - Act 1 - 'My Father! Can I Desert Him' | — | ||
| 10-21 | The Rake's Progress - Act 1 - 'I Go, I Go To Him' | — | ||
| 10-22 | The Rake's Progress - Act 2 - 'Vary The Song, O London, Change!' | — | ||
| 10-23 | The Rake's Progress - Act 2 - 'Nature, Green Unnatural Mother' | — | ||
| 10-24 | The Rake's Progress - Act 2 - 'Always The Quarry' | — | ||
| 10-25 | The Rake's Progress - Act 2 - 'Master, Are You Alone?' | — | ||
| 10-26 | The Rake's Progress - Act 2 - 'Come Master, Observe The Host' | — | ||
| 10-27 | The Rake's Progress - Act 2 - 'In Youth The Panting Slave' | — | ||
| 10-28 | The Rake's Progress - Act 2 - 'My Tale Shall Be Told' | — | ||
| 10-29 | The Rake's Progress - Act 2 - Introduction | — | ||
| 10-30 | The Rake's Progress - Act 2 - Deborah York / 'How Strange' - 'O Heart Be Stronger' | — | ||
| 10-31 | The Rake's Progress - Act 2 - Ian Bostridge, Deborah York / 'Anne! Here!' | — | ||
| 10-32 | The Rake's Progress - Act 2 - Anne Sofie Von Otter, Deborah York, Ian Bostridge / 'My Love, Am I To Remain In Here For Ever?' | — | ||
| 10-33 | The Rake's Progress - Act 2 - 'Could It Then Have Been Known' | — | ||
| 10-34 | The Rake's Progress - Act 2 - 'I Have Not Run Away' | — | ||
| 11-1 | The Rake's Progress - Act 2 - As I was saying | — | ||
| 11-2 | The Rake's Progress - Act 2 - My heart is cold | — | ||
| 11-3 | The Rake's Progress - Act 2 - Fa la la | — | ||
| 11-4 | The Rake's Progress - Act 2 - O, I wish it were true | — | ||
| 11-5 | The Rake's Progress - Act 2 - Thanks to this excellent device | — | ||
| 11-6 | The Rake's Progress - Act 2 - Forgive me, master, for intruding | — | ||
| 11-7 | The Rake's Progress - Act 3 - Ruin, Disaster, Shame | — | ||
| 11-8 | The Rake's Progress - Act 3 - Ladies both fair and gracious | — | ||
| 11-9 | The Rake's Progress - Act 3 - How hears me, knows me | — | ||
| 11-10 | The Rake's Progress - Act 3 - Sold! Annoyed! | — | ||
| 11-11 | The Rake's Progress - Act 3 - You love him | — | ||
| 11-12 | The Rake's Progress - Act 3 - I go to him | — | ||
| 11-13 | The Rake's Progress - Act 3 - Prelude | — | ||
| 11-14 | The Rake's Progress - Act 3 - Ian Bostridge, Bryn Terfel / How dark and deadful is this place | — | ||
| 11-15 | The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge / Very well then, my dear and good Tom | — | ||
| 11-16 | The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge, Deborah York / Well then | — | ||
| 11-17 | The Rake's Progress - Act 3 - I burn, Iburn! I freeze! | — | ||
| 11-18 | The Rake's Progress - Act 3 - With roses crowned | — | ||
| 11-19 | The Rake's Progress - Act 3 - Prepare yourselves, heroic shades | — | ||
| 11-20 | The Rake's Progress - Act 3 - There he is Have no fear | — | ||
| 11-21 | The Rake's Progress - Act 3 - I have waited | — | ||
| 11-22 | The Rake's Progress - Act 3 - In a foolish dream | — | ||
| 11-23 | The Rake's Progress - Act 3 - I am exceeding weary | — | ||
| 11-24 | The Rake's Progress - Act 3 - Gently, little boat | — | ||
| 11-25 | The Rake's Progress - Act 3 - Anne, my dear | — | ||
| 11-26 | The Rake's Progress - Act 3 - Every wearied body | — | ||
| 11-27 | The Rake's Progress - Act 3 - Where art thou, Venus ? | — | ||
| 11-28 | The Rake's Progress - Act 3 - Mourn for Adonis | — | ||
| 11-29 | The Rake's Progress - Act 3 - Epilogue | — | ||
| 12-1 | Agon - Pas De Quatre | — | ||
| 12-2 | Agon - Double Pas De Quatre | — | ||
| 12-3 | Agon - Triple Pas De Quatre. Coda | — | ||
| 12-4 | Agon - Prelude | — | ||
| 12-5 | Agon - First Pas De Trois: A. Saraband Step | — | ||
| 12-6 | Agon - First Pas De Trois: B. Gailliarde | — | ||
| 12-7 | Agon - First Pas De Trois: C. Coda | — | ||
| 12-8 | Agon - Interlude | — | ||
| 12-9 | Agon - Second Pas De Trois: A. Bransle Simple | — | ||
| 12-10 | Agon - Second Pas De Trois: B. Bransle Gay | — | ||
| 12-11 | Agon - Second Pas De Trois: C. Bransle Double | — | ||
| 12-12 | Agon - Interlude | — | ||
| 12-13 | Agon - Pas De Deux | — | ||
| 12-14 | Agon - Coda | — | ||
| 12-15 | Agon - Four Duos | — | ||
| 12-16 | Agon - Four Trios - Coda | — | ||
| 12-17 | The Flood - Prelude: 'Te Deum Laudamus' | — | ||
| 12-18 | The Flood - Melodrama: 'In A Worm's Likeness Will He Wend' | — | ||
| 12-19 | The Flood - The Building Of The Ark | — | ||
| 12-20 | The Flood - The Catalogue Of The Animals: 'The Lord Bade That I Should Bring' | — | ||
| 12-21 | The Flood - The Comedy (Noah And His Wife): 'Wife, Come In!' | — | ||
| 12-22 | The Flood - The Flood | — | ||
| 12-23 | The Flood - The Covenant Of The Rainbow: 'A Covenant, Noah, With Thee I Make' | — | ||
| 13-1 | Symphony In E Flat Major Op. 1 - Allegro Moderato | — | ||
| 13-2 | Symphony In E Flat Major Op. 1 - Scherzo. Allegretto | — | ||
| 13-3 | Symphony In E Flat Major Op. 1 - Largo | — | ||
| 13-4 | Symphony In E Flat Major Op. 1 - Finale. Allegro Molto | — | ||
| 13-5 | Scherzo Fantastique Op. 3 | — | ||
| 13-6 | Feu d'artifice, Op. 4 | Chicago Symphony Orchestra, Pierre Boulez | T-912.713.860-7 | |
| 13-7 | Quatre Etudes pour orchestre: I. Danse | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-8 | Quatre Etudes pour orchestre: II. Excentrique | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-9 | Quatre Etudes pour orchestre: III. Cantique | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-10 | Quatre Etudes pour orchestre: IV. Madrid | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-11 | Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion | — | ||
| 13-12 | Ragtime For 11 Instruments | — | ||
| 13-13 | Symphonies of Wind Instruments | Berliner Philharmoniker, Pierre Boulez | — | |
| 14-1 | Suite No.1 - Andante | — | ||
| 14-2 | Suite No.1 - Napolitana | — | ||
| 14-3 | Suite No.1 - Española | — | ||
| 14-4 | Suite No.1 - Balalaika | — | ||
| 14-5 | Suite No.2 - March | — | ||
| 14-6 | Suite No.2 - Waltz | — | ||
| 14-7 | Suite No.2 - Polka | — | ||
| 14-8 | Suite No.2 - Galop | — | ||
| 14-9 | Concerto For Piano And Wind Instruments - Largo - Allegro | — | ||
| 14-10 | Concerto For Piano And Wind Instruments - Largo | — | ||
| 14-11 | Concerto For Piano And Wind Instruments - Allegro | — | ||
| 14-12 | Capriccio For Piano And Orchestra - Presto | — | ||
| 14-13 | Capriccio For Piano And Orchestra - Andante Rapsodico | — | ||
| 14-14 | Capriccio For Piano And Orchestra - Allegro Capriccioso Ma Tempo Giusto | — | ||
| 14-15 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 | |
| 14-16 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 | |
| 14-17 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 14-18 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 15-1 | Divertimento - Sinfonia | — | ||
| 15-2 | Divertimento - Danses Suisses | — | ||
| 15-3 | Divertimento - Scherzo | — | ||
| 15-4 | Divertimento - Pas De Deux. Adagio | — | ||
| 15-5 | Divertimento - Pas De Deux. Variation | — | ||
| 15-6 | Divertimento - Pas De Deux. Coda | — | ||
| 15-7 | Praeludium For Jazz Ensemble | — | ||
