UPC · Release
Igor Stravinsky
Last verified:
The UPC for “The New Stravinsky Complete Edition” by Igor Stravinsky is 0028948399628. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-03-05. This release contains 618 tracks, each with its own ISRC. Tracks include DEF059231001, DEF059231002, DEF059231003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'oiseau de feu: I. Introduction | Chicago Symphony Orchestra, Pierre Boulez | T-901.571.571-6 | |
| 2 | L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3 | L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 4 | L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 5 | L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 6 | L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 7 | L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo) | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 8 | L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 9 | L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 10 | L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | T-316.219.192-2 | |
| 11 | L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 12 | L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 13 | L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 14 | L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 15 | L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-1 | Pétrouchka: First Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-2 | Pétrouchka: Second Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-3 | Pétrouchka: Third Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-4 | Pétrouchka: Fourth Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-5 | The Rite of Spring: I. The Adoration of the Earth | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 2-6 | The Rite of Spring: II. The Sacrifice | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 3-1 | Le Rossignol - Introduction | — | ||
| 3-2 | Le Rossignol - 'Nevod Brosal Nebesnyy Dukh' | — | ||
| 3-3 | Le Rossignol - 'Akh! S Neba Vysoty Blesnuv' | — | ||
| 3-4 | Le Rossignol - 'Vot I Dostigli My Opushki Lesa' | — | ||
| 3-5 | Le Rossignol - 'Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat'' | — | ||
| 3-6 | Le Rossignol - Entr'acte (Courants D'Air) - 'Ognya, Ognya' | — | ||
| 3-7 | Le Rossignol - Marche Chinoise - 'Velikiy Imperator' | — | ||
| 3-8 | Le Rossignol - Chant Du Rossignol - 'Akh! Serdtse Dobroye' | — | ||
| 3-9 | Le Rossignol - Jeu Du Rossignol Mécanique - 'Tsk, Tsk, Tsk, Tsk...' | — | ||
| 3-10 | Le Rossignol - Introduction - 'My Vse Pred Toboy' | — | ||
| 3-11 | Le Rossignol - 'Mne Slushat' Nravitsya' | — | ||
| 3-12 | Le Rossignol - Cortège Solennel - 'Zdravstvuyte' | — | ||
| 3-13 | Le Chant du rossignol - Introduction | — | ||
| 3-14 | Le Chant du rossignol - Marche Chinoise | — | ||
| 3-15 | Le Chant du rossignol - Chant Du Rossignol | — | ||
| 3-16 | Le Chant du rossignol - Jeu Du Rossignol Mécanique | — | ||
| 4-1 | Renard | — | ||
| 4-2 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-3 | The Soldier's Tale - 'Phew, This Isn't A Bad Sort Of Spot' (Narrator, Soldier) | — | ||
| 4-4 | The Soldier's Tale - Music For Scene 1: Airs By A Stream | — | ||
| 4-5 | The Soldier's Tale - 'Enter The Devil' (Narrator, Devil, Soldier) | — | ||
| 4-6 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-7 | The Soldier's Tale - 'Hurray, Here We Are! We're Home At Last!' (Narrator) | — | ||
| 4-8 | The Soldier's Tale - Music For Scene 2: Pastorale | — | ||
| 4-9 | The Soldier's Tale - 'The Devil Is Standing There' (Narrator, Soldier, Devil) | — | ||
| 4-10 | The Soldier's Tale - Music For The End Of Scene 2 | — | ||
| 4-11 | The Soldier's Tale - 'He Took Up The Book' (Narrator) | — | ||
| 4-12 | The Soldier's Tale - Airs By A Stream - 'Just To Stretch Out On The Grass' (Narrator) | — | ||
| 4-13 | The Soldier's Tale - 'They Have Nothing - And Yet They Have It All' (Narrator, Soldier, Devil) | — | ||
| 4-14 | The Soldier's Tale - Music For Scene 3: Airs By A Stream - 'The Devil Has Disappeared' (Narrator) | — | ||
| 4-15 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-16 | The Soldier's Tale - 'Now He Comes To Another Land' (Narrator) | — | ||
| 4-17 | The Soldier's Tale - The Royal March | — | ||
| 4-18 | The Soldier's Tale - 'They Gave The Word For The Band To Play' (Narrator, Soldier, Devil) | — | ||
| 4-19 | The Soldier's Tale - The Little Concert - 'Princess, Now We Can Safely Say' (Narrator) | — | ||
| 4-20 | The Soldier's Tale - 3 Dances: 1. Tango | — | ||
| 4-21 | The Soldier's Tale - 3 Dances: 2. Valse | — | ||
| 4-22 | The Soldier's Tale - 3 Dances: 3. Ragtime - 'The Soldier Holds The Princess Close' (Narrator) | — | ||
| 4-23 | The Soldier's Tale - The Devil's Dance - 'The Devil's Exhausted' (Narrator) | — | ||
| 4-24 | The Soldier's Tale - Little Chorale | — | ||
| 4-25 | The Soldier's Tale - The Devil's Song - 'All Right! I Shall Have To Wait' (Devil) | — | ||
| 4-26 | The Soldier's Tale - Great Chorale - 'You Must Not Seek To Add' (Narrator) | — | ||
| 4-27 | The Soldier's Tale - 'I Have Everything, He Thinks' (Narrator) | — | ||
| 4-28 | The Soldier's Tale - Triumphal March Of The Devil | — | ||
| 5-1 | Pulcinella: I. Ouverture: Allegro moderato | London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 5-2 | Pulcinella: II. Serenata: Larghetto | Ryland Davies, London Symphony Orchestra, Claudio Abbado | — | |
| 5-3 | Pulcinella: III. Scherzino: Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 5-4 | Pulcinella: Poco più vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 5-5 | Pulcinella: IV. Allegro | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 5-6 | Pulcinella: V. Andantino | London Symphony Orchestra, Claudio Abbado | — | |
| 5-7 | Pulcinella: VI. Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 5-8 | Pulcinella: VII. Allegretto | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 5-9 | Pulcinella: VIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 5-10 | Pulcinella: IX. Allegro (alla breve) | John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-11 | Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto) | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-12 | Pulcinella: XI. Allegro - alla breve | London Symphony Orchestra, Claudio Abbado | — | |
| 5-13 | Pulcinella: XII. Tarantella | London Symphony Orchestra, Claudio Abbado | — | |
| 5-14 | Pulcinella: XIII. Andantino | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 5-15 | Pulcinella: XIV. Allegro | London Symphony Orchestra, Claudio Abbado | T-922.067.243-5 | |
| 5-16 | Pulcinella: XV. Gavotta con due variazioni | London Symphony Orchestra, Claudio Abbado | — | |
| 5-17 | Pulcinella: XVI. Vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 5-18 | Pulcinella: XVII. Tempo di minuetto | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-19 | Pulcinella: XVIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 5-20 | Mavra - Overture | — | ||
| 5-21 | Mavra - 'Drug Moy Milyy' (Parasha) | — | ||
| 5-22 | Mavra - 'Kolokol'chiki Zvenyat' (Hussar) | — | ||
| 5-23 | Mavra - 'U Pesen Vsekh Slova Odni' (Parasha, Hussar) | — | ||
| 5-24 | Mavra - 'Moya Strast' Sil'neye Stanovitsya' (Parasha, Hussar) | — | ||
| 5-25 | Mavra - 'Izbavi Bog Prislugu' (Mother, Parasha) | — | ||
| 5-26 | Mavra - 'Net, Ne Zabyt' Vo Veki Mne Pokoynitsu' (Mother) | — | ||
| 5-27 | Mavra - 'Zhelayu Zdravstvovat'!' (Neighbour, Mother) | — | ||
| 5-28 | Mavra - 'Gde Tak Dolgo Ty Byla?' (Mother, Neighbour, Parasha, Cook) | — | ||
| 5-29 | Mavra - 'Parasha!' / 'Ya, Vasiliy Milyy!' (Parasha, Cook) | — | ||
| 5-30 | Mavra - 'Ya Pamyat'yu Ne Izmenyu' (Parasha, Cook) | — | ||
| 5-31 | Mavra - 'Parasha!' / 'Slyshish'?' (Mother, Parasha, Cook) | — | ||
| 5-32 | Mavra - 'Ya Zhdu, Ya Zhdu Pokorno' (Cook) | — | ||
| 5-33 | Mavra - 'Pozhaluy Vremya Nastupilo Pobrit'sya' (Cook, Mother, Parasha, Neighbour) | — | ||
| 6-1 | Les Noces - At The Bride's House (The Tresses): Kosa L' Moya Ko | — | ||
| 6-2 | Les Noces - At The Bridegroom's House: Prechistaya Mat', Khodi | — | ||
| 6-3 | Les Noces - The Departure Of The Bride: Blagoslavlyalsya Svetyël Mesyats | — | ||
| 6-4 | Les Noces - The Wedding Feast: Yagoda S Yagodoy Sokatilasya | — | ||
| 6-5 | Oedipus rex - Spectateurs, Vous Allez Entendre (Narrator) - Caedit Nos Pestis (Chorus, Oedipus) | — | ||
| 6-6 | Oedipus Rex - Voici Créon, Beau-Frère D'Œdipe (Narrator) - Respondit Deus (Creon) | — | ||
| 6-7 | Oedipus Rex - Non Reperias Vetus Scelus (Oedipus, Chorus) | — | ||
| 6-8 | Oedipus Rex - Œdipe Interroge La Fontaine De Vérité (Narrator) - Delie Exspectamus (Chorus) | — | ||
| 6-9 | Oedipus Rex - Dicere Non Possum (Tiresias, Oedipus) | — | ||
| 6-10 | Oedipus Rex - Invidia Fortunam Odit (Oedipus) | — | ||
| 6-11 | Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) | — | ||
| 6-12 | Oedipus Rex - La Dispute Des Princes Attire Jocaste (Narrator) | — | ||
| 6-13 | Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) | — | ||
| 6-14 | Oedipus Rex - Nonn' Erubescite, Reges (Jocasta, Chorus, Oedipus) | — | ||
| 6-15 | Oedipus Rex - Ego Senem Cecidi (Oedipus) | — | ||
| 6-16 | Oedipus Rex - Le Témoin Du Meurtre Sort De L'Ombre (Narrator) - Adest Omniscius Pastor (Chorus, Messenger, Shepherd) | — | ||
| 6-17 | Oedipus Rex - Oportebat Tacere, Nunquam Loqui (Shepherd) | — | ||
| 6-18 | Oedipus Rex - Nonne Monstrum Rescituri (Oedipus) | — | ||
| 6-19 | Oedipus Rex - In Monte Reppertus Est (Shepherd, Chorus, Oedipus) - Et Maintenant, Vous Allez Entendre (Narrator) | — | ||
| 6-20 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 6-21 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 6-22 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 7-1 | Apollon musagète - Naissance d'Apollon | — | ||
| 7-2 | Apollon musagète - Variation d'Apollon | — | ||
| 7-3 | Apollon musagète - Pas d'action | — | ||
| 7-4 | Apollon musagète - Variation de Calliope | — | ||
| 7-5 | Apollon musagète - Variation de Polymnie | — | ||
| 7-6 | Apollon musagète - Variation de Terpsichore | — | ||
| 7-7 | Apollon musagète - Variation d'Apollon | — | ||
| 7-8 | Apollon musagète - Pas de deux | — | ||
| 7-9 | Apollon musagète - Coda | — | ||
| 7-10 | Apollon musagète - Apothéose | — | ||
| 7-11 | The Fairy's Kiss - Andante | — | ||
| 7-12 | The Fairy's Kiss - Allegro sostenuto | — | ||
| 7-13 | The Fairy's Kiss - Fig. 27 | — | ||
| 7-14 | The Fairy's Kiss - Andante | — | ||
| 7-15 | The Fairy's Kiss - Tempo giusto | — | ||
| 7-16 | The Fairy's Kiss - Valse | — | ||
| 7-17 | The Fairy's Kiss - Doppio movimento | — | ||
| 7-18 | The Fairy's Kiss - Moderato | — | ||
| 7-19 | The Fairy's Kiss - Allegretto grazioso | — | ||
| 7-20 | The Fairy's Kiss - Entrée | — | ||
| 7-21 | The Fairy's Kiss - Adagio | — | ||
| 7-22 | The Fairy's Kiss - Variation | — | ||
| 7-23 | The Fairy's Kiss - Coda | — | ||
| 7-24 | The Fairy's Kiss - Scène | — | ||
| 7-25 | The Fairy's Kiss - L'istesso tempo | — | ||
| 8-1 | Perséphone: I. Perséphone ravie | London Philharmonic Orchestra, Kent Nagano | — | |
| 8-2 | Perséphone: II. Perséphone aux Enfers | London Philharmonic Orchestra, Kent Nagano | — | |
| 8-3 | Perséphone: III. Perséphone renaissante | London Philharmonic Orchestra, Kent Nagano | — | |
| 9-1 | Jeu de cartes - First deal | — | ||
| 9-2 | Jeu de cartes - Second deal | — | ||
| 9-3 | Jeu de cartes - Third deal | — | ||
| 9-4 | Scènes de ballet - Introduction. Andante | — | ||
| 9-5 | Scènes de ballet - Danses. Moderato | — | ||
| 9-6 | Scènes de ballet - Variation. Con moto | — | ||
| 9-7 | Scènes de ballet - Pantomime. Lento | — | ||
| 9-8 | Scènes de ballet - Pas de deux. Adagio | — | ||
| 9-9 | Scènes de ballet - Pantomime. Agitato ma tempo giusto | — | ||
| 9-10 | Scènes de ballet - Variation. Risoluto | — | ||
| 9-11 | Scènes de ballet - Variation. Andantino | — | ||
| 9-12 | Scènes de ballet - Pantomime. Andantino | — | ||
| 9-13 | Scènes de ballet - Danses. Con moto | — | ||
| 9-14 | Scènes de ballet - Apothéose. Poco meno mosso | — | ||
| 9-15 | Orpheus - Lento sostenuto | — | ||
| 9-16 | Orpheus - Air de danse. Andante con moto | — | ||
| 9-17 | Orpheus - L'Ange de la Mort et sa danse | — | ||
| 9-18 | Orpheus - Interlude. L'istesso tempo | — | ||
| 9-19 | Orpheus - Pas des Furies. Agitato in piano | — | ||
| 9-20 | Orpheus - Air de danse. Grave | — | ||
| 9-21 | Orpheus - Interlude. L'istesso tempo | — | ||
| 9-22 | Orpheus - Air de danse. L'istesso tempo | — | ||
| 9-23 | Orpheus - Pas d'action. Andantino leggiadro | — | ||
| 9-24 | Orpheus - Pas de deux. Andante sostenuto | — | ||
| 9-25 | Orpheus - Interlude. Moderato Assai | — | ||
| 9-26 | Orpheus - Pas d'action. vivace | — | ||
| 9-27 | Orpheus - Apothéose d'Orphée. Lento sostenuto | — | ||
| 10-1 | The Rake's Progress - Act 1 - Prelude | — | ||
| 10-2 | The Rake's Progress - Act 1 - 'The Woods Are Green' | — | ||
| 10-3 | The Rake's Progress - Act 1 - 'Anne, My Dear' | — | ||
| 10-4 | The Rake's Progress - Act 1 - 'Here I Stand' - 'Since It Is Not By Merit' | — | ||
| 10-5 | The Rake's Progress - Act 1 - 'Tom Rakewell?' | — | ||
| 10-6 | The Rake's Progress - Act 1 - 'Fair Lady, Gracious Gentlemen' - 'I Wished But Once' | — | ||
| 10-7 | The Rake's Progress - Act 1 - 'I'll Call The Coachman, Sir' | — | ||
| 10-8 | The Rake's Progress - Act 1 - 'Farewell For Now' | — | ||
| 10-9 | The Rake's Progress - Act 1 - 'All Is Ready, Sir' | — | ||
| 10-10 | The Rake's Progress - Act 1 - 'Dear Father Trulove' - 'Laughter And Light' | — | ||
| 10-11 | The Rake's Progress - Act 1 - 'With Air Commanding And Weapon Handy' | — | ||
| 10-12 | The Rake's Progress - Act 1 - Bryn Terfel, Ian Bostridge, Anne Howells / 'Come, Tom' | — | ||
| 10-13 | The Rake's Progress - Act 1 - 'Soon Dawn Will Glitter' | — | ||
| 10-14 | The Rake's Progress - Act 1 - Bryn Terfel / 'Sisters Of Venus, Brothers Of Mars' | — | ||
| 10-15 | The Rake's Progress - Act 1 - 'Love, Too Frequently Betrayed' | — | ||
| 10-16 | The Rake's Progress - Act 1 - 'How Sad A Song' | — | ||
| 10-17 | The Rake's Progress - Act 1 - 'The Sun Is Bright, The Grass Is Green' | — | ||
| 10-18 | The Rake's Progress - Act 1 - 'No Word From Tom' | — | ||
| 10-19 | The Rake's Progress - Act 1 - 'Quietly, Night' | — | ||
| 10-20 | The Rake's Progress - Act 1 - 'My Father! Can I Desert Him' | — | ||
| 10-21 | The Rake's Progress - Act 1 - 'I Go, I Go To Him' | — | ||
| 10-22 | The Rake's Progress - Act 2 - 'Vary The Song, O London, Change!' | — | ||
| 10-23 | The Rake's Progress - Act 2 - 'Nature, Green Unnatural Mother' | — | ||
| 10-24 | The Rake's Progress - Act 2 - 'Always The Quarry' | — | ||
| 10-25 | The Rake's Progress - Act 2 - 'Master, Are You Alone?' | — | ||
| 10-26 | The Rake's Progress - Act 2 - 'Come Master, Observe The Host' | — | ||
| 10-27 | The Rake's Progress - Act 2 - 'In Youth The Panting Slave' | — | ||
| 10-28 | The Rake's Progress - Act 2 - 'My Tale Shall Be Told' | — | ||
| 10-29 | The Rake's Progress - Act 2 - Introduction | — | ||
| 10-30 | The Rake's Progress - Act 2 - Deborah York / 'How Strange' - 'O Heart Be Stronger' | — | ||
| 10-31 | The Rake's Progress - Act 2 - Ian Bostridge, Deborah York / 'Anne! Here!' | — | ||
| 10-32 | The Rake's Progress - Act 2 - Anne Sofie Von Otter, Deborah York, Ian Bostridge / 'My Love, Am I To Remain In Here For Ever?' | — | ||
| 10-33 | The Rake's Progress - Act 2 - 'Could It Then Have Been Known' | — | ||
| 10-34 | The Rake's Progress - Act 2 - 'I Have Not Run Away' | — | ||
| 11-1 | The Rake's Progress - Act 2 - As I was saying | — | ||
| 11-2 | The Rake's Progress - Act 2 - My heart is cold | — | ||
| 11-3 | The Rake's Progress - Act 2 - Fa la la | — | ||
| 11-4 | The Rake's Progress - Act 2 - O, I wish it were true | — | ||
| 11-5 | The Rake's Progress - Act 2 - Thanks to this excellent device | — | ||
| 11-6 | The Rake's Progress - Act 2 - Forgive me, master, for intruding | — | ||
| 11-7 | The Rake's Progress - Act 3 - Ruin, Disaster, Shame | — | ||
| 11-8 | The Rake's Progress - Act 3 - Ladies both fair and gracious | — | ||
| 11-9 | The Rake's Progress - Act 3 - How hears me, knows me | — | ||
| 11-10 | The Rake's Progress - Act 3 - Sold! Annoyed! | — | ||
| 11-11 | The Rake's Progress - Act 3 - You love him | — | ||
| 11-12 | The Rake's Progress - Act 3 - I go to him | — | ||
| 11-13 | The Rake's Progress - Act 3 - Prelude | — | ||
| 11-14 | The Rake's Progress - Act 3 - Ian Bostridge, Bryn Terfel / How dark and deadful is this place | — | ||
| 11-15 | The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge / Very well then, my dear and good Tom | — | ||
| 11-16 | The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge, Deborah York / Well then | — | ||
| 11-17 | The Rake's Progress - Act 3 - I burn, Iburn! I freeze! | — | ||
| 11-18 | The Rake's Progress - Act 3 - With roses crowned | — | ||
| 11-19 | The Rake's Progress - Act 3 - Prepare yourselves, heroic shades | — | ||
| 11-20 | The Rake's Progress - Act 3 - There he is Have no fear | — | ||
| 11-21 | The Rake's Progress - Act 3 - I have waited | — | ||
| 11-22 | The Rake's Progress - Act 3 - In a foolish dream | — | ||
| 11-23 | The Rake's Progress - Act 3 - I am exceeding weary | — | ||
| 11-24 | The Rake's Progress - Act 3 - Gently, little boat | — | ||
| 11-25 | The Rake's Progress - Act 3 - Anne, my dear | — | ||
| 11-26 | The Rake's Progress - Act 3 - Every wearied body | — | ||
| 11-27 | The Rake's Progress - Act 3 - Where art thou, Venus ? | — | ||
| 11-28 | The Rake's Progress - Act 3 - Mourn for Adonis | — | ||
| 11-29 | The Rake's Progress - Act 3 - Epilogue | — | ||
| 12-1 | Agon - Pas De Quatre | — | ||
| 12-2 | Agon - Double Pas De Quatre | — | ||
| 12-3 | Agon - Triple Pas De Quatre. Coda | — | ||
| 12-4 | Agon - Prelude | — | ||
| 12-5 | Agon - First Pas De Trois: A. Saraband Step | — | ||
| 12-6 | Agon - First Pas De Trois: B. Gailliarde | — | ||
| 12-7 | Agon - First Pas De Trois: C. Coda | — | ||
| 12-8 | Agon - Interlude | — | ||
| 12-9 | Agon - Second Pas De Trois: A. Bransle Simple | — | ||
| 12-10 | Agon - Second Pas De Trois: B. Bransle Gay | — | ||
| 12-11 | Agon - Second Pas De Trois: C. Bransle Double | — | ||
| 12-12 | Agon - Interlude | — | ||
| 12-13 | Agon - Pas De Deux | — | ||
| 12-14 | Agon - Coda | — | ||
| 12-15 | Agon - Four Duos | — | ||
| 12-16 | Agon - Four Trios - Coda | — | ||
| 12-17 | The Flood - Prelude: 'Te Deum Laudamus' | — | ||
| 12-18 | The Flood - Melodrama: 'In A Worm's Likeness Will He Wend' | — | ||
| 12-19 | The Flood - The Building Of The Ark | — | ||
| 12-20 | The Flood - The Catalogue Of The Animals: 'The Lord Bade That I Should Bring' | — | ||
| 12-21 | The Flood - The Comedy (Noah And His Wife): 'Wife, Come In!' | — | ||
| 12-22 | The Flood - The Flood | — | ||
| 12-23 | The Flood - The Covenant Of The Rainbow: 'A Covenant, Noah, With Thee I Make' | — | ||
| 13-1 | Symphony In E Flat Major Op. 1 - Allegro Moderato | — | ||
| 13-2 | Symphony In E Flat Major Op. 1 - Scherzo. Allegretto | — | ||
| 13-3 | Symphony In E Flat Major Op. 1 - Largo | — | ||
| 13-4 | Symphony In E Flat Major Op. 1 - Finale. Allegro Molto | — | ||
| 13-5 | Scherzo Fantastique Op. 3 | — | ||
| 13-6 | Feu d'artifice, Op. 4 | Chicago Symphony Orchestra, Pierre Boulez | T-912.713.860-7 | |
| 13-7 | Quatre Etudes pour orchestre: I. Danse | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-8 | Quatre Etudes pour orchestre: II. Excentrique | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-9 | Quatre Etudes pour orchestre: III. Cantique | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-10 | Quatre Etudes pour orchestre: IV. Madrid | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-11 | Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion | — | ||