| 15-8 | "Dumbarton Oaks" - (a) Tempo giusto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-9 | "Dumbarton Oaks" - (b) Allegretto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-10 | "Dumbarton Oaks" - (c) Con moto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-11 | Symphony in C: I. Moderato alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-12 | Symphony in C: II. Larghetto concertante | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-13 | Symphony in C: III. Allegretto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-14 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 16-1 | Danses Concertantes - Marche-Introduction | — | ||
| 16-2 | Danses Concertantes - Pas D'Action. Con Moto | — | ||
| 16-3 | Danses Concertantes - Thème Varié. Lento - Var. I-IV | — | ||
| 16-4 | Danses Concertantes - Pas De Deux. Risoluto | — | ||
| 16-5 | Danses Concertantes - Marche-Conclusion | — | ||
| 16-6 | Circus Polka For A Young Elephant | — | ||
| 16-7 | 4 Norwegian Moods - Intrada | — | ||
| 16-8 | 4 Norwegian Moods - Song | — | ||
| 16-9 | 4 Norwegian Moods - Wedding Dance | — | ||
| 16-10 | 4 Norwegian Moods - Cortège | — | ||
| 16-11 | Ode - Eulogy. Lento | — | ||
| 16-12 | Ode - Eclogue. Con Moto | — | ||
| 16-13 | Ode - Epitaph. Lento | — | ||
| 16-14 | Scherzo À La Russe | — | ||
| 16-15 | Symphony in Three Movements: I. Overture. Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-16 | Symphony in Three Movements: II. Andante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-17 | Symphony in Three Movements: II. Interlude. L'istesso tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-18 | Symphony in Three Movements: III. Con moto | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-1 | Ebony Concerto | Michel Arrignon, Ensemble intercontemporain, Pierre Boulez | — | |
| 17-2 | Concerto in D - I. Vivace | — | ||
| 17-3 | Concerto in D - II. Arioso. Andantino | — | ||
| 17-4 | Concerto in D - III. Rondo. Allegro | — | ||
| 17-5 | Concertino for 12 instruments | — | ||
| 17-6 | Tango for 19 instruments | — | ||
| 17-7 | Greeting Prelude | — | ||
| 17-8 | Movements - I. 110 | — | ||
| 17-9 | Movements - II. 52 | — | ||
| 17-10 | Movements - III. 72 | — | ||
| 17-11 | Movements - IV. 80 | — | ||
| 17-12 | Movements - V. 104 | — | ||
| 17-13 | Monumentum pro Gesualdo di Venosa - I. Ascigutae i begli occhi | — | ||
| 17-14 | Monumentum pro Gesualdo di Venosa - II. Ma tu, cagion di quella | — | ||
| 17-15 | Monumentum pro Gesualdo di Venosa - III. Beltà, poi che t'assenti | — | ||
| 17-16 | 8 Instrumental Miniatures | — | ||
| 17-17 | Variations | — | ||
| 17-18 | Canon on a Russian Popular Tune | — | ||
| 18-1 | Firebird - Introduction - Prelude And Dance Of The Firebird - Variations | — | ||
| 18-2 | Firebird - Pantomime I | — | ||
| 18-3 | Firebird - Pas De Deux. The Firebird And Ivan Tsarevich | — | ||
| 18-4 | Firebird - Pantomime II | — | ||
| 18-5 | Firebird - Scherzo. Dance Of The Princesses | — | ||
| 18-6 | Firebird - Pantomime III | — | ||
| 18-7 | Firebird - Rondo (Khorovod) | — | ||
| 18-8 | Firebird - Infernal Dance | — | ||
| 18-9 | Firebird - Lullaby. The Firebird | — | ||
| 18-10 | Firebird - Finale | — | ||
| 18-11 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-12 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-13 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-14 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-15 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-16 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-17 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-18 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-19 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-20 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-21 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-22 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-23 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-24 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-25 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-1 | Le Roi des etoiles | — | ||
| 19-2 | 4 Russian peasant songs - On Saints' Day in Chigisakh | — | ||
| 19-3 | 4 Russian peasant songs - Ovsen | — | ||
| 19-4 | 4 Russian peasant songs - The Pike | — | ||
| 19-5 | 4 Russian peasant songs - Master Portly | — | ||
| 19-6 | Pater noster | — | ||
| 19-7 | Symphony of Psalms: 1. Exaudi orationem meam | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-8 | Symphony of Psalms: 2. Expectans expectavi Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-9 | Symphony of Psalms: 3. Alleluia. Laudate Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-10 | Credo | — | ||
| 19-11 | Ave Maria | — | ||
| 19-12 | Babel | — | ||
| 19-13 | Mass for mixed chorus and double wind quintet - Kyrie | — | ||
| 19-14 | Mass for mixed chorus and double wind quintet - Gloria | — | ||
| 19-15 | Mass for mixed chorus and double wind quintet - Credo | — | ||
| 19-16 | Mass for mixed chorus and double wind quintet - Sanctus | — | ||
| 19-17 | Mass for mixed chorus and double wind quintet - Agnus Dei | — | ||
| 20-1 | Cantata: Versus 1 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-2 | Cantata: Ricercar 1 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-3 | Cantata: Versus 2 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-4 | Cantata: Ricercar 2 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-5 | Cantata: Versus 3 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-6 | Cantata: Westron Wind | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-7 | Cantata: Versus 4 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-8 | Canticum Sacrum - Dedicatio: 'Urbi Venetiae, In Laude Sancti Sui Presidis' | — | ||
| 20-9 | Canticum Sacrum - 'Euntes In Mundum' | — | ||
| 20-10 | Canticum Sacrum - 'Surge, Aquilo' | — | ||
| 20-11 | Canticum Sacrum - Ad Tres Virtutes Horationes: Caritas: 'Diliges Dominum Deum' | — | ||
| 20-12 | Canticum Sacrum - Brevis Motus Cantilenae: 'Jesus Autem Ait Illi' | — | ||
| 20-13 | Canticum Sacrum - 'Illi Autem Profecti' | — | ||
| 20-14 | Threni - 'Incipit Lamentatio Jeremiae Prophetae' | — | ||
| 20-15 | Threni - De Elegia Prima: 'Aleph. Quomodo Sedet Sola Civitas' | — | ||
| 20-16 | Threni - De Elegia Prima: Diphona I: 'Plorans Ploravit' | — | ||
| 20-17 | Threni - De Elegia Prima: Diphona Ii: 'Vide, Domino' | — | ||
| 20-18 | Threni - De Elegia Tertia: 1. Querimonia: 'Aleph. Ego Vir Videns' | — | ||
| 20-19 | Threni - De Elegia Tertia: 2. Sensus Spei: 'Heth. Misericordiae Domini' | — | ||
| 20-20 | Threni - De Elegia Tertia: 3. Solacium: 'Res. Judicasti, Domine' | — | ||
| 20-21 | Threni - De Elegia Quinta: 'Oratio Jeremiae Prophetae' | — | ||
| 21-1 | Vom Himmel hoch, BWV 769 (Stravinsky); Choral | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-2 | Var. I In canone all 'ottava | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-3 | Var. II Alio modo in canone alle quinta | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-4 | Var. III In canone alla settima | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-5 | Var. IV In canone all 'ottava per augmentationem | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-6 | Var. V L'altra sorte del canone al rovescio | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-7 | Tres sacrae cantiones: Da pacem Domine | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-8 | Tres sacrae cantiones: Assumpta est Maria | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-9 | Tres sacrae cantiones: Illumina nos | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-10 | A Sermon, A Narrative And A Prayer - A Sermon | — | ||
| 21-11 | A Sermon, A Narrative And A Prayer - A Narrative | — | ||
| 21-12 | A Sermon, A Narrative And A Prayer - A Prayer | — | ||
| 21-13 | Anthem (T.S. Eliot) | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-14 | Introitus (T.S. Eliot In Memoriam) | — | ||
| 21-15 | Requiem Canticles - Prelude | — | ||
| 21-16 | Requiem Canticles - Exaudi | — | ||
| 21-17 | Requiem Canticles - Dies Irae | — | ||
| 21-18 | Requiem Canticles - Tuba Mirum | — | ||
| 21-19 | Requiem Canticles - Interlude | — | ||
| 21-20 | Requiem Canticles - Rex Tremendae | — | ||
| 21-21 | Requiem Canticles - Lacrimosa | — | ||
| 21-22 | Requiem Canticles - Postlude | — | ||
| 21-23 | Requiem Canticles - Postlude | — | ||
| 22-1 | Storm Cloud | — | ||
| 22-2 | The Mushrooms Going To War | — | ||
| 22-3 | Faun And Shepherdess - The Shepherdess | — | ||
| 22-4 | Faun And Shepherdess - The Faun | — | ||
| 22-5 | Faun And Shepherdess - The River | — | ||
| 22-6 | 3 Little Songs 'Recollections Of My Childhood' - The Magpie | — | ||
| 22-7 | 3 Little Songs 'Recollections Of My Childhood' - The Rook | — | ||
| 22-8 | 3 Little Songs 'Recollections Of My Childhood' - The Jackdaw | — | ||
| 22-9 | Pastorale | — | ||
| 22-10 | 2 Songs Op. 6 - Spring (The Cloister) | — | ||
| 22-11 | 2 Songs Op. 6 - A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants) | — | ||
| 22-12 | 2 Poems Of Paul Verlaine Op. 9 - The White Moon | — | ||
| 22-13 | 2 Poems Of Paul Verlaine Op. 9 - Sleep | — | ||
| 22-14 | 2 Poems Of Konstantin Balmont - Forget-me-nots | — | ||
| 22-15 | 2 Poems Of Konstantin Balmont - The Dove | — | ||
| 22-16 | 3 Japanese Lyrics - Akahito | — | ||
| 22-17 | 3 Japanese Lyrics - Mazatsumi | — | ||
| 22-18 | 3 Japanese Lyrics - Tsaraiuki | — | ||
| 22-19 | 4 Pleasant Songs (Pribaoutki) - Uncle Pierre | — | ||
| 22-20 | 4 Pleasant Songs (Pribaoutki) - Natashka | — | ||
| 22-21 | 4 Pleasant Songs (Pribaoutki) - The Colonel | — | ||
| 22-22 | 4 Pleasant Songs (Pribaoutki) - The Old Man And The Hare | — | ||
| 22-23 | Cat's Cradle Songs - On The Stove | — | ||
| 22-24 | Cat's Cradle Songs - At Home | — | ||
| 22-25 | Cat's Cradle Songs - Lullaby | — | ||
| 22-26 | Cat's Cradle Songs - The Cat Has... | — | ||
| 22-27 | 3 Children's Tales - Tilim-bom | — | ||
| 22-28 | 3 Children's Tales - Geese And Swans | — | ||
| 22-29 | 3 Children's Tales - The Bear's Song | — | ||
| 22-30 | Berceuse | — | ||
| 23-1 | 4 Russian Songs - I. The Drake | — | ||
| 23-2 | 4 Russian Songs - II. Counting Song | — | ||
| 23-3 | 4 Russian Songs - III. The Sparrow | — | ||
| 23-4 | 4 Russian Songs - IV. Dissident Song | — | ||
| 23-5 | Song of Parasha | — | ||
| 23-6 | Tilim-bom | — | ||
| 23-7 | Pastorale | — | ||
| 23-8 | 3 Little Songs 'Recollections of My Childhood' - I. The Magpie | — | ||
| 23-9 | 3 Little Songs 'Recollections of My Childhood' - II. The Rook | — | ||
| 23-10 | 3 Little Songs 'Recollections of My Childhood' - III. The Jackdaw | — | ||
| 23-11 | Petit Ramusianum harmonique | — | ||
| 23-12 | Hommage à Nadia Boulanger: 'Diex, com leur avient' | — | ||
| 23-13 | 3 Songs from William Shakespeare - I. Musick to heare | — | ||
| 23-14 | 3 Songs from William Shakespeare - II. Full fadom five | — | ||
| 23-15 | 3 Songs from William Shakespeare - III. When Dasies pied | — | ||
| 23-16 | 4 Songs - I. The Drake | — | ||
| 23-17 | 4 Songs - II. A Russian Spiritual | — | ||
| 23-18 | 4 Songs - III. Geese and Swans | — | ||
| 23-19 | 4 Songs - IV. Tilim-bom | — | ||
| 23-20 | 2 Poems of Konstantin Balmont - I. Forget-me-nots | — | ||
| 23-21 | 2 Poems of Konstantin Balmont - II. The Dove | — | ||
| 23-22 | In memoriam Dylan Thomas: 'Do not go gentle into that good night' | — | ||
| 23-23 | Abraham and Isaac - I. Vay'hi ahar hadvarim ha'eleh v'ha'Elohim | — | ||
| 23-24 | Abraham and Isaac - II. Vayikakh Avraham et atze ha'olah | — | ||
| 23-25 | Abraham and Isaac - III. Vayi sa Avraham et enav vayat v'hineh | — | ||
| 23-26 | Elegy for J.F.K.: 'When a just man dies' | — | ||
| 23-27 | The Owl and the Pussy-Cat | — | ||
| 23-28 | 2 Sacred Songs - I. Herr, was trägt der Boden hier | — | ||
| 23-29 | 2 Sacred Songs - II. Wunden prägst du, mein Geliebter | — | ||
| 24-1 | 3 Pieces For String Quartet - 126 | — | ||
| 24-2 | 3 Pieces For String Quartet - 76 | — | ||
| 24-3 | 3 Pieces For String Quartet - Half Note = 40 | — | ||
| 24-4 | Duet 'Lied Ohne Name' For 2 Bassoons | — | ||
| 24-5 | Pour Pablo Picasso For Clarinet Solo | Charles Neidich | — | |
| 24-6 | 3 Pieces For Clarinet Solo | — | ||
| 24-7 | L’Histoire du soldat, suite: 1. Marche de soldat | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-8 | L’Histoire du soldat, suite: 2. Petits Airs au bord du ruisseau | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-9 | L’Histoire du soldat, suite: 3. Pastorale | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-10 | The Soldier's Tale - Concert Suite: The Royal March | — | ||
| 24-11 | The Soldier's Tale - Concert Suite: he Little Concert | — | ||
| 24-12 | The Soldier's Tale - Concert Suite: Three Dances: Tango - Valse - Ragtime | — | ||
| 24-13 | The Soldier's Tale - Concert Suite: The Devil's Dance | — | ||
| 24-14 | The Soldier's Tale - Concert Suite: Great Chorale | — | ||
| 24-15 | The Soldier's Tale - Concert Suite: Triumphal March Of The Devil | — | ||
| 24-16 | La Marseillaise After Claude-Joseph Rouget De Lisle | — | ||
| 24-17 | Concertino For String Quartet | — | ||
| 24-18 | Octet For Wind Instruments - Sinfonia. Lento - Allegro Moderato | — | ||
| 24-19 | Octet For Wind Instruments - Tema Con Variazioni. Andantino | — | ||
| 24-20 | Octet For Wind Instruments - Finale. Tempo Giusto | — | ||
| 25-1 | Duo Concertant For Violin And Piano - Cantilène | — | ||
| 25-2 | Duo Concertant For Violin And Piano - Églogue 1 | — | ||
| 25-3 | Duo Concertant For Violin And Piano - Églogue 2 | — | ||
| 25-4 | Duo Concertant For Violin And Piano - Gigue | — | ||
| 25-5 | Duo Concertant For Violin And Piano - Dithyrambe | — | ||
| 25-6 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 25-7 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — | |
| 25-8 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — | |
| 25-9 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — | |
| 25-10 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — | |
| 25-11 | Pastorale, Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin | — | ||
| 25-12 | Divertimento After The Ballet The Fairy's Kiss - Sinfonia | — | ||
| 25-13 | Divertimento After The Ballet The Fairy's Kiss - Danses Suisses | — | ||
| 25-14 | Divertimento After The Ballet The Fairy's Kiss - Scherzo | — | ||
| 25-15 | Divertimento After The Ballet The Fairy's Kiss - Pas De Deux. Adagio - Variation - Coda | — | ||
| 25-16 | Élégie For Viola Solo | — | ||
| 25-17 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - ♩ = 88 | — | ||
| 25-18 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Passacaglia. 60 | — | ||