| 13-12 | Ragtime For 11 Instruments | — | ||
| 13-13 | Symphonies of Wind Instruments | Berliner Philharmoniker, Pierre Boulez | — | |
| 14-1 | Suite No.1 - Andante | — | ||
| 14-2 | Suite No.1 - Napolitana | — | ||
| 14-3 | Suite No.1 - Española | — | ||
| 14-4 | Suite No.1 - Balalaika | — | ||
| 14-5 | Suite No.2 - March | — | ||
| 14-6 | Suite No.2 - Waltz | — | ||
| 14-7 | Suite No.2 - Polka | — | ||
| 14-8 | Suite No.2 - Galop | — | ||
| 14-9 | Concerto For Piano And Wind Instruments - Largo - Allegro | — | ||
| 14-10 | Concerto For Piano And Wind Instruments - Largo | — | ||
| 14-11 | Concerto For Piano And Wind Instruments - Allegro | — | ||
| 14-12 | Capriccio For Piano And Orchestra - Presto | — | ||
| 14-13 | Capriccio For Piano And Orchestra - Andante Rapsodico | — | ||
| 14-14 | Capriccio For Piano And Orchestra - Allegro Capriccioso Ma Tempo Giusto | — | ||
| 14-15 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 | |
| 14-16 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 | |
| 14-17 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 14-18 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 15-1 | Divertimento - Sinfonia | — | ||
| 15-2 | Divertimento - Danses Suisses | — | ||
| 15-3 | Divertimento - Scherzo | — | ||
| 15-4 | Divertimento - Pas De Deux. Adagio | — | ||
| 15-5 | Divertimento - Pas De Deux. Variation | — | ||
| 15-6 | Divertimento - Pas De Deux. Coda | — | ||
| 15-7 | Praeludium For Jazz Ensemble | — | ||
| 15-8 | "Dumbarton Oaks" - (a) Tempo giusto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-9 | "Dumbarton Oaks" - (b) Allegretto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-10 | "Dumbarton Oaks" - (c) Con moto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-11 | Symphony in C: I. Moderato alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-12 | Symphony in C: II. Larghetto concertante | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-13 | Symphony in C: III. Allegretto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-14 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 16-1 | Danses Concertantes - Marche-Introduction | — | ||
| 16-2 | Danses Concertantes - Pas D'Action. Con Moto | — | ||
| 16-3 | Danses Concertantes - Thème Varié. Lento - Var. I-IV | — | ||
| 16-4 | Danses Concertantes - Pas De Deux. Risoluto | — | ||
| 16-5 | Danses Concertantes - Marche-Conclusion | — | ||
| 16-6 | Circus Polka For A Young Elephant | — | ||
| 16-7 | 4 Norwegian Moods - Intrada | — | ||
| 16-8 | 4 Norwegian Moods - Song | — | ||
| 16-9 | 4 Norwegian Moods - Wedding Dance | — | ||
| 16-10 | 4 Norwegian Moods - Cortège | — | ||
| 16-11 | Ode - Eulogy. Lento | — | ||
| 16-12 | Ode - Eclogue. Con Moto | — | ||
| 16-13 | Ode - Epitaph. Lento | — | ||
| 16-14 | Scherzo À La Russe | — | ||
| 16-15 | Symphony in Three Movements: I. Overture. Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-16 | Symphony in Three Movements: II. Andante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-17 | Symphony in Three Movements: II. Interlude. L'istesso tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-18 | Symphony in Three Movements: III. Con moto | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-1 | Ebony Concerto | Michel Arrignon, Ensemble intercontemporain, Pierre Boulez | — | |
| 17-2 | Concerto in D - I. Vivace | — | ||
| 17-3 | Concerto in D - II. Arioso. Andantino | — | ||
| 17-4 | Concerto in D - III. Rondo. Allegro | — | ||
| 17-5 | Concertino for 12 instruments | — | ||
| 17-6 | Tango for 19 instruments | — | ||
| 17-7 | Greeting Prelude | — | ||
| 17-8 | Movements - I. 110 | — | ||
| 17-9 | Movements - II. 52 | — | ||
| 17-10 | Movements - III. 72 | — | ||
| 17-11 | Movements - IV. 80 | — | ||
| 17-12 | Movements - V. 104 | — | ||
| 17-13 | Monumentum pro Gesualdo di Venosa - I. Ascigutae i begli occhi | — | ||
| 17-14 | Monumentum pro Gesualdo di Venosa - II. Ma tu, cagion di quella | — | ||
| 17-15 | Monumentum pro Gesualdo di Venosa - III. Beltà, poi che t'assenti | — | ||
| 17-16 | 8 Instrumental Miniatures | — | ||
| 17-17 | Variations | — | ||
| 17-18 | Canon on a Russian Popular Tune | — | ||
| 18-1 | Firebird - Introduction - Prelude And Dance Of The Firebird - Variations | — | ||
| 18-2 | Firebird - Pantomime I | — | ||
| 18-3 | Firebird - Pas De Deux. The Firebird And Ivan Tsarevich | — | ||
| 18-4 | Firebird - Pantomime II | — | ||
| 18-5 | Firebird - Scherzo. Dance Of The Princesses | — | ||
| 18-6 | Firebird - Pantomime III | — | ||
| 18-7 | Firebird - Rondo (Khorovod) | — | ||
| 18-8 | Firebird - Infernal Dance | — | ||
| 18-9 | Firebird - Lullaby. The Firebird | — | ||
| 18-10 | Firebird - Finale | — | ||
| 18-11 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-12 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-13 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-14 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-15 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-16 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-17 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-18 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-19 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-20 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-21 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-22 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-23 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-24 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-25 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-1 | Le Roi des etoiles | — | ||
| 19-2 | 4 Russian peasant songs - On Saints' Day in Chigisakh | — | ||
| 19-3 | 4 Russian peasant songs - Ovsen | — | ||
| 19-4 | 4 Russian peasant songs - The Pike | — | ||
| 19-5 | 4 Russian peasant songs - Master Portly | — | ||
| 19-6 | Pater noster | — | ||
| 19-7 | Symphony of Psalms: 1. Exaudi orationem meam | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-8 | Symphony of Psalms: 2. Expectans expectavi Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-9 | Symphony of Psalms: 3. Alleluia. Laudate Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-10 | Credo | — | ||
| 19-11 | Ave Maria | — | ||
| 19-12 | Babel | — | ||
| 19-13 | Mass for mixed chorus and double wind quintet - Kyrie | — | ||
| 19-14 | Mass for mixed chorus and double wind quintet - Gloria | — | ||
| 19-15 | Mass for mixed chorus and double wind quintet - Credo | — | ||
| 19-16 | Mass for mixed chorus and double wind quintet - Sanctus | — | ||
| 19-17 | Mass for mixed chorus and double wind quintet - Agnus Dei | — | ||
| 20-1 | Cantata: Versus 1 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-2 | Cantata: Ricercar 1 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-3 | Cantata: Versus 2 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-4 | Cantata: Ricercar 2 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-5 | Cantata: Versus 3 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-6 | Cantata: Westron Wind | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-7 | Cantata: Versus 4 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-8 | Canticum Sacrum - Dedicatio: 'Urbi Venetiae, In Laude Sancti Sui Presidis' | — | ||
| 20-9 | Canticum Sacrum - 'Euntes In Mundum' | — | ||
| 20-10 | Canticum Sacrum - 'Surge, Aquilo' | — | ||
| 20-11 | Canticum Sacrum - Ad Tres Virtutes Horationes: Caritas: 'Diliges Dominum Deum' | — | ||
| 20-12 | Canticum Sacrum - Brevis Motus Cantilenae: 'Jesus Autem Ait Illi' | — | ||
| 20-13 | Canticum Sacrum - 'Illi Autem Profecti' | — | ||
| 20-14 | Threni - 'Incipit Lamentatio Jeremiae Prophetae' | — | ||
| 20-15 | Threni - De Elegia Prima: 'Aleph. Quomodo Sedet Sola Civitas' | — | ||
| 20-16 | Threni - De Elegia Prima: Diphona I: 'Plorans Ploravit' | — | ||
| 20-17 | Threni - De Elegia Prima: Diphona Ii: 'Vide, Domino' | — | ||
| 20-18 | Threni - De Elegia Tertia: 1. Querimonia: 'Aleph. Ego Vir Videns' | — | ||
| 20-19 | Threni - De Elegia Tertia: 2. Sensus Spei: 'Heth. Misericordiae Domini' | — | ||
| 20-20 | Threni - De Elegia Tertia: 3. Solacium: 'Res. Judicasti, Domine' | — | ||
| 20-21 | Threni - De Elegia Quinta: 'Oratio Jeremiae Prophetae' | — | ||
| 21-1 | Vom Himmel hoch, BWV 769 (Stravinsky); Choral | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-2 | Var. I In canone all 'ottava | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-3 | Var. II Alio modo in canone alle quinta | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-4 | Var. III In canone alla settima | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-5 | Var. IV In canone all 'ottava per augmentationem | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-6 | Var. V L'altra sorte del canone al rovescio | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-7 | Tres sacrae cantiones: Da pacem Domine | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-8 | Tres sacrae cantiones: Assumpta est Maria | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-9 | Tres sacrae cantiones: Illumina nos | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-10 | A Sermon, A Narrative And A Prayer - A Sermon | — | ||
| 21-11 | A Sermon, A Narrative And A Prayer - A Narrative | — | ||
| 21-12 | A Sermon, A Narrative And A Prayer - A Prayer | — | ||
| 21-13 | Anthem (T.S. Eliot) | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-14 | Introitus (T.S. Eliot In Memoriam) | — | ||
| 21-15 | Requiem Canticles - Prelude | — | ||
| 21-16 | Requiem Canticles - Exaudi | — | ||