| 25-19 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Gigue. 112-116 | — | ||
| 25-20 | Epitaphium For Flute, Clarinet And Harp | — | ||
| 25-21 | Double Canon For String Quartet | — | ||
| 25-22 | Fanfare For A New Theatre For 2 Trumpets | — | ||
| 26-1 | Scherzo In G Minor | — | ||
| 26-2 | Piano Sonata In F Sharp Minor - Allegro | — | ||
| 26-3 | Piano Sonata In F Sharp Minor -Scherzo. Vivo | — | ||
| 26-4 | Piano Sonata In F Sharp Minor -Andante | — | ||
| 26-5 | Piano Sonata In F Sharp Minor -Finale. Allegro - Andante | — | ||
| 26-6 | 4 Études For Piano Op. 7 - Con Moto | — | ||
| 26-7 | 4 Études For Piano Op. 7 - Allegro Brillante | — | ||
| 26-8 | 4 Études For Piano Op. 7 - Andantino | — | ||
| 26-9 | 4 Études For Piano Op. 7 - Vivo | — | ||
| 26-10 | Valse Des Fleurs For Piano Duet | — | ||
| 26-11 | 3 Easy Pieces For Piano Duet - Marche | — | ||
| 26-12 | 3 Easy Pieces For Piano Duet - Valse | — | ||
| 26-13 | 3 Easy Pieces For Piano Duet - Polka | — | ||
| 26-14 | Souvenir D'Une Marche Boche | — | ||
| 26-15 | 5 Easy Pieces For Piano Duet - Andante | — | ||
| 26-16 | 5 Easy Pieces For Piano Duet - Española | — | ||
| 26-17 | 5 Easy Pieces For Piano Duet - Balalaika | — | ||
| 26-18 | 5 Easy Pieces For Piano Duet - Napolitana | — | ||
| 26-19 | 5 Easy Pieces For Piano Duet - Galop | — | ||
| 26-20 | Valse Pour Les Enfants | — | ||
| 26-21 | Ragtime | — | ||
| 26-22 | Piano-Rag-Music | — | ||
| 26-23 | The Five Fingers - Andantino | — | ||
| 26-24 | The Five Fingers - Allegro | — | ||
| 26-25 | The Five Fingers - Allegretto | — | ||
| 26-26 | The Five Fingers - Larghetto | — | ||
| 26-27 | The Five Fingers - Moderato | — | ||
| 26-28 | The Five Fingers - Lento | — | ||
| 26-29 | The Five Fingers - Vivo | — | ||
| 26-30 | The Five Fingers - Pesante | — | ||
| 27-1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 27-2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 27-3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 27-4 | Piano Sonata - 112 | — | ||
| 27-5 | Piano Sonata - Adagietto | — | ||
| 27-6 | Piano Sonata - 112 | — | ||
| 27-7 | Serenade In A - Hymne | — | ||
| 27-8 | Serenade In A - Romanza | — | ||
| 27-9 | Serenade In A - Rondoletto | — | ||
| 27-10 | Serenade In A - Cadenza Finale | — | ||
| 27-11 | Concerto For 2 Solo Pianos - Con Moto | — | ||
| 27-12 | Concerto For 2 Solo Pianos - Notturno. Adagietto | — | ||
| 27-13 | Concerto For 2 Solo Pianos - Quattro Variazioni | — | ||
| 27-14 | Concerto For 2 Solo Pianos - Preludio E Fuga. Lento | — | ||
| 27-15 | Tango | — | ||
| 27-16 | Circus Polka For A Young Elephant | — | ||
| 27-17 | Sonata For 2 Pianos - Moderato | — | ||
| 27-18 | Sonata For 2 Pianos - Theme With Variations. Largo | — | ||
| 27-19 | Sonata For 2 Pianos - Allegretto | — | ||
| 28-1 | Violin Concerto In D - Toccata | — | ||
| 28-2 | Violin Concerto In D - Aria I | — | ||
| 28-3 | Violin Concerto In D - Aria II | — | ||
| 28-4 | Violin Concerto In D - Capriccio | — | ||
| 28-5 | The Star-Spangled Banner | — | ||
| 28-6 | The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy' | — | ||
| 28-7 | The Soldier's Tale - Part 1: 'Le Diable Paraît' | — | ||
| 28-8 | The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy' | — | ||
| 28-9 | The Soldier's Tale - Part 1: Pastorale - 'Ah! Brigand!' | — | ||
| 28-10 | The Soldier's Tale - Part 1: 'Il S'Est Mis À Lire Le Livre' | — | ||
| 28-11 | The Soldier's Tale - Part 1: 'Regardez, Monsieur' | — | ||
| 28-12 | Histoire du soldat - Part 1: Musique de la troisième scène | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-13 | The Soldier's Tale - Part 2: 'Un Autre Pays À Présent' | — | ||
| 28-14 | The Soldier's Tale - Part 2: 'On A Fait Marcher La Musique' | — | ||
| 28-15 | Histoire du soldat - Part 2: Petit concert | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-16 | Histoire du soldat - Part 2: Trois danses: Tango-Valse-Ragtime | Jean Cocteau, Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-17 | Histoire du soldat - Part 2: Danse du diable | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-18 | Histoire du soldat - Part 2: Petit choral | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-19 | Histoire du soldat - Part 2: Couplet du diable | Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-20 | Histoire du soldat - Part 2: Grand choral | Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-21 | The Soldier's Tale - Part 2: Triumphal March Of The Devil - 'Le Soldat A Baissé La Tête' | — | ||
| 29-1 | Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance | — | ||
| 29-2 | Petrushka - Petrushka's Room | — | ||
| 29-3 | Petrushka - The Moor's Room - Dance Of The Ballerina | — | ||
| 29-4 | Petrushka - The Shrovetide Fair - Dance Of The Nursemaids | — | ||
| 29-5 | The Rite Of Spring - The Adoration Of The Earth: Introduction | — | ||
| 29-6 | The Rite Of Spring - The Adoration Of The Earth: The Augurs Of Spring (Dances Of The Young Girls) | — | ||
| 29-7 | The Rite Of Spring - The Adoration Of The Earth: Game Of Abduction | — | ||
| 29-8 | The Rite Of Spring - The Adoration Of The Earth: Spring Rounds | — | ||
| 29-9 | The Rite Of Spring - The Adoration Of The Earth: Games Of The Rival Tribes | — | ||
| 29-10 | The Rite Of Spring - The Adoration Of The Earth: Procession Of The Sage - Adoration Of The Earth | — | ||
| 29-11 | The Rite Of Spring - The Adoration Of The Earth: The Sage | — | ||
| 29-12 | The Rite Of Spring - The Adoration Of The Earth: Dance Of The Earth | — | ||
| 29-13 | The Rite Of Spring - The Sacrifice: Introduction | — | ||
| 29-14 | The Rite Of Spring - The Sacrifice: Mystic Circles Of The Young Girls | — | ||
| 29-15 | The Rite Of Spring - The Sacrifice: Glorification Of The Chosen One | — | ||
| 29-16 | The Rite Of Spring - The Sacrifice: Evocation Of The Ancestors | — | ||
| 29-17 | The Rite Of Spring - The Sacrifice: Ritual Action Of The Ancestors | — | ||
| 29-18 | The Rite Of Spring - The Sacrifice: Sacrificial Dance (The Chosen One) | — | ||
| 30-1 | Chant Funèbre Op. 5 | — |
L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo)
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses
Chicago Symphony Orchestra, Pierre Boulez
—
Chicago Symphony Orchestra, Pierre Boulez
L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres
Chicago Symphony Orchestra, Pierre Boulez
—
L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale
Chicago Symphony Orchestra, Pierre Boulez
—
Pétrouchka: First Tableau
The Cleveland Orchestra, Pierre Boulez
—
Pétrouchka: Second Tableau
The Cleveland Orchestra, Pierre Boulez
—
Pétrouchka: Third Tableau
The Cleveland Orchestra, Pierre Boulez
—
Pétrouchka: Fourth Tableau
The Cleveland Orchestra, Pierre Boulez
—
The Cleveland Orchestra, Pierre Boulez
Le Rossignol - Introduction
—
Le Rossignol - 'Nevod Brosal Nebesnyy Dukh'
—
Le Rossignol - 'Akh! S Neba Vysoty Blesnuv'
—
Le Rossignol - 'Vot I Dostigli My Opushki Lesa'
—
Le Rossignol - 'Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat''
—
Le Rossignol - Entr'acte (Courants D'Air) - 'Ognya, Ognya'
—
Le Rossignol - Marche Chinoise - 'Velikiy Imperator'
—
Le Rossignol - Chant Du Rossignol - 'Akh! Serdtse Dobroye'
—
Le Rossignol - Jeu Du Rossignol Mécanique - 'Tsk, Tsk, Tsk, Tsk...'
—
Le Rossignol - Introduction - 'My Vse Pred Toboy'
—
Le Rossignol - 'Mne Slushat' Nravitsya'
—
Le Rossignol - Cortège Solennel - 'Zdravstvuyte'
—
Le Chant du rossignol - Introduction
—
Le Chant du rossignol - Marche Chinoise
—
Le Chant du rossignol - Chant Du Rossignol
—
Le Chant du rossignol - Jeu Du Rossignol Mécanique
—
Renard
—
The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator)
—
The Soldier's Tale - 'Phew, This Isn't A Bad Sort Of Spot' (Narrator, Soldier)
—
The Soldier's Tale - Music For Scene 1: Airs By A Stream
—
The Soldier's Tale - 'Enter The Devil' (Narrator, Devil, Soldier)
—
The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator)
—
The Soldier's Tale - 'Hurray, Here We Are! We're Home At Last!' (Narrator)
—
The Soldier's Tale - Music For Scene 2: Pastorale
—
The Soldier's Tale - 'The Devil Is Standing There' (Narrator, Soldier, Devil)
—
The Soldier's Tale - Music For The End Of Scene 2
—
The Soldier's Tale - 'He Took Up The Book' (Narrator)
—
The Soldier's Tale - Airs By A Stream - 'Just To Stretch Out On The Grass' (Narrator)
—
The Soldier's Tale - 'They Have Nothing - And Yet They Have It All' (Narrator, Soldier, Devil)
—
The Soldier's Tale - Music For Scene 3: Airs By A Stream - 'The Devil Has Disappeared' (Narrator)
—
The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator)
—
The Soldier's Tale - 'Now He Comes To Another Land' (Narrator)
—
The Soldier's Tale - The Royal March
—
The Soldier's Tale - 'They Gave The Word For The Band To Play' (Narrator, Soldier, Devil)
—
The Soldier's Tale - The Little Concert - 'Princess, Now We Can Safely Say' (Narrator)
—
The Soldier's Tale - 3 Dances: 1. Tango
—
The Soldier's Tale - 3 Dances: 2. Valse
—
The Soldier's Tale - 3 Dances: 3. Ragtime - 'The Soldier Holds The Princess Close' (Narrator)
—
The Soldier's Tale - The Devil's Dance - 'The Devil's Exhausted' (Narrator)
—
The Soldier's Tale - Little Chorale
—
The Soldier's Tale - The Devil's Song - 'All Right! I Shall Have To Wait' (Devil)
—
The Soldier's Tale - Great Chorale - 'You Must Not Seek To Add' (Narrator)
—
The Soldier's Tale - 'I Have Everything, He Thinks' (Narrator)
—
The Soldier's Tale - Triumphal March Of The Devil
—
Pulcinella: II. Serenata: Larghetto
Ryland Davies, London Symphony Orchestra, Claudio Abbado
—
Pulcinella: III. Scherzino: Allegro
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: Poco più vivo
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: V. Andantino
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: VI. Allegro
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: VII. Allegretto
Teresa Berganza, London Symphony Orchestra, Claudio Abbado
—
Pulcinella: IX. Allegro (alla breve)
John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado
—
Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto)
Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado
—
Pulcinella: XI. Allegro - alla breve
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: XII. Tarantella
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: XIII. Andantino
Teresa Berganza, London Symphony Orchestra, Claudio Abbado
—
Pulcinella: XV. Gavotta con due variazioni
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: XVI. Vivo
London Symphony Orchestra, Claudio Abbado
—
Pulcinella: XVII. Tempo di minuetto
Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado
—
Mavra - Overture
—
Mavra - 'Drug Moy Milyy' (Parasha)
—
Mavra - 'Kolokol'chiki Zvenyat' (Hussar)
—
Mavra - 'U Pesen Vsekh Slova Odni' (Parasha, Hussar)
—
Mavra - 'Moya Strast' Sil'neye Stanovitsya' (Parasha, Hussar)
—
Mavra - 'Izbavi Bog Prislugu' (Mother, Parasha)
—
Mavra - 'Net, Ne Zabyt' Vo Veki Mne Pokoynitsu' (Mother)
—
Mavra - 'Zhelayu Zdravstvovat'!' (Neighbour, Mother)
—
Mavra - 'Gde Tak Dolgo Ty Byla?' (Mother, Neighbour, Parasha, Cook)
—
Mavra - 'Parasha!' / 'Ya, Vasiliy Milyy!' (Parasha, Cook)
—
Mavra - 'Ya Pamyat'yu Ne Izmenyu' (Parasha, Cook)
—
Mavra - 'Parasha!' / 'Slyshish'?' (Mother, Parasha, Cook)
—
Mavra - 'Ya Zhdu, Ya Zhdu Pokorno' (Cook)
—
Mavra - 'Pozhaluy Vremya Nastupilo Pobrit'sya' (Cook, Mother, Parasha, Neighbour)
—
Les Noces - At The Bride's House (The Tresses): Kosa L' Moya Ko
—
Les Noces - At The Bridegroom's House: Prechistaya Mat', Khodi
—
Les Noces - The Departure Of The Bride: Blagoslavlyalsya Svetyël Mesyats
—
Les Noces - The Wedding Feast: Yagoda S Yagodoy Sokatilasya
—
Oedipus rex - Spectateurs, Vous Allez Entendre (Narrator) - Caedit Nos Pestis (Chorus, Oedipus)
—
Oedipus Rex - Voici Créon, Beau-Frère D'Œdipe (Narrator) - Respondit Deus (Creon)
—
Oedipus Rex - Non Reperias Vetus Scelus (Oedipus, Chorus)
—
Oedipus Rex - Œdipe Interroge La Fontaine De Vérité (Narrator) - Delie Exspectamus (Chorus)
—
Oedipus Rex - Dicere Non Possum (Tiresias, Oedipus)
—
Oedipus Rex - Invidia Fortunam Odit (Oedipus)
—
Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus)
—
Oedipus Rex - La Dispute Des Princes Attire Jocaste (Narrator)
—
Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus)
—
Oedipus Rex - Nonn' Erubescite, Reges (Jocasta, Chorus, Oedipus)
—
Oedipus Rex - Ego Senem Cecidi (Oedipus)
—
Oedipus Rex - Le Témoin Du Meurtre Sort De L'Ombre (Narrator) - Adest Omniscius Pastor (Chorus, Messenger, Shepherd)
—
Oedipus Rex - Oportebat Tacere, Nunquam Loqui (Shepherd)
—
Oedipus Rex - Nonne Monstrum Rescituri (Oedipus)
—
Oedipus Rex - In Monte Reppertus Est (Shepherd, Chorus, Oedipus) - Et Maintenant, Vous Allez Entendre (Narrator)
—
Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus)
—
Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus)
—
Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus)
—
Apollon musagète - Naissance d'Apollon
—
Apollon musagète - Variation d'Apollon
—
Apollon musagète - Pas d'action
—
Apollon musagète - Variation de Calliope
—
Apollon musagète - Variation de Polymnie
—
Apollon musagète - Variation de Terpsichore
—
Apollon musagète - Variation d'Apollon
—
Apollon musagète - Pas de deux
—
Apollon musagète - Coda
—
Apollon musagète - Apothéose
—
The Fairy's Kiss - Andante
—
The Fairy's Kiss - Allegro sostenuto
—
The Fairy's Kiss - Fig. 27
—
The Fairy's Kiss - Andante
—
The Fairy's Kiss - Tempo giusto
—
The Fairy's Kiss - Valse
—
The Fairy's Kiss - Doppio movimento
—
The Fairy's Kiss - Moderato
—
The Fairy's Kiss - Allegretto grazioso
—
The Fairy's Kiss - Entrée
—
The Fairy's Kiss - Adagio
—
The Fairy's Kiss - Variation
—
The Fairy's Kiss - Coda
—
The Fairy's Kiss - Scène
—
The Fairy's Kiss - L'istesso tempo
—
Perséphone: I. Perséphone ravie
London Philharmonic Orchestra, Kent Nagano
—
Perséphone: II. Perséphone aux Enfers
London Philharmonic Orchestra, Kent Nagano
—
Perséphone: III. Perséphone renaissante
London Philharmonic Orchestra, Kent Nagano
—
Jeu de cartes - First deal
—
Jeu de cartes - Second deal
—
Jeu de cartes - Third deal
—
Scènes de ballet - Introduction. Andante
—
Scènes de ballet - Danses. Moderato
—
Scènes de ballet - Variation. Con moto
—
Scènes de ballet - Pantomime. Lento
—
Scènes de ballet - Pas de deux. Adagio
—
Scènes de ballet - Pantomime. Agitato ma tempo giusto
—
Scènes de ballet - Variation. Risoluto
—
Scènes de ballet - Variation. Andantino
—
Scènes de ballet - Pantomime. Andantino
—
Scènes de ballet - Danses. Con moto
—
Scènes de ballet - Apothéose. Poco meno mosso
—
Orpheus - Lento sostenuto
—
Orpheus - Air de danse. Andante con moto
—
Orpheus - L'Ange de la Mort et sa danse
—
Orpheus - Interlude. L'istesso tempo
—
Orpheus - Pas des Furies. Agitato in piano
—
Orpheus - Air de danse. Grave
—
Orpheus - Interlude. L'istesso tempo
—
Orpheus - Air de danse. L'istesso tempo
—
Orpheus - Pas d'action. Andantino leggiadro
—
Orpheus - Pas de deux. Andante sostenuto
—
Orpheus - Interlude. Moderato Assai
—
Orpheus - Pas d'action. vivace
—
Orpheus - Apothéose d'Orphée. Lento sostenuto
—
The Rake's Progress - Act 1 - Prelude
—
The Rake's Progress - Act 1 - 'The Woods Are Green'
—
The Rake's Progress - Act 1 - 'Anne, My Dear'
—
The Rake's Progress - Act 1 - 'Here I Stand' - 'Since It Is Not By Merit'
—
The Rake's Progress - Act 1 - 'Tom Rakewell?'