| 21-17 | Requiem Canticles - Dies Irae | — | ||
| 21-18 | Requiem Canticles - Tuba Mirum | — | ||
| 21-19 | Requiem Canticles - Interlude | — | ||
| 21-20 | Requiem Canticles - Rex Tremendae | — | ||
| 21-21 | Requiem Canticles - Lacrimosa | — | ||
| 21-22 | Requiem Canticles - Postlude | — | ||
| 21-23 | Requiem Canticles - Postlude | — | ||
| 22-1 | Storm Cloud | — | ||
| 22-2 | The Mushrooms Going To War | — | ||
| 22-3 | Faun And Shepherdess - The Shepherdess | — | ||
| 22-4 | Faun And Shepherdess - The Faun | — | ||
| 22-5 | Faun And Shepherdess - The River | — | ||
| 22-6 | 3 Little Songs 'Recollections Of My Childhood' - The Magpie | — | ||
| 22-7 | 3 Little Songs 'Recollections Of My Childhood' - The Rook | — | ||
| 22-8 | 3 Little Songs 'Recollections Of My Childhood' - The Jackdaw | — | ||
| 22-9 | Pastorale | — | ||
| 22-10 | 2 Songs Op. 6 - Spring (The Cloister) | — | ||
| 22-11 | 2 Songs Op. 6 - A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants) | — | ||
| 22-12 | 2 Poems Of Paul Verlaine Op. 9 - The White Moon | — | ||
| 22-13 | 2 Poems Of Paul Verlaine Op. 9 - Sleep | — | ||
| 22-14 | 2 Poems Of Konstantin Balmont - Forget-me-nots | — | ||
| 22-15 | 2 Poems Of Konstantin Balmont - The Dove | — | ||
| 22-16 | 3 Japanese Lyrics - Akahito | — | ||
| 22-17 | 3 Japanese Lyrics - Mazatsumi | — | ||
| 22-18 | 3 Japanese Lyrics - Tsaraiuki | — | ||
| 22-19 | 4 Pleasant Songs (Pribaoutki) - Uncle Pierre | — | ||
| 22-20 | 4 Pleasant Songs (Pribaoutki) - Natashka | — | ||
| 22-21 | 4 Pleasant Songs (Pribaoutki) - The Colonel | — | ||
| 22-22 | 4 Pleasant Songs (Pribaoutki) - The Old Man And The Hare | — | ||
| 22-23 | Cat's Cradle Songs - On The Stove | — | ||
| 22-24 | Cat's Cradle Songs - At Home | — | ||
| 22-25 | Cat's Cradle Songs - Lullaby | — | ||
| 22-26 | Cat's Cradle Songs - The Cat Has... | — | ||
| 22-27 | 3 Children's Tales - Tilim-bom | — | ||
| 22-28 | 3 Children's Tales - Geese And Swans | — | ||
| 22-29 | 3 Children's Tales - The Bear's Song | — | ||
| 22-30 | Berceuse | — | ||
| 23-1 | 4 Russian Songs - I. The Drake | — | ||
| 23-2 | 4 Russian Songs - II. Counting Song | — | ||
| 23-3 | 4 Russian Songs - III. The Sparrow | — | ||
| 23-4 | 4 Russian Songs - IV. Dissident Song | — | ||
| 23-5 | Song of Parasha | — | ||
| 23-6 | Tilim-bom | — | ||
| 23-7 | Pastorale | — | ||
| 23-8 | 3 Little Songs 'Recollections of My Childhood' - I. The Magpie | — | ||
| 23-9 | 3 Little Songs 'Recollections of My Childhood' - II. The Rook | — | ||
| 23-10 | 3 Little Songs 'Recollections of My Childhood' - III. The Jackdaw | — | ||
| 23-11 | Petit Ramusianum harmonique | — | ||
| 23-12 | Hommage à Nadia Boulanger: 'Diex, com leur avient' | — | ||
| 23-13 | 3 Songs from William Shakespeare - I. Musick to heare | — | ||
| 23-14 | 3 Songs from William Shakespeare - II. Full fadom five | — | ||
| 23-15 | 3 Songs from William Shakespeare - III. When Dasies pied | — | ||
| 23-16 | 4 Songs - I. The Drake | — | ||
| 23-17 | 4 Songs - II. A Russian Spiritual | — | ||
| 23-18 | 4 Songs - III. Geese and Swans | — | ||
| 23-19 | 4 Songs - IV. Tilim-bom | — | ||
| 23-20 | 2 Poems of Konstantin Balmont - I. Forget-me-nots | — | ||
| 23-21 | 2 Poems of Konstantin Balmont - II. The Dove | — | ||
| 23-22 | In memoriam Dylan Thomas: 'Do not go gentle into that good night' | — | ||
| 23-23 | Abraham and Isaac - I. Vay'hi ahar hadvarim ha'eleh v'ha'Elohim | — | ||
| 23-24 | Abraham and Isaac - II. Vayikakh Avraham et atze ha'olah | — | ||
| 23-25 | Abraham and Isaac - III. Vayi sa Avraham et enav vayat v'hineh | — | ||
| 23-26 | Elegy for J.F.K.: 'When a just man dies' | — | ||
| 23-27 | The Owl and the Pussy-Cat | — | ||
| 23-28 | 2 Sacred Songs - I. Herr, was trägt der Boden hier | — | ||
| 23-29 | 2 Sacred Songs - II. Wunden prägst du, mein Geliebter | — | ||
| 24-1 | 3 Pieces For String Quartet - 126 | — | ||
| 24-2 | 3 Pieces For String Quartet - 76 | — | ||
| 24-3 | 3 Pieces For String Quartet - Half Note = 40 | — | ||
| 24-4 | Duet 'Lied Ohne Name' For 2 Bassoons | — | ||
| 24-5 | Pour Pablo Picasso For Clarinet Solo | Charles Neidich | — | |
| 24-6 | 3 Pieces For Clarinet Solo | — | ||
| 24-7 | L’Histoire du soldat, suite: 1. Marche de soldat | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-8 | L’Histoire du soldat, suite: 2. Petits Airs au bord du ruisseau | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-9 | L’Histoire du soldat, suite: 3. Pastorale | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-10 | The Soldier's Tale - Concert Suite: The Royal March | — | ||
| 24-11 | The Soldier's Tale - Concert Suite: he Little Concert | — | ||
| 24-12 | The Soldier's Tale - Concert Suite: Three Dances: Tango - Valse - Ragtime | — | ||
| 24-13 | The Soldier's Tale - Concert Suite: The Devil's Dance | — | ||
| 24-14 | The Soldier's Tale - Concert Suite: Great Chorale | — | ||
| 24-15 | The Soldier's Tale - Concert Suite: Triumphal March Of The Devil | — | ||
| 24-16 | La Marseillaise After Claude-Joseph Rouget De Lisle | — | ||
| 24-17 | Concertino For String Quartet | — | ||
| 24-18 | Octet For Wind Instruments - Sinfonia. Lento - Allegro Moderato | — | ||
| 24-19 | Octet For Wind Instruments - Tema Con Variazioni. Andantino | — | ||
| 24-20 | Octet For Wind Instruments - Finale. Tempo Giusto | — | ||
| 25-1 | Duo Concertant For Violin And Piano - Cantilène | — | ||
| 25-2 | Duo Concertant For Violin And Piano - Églogue 1 | — | ||
| 25-3 | Duo Concertant For Violin And Piano - Églogue 2 | — | ||
| 25-4 | Duo Concertant For Violin And Piano - Gigue | — | ||
| 25-5 | Duo Concertant For Violin And Piano - Dithyrambe | — | ||
| 25-6 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 25-7 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — | |
| 25-8 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — | |
| 25-9 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — | |
| 25-10 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — | |
| 25-11 | Pastorale, Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin | — | ||
| 25-12 | Divertimento After The Ballet The Fairy's Kiss - Sinfonia | — | ||
| 25-13 | Divertimento After The Ballet The Fairy's Kiss - Danses Suisses | — | ||
| 25-14 | Divertimento After The Ballet The Fairy's Kiss - Scherzo | — | ||
| 25-15 | Divertimento After The Ballet The Fairy's Kiss - Pas De Deux. Adagio - Variation - Coda | — | ||
| 25-16 | Élégie For Viola Solo | — | ||
| 25-17 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - ♩ = 88 | — | ||
| 25-18 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Passacaglia. 60 | — | ||
| 25-19 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Gigue. 112-116 | — | ||
| 25-20 | Epitaphium For Flute, Clarinet And Harp | — | ||
| 25-21 | Double Canon For String Quartet | — | ||
| 25-22 | Fanfare For A New Theatre For 2 Trumpets | — | ||
| 26-1 | Scherzo In G Minor | — | ||
| 26-2 | Piano Sonata In F Sharp Minor - Allegro | — | ||
| 26-3 | Piano Sonata In F Sharp Minor -Scherzo. Vivo | — | ||
| 26-4 | Piano Sonata In F Sharp Minor -Andante | — | ||
| 26-5 | Piano Sonata In F Sharp Minor -Finale. Allegro - Andante | — | ||
| 26-6 | 4 Études For Piano Op. 7 - Con Moto | — | ||
| 26-7 | 4 Études For Piano Op. 7 - Allegro Brillante | — | ||
| 26-8 | 4 Études For Piano Op. 7 - Andantino | — | ||
| 26-9 | 4 Études For Piano Op. 7 - Vivo | — | ||
| 26-10 | Valse Des Fleurs For Piano Duet | — | ||
| 26-11 | 3 Easy Pieces For Piano Duet - Marche | — | ||
| 26-12 | 3 Easy Pieces For Piano Duet - Valse | — | ||
| 26-13 | 3 Easy Pieces For Piano Duet - Polka | — | ||
| 26-14 | Souvenir D'Une Marche Boche | — | ||
| 26-15 | 5 Easy Pieces For Piano Duet - Andante | — | ||
| 26-16 | 5 Easy Pieces For Piano Duet - Española | — | ||
| 26-17 | 5 Easy Pieces For Piano Duet - Balalaika | — | ||
| 26-18 | 5 Easy Pieces For Piano Duet - Napolitana | — | ||
| 26-19 | 5 Easy Pieces For Piano Duet - Galop | — | ||
| 26-20 | Valse Pour Les Enfants | — | ||
| 26-21 | Ragtime | — | ||
| 26-22 | Piano-Rag-Music | — | ||
| 26-23 | The Five Fingers - Andantino | — | ||
| 26-24 | The Five Fingers - Allegro | — | ||
| 26-25 | The Five Fingers - Allegretto | — | ||
| 26-26 | The Five Fingers - Larghetto | — | ||
| 26-27 | The Five Fingers - Moderato | — | ||
| 26-28 | The Five Fingers - Lento | — | ||
| 26-29 | The Five Fingers - Vivo | — | ||
| 26-30 | The Five Fingers - Pesante | — | ||
| 27-1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 27-2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 27-3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 27-4 | Piano Sonata - 112 | — | ||
| 27-5 | Piano Sonata - Adagietto | — | ||
| 27-6 | Piano Sonata - 112 | — | ||
| 27-7 | Serenade In A - Hymne | — | ||
| 27-8 | Serenade In A - Romanza | — | ||
| 27-9 | Serenade In A - Rondoletto | — | ||
| 27-10 | Serenade In A - Cadenza Finale | — | ||
| 27-11 | Concerto For 2 Solo Pianos - Con Moto | — | ||
| 27-12 | Concerto For 2 Solo Pianos - Notturno. Adagietto | — | ||
| 27-13 | Concerto For 2 Solo Pianos - Quattro Variazioni | — | ||
| 27-14 | Concerto For 2 Solo Pianos - Preludio E Fuga. Lento | — | ||
| 27-15 | Tango | — | ||
| 27-16 | Circus Polka For A Young Elephant | — | ||
| 27-17 | Sonata For 2 Pianos - Moderato | — | ||
| 27-18 | Sonata For 2 Pianos - Theme With Variations. Largo | — | ||
| 27-19 | Sonata For 2 Pianos - Allegretto | — | ||
| 28-1 | Violin Concerto In D - Toccata | — | ||
| 28-2 | Violin Concerto In D - Aria I | — | ||
| 28-3 | Violin Concerto In D - Aria II | — | ||
| 28-4 | Violin Concerto In D - Capriccio | — | ||
| 28-5 | The Star-Spangled Banner | — | ||
| 28-6 | The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy' | — | ||
| 28-7 | The Soldier's Tale - Part 1: 'Le Diable Paraît' | — | ||