—
The Rake's Progress - Act 1 - 'Fair Lady, Gracious Gentlemen' - 'I Wished But Once'
—
The Rake's Progress - Act 1 - 'I'll Call The Coachman, Sir'
—
The Rake's Progress - Act 1 - 'Farewell For Now'
—
The Rake's Progress - Act 1 - 'All Is Ready, Sir'
—
The Rake's Progress - Act 1 - 'Dear Father Trulove' - 'Laughter And Light'
—
The Rake's Progress - Act 1 - 'With Air Commanding And Weapon Handy'
—
The Rake's Progress - Act 1 - Bryn Terfel, Ian Bostridge, Anne Howells / 'Come, Tom'
—
The Rake's Progress - Act 1 - 'Soon Dawn Will Glitter'
—
The Rake's Progress - Act 1 - Bryn Terfel / 'Sisters Of Venus, Brothers Of Mars'
—
The Rake's Progress - Act 1 - 'Love, Too Frequently Betrayed'
—
The Rake's Progress - Act 1 - 'How Sad A Song'
—
The Rake's Progress - Act 1 - 'The Sun Is Bright, The Grass Is Green'
—
The Rake's Progress - Act 1 - 'No Word From Tom'
—
The Rake's Progress - Act 1 - 'Quietly, Night'
—
The Rake's Progress - Act 1 - 'My Father! Can I Desert Him'
—
The Rake's Progress - Act 1 - 'I Go, I Go To Him'
—
The Rake's Progress - Act 2 - 'Vary The Song, O London, Change!'
—
The Rake's Progress - Act 2 - 'Nature, Green Unnatural Mother'
—
The Rake's Progress - Act 2 - 'Always The Quarry'
—
The Rake's Progress - Act 2 - 'Master, Are You Alone?'
—
The Rake's Progress - Act 2 - 'Come Master, Observe The Host'
—
The Rake's Progress - Act 2 - 'In Youth The Panting Slave'
—
The Rake's Progress - Act 2 - 'My Tale Shall Be Told'
—
The Rake's Progress - Act 2 - Introduction
—
The Rake's Progress - Act 2 - Deborah York / 'How Strange' - 'O Heart Be Stronger'
—
The Rake's Progress - Act 2 - Ian Bostridge, Deborah York / 'Anne! Here!'
—
The Rake's Progress - Act 2 - Anne Sofie Von Otter, Deborah York, Ian Bostridge / 'My Love, Am I To Remain In Here For Ever?'
—
The Rake's Progress - Act 2 - 'Could It Then Have Been Known'
—
The Rake's Progress - Act 2 - 'I Have Not Run Away'
—
The Rake's Progress - Act 2 - As I was saying
—
The Rake's Progress - Act 2 - My heart is cold
—
The Rake's Progress - Act 2 - Fa la la
—
The Rake's Progress - Act 2 - O, I wish it were true
—
The Rake's Progress - Act 2 - Thanks to this excellent device
—
The Rake's Progress - Act 2 - Forgive me, master, for intruding
—
The Rake's Progress - Act 3 - Ruin, Disaster, Shame
—
The Rake's Progress - Act 3 - Ladies both fair and gracious
—
The Rake's Progress - Act 3 - How hears me, knows me
—
The Rake's Progress - Act 3 - Sold! Annoyed!
—
The Rake's Progress - Act 3 - You love him
—
The Rake's Progress - Act 3 - I go to him
—
The Rake's Progress - Act 3 - Prelude
—
The Rake's Progress - Act 3 - Ian Bostridge, Bryn Terfel / How dark and deadful is this place
—
The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge / Very well then, my dear and good Tom
—
The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge, Deborah York / Well then
—
The Rake's Progress - Act 3 - I burn, Iburn! I freeze!
—
The Rake's Progress - Act 3 - With roses crowned
—
The Rake's Progress - Act 3 - Prepare yourselves, heroic shades
—
The Rake's Progress - Act 3 - There he is Have no fear
—
The Rake's Progress - Act 3 - I have waited
—
The Rake's Progress - Act 3 - In a foolish dream
—
The Rake's Progress - Act 3 - I am exceeding weary
—
The Rake's Progress - Act 3 - Gently, little boat
—
The Rake's Progress - Act 3 - Anne, my dear
—
The Rake's Progress - Act 3 - Every wearied body
—
The Rake's Progress - Act 3 - Where art thou, Venus ?
—
The Rake's Progress - Act 3 - Mourn for Adonis
—
The Rake's Progress - Act 3 - Epilogue
—
Agon - Pas De Quatre
—
Agon - Double Pas De Quatre
—
Agon - Triple Pas De Quatre. Coda
—
Agon - Prelude
—
Agon - First Pas De Trois: A. Saraband Step
—
Agon - First Pas De Trois: B. Gailliarde
—
Agon - First Pas De Trois: C. Coda
—
Agon - Interlude
—
Agon - Second Pas De Trois: A. Bransle Simple
—
Agon - Second Pas De Trois: B. Bransle Gay
—
Agon - Second Pas De Trois: C. Bransle Double
—
Agon - Interlude
—
Agon - Pas De Deux
—
Agon - Coda
—
Agon - Four Duos
—
Agon - Four Trios - Coda
—
The Flood - Prelude: 'Te Deum Laudamus'
—
The Flood - Melodrama: 'In A Worm's Likeness Will He Wend'
—
The Flood - The Building Of The Ark
—
The Flood - The Catalogue Of The Animals: 'The Lord Bade That I Should Bring'
—
The Flood - The Comedy (Noah And His Wife): 'Wife, Come In!'
—
The Flood - The Flood
—
The Flood - The Covenant Of The Rainbow: 'A Covenant, Noah, With Thee I Make'
—
Symphony In E Flat Major Op. 1 - Allegro Moderato
—
Symphony In E Flat Major Op. 1 - Scherzo. Allegretto
—
Symphony In E Flat Major Op. 1 - Largo
—
Symphony In E Flat Major Op. 1 - Finale. Allegro Molto
—
Scherzo Fantastique Op. 3
—
Chicago Symphony Orchestra, Pierre Boulez
Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion
—
Ragtime For 11 Instruments
—
Symphonies of Wind Instruments
Berliner Philharmoniker, Pierre Boulez
—
Suite No.1 - Andante
—
Suite No.1 - Napolitana
—
Suite No.1 - Española
—
Suite No.1 - Balalaika
—
Suite No.2 - March
—
Suite No.2 - Waltz
—
Suite No.2 - Polka
—
Suite No.2 - Galop
—
Concerto For Piano And Wind Instruments - Largo - Allegro
—
Concerto For Piano And Wind Instruments - Largo
—
Concerto For Piano And Wind Instruments - Allegro
—
Capriccio For Piano And Orchestra - Presto
—
Capriccio For Piano And Orchestra - Andante Rapsodico
—
Capriccio For Piano And Orchestra - Allegro Capriccioso Ma Tempo Giusto
—
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
Violin Concerto in D major: III. Aria II
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
—
Concerto en re for Violin and Orchestra: IV. Capriccio
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
—
Divertimento - Sinfonia
—
Divertimento - Danses Suisses
—
Divertimento - Scherzo
—
Divertimento - Pas De Deux. Adagio
—
Divertimento - Pas De Deux. Variation
—
Divertimento - Pas De Deux. Coda
—
Praeludium For Jazz Ensemble
—
"Dumbarton Oaks" - (a) Tempo giusto
Ensemble intercontemporain, Pierre Boulez
—
"Dumbarton Oaks" - (b) Allegretto
Ensemble intercontemporain, Pierre Boulez
—
"Dumbarton Oaks" - (c) Con moto
Ensemble intercontemporain, Pierre Boulez
—
Israel Philharmonic Orchestra, Leonard Bernstein
Israel Philharmonic Orchestra, Leonard Bernstein
Israel Philharmonic Orchestra, Leonard Bernstein
Danses Concertantes - Marche-Introduction
—
Danses Concertantes - Pas D'Action. Con Moto
—
Danses Concertantes - Thème Varié. Lento - Var. I-IV
—
Danses Concertantes - Pas De Deux. Risoluto
—
Danses Concertantes - Marche-Conclusion
—
Circus Polka For A Young Elephant
—
4 Norwegian Moods - Intrada
—
4 Norwegian Moods - Song
—
4 Norwegian Moods - Wedding Dance
—
4 Norwegian Moods - Cortège
—
Ode - Eulogy. Lento
—
Ode - Eclogue. Con Moto
—
Ode - Epitaph. Lento
—
Scherzo À La Russe
—
Symphony in Three Movements: I. Overture. Allegro
Israel Philharmonic Orchestra, Leonard Bernstein
—
Symphony in Three Movements: II. Andante
Israel Philharmonic Orchestra, Leonard Bernstein
—
Symphony in Three Movements: II. Interlude. L'istesso tempo
Israel Philharmonic Orchestra, Leonard Bernstein
—
Symphony in Three Movements: III. Con moto
Israel Philharmonic Orchestra, Leonard Bernstein
—
Ebony Concerto
Michel Arrignon, Ensemble intercontemporain, Pierre Boulez
—
Concerto in D - I. Vivace
—
Concerto in D - II. Arioso. Andantino
—
Concerto in D - III. Rondo. Allegro
—
Concertino for 12 instruments
—
Tango for 19 instruments
—
Greeting Prelude
—
Movements - I. 110
—
Movements - II. 52
—
Movements - III. 72
—
Movements - IV. 80
—
Movements - V. 104
—
Monumentum pro Gesualdo di Venosa - I. Ascigutae i begli occhi
—
Monumentum pro Gesualdo di Venosa - II. Ma tu, cagion di quella
—
Monumentum pro Gesualdo di Venosa - III. Beltà, poi che t'assenti
—
8 Instrumental Miniatures
—
Variations
—
Canon on a Russian Popular Tune
—
Firebird - Introduction - Prelude And Dance Of The Firebird - Variations
—
Firebird - Pantomime I
—
Firebird - Pas De Deux. The Firebird And Ivan Tsarevich
—
Firebird - Pantomime II
—
Firebird - Scherzo. Dance Of The Princesses
—
Firebird - Pantomime III
—
Firebird - Rondo (Khorovod)
—
Firebird - Infernal Dance
—
Firebird - Lullaby. The Firebird
—
Firebird - Finale
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
—
Le Roi des etoiles
—
4 Russian peasant songs - On Saints' Day in Chigisakh
—
4 Russian peasant songs - Ovsen
—
4 Russian peasant songs - The Pike
—
4 Russian peasant songs - Master Portly
—
Pater noster
—
Symphony of Psalms: 1. Exaudi orationem meam
Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner
—
Symphony of Psalms: 2. Expectans expectavi Dominum
Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner
—
Symphony of Psalms: 3. Alleluia. Laudate Dominum
Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner
—
Credo
—
Ave Maria
—
Babel
—
Mass for mixed chorus and double wind quintet - Kyrie
—
Mass for mixed chorus and double wind quintet - Gloria
—
Mass for mixed chorus and double wind quintet - Credo
—
Mass for mixed chorus and double wind quintet - Sanctus
—
Mass for mixed chorus and double wind quintet - Agnus Dei
—
Cantata: Versus 1
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Cantata: Ricercar 1
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Cantata: Versus 2
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Cantata: Ricercar 2
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Cantata: Versus 3
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Cantata: Westron Wind
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Cantata: Versus 4
Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
—
Canticum Sacrum - Dedicatio: 'Urbi Venetiae, In Laude Sancti Sui Presidis'
—
Canticum Sacrum - 'Euntes In Mundum'
—
Canticum Sacrum - 'Surge, Aquilo'
—
Canticum Sacrum - Ad Tres Virtutes Horationes: Caritas: 'Diliges Dominum Deum'
—
Canticum Sacrum - Brevis Motus Cantilenae: 'Jesus Autem Ait Illi'
—
Canticum Sacrum - 'Illi Autem Profecti'
—
Threni - 'Incipit Lamentatio Jeremiae Prophetae'
—
Threni - De Elegia Prima: 'Aleph. Quomodo Sedet Sola Civitas'
—
Threni - De Elegia Prima: Diphona I: 'Plorans Ploravit'
—
Threni - De Elegia Prima: Diphona Ii: 'Vide, Domino'
—
Threni - De Elegia Tertia: 1. Querimonia: 'Aleph. Ego Vir Videns'
—
Threni - De Elegia Tertia: 2. Sensus Spei: 'Heth. Misericordiae Domini'
—
Threni - De Elegia Tertia: 3. Solacium: 'Res. Judicasti, Domine'
—
Threni - De Elegia Quinta: 'Oratio Jeremiae Prophetae'
—
Vom Himmel hoch, BWV 769 (Stravinsky); Choral
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Var. I In canone all 'ottava
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Var. II Alio modo in canone alle quinta
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Var. III In canone alla settima
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Var. IV In canone all 'ottava per augmentationem
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Var. V L'altra sorte del canone al rovescio
Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
—
Tres sacrae cantiones: Da pacem Domine
Nederlands Kamerkoor, Reinbert de Leeuw
—
Tres sacrae cantiones: Assumpta est Maria
Nederlands Kamerkoor, Reinbert de Leeuw
—
Tres sacrae cantiones: Illumina nos
Nederlands Kamerkoor, Reinbert de Leeuw
—
A Sermon, A Narrative And A Prayer - A Sermon
—
A Sermon, A Narrative And A Prayer - A Narrative
—
A Sermon, A Narrative And A Prayer - A Prayer
—
Anthem (T.S. Eliot)
Nederlands Kamerkoor, Reinbert de Leeuw
—
Introitus (T.S. Eliot In Memoriam)
—
Requiem Canticles - Prelude
—
Requiem Canticles - Exaudi
—
Requiem Canticles - Dies Irae
—
Requiem Canticles - Tuba Mirum
—
Requiem Canticles - Interlude
—
Requiem Canticles - Rex Tremendae
—
Requiem Canticles - Lacrimosa
—
Requiem Canticles - Postlude
—
Requiem Canticles - Postlude
—
Storm Cloud
—
The Mushrooms Going To War
—
Faun And Shepherdess - The Shepherdess
—
Faun And Shepherdess - The Faun
—
Faun And Shepherdess - The River
—
3 Little Songs 'Recollections Of My Childhood' - The Magpie
—
3 Little Songs 'Recollections Of My Childhood' - The Rook
—
3 Little Songs 'Recollections Of My Childhood' - The Jackdaw
—
Pastorale
—
2 Songs Op. 6 - Spring (The Cloister)
—
2 Songs Op. 6 - A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants)
—
2 Poems Of Paul Verlaine Op. 9 - The White Moon
—
2 Poems Of Paul Verlaine Op. 9 - Sleep
—
2 Poems Of Konstantin Balmont - Forget-me-nots
—
2 Poems Of Konstantin Balmont - The Dove
—
3 Japanese Lyrics - Akahito
—
3 Japanese Lyrics - Mazatsumi
—
3 Japanese Lyrics - Tsaraiuki
—
4 Pleasant Songs (Pribaoutki) - Uncle Pierre
—
4 Pleasant Songs (Pribaoutki) - Natashka
—
4 Pleasant Songs (Pribaoutki) - The Colonel
—
4 Pleasant Songs (Pribaoutki) - The Old Man And The Hare
—
Cat's Cradle Songs - On The Stove
—
Cat's Cradle Songs - At Home
—
Cat's Cradle Songs - Lullaby
—
Cat's Cradle Songs - The Cat Has...