| 28-8 | The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy' | — | ||
| 28-9 | The Soldier's Tale - Part 1: Pastorale - 'Ah! Brigand!' | — | ||
| 28-10 | The Soldier's Tale - Part 1: 'Il S'Est Mis À Lire Le Livre' | — | ||
| 28-11 | The Soldier's Tale - Part 1: 'Regardez, Monsieur' | — | ||
| 28-12 | Histoire du soldat - Part 1: Musique de la troisième scène | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-13 | The Soldier's Tale - Part 2: 'Un Autre Pays À Présent' | — | ||
| 28-14 | The Soldier's Tale - Part 2: 'On A Fait Marcher La Musique' | — | ||
| 28-15 | Histoire du soldat - Part 2: Petit concert | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-16 | Histoire du soldat - Part 2: Trois danses: Tango-Valse-Ragtime | Jean Cocteau, Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-17 | Histoire du soldat - Part 2: Danse du diable | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-18 | Histoire du soldat - Part 2: Petit choral | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-19 | Histoire du soldat - Part 2: Couplet du diable | Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-20 | Histoire du soldat - Part 2: Grand choral | Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-21 | The Soldier's Tale - Part 2: Triumphal March Of The Devil - 'Le Soldat A Baissé La Tête' | — | ||
| 29-1 | Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance | — | ||
| 29-2 | Petrushka - Petrushka's Room | — | ||
| 29-3 | Petrushka - The Moor's Room - Dance Of The Ballerina | — | ||
| 29-4 | Petrushka - The Shrovetide Fair - Dance Of The Nursemaids | — | ||
| 29-5 | The Rite Of Spring - The Adoration Of The Earth: Introduction | — | ||
| 29-6 | The Rite Of Spring - The Adoration Of The Earth: The Augurs Of Spring (Dances Of The Young Girls) | — | ||
| 29-7 | The Rite Of Spring - The Adoration Of The Earth: Game Of Abduction | — | ||
| 29-8 | The Rite Of Spring - The Adoration Of The Earth: Spring Rounds | — | ||
| 29-9 | The Rite Of Spring - The Adoration Of The Earth: Games Of The Rival Tribes | — | ||
| 29-10 | The Rite Of Spring - The Adoration Of The Earth: Procession Of The Sage - Adoration Of The Earth | — | ||
| 29-11 | The Rite Of Spring - The Adoration Of The Earth: The Sage | — | ||
| 29-12 | The Rite Of Spring - The Adoration Of The Earth: Dance Of The Earth | — | ||
| 29-13 | The Rite Of Spring - The Sacrifice: Introduction | — | ||
| 29-14 | The Rite Of Spring - The Sacrifice: Mystic Circles Of The Young Girls | — | ||
| 29-15 | The Rite Of Spring - The Sacrifice: Glorification Of The Chosen One | — | ||
| 29-16 | The Rite Of Spring - The Sacrifice: Evocation Of The Ancestors | — | ||
| 29-17 | The Rite Of Spring - The Sacrifice: Ritual Action Of The Ancestors | — | ||
| 29-18 | The Rite Of Spring - The Sacrifice: Sacrificial Dance (The Chosen One) | — | ||
| 30-1 | Chant Funèbre Op. 5 | — |
Identifier Graph
0028948399628 is a Universal Product Code (UPC) assigned to The New Stravinsky Complete Edition by Igor Stravinsky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 618 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
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Creative Contributors (ISNI)
The UPC for “The New Stravinsky Complete Edition” by Igor Stravinsky is 0028948399628. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-03-05. This release contains 618 tracks, each with its own ISRC. Tracks include DEF059231001, DEF059231002, DEF059231003.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'oiseau de feu: I. Introduction | Chicago Symphony Orchestra, Pierre Boulez | T-901.571.571-6 | |
| 2 | L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 3 | L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 4 | L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 5 | L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 6 | L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 7 | L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo) | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 8 | L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 9 | L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 10 | L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | T-316.219.192-2 | |
| 11 | L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 12 | L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 13 | L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 14 | L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 15 | L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale | Chicago Symphony Orchestra, Pierre Boulez | — | |
| 2-1 | Pétrouchka: First Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-2 | Pétrouchka: Second Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-3 | Pétrouchka: Third Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-4 | Pétrouchka: Fourth Tableau | The Cleveland Orchestra, Pierre Boulez | — | |
| 2-5 | The Rite of Spring: I. The Adoration of the Earth | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 2-6 | The Rite of Spring: II. The Sacrifice | The Cleveland Orchestra, Pierre Boulez | T-070.257.887-7 | |
| 3-1 | Le Rossignol - Introduction | — | ||
| 3-2 | Le Rossignol - 'Nevod Brosal Nebesnyy Dukh' | — | ||
| 3-3 | Le Rossignol - 'Akh! S Neba Vysoty Blesnuv' | — | ||
| 3-4 | Le Rossignol - 'Vot I Dostigli My Opushki Lesa' | — | ||
| 3-5 | Le Rossignol - 'Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat'' | — | ||
| 3-6 | Le Rossignol - Entr'acte (Courants D'Air) - 'Ognya, Ognya' | — | ||
| 3-7 | Le Rossignol - Marche Chinoise - 'Velikiy Imperator' | — | ||
| 3-8 | Le Rossignol - Chant Du Rossignol - 'Akh! Serdtse Dobroye' | — | ||
| 3-9 | Le Rossignol - Jeu Du Rossignol Mécanique - 'Tsk, Tsk, Tsk, Tsk...' | — | ||
| 3-10 | Le Rossignol - Introduction - 'My Vse Pred Toboy' | — | ||
| 3-11 | Le Rossignol - 'Mne Slushat' Nravitsya' | — | ||
| 3-12 | Le Rossignol - Cortège Solennel - 'Zdravstvuyte' | — | ||
| 3-13 | Le Chant du rossignol - Introduction | — | ||
| 3-14 | Le Chant du rossignol - Marche Chinoise | — | ||
| 3-15 | Le Chant du rossignol - Chant Du Rossignol | — | ||
| 3-16 | Le Chant du rossignol - Jeu Du Rossignol Mécanique | — | ||
| 4-1 | Renard | — | ||
| 4-2 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-3 | The Soldier's Tale - 'Phew, This Isn't A Bad Sort Of Spot' (Narrator, Soldier) | — | ||
| 4-4 | The Soldier's Tale - Music For Scene 1: Airs By A Stream | — | ||
| 4-5 | The Soldier's Tale - 'Enter The Devil' (Narrator, Devil, Soldier) | — | ||
| 4-6 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-7 | The Soldier's Tale - 'Hurray, Here We Are! We're Home At Last!' (Narrator) | — | ||
| 4-8 | The Soldier's Tale - Music For Scene 2: Pastorale | — | ||
| 4-9 | The Soldier's Tale - 'The Devil Is Standing There' (Narrator, Soldier, Devil) | — | ||
| 4-10 | The Soldier's Tale - Music For The End Of Scene 2 | — | ||
| 4-11 | The Soldier's Tale - 'He Took Up The Book' (Narrator) | — | ||
| 4-12 | The Soldier's Tale - Airs By A Stream - 'Just To Stretch Out On The Grass' (Narrator) | — | ||
| 4-13 | The Soldier's Tale - 'They Have Nothing - And Yet They Have It All' (Narrator, Soldier, Devil) | — | ||
| 4-14 | The Soldier's Tale - Music For Scene 3: Airs By A Stream - 'The Devil Has Disappeared' (Narrator) | — | ||
| 4-15 | The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) | — | ||
| 4-16 | The Soldier's Tale - 'Now He Comes To Another Land' (Narrator) | — | ||
| 4-17 | The Soldier's Tale - The Royal March | — | ||
| 4-18 | The Soldier's Tale - 'They Gave The Word For The Band To Play' (Narrator, Soldier, Devil) | — | ||
| 4-19 | The Soldier's Tale - The Little Concert - 'Princess, Now We Can Safely Say' (Narrator) | — | ||
| 4-20 | The Soldier's Tale - 3 Dances: 1. Tango | — | ||
| 4-21 | The Soldier's Tale - 3 Dances: 2. Valse | — | ||
| 4-22 | The Soldier's Tale - 3 Dances: 3. Ragtime - 'The Soldier Holds The Princess Close' (Narrator) | — | ||
| 4-23 | The Soldier's Tale - The Devil's Dance - 'The Devil's Exhausted' (Narrator) | — | ||
| 4-24 | The Soldier's Tale - Little Chorale | — | ||
| 4-25 | The Soldier's Tale - The Devil's Song - 'All Right! I Shall Have To Wait' (Devil) | — | ||
| 4-26 | The Soldier's Tale - Great Chorale - 'You Must Not Seek To Add' (Narrator) | — | ||
| 4-27 | The Soldier's Tale - 'I Have Everything, He Thinks' (Narrator) | — | ||
| 4-28 | The Soldier's Tale - Triumphal March Of The Devil | — | ||
| 5-1 | Pulcinella: I. Ouverture: Allegro moderato | London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 5-2 | Pulcinella: II. Serenata: Larghetto | Ryland Davies, London Symphony Orchestra, Claudio Abbado | — | |
| 5-3 | Pulcinella: III. Scherzino: Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 5-4 | Pulcinella: Poco più vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 5-5 | Pulcinella: IV. Allegro | London Symphony Orchestra, Claudio Abbado | T-312.542.381-2 | |
| 5-6 | Pulcinella: V. Andantino | London Symphony Orchestra, Claudio Abbado | — | |
| 5-7 | Pulcinella: VI. Allegro | London Symphony Orchestra, Claudio Abbado | — | |
| 5-8 | Pulcinella: VII. Allegretto | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 5-9 | Pulcinella: VIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 5-10 | Pulcinella: IX. Allegro (alla breve) | John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-11 | Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto) | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-12 | Pulcinella: XI. Allegro - alla breve | London Symphony Orchestra, Claudio Abbado | — | |
| 5-13 | Pulcinella: XII. Tarantella | London Symphony Orchestra, Claudio Abbado | — | |
| 5-14 | Pulcinella: XIII. Andantino | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | — | |
| 5-15 | Pulcinella: XIV. Allegro | London Symphony Orchestra, Claudio Abbado | T-922.067.243-5 | |
| 5-16 | Pulcinella: XV. Gavotta con due variazioni | London Symphony Orchestra, Claudio Abbado | — | |
| 5-17 | Pulcinella: XVI. Vivo | London Symphony Orchestra, Claudio Abbado | — | |
| 5-18 | Pulcinella: XVII. Tempo di minuetto | Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado | — | |
| 5-19 | Pulcinella: XVIII. Allegro assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 | |
| 5-20 | Mavra - Overture | — | ||
| 5-21 | Mavra - 'Drug Moy Milyy' (Parasha) | — | ||
| 5-22 | Mavra - 'Kolokol'chiki Zvenyat' (Hussar) | — | ||
| 5-23 | Mavra - 'U Pesen Vsekh Slova Odni' (Parasha, Hussar) | — | ||
| 5-24 | Mavra - 'Moya Strast' Sil'neye Stanovitsya' (Parasha, Hussar) | — | ||
| 5-25 | Mavra - 'Izbavi Bog Prislugu' (Mother, Parasha) | — | ||
| 5-26 | Mavra - 'Net, Ne Zabyt' Vo Veki Mne Pokoynitsu' (Mother) | — | ||
| 5-27 | Mavra - 'Zhelayu Zdravstvovat'!' (Neighbour, Mother) | — | ||
| 5-28 | Mavra - 'Gde Tak Dolgo Ty Byla?' (Mother, Neighbour, Parasha, Cook) | — | ||
| 5-29 | Mavra - 'Parasha!' / 'Ya, Vasiliy Milyy!' (Parasha, Cook) | — | ||
| 5-30 | Mavra - 'Ya Pamyat'yu Ne Izmenyu' (Parasha, Cook) | — | ||
| 5-31 | Mavra - 'Parasha!' / 'Slyshish'?' (Mother, Parasha, Cook) | — | ||
| 5-32 | Mavra - 'Ya Zhdu, Ya Zhdu Pokorno' (Cook) | — | ||
| 5-33 | Mavra - 'Pozhaluy Vremya Nastupilo Pobrit'sya' (Cook, Mother, Parasha, Neighbour) | — | ||
| 6-1 | Les Noces - At The Bride's House (The Tresses): Kosa L' Moya Ko | — | ||
| 6-2 | Les Noces - At The Bridegroom's House: Prechistaya Mat', Khodi | — | ||
| 6-3 | Les Noces - The Departure Of The Bride: Blagoslavlyalsya Svetyël Mesyats | — | ||
| 6-4 | Les Noces - The Wedding Feast: Yagoda S Yagodoy Sokatilasya | — | ||
| 6-5 | Oedipus rex - Spectateurs, Vous Allez Entendre (Narrator) - Caedit Nos Pestis (Chorus, Oedipus) | — | ||
| 6-6 | Oedipus Rex - Voici Créon, Beau-Frère D'Œdipe (Narrator) - Respondit Deus (Creon) | — | ||
| 6-7 | Oedipus Rex - Non Reperias Vetus Scelus (Oedipus, Chorus) | — | ||
| 6-8 | Oedipus Rex - Œdipe Interroge La Fontaine De Vérité (Narrator) - Delie Exspectamus (Chorus) | — | ||
| 6-9 | Oedipus Rex - Dicere Non Possum (Tiresias, Oedipus) | — | ||
| 6-10 | Oedipus Rex - Invidia Fortunam Odit (Oedipus) | — | ||
| 6-11 | Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) | — | ||
| 6-12 | Oedipus Rex - La Dispute Des Princes Attire Jocaste (Narrator) | — | ||
| 6-13 | Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) | — | ||
| 6-14 | Oedipus Rex - Nonn' Erubescite, Reges (Jocasta, Chorus, Oedipus) | — | ||
| 6-15 | Oedipus Rex - Ego Senem Cecidi (Oedipus) | — | ||
| 6-16 | Oedipus Rex - Le Témoin Du Meurtre Sort De L'Ombre (Narrator) - Adest Omniscius Pastor (Chorus, Messenger, Shepherd) | — | ||
| 6-17 | Oedipus Rex - Oportebat Tacere, Nunquam Loqui (Shepherd) | — | ||
| 6-18 | Oedipus Rex - Nonne Monstrum Rescituri (Oedipus) | — | ||
| 6-19 | Oedipus Rex - In Monte Reppertus Est (Shepherd, Chorus, Oedipus) - Et Maintenant, Vous Allez Entendre (Narrator) | — | ||
| 6-20 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 6-21 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 6-22 | Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus) | — | ||
| 7-1 | Apollon musagète - Naissance d'Apollon | — | ||
| 7-2 | Apollon musagète - Variation d'Apollon | — | ||
| 7-3 | Apollon musagète - Pas d'action | — | ||
| 7-4 | Apollon musagète - Variation de Calliope | — | ||
| 7-5 | Apollon musagète - Variation de Polymnie | — | ||
| 7-6 | Apollon musagète - Variation de Terpsichore | — | ||
| 7-7 | Apollon musagète - Variation d'Apollon | — | ||
| 7-8 | Apollon musagète - Pas de deux | — | ||
| 7-9 | Apollon musagète - Coda | — | ||
| 7-10 | Apollon musagète - Apothéose | — | ||
| 7-11 | The Fairy's Kiss - Andante | — | ||
| 7-12 | The Fairy's Kiss - Allegro sostenuto | — | ||
| 7-13 | The Fairy's Kiss - Fig. 27 | — | ||
| 7-14 | The Fairy's Kiss - Andante | — | ||
| 7-15 | The Fairy's Kiss - Tempo giusto | — | ||
| 7-16 | The Fairy's Kiss - Valse | — | ||
| 7-17 | The Fairy's Kiss - Doppio movimento | — | ||
| 7-18 | The Fairy's Kiss - Moderato | — | ||
| 7-19 | The Fairy's Kiss - Allegretto grazioso | — | ||
| 7-20 | The Fairy's Kiss - Entrée | — | ||
| 7-21 | The Fairy's Kiss - Adagio | — | ||
| 7-22 | The Fairy's Kiss - Variation | — | ||
| 7-23 | The Fairy's Kiss - Coda | — | ||
| 7-24 | The Fairy's Kiss - Scène | — | ||
| 7-25 | The Fairy's Kiss - L'istesso tempo | — | ||
| 8-1 | Perséphone: I. Perséphone ravie | London Philharmonic Orchestra, Kent Nagano | — | |
| 8-2 | Perséphone: II. Perséphone aux Enfers | London Philharmonic Orchestra, Kent Nagano | — | |
| 8-3 | Perséphone: III. Perséphone renaissante | London Philharmonic Orchestra, Kent Nagano | — | |
| 9-1 | Jeu de cartes - First deal | — | ||
| 9-2 | Jeu de cartes - Second deal | — | ||
| 9-3 | Jeu de cartes - Third deal | — | ||
| 9-4 | Scènes de ballet - Introduction. Andante | — | ||
| 9-5 | Scènes de ballet - Danses. Moderato | — | ||
| 9-6 | Scènes de ballet - Variation. Con moto | — | ||
| 9-7 | Scènes de ballet - Pantomime. Lento | — | ||
| 9-8 | Scènes de ballet - Pas de deux. Adagio | — | ||
| 9-9 | Scènes de ballet - Pantomime. Agitato ma tempo giusto | — | ||
| 9-10 | Scènes de ballet - Variation. Risoluto | — | ||
| 9-11 | Scènes de ballet - Variation. Andantino | — | ||
| 9-12 | Scènes de ballet - Pantomime. Andantino | — | ||
| 9-13 | Scènes de ballet - Danses. Con moto | — | ||
| 9-14 | Scènes de ballet - Apothéose. Poco meno mosso | — | ||
| 9-15 | Orpheus - Lento sostenuto | — | ||
| 9-16 | Orpheus - Air de danse. Andante con moto | — | ||
| 9-17 | Orpheus - L'Ange de la Mort et sa danse | — | ||
| 9-18 | Orpheus - Interlude. L'istesso tempo | — | ||
| 9-19 | Orpheus - Pas des Furies. Agitato in piano | — | ||
| 9-20 | Orpheus - Air de danse. Grave | — | ||
| 9-21 | Orpheus - Interlude. L'istesso tempo | — | ||
| 9-22 | Orpheus - Air de danse. L'istesso tempo | — | ||
| 9-23 | Orpheus - Pas d'action. Andantino leggiadro | — | ||
| 9-24 | Orpheus - Pas de deux. Andante sostenuto | — | ||
| 9-25 | Orpheus - Interlude. Moderato Assai | — | ||
| 9-26 | Orpheus - Pas d'action. vivace | — | ||
| 9-27 | Orpheus - Apothéose d'Orphée. Lento sostenuto | — | ||
| 10-1 | The Rake's Progress - Act 1 - Prelude | — | ||
| 10-2 | The Rake's Progress - Act 1 - 'The Woods Are Green' | — | ||
| 10-3 | The Rake's Progress - Act 1 - 'Anne, My Dear' | — | ||
| 10-4 | The Rake's Progress - Act 1 - 'Here I Stand' - 'Since It Is Not By Merit' | — | ||
| 10-5 | The Rake's Progress - Act 1 - 'Tom Rakewell?' | — | ||
| 10-6 | The Rake's Progress - Act 1 - 'Fair Lady, Gracious Gentlemen' - 'I Wished But Once' | — | ||
| 10-7 | The Rake's Progress - Act 1 - 'I'll Call The Coachman, Sir' | — | ||
| 10-8 | The Rake's Progress - Act 1 - 'Farewell For Now' | — | ||
| 10-9 | The Rake's Progress - Act 1 - 'All Is Ready, Sir' | — | ||
| 10-10 | The Rake's Progress - Act 1 - 'Dear Father Trulove' - 'Laughter And Light' | — | ||
| 10-11 | The Rake's Progress - Act 1 - 'With Air Commanding And Weapon Handy' | — | ||
| 10-12 | The Rake's Progress - Act 1 - Bryn Terfel, Ian Bostridge, Anne Howells / 'Come, Tom' | — | ||
| 10-13 | The Rake's Progress - Act 1 - 'Soon Dawn Will Glitter' | — | ||
| 10-14 | The Rake's Progress - Act 1 - Bryn Terfel / 'Sisters Of Venus, Brothers Of Mars' | — | ||
| 10-15 | The Rake's Progress - Act 1 - 'Love, Too Frequently Betrayed' | — | ||
| 10-16 | The Rake's Progress - Act 1 - 'How Sad A Song' | — | ||
| 10-17 | The Rake's Progress - Act 1 - 'The Sun Is Bright, The Grass Is Green' | — | ||
| 10-18 | The Rake's Progress - Act 1 - 'No Word From Tom' | — | ||
| 10-19 | The Rake's Progress - Act 1 - 'Quietly, Night' | — | ||
| 10-20 | The Rake's Progress - Act 1 - 'My Father! Can I Desert Him' | — | ||
| 10-21 | The Rake's Progress - Act 1 - 'I Go, I Go To Him' | — | ||
| 10-22 | The Rake's Progress - Act 2 - 'Vary The Song, O London, Change!' | — | ||
| 10-23 | The Rake's Progress - Act 2 - 'Nature, Green Unnatural Mother' | — | ||
| 10-24 | The Rake's Progress - Act 2 - 'Always The Quarry' | — | ||
| 10-25 | The Rake's Progress - Act 2 - 'Master, Are You Alone?' | — | ||
| 10-26 | The Rake's Progress - Act 2 - 'Come Master, Observe The Host' | — | ||
| 10-27 | The Rake's Progress - Act 2 - 'In Youth The Panting Slave' | — | ||
| 10-28 | The Rake's Progress - Act 2 - 'My Tale Shall Be Told' | — | ||
| 10-29 | The Rake's Progress - Act 2 - Introduction | — | ||
| 10-30 | The Rake's Progress - Act 2 - Deborah York / 'How Strange' - 'O Heart Be Stronger' | — | ||
| 10-31 | The Rake's Progress - Act 2 - Ian Bostridge, Deborah York / 'Anne! Here!' | — | ||
| 10-32 | The Rake's Progress - Act 2 - Anne Sofie Von Otter, Deborah York, Ian Bostridge / 'My Love, Am I To Remain In Here For Ever?' | — | ||
| 10-33 | The Rake's Progress - Act 2 - 'Could It Then Have Been Known' | — | ||
| 10-34 | The Rake's Progress - Act 2 - 'I Have Not Run Away' | — | ||
| 11-1 | The Rake's Progress - Act 2 - As I was saying | — | ||
| 11-2 | The Rake's Progress - Act 2 - My heart is cold | — | ||
| 11-3 | The Rake's Progress - Act 2 - Fa la la | — | ||
| 11-4 | The Rake's Progress - Act 2 - O, I wish it were true | — | ||
| 11-5 | The Rake's Progress - Act 2 - Thanks to this excellent device | — | ||
| 11-6 | The Rake's Progress - Act 2 - Forgive me, master, for intruding | — | ||
| 11-7 | The Rake's Progress - Act 3 - Ruin, Disaster, Shame | — | ||
| 11-8 | The Rake's Progress - Act 3 - Ladies both fair and gracious | — | ||
| 11-9 | The Rake's Progress - Act 3 - How hears me, knows me | — | ||
| 11-10 | The Rake's Progress - Act 3 - Sold! Annoyed! | — | ||