—
3 Children's Tales - Tilim-bom
—
3 Children's Tales - Geese And Swans
—
3 Children's Tales - The Bear's Song
—
Berceuse
—
4 Russian Songs - I. The Drake
—
4 Russian Songs - II. Counting Song
—
4 Russian Songs - III. The Sparrow
—
4 Russian Songs - IV. Dissident Song
—
Song of Parasha
—
Tilim-bom
—
Pastorale
—
3 Little Songs 'Recollections of My Childhood' - I. The Magpie
—
3 Little Songs 'Recollections of My Childhood' - II. The Rook
—
3 Little Songs 'Recollections of My Childhood' - III. The Jackdaw
—
Petit Ramusianum harmonique
—
Hommage à Nadia Boulanger: 'Diex, com leur avient'
—
3 Songs from William Shakespeare - I. Musick to heare
—
3 Songs from William Shakespeare - II. Full fadom five
—
3 Songs from William Shakespeare - III. When Dasies pied
—
4 Songs - I. The Drake
—
4 Songs - II. A Russian Spiritual
—
4 Songs - III. Geese and Swans
—
4 Songs - IV. Tilim-bom
—
2 Poems of Konstantin Balmont - I. Forget-me-nots
—
2 Poems of Konstantin Balmont - II. The Dove
—
In memoriam Dylan Thomas: 'Do not go gentle into that good night'
—
Abraham and Isaac - I. Vay'hi ahar hadvarim ha'eleh v'ha'Elohim
—
Abraham and Isaac - II. Vayikakh Avraham et atze ha'olah
—
Abraham and Isaac - III. Vayi sa Avraham et enav vayat v'hineh
—
Elegy for J.F.K.: 'When a just man dies'
—
The Owl and the Pussy-Cat
—
2 Sacred Songs - I. Herr, was trägt der Boden hier
—
2 Sacred Songs - II. Wunden prägst du, mein Geliebter
—
3 Pieces For String Quartet - 126
—
3 Pieces For String Quartet - 76
—
3 Pieces For String Quartet - Half Note = 40
—
Duet 'Lied Ohne Name' For 2 Bassoons
—
Pour Pablo Picasso For Clarinet Solo
Charles Neidich
—
3 Pieces For Clarinet Solo
—
L’Histoire du soldat, suite: 1. Marche de soldat
The Cleveland Orchestra, Pierre Boulez
—
L’Histoire du soldat, suite: 2. Petits Airs au bord du ruisseau
The Cleveland Orchestra, Pierre Boulez
—
L’Histoire du soldat, suite: 3. Pastorale
The Cleveland Orchestra, Pierre Boulez
—
The Soldier's Tale - Concert Suite: The Royal March
—
The Soldier's Tale - Concert Suite: he Little Concert
—
The Soldier's Tale - Concert Suite: Three Dances: Tango - Valse - Ragtime
—
The Soldier's Tale - Concert Suite: The Devil's Dance
—
The Soldier's Tale - Concert Suite: Great Chorale
—
The Soldier's Tale - Concert Suite: Triumphal March Of The Devil
—
La Marseillaise After Claude-Joseph Rouget De Lisle
—
Concertino For String Quartet
—
Octet For Wind Instruments - Sinfonia. Lento - Allegro Moderato
—
Octet For Wind Instruments - Tema Con Variazioni. Andantino
—
Octet For Wind Instruments - Finale. Tempo Giusto
—
Duo Concertant For Violin And Piano - Cantilène
—
Duo Concertant For Violin And Piano - Églogue 1
—
Duo Concertant For Violin And Piano - Églogue 2
—
Duo Concertant For Violin And Piano - Gigue
—
Duo Concertant For Violin And Piano - Dithyrambe
—
"Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato
Martha Argerich, Mischa Maisky
—
"Suite italienne" from Pulcinella: II. Serenata. Larghetto
Martha Argerich, Mischa Maisky
—
"Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo
Martha Argerich, Mischa Maisky
—
"Suite italienne" from Pulcinella: IV. Tarantella. Vivace
Martha Argerich, Mischa Maisky
—
"Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace
Martha Argerich, Mischa Maisky
—
Pastorale, Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin
—
Divertimento After The Ballet The Fairy's Kiss - Sinfonia
—
Divertimento After The Ballet The Fairy's Kiss - Danses Suisses
—
Divertimento After The Ballet The Fairy's Kiss - Scherzo
—
Divertimento After The Ballet The Fairy's Kiss - Pas De Deux. Adagio - Variation - Coda
—
Élégie For Viola Solo
—
Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - ♩ = 88
—
Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Passacaglia. 60
—
Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Gigue. 112-116
—
Epitaphium For Flute, Clarinet And Harp
—
Double Canon For String Quartet
—
Fanfare For A New Theatre For 2 Trumpets
—
Scherzo In G Minor
—
Piano Sonata In F Sharp Minor - Allegro
—
Piano Sonata In F Sharp Minor -Scherzo. Vivo
—
Piano Sonata In F Sharp Minor -Andante
—
Piano Sonata In F Sharp Minor -Finale. Allegro - Andante
—
4 Études For Piano Op. 7 - Con Moto
—
4 Études For Piano Op. 7 - Allegro Brillante
—
4 Études For Piano Op. 7 - Andantino
—
4 Études For Piano Op. 7 - Vivo
—
Valse Des Fleurs For Piano Duet
—
3 Easy Pieces For Piano Duet - Marche
—
3 Easy Pieces For Piano Duet - Valse
—
3 Easy Pieces For Piano Duet - Polka
—
Souvenir D'Une Marche Boche
—
5 Easy Pieces For Piano Duet - Andante
—
5 Easy Pieces For Piano Duet - Española
—
5 Easy Pieces For Piano Duet - Balalaika
—
5 Easy Pieces For Piano Duet - Napolitana
—
5 Easy Pieces For Piano Duet - Galop
—
Valse Pour Les Enfants
—
Ragtime
—
Piano-Rag-Music
—
The Five Fingers - Andantino
—
The Five Fingers - Allegro
—
The Five Fingers - Allegretto
—
The Five Fingers - Larghetto
—
The Five Fingers - Moderato
—
The Five Fingers - Lento
—
The Five Fingers - Vivo
—
The Five Fingers - Pesante
—
Petrouchka: Russian Dance
Maurizio Pollini
—
Petrouchka: Petrouchka's Room
Maurizio Pollini
—
Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato
Maurizio Pollini
—
Piano Sonata - 112
—
Piano Sonata - Adagietto
—
Piano Sonata - 112
—
Serenade In A - Hymne
—
Serenade In A - Romanza
—
Serenade In A - Rondoletto
—
Serenade In A - Cadenza Finale
—
Concerto For 2 Solo Pianos - Con Moto
—
Concerto For 2 Solo Pianos - Notturno. Adagietto
—
Concerto For 2 Solo Pianos - Quattro Variazioni
—
Concerto For 2 Solo Pianos - Preludio E Fuga. Lento
—
Tango
—
Circus Polka For A Young Elephant
—
Sonata For 2 Pianos - Moderato
—
Sonata For 2 Pianos - Theme With Variations. Largo
—
Sonata For 2 Pianos - Allegretto
—
Violin Concerto In D - Toccata
—
Violin Concerto In D - Aria I
—
Violin Concerto In D - Aria II
—
Violin Concerto In D - Capriccio
—
The Star-Spangled Banner
—
The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy'
—
The Soldier's Tale - Part 1: 'Le Diable Paraît'
—
The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy'
—
The Soldier's Tale - Part 1: Pastorale - 'Ah! Brigand!'
—
The Soldier's Tale - Part 1: 'Il S'Est Mis À Lire Le Livre'
—
The Soldier's Tale - Part 1: 'Regardez, Monsieur'
—
Histoire du soldat - Part 1: Musique de la troisième scène
Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
The Soldier's Tale - Part 2: 'Un Autre Pays À Présent'
—
The Soldier's Tale - Part 2: 'On A Fait Marcher La Musique'
—
Histoire du soldat - Part 2: Petit concert
Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
Histoire du soldat - Part 2: Trois danses: Tango-Valse-Ragtime
Jean Cocteau, Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
Histoire du soldat - Part 2: Danse du diable
Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
Histoire du soldat - Part 2: Petit choral
Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
Histoire du soldat - Part 2: Couplet du diable
Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
Histoire du soldat - Part 2: Grand choral
Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch
—
The Soldier's Tale - Part 2: Triumphal March Of The Devil - 'Le Soldat A Baissé La Tête'
—
Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance
—
Petrushka - Petrushka's Room
—
Petrushka - The Moor's Room - Dance Of The Ballerina
—
Petrushka - The Shrovetide Fair - Dance Of The Nursemaids
—
The Rite Of Spring - The Adoration Of The Earth: Introduction
—
The Rite Of Spring - The Adoration Of The Earth: The Augurs Of Spring (Dances Of The Young Girls)
—
The Rite Of Spring - The Adoration Of The Earth: Game Of Abduction
—
The Rite Of Spring - The Adoration Of The Earth: Spring Rounds
—
The Rite Of Spring - The Adoration Of The Earth: Games Of The Rival Tribes
—
The Rite Of Spring - The Adoration Of The Earth: Procession Of The Sage - Adoration Of The Earth
—
The Rite Of Spring - The Adoration Of The Earth: The Sage
—
The Rite Of Spring - The Adoration Of The Earth: Dance Of The Earth
—
The Rite Of Spring - The Sacrifice: Introduction
—
The Rite Of Spring - The Sacrifice: Mystic Circles Of The Young Girls
—
The Rite Of Spring - The Sacrifice: Glorification Of The Chosen One
—
The Rite Of Spring - The Sacrifice: Evocation Of The Ancestors
—
The Rite Of Spring - The Sacrifice: Ritual Action Of The Ancestors
—
The Rite Of Spring - The Sacrifice: Sacrificial Dance (The Chosen One)
—
Chant Funèbre Op. 5
—
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