| 11-11 | The Rake's Progress - Act 3 - You love him | — | ||
| 11-12 | The Rake's Progress - Act 3 - I go to him | — | ||
| 11-13 | The Rake's Progress - Act 3 - Prelude | — | ||
| 11-14 | The Rake's Progress - Act 3 - Ian Bostridge, Bryn Terfel / How dark and deadful is this place | — | ||
| 11-15 | The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge / Very well then, my dear and good Tom | — | ||
| 11-16 | The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge, Deborah York / Well then | — | ||
| 11-17 | The Rake's Progress - Act 3 - I burn, Iburn! I freeze! | — | ||
| 11-18 | The Rake's Progress - Act 3 - With roses crowned | — | ||
| 11-19 | The Rake's Progress - Act 3 - Prepare yourselves, heroic shades | — | ||
| 11-20 | The Rake's Progress - Act 3 - There he is Have no fear | — | ||
| 11-21 | The Rake's Progress - Act 3 - I have waited | — | ||
| 11-22 | The Rake's Progress - Act 3 - In a foolish dream | — | ||
| 11-23 | The Rake's Progress - Act 3 - I am exceeding weary | — | ||
| 11-24 | The Rake's Progress - Act 3 - Gently, little boat | — | ||
| 11-25 | The Rake's Progress - Act 3 - Anne, my dear | — | ||
| 11-26 | The Rake's Progress - Act 3 - Every wearied body | — | ||
| 11-27 | The Rake's Progress - Act 3 - Where art thou, Venus ? | — | ||
| 11-28 | The Rake's Progress - Act 3 - Mourn for Adonis | — | ||
| 11-29 | The Rake's Progress - Act 3 - Epilogue | — | ||
| 12-1 | Agon - Pas De Quatre | — | ||
| 12-2 | Agon - Double Pas De Quatre | — | ||
| 12-3 | Agon - Triple Pas De Quatre. Coda | — | ||
| 12-4 | Agon - Prelude | — | ||
| 12-5 | Agon - First Pas De Trois: A. Saraband Step | — | ||
| 12-6 | Agon - First Pas De Trois: B. Gailliarde | — | ||
| 12-7 | Agon - First Pas De Trois: C. Coda | — | ||
| 12-8 | Agon - Interlude | — | ||
| 12-9 | Agon - Second Pas De Trois: A. Bransle Simple | — | ||
| 12-10 | Agon - Second Pas De Trois: B. Bransle Gay | — | ||
| 12-11 | Agon - Second Pas De Trois: C. Bransle Double | — | ||
| 12-12 | Agon - Interlude | — | ||
| 12-13 | Agon - Pas De Deux | — | ||
| 12-14 | Agon - Coda | — | ||
| 12-15 | Agon - Four Duos | — | ||
| 12-16 | Agon - Four Trios - Coda | — | ||
| 12-17 | The Flood - Prelude: 'Te Deum Laudamus' | — | ||
| 12-18 | The Flood - Melodrama: 'In A Worm's Likeness Will He Wend' | — | ||
| 12-19 | The Flood - The Building Of The Ark | — | ||
| 12-20 | The Flood - The Catalogue Of The Animals: 'The Lord Bade That I Should Bring' | — | ||
| 12-21 | The Flood - The Comedy (Noah And His Wife): 'Wife, Come In!' | — | ||
| 12-22 | The Flood - The Flood | — | ||
| 12-23 | The Flood - The Covenant Of The Rainbow: 'A Covenant, Noah, With Thee I Make' | — | ||
| 13-1 | Symphony In E Flat Major Op. 1 - Allegro Moderato | — | ||
| 13-2 | Symphony In E Flat Major Op. 1 - Scherzo. Allegretto | — | ||
| 13-3 | Symphony In E Flat Major Op. 1 - Largo | — | ||
| 13-4 | Symphony In E Flat Major Op. 1 - Finale. Allegro Molto | — | ||
| 13-5 | Scherzo Fantastique Op. 3 | — | ||
| 13-6 | Feu d'artifice, Op. 4 | Chicago Symphony Orchestra, Pierre Boulez | T-912.713.860-7 | |
| 13-7 | Quatre Etudes pour orchestre: I. Danse | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-8 | Quatre Etudes pour orchestre: II. Excentrique | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-9 | Quatre Etudes pour orchestre: III. Cantique | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-10 | Quatre Etudes pour orchestre: IV. Madrid | Chicago Symphony Orchestra, Pierre Boulez | T-070.061.111-5 | |
| 13-11 | Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion | — | ||
| 13-12 | Ragtime For 11 Instruments | — | ||
| 13-13 | Symphonies of Wind Instruments | Berliner Philharmoniker, Pierre Boulez | — | |
| 14-1 | Suite No.1 - Andante | — | ||
| 14-2 | Suite No.1 - Napolitana | — | ||
| 14-3 | Suite No.1 - Española | — | ||
| 14-4 | Suite No.1 - Balalaika | — | ||
| 14-5 | Suite No.2 - March | — | ||
| 14-6 | Suite No.2 - Waltz | — | ||
| 14-7 | Suite No.2 - Polka | — | ||
| 14-8 | Suite No.2 - Galop | — | ||
| 14-9 | Concerto For Piano And Wind Instruments - Largo - Allegro | — | ||
| 14-10 | Concerto For Piano And Wind Instruments - Largo | — | ||
| 14-11 | Concerto For Piano And Wind Instruments - Allegro | — | ||
| 14-12 | Capriccio For Piano And Orchestra - Presto | — | ||
| 14-13 | Capriccio For Piano And Orchestra - Andante Rapsodico | — | ||
| 14-14 | Capriccio For Piano And Orchestra - Allegro Capriccioso Ma Tempo Giusto | — | ||
| 14-15 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 | |
| 14-16 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 | |
| 14-17 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 14-18 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 15-1 | Divertimento - Sinfonia | — | ||
| 15-2 | Divertimento - Danses Suisses | — | ||
| 15-3 | Divertimento - Scherzo | — | ||
| 15-4 | Divertimento - Pas De Deux. Adagio | — | ||
| 15-5 | Divertimento - Pas De Deux. Variation | — | ||
| 15-6 | Divertimento - Pas De Deux. Coda | — | ||
| 15-7 | Praeludium For Jazz Ensemble | — | ||
| 15-8 | "Dumbarton Oaks" - (a) Tempo giusto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-9 | "Dumbarton Oaks" - (b) Allegretto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-10 | "Dumbarton Oaks" - (c) Con moto | Ensemble intercontemporain, Pierre Boulez | — | |
| 15-11 | Symphony in C: I. Moderato alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-12 | Symphony in C: II. Larghetto concertante | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-13 | Symphony in C: III. Allegretto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 15-14 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 16-1 | Danses Concertantes - Marche-Introduction | — | ||
| 16-2 | Danses Concertantes - Pas D'Action. Con Moto | — | ||
| 16-3 | Danses Concertantes - Thème Varié. Lento - Var. I-IV | — | ||
| 16-4 | Danses Concertantes - Pas De Deux. Risoluto | — | ||
| 16-5 | Danses Concertantes - Marche-Conclusion | — | ||
| 16-6 | Circus Polka For A Young Elephant | — | ||
| 16-7 | 4 Norwegian Moods - Intrada | — | ||
| 16-8 | 4 Norwegian Moods - Song | — | ||
| 16-9 | 4 Norwegian Moods - Wedding Dance | — | ||
| 16-10 | 4 Norwegian Moods - Cortège | — | ||
| 16-11 | Ode - Eulogy. Lento | — | ||
| 16-12 | Ode - Eclogue. Con Moto | — | ||
| 16-13 | Ode - Epitaph. Lento | — | ||
| 16-14 | Scherzo À La Russe | — | ||
| 16-15 | Symphony in Three Movements: I. Overture. Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-16 | Symphony in Three Movements: II. Andante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-17 | Symphony in Three Movements: II. Interlude. L'istesso tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 16-18 | Symphony in Three Movements: III. Con moto | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-1 | Ebony Concerto | Michel Arrignon, Ensemble intercontemporain, Pierre Boulez | — | |
| 17-2 | Concerto in D - I. Vivace | — | ||
| 17-3 | Concerto in D - II. Arioso. Andantino | — | ||
| 17-4 | Concerto in D - III. Rondo. Allegro | — | ||
| 17-5 | Concertino for 12 instruments | — | ||
| 17-6 | Tango for 19 instruments | — | ||
| 17-7 | Greeting Prelude | — | ||
| 17-8 | Movements - I. 110 | — | ||
| 17-9 | Movements - II. 52 | — | ||
| 17-10 | Movements - III. 72 | — | ||
| 17-11 | Movements - IV. 80 | — | ||
| 17-12 | Movements - V. 104 | — | ||
| 17-13 | Monumentum pro Gesualdo di Venosa - I. Ascigutae i begli occhi | — | ||
| 17-14 | Monumentum pro Gesualdo di Venosa - II. Ma tu, cagion di quella | — | ||
| 17-15 | Monumentum pro Gesualdo di Venosa - III. Beltà, poi che t'assenti | — | ||
| 17-16 | 8 Instrumental Miniatures | — | ||
| 17-17 | Variations | — | ||
| 17-18 | Canon on a Russian Popular Tune | — | ||
| 18-1 | Firebird - Introduction - Prelude And Dance Of The Firebird - Variations | — | ||
| 18-2 | Firebird - Pantomime I | — | ||
| 18-3 | Firebird - Pas De Deux. The Firebird And Ivan Tsarevich | — | ||
| 18-4 | Firebird - Pantomime II | — | ||
| 18-5 | Firebird - Scherzo. Dance Of The Princesses | — | ||
| 18-6 | Firebird - Pantomime III | — | ||
| 18-7 | Firebird - Rondo (Khorovod) | — | ||
| 18-8 | Firebird - Infernal Dance | — | ||
| 18-9 | Firebird - Lullaby. The Firebird | — | ||
| 18-10 | Firebird - Finale | — | ||
| 18-11 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-12 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-13 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-14 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-15 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-16 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-17 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-18 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-19 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-20 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-21 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-22 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-23 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-24 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 18-25 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 19-1 | Le Roi des etoiles | — | ||
| 19-2 | 4 Russian peasant songs - On Saints' Day in Chigisakh | — | ||
| 19-3 | 4 Russian peasant songs - Ovsen | — | ||
| 19-4 | 4 Russian peasant songs - The Pike | — | ||
| 19-5 | 4 Russian peasant songs - Master Portly | — | ||
| 19-6 | Pater noster | — | ||
| 19-7 | Symphony of Psalms: 1. Exaudi orationem meam | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-8 | Symphony of Psalms: 2. Expectans expectavi Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-9 | Symphony of Psalms: 3. Alleluia. Laudate Dominum | Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | — | |
| 19-10 | Credo | — | ||
| 19-11 | Ave Maria | — | ||
| 19-12 | Babel | — | ||
| 19-13 | Mass for mixed chorus and double wind quintet - Kyrie | — | ||
| 19-14 | Mass for mixed chorus and double wind quintet - Gloria | — | ||
| 19-15 | Mass for mixed chorus and double wind quintet - Credo | — | ||
| 19-16 | Mass for mixed chorus and double wind quintet - Sanctus | — | ||
| 19-17 | Mass for mixed chorus and double wind quintet - Agnus Dei | — | ||
| 20-1 | Cantata: Versus 1 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-2 | Cantata: Ricercar 1 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-3 | Cantata: Versus 2 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-4 | Cantata: Ricercar 2 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-5 | Cantata: Versus 3 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-6 | Cantata: Westron Wind | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-7 | Cantata: Versus 4 | Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge | — | |
| 20-8 | Canticum Sacrum - Dedicatio: 'Urbi Venetiae, In Laude Sancti Sui Presidis' | — | ||
| 20-9 | Canticum Sacrum - 'Euntes In Mundum' | — | ||
| 20-10 | Canticum Sacrum - 'Surge, Aquilo' | — | ||
| 20-11 | Canticum Sacrum - Ad Tres Virtutes Horationes: Caritas: 'Diliges Dominum Deum' | — | ||
| 20-12 | Canticum Sacrum - Brevis Motus Cantilenae: 'Jesus Autem Ait Illi' | — | ||
| 20-13 | Canticum Sacrum - 'Illi Autem Profecti' | — | ||
| 20-14 | Threni - 'Incipit Lamentatio Jeremiae Prophetae' | — | ||
| 20-15 | Threni - De Elegia Prima: 'Aleph. Quomodo Sedet Sola Civitas' | — | ||
| 20-16 | Threni - De Elegia Prima: Diphona I: 'Plorans Ploravit' | — | ||
| 20-17 | Threni - De Elegia Prima: Diphona Ii: 'Vide, Domino' | — | ||
| 20-18 | Threni - De Elegia Tertia: 1. Querimonia: 'Aleph. Ego Vir Videns' | — | ||
| 20-19 | Threni - De Elegia Tertia: 2. Sensus Spei: 'Heth. Misericordiae Domini' | — | ||
| 20-20 | Threni - De Elegia Tertia: 3. Solacium: 'Res. Judicasti, Domine' | — | ||
| 20-21 | Threni - De Elegia Quinta: 'Oratio Jeremiae Prophetae' | — | ||
| 21-1 | Vom Himmel hoch, BWV 769 (Stravinsky); Choral | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-2 | Var. I In canone all 'ottava | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-3 | Var. II Alio modo in canone alle quinta | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-4 | Var. III In canone alla settima | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-5 | Var. IV In canone all 'ottava per augmentationem | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-6 | Var. V L'altra sorte del canone al rovescio | Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-7 | Tres sacrae cantiones: Da pacem Domine | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-8 | Tres sacrae cantiones: Assumpta est Maria | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-9 | Tres sacrae cantiones: Illumina nos | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-10 | A Sermon, A Narrative And A Prayer - A Sermon | — | ||
| 21-11 | A Sermon, A Narrative And A Prayer - A Narrative | — | ||
| 21-12 | A Sermon, A Narrative And A Prayer - A Prayer | — | ||
| 21-13 | Anthem (T.S. Eliot) | Nederlands Kamerkoor, Reinbert de Leeuw | — | |
| 21-14 | Introitus (T.S. Eliot In Memoriam) | — | ||
| 21-15 | Requiem Canticles - Prelude | — | ||
| 21-16 | Requiem Canticles - Exaudi | — | ||
| 21-17 | Requiem Canticles - Dies Irae | — | ||
| 21-18 | Requiem Canticles - Tuba Mirum | — | ||
| 21-19 | Requiem Canticles - Interlude | — | ||
| 21-20 | Requiem Canticles - Rex Tremendae | — | ||
| 21-21 | Requiem Canticles - Lacrimosa | — | ||
| 21-22 | Requiem Canticles - Postlude | — | ||
| 21-23 | Requiem Canticles - Postlude | — | ||
| 22-1 | Storm Cloud | — | ||
| 22-2 | The Mushrooms Going To War | — | ||
| 22-3 | Faun And Shepherdess - The Shepherdess | — | ||
| 22-4 | Faun And Shepherdess - The Faun | — | ||
| 22-5 | Faun And Shepherdess - The River | — | ||
| 22-6 | 3 Little Songs 'Recollections Of My Childhood' - The Magpie | — | ||
| 22-7 | 3 Little Songs 'Recollections Of My Childhood' - The Rook | — | ||
| 22-8 | 3 Little Songs 'Recollections Of My Childhood' - The Jackdaw | — | ||
| 22-9 | Pastorale | — | ||
| 22-10 | 2 Songs Op. 6 - Spring (The Cloister) | — | ||
| 22-11 | 2 Songs Op. 6 - A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants) | — | ||
| 22-12 | 2 Poems Of Paul Verlaine Op. 9 - The White Moon | — | ||
| 22-13 | 2 Poems Of Paul Verlaine Op. 9 - Sleep | — | ||
| 22-14 | 2 Poems Of Konstantin Balmont - Forget-me-nots | — | ||
| 22-15 | 2 Poems Of Konstantin Balmont - The Dove | — | ||
| 22-16 | 3 Japanese Lyrics - Akahito | — | ||
| 22-17 | 3 Japanese Lyrics - Mazatsumi | — | ||
| 22-18 | 3 Japanese Lyrics - Tsaraiuki | — | ||
| 22-19 | 4 Pleasant Songs (Pribaoutki) - Uncle Pierre | — | ||
| 22-20 | 4 Pleasant Songs (Pribaoutki) - Natashka | — | ||
| 22-21 | 4 Pleasant Songs (Pribaoutki) - The Colonel | — | ||
| 22-22 | 4 Pleasant Songs (Pribaoutki) - The Old Man And The Hare | — | ||
| 22-23 | Cat's Cradle Songs - On The Stove | — | ||
| 22-24 | Cat's Cradle Songs - At Home | — | ||
| 22-25 | Cat's Cradle Songs - Lullaby | — | ||
| 22-26 | Cat's Cradle Songs - The Cat Has... | — | ||
| 22-27 | 3 Children's Tales - Tilim-bom | — | ||
| 22-28 | 3 Children's Tales - Geese And Swans | — | ||
| 22-29 | 3 Children's Tales - The Bear's Song | — | ||
| 22-30 | Berceuse | — | ||
| 23-1 | 4 Russian Songs - I. The Drake | — | ||
| 23-2 | 4 Russian Songs - II. Counting Song | — | ||
| 23-3 | 4 Russian Songs - III. The Sparrow | — | ||
| 23-4 | 4 Russian Songs - IV. Dissident Song | — | ||
| 23-5 | Song of Parasha | — | ||
| 23-6 | Tilim-bom | — | ||
| 23-7 | Pastorale | — | ||
| 23-8 | 3 Little Songs 'Recollections of My Childhood' - I. The Magpie | — | ||
| 23-9 | 3 Little Songs 'Recollections of My Childhood' - II. The Rook | — | ||
| 23-10 | 3 Little Songs 'Recollections of My Childhood' - III. The Jackdaw | — | ||
| 23-11 | Petit Ramusianum harmonique | — | ||
| 23-12 | Hommage à Nadia Boulanger: 'Diex, com leur avient' | — | ||
| 23-13 | 3 Songs from William Shakespeare - I. Musick to heare | — | ||
| 23-14 | 3 Songs from William Shakespeare - II. Full fadom five | — | ||
| 23-15 | 3 Songs from William Shakespeare - III. When Dasies pied | — | ||
| 23-16 | 4 Songs - I. The Drake | — | ||
| 23-17 | 4 Songs - II. A Russian Spiritual | — | ||
| 23-18 | 4 Songs - III. Geese and Swans | — | ||
| 23-19 | 4 Songs - IV. Tilim-bom | — | ||
| 23-20 | 2 Poems of Konstantin Balmont - I. Forget-me-nots | — | ||
| 23-21 | 2 Poems of Konstantin Balmont - II. The Dove | — | ||
| 23-22 | In memoriam Dylan Thomas: 'Do not go gentle into that good night' | — | ||
| 23-23 | Abraham and Isaac - I. Vay'hi ahar hadvarim ha'eleh v'ha'Elohim | — | ||
| 23-24 | Abraham and Isaac - II. Vayikakh Avraham et atze ha'olah | — | ||
| 23-25 | Abraham and Isaac - III. Vayi sa Avraham et enav vayat v'hineh | — | ||
| 23-26 | Elegy for J.F.K.: 'When a just man dies' | — | ||
| 23-27 | The Owl and the Pussy-Cat | — | ||
| 23-28 | 2 Sacred Songs - I. Herr, was trägt der Boden hier | — | ||
| 23-29 | 2 Sacred Songs - II. Wunden prägst du, mein Geliebter | — | ||
| 24-1 | 3 Pieces For String Quartet - 126 | — | ||
| 24-2 | 3 Pieces For String Quartet - 76 | — | ||
| 24-3 | 3 Pieces For String Quartet - Half Note = 40 | — | ||
| 24-4 | Duet 'Lied Ohne Name' For 2 Bassoons | — | ||
| 24-5 | Pour Pablo Picasso For Clarinet Solo | Charles Neidich | — | |
| 24-6 | 3 Pieces For Clarinet Solo | — | ||
| 24-7 | L’Histoire du soldat, suite: 1. Marche de soldat | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-8 | L’Histoire du soldat, suite: 2. Petits Airs au bord du ruisseau | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-9 | L’Histoire du soldat, suite: 3. Pastorale | The Cleveland Orchestra, Pierre Boulez | — | |
| 24-10 | The Soldier's Tale - Concert Suite: The Royal March | — | ||
| 24-11 | The Soldier's Tale - Concert Suite: he Little Concert | — | ||
| 24-12 | The Soldier's Tale - Concert Suite: Three Dances: Tango - Valse - Ragtime | — | ||
| 24-13 | The Soldier's Tale - Concert Suite: The Devil's Dance | — | ||
| 24-14 | The Soldier's Tale - Concert Suite: Great Chorale | — | ||
| 24-15 | The Soldier's Tale - Concert Suite: Triumphal March Of The Devil | — | ||
| 24-16 | La Marseillaise After Claude-Joseph Rouget De Lisle | — | ||
| 24-17 | Concertino For String Quartet | — | ||
| 24-18 | Octet For Wind Instruments - Sinfonia. Lento - Allegro Moderato | — | ||
| 24-19 | Octet For Wind Instruments - Tema Con Variazioni. Andantino | — | ||
| 24-20 | Octet For Wind Instruments - Finale. Tempo Giusto | — | ||
| 25-1 | Duo Concertant For Violin And Piano - Cantilène | — | ||
| 25-2 | Duo Concertant For Violin And Piano - Églogue 1 | — | ||
| 25-3 | Duo Concertant For Violin And Piano - Églogue 2 | — | ||
| 25-4 | Duo Concertant For Violin And Piano - Gigue | — | ||
| 25-5 | Duo Concertant For Violin And Piano - Dithyrambe | — | ||
| 25-6 | "Suite italienne" from Pulcinella: I. Introduzione. Allegro moderato | Martha Argerich, Mischa Maisky | — | |
| 25-7 | "Suite italienne" from Pulcinella: II. Serenata. Larghetto | Martha Argerich, Mischa Maisky | — | |
| 25-8 | "Suite italienne" from Pulcinella: III. Aria. Allegro ala breve - Largo | Martha Argerich, Mischa Maisky | — | |
| 25-9 | "Suite italienne" from Pulcinella: IV. Tarantella. Vivace | Martha Argerich, Mischa Maisky | — | |
| 25-10 | "Suite italienne" from Pulcinella: V. Minuetto e Finale. Moderato - Molto vivace | Martha Argerich, Mischa Maisky | — | |
| 25-11 | Pastorale, Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin | — | ||
| 25-12 | Divertimento After The Ballet The Fairy's Kiss - Sinfonia | — | ||
| 25-13 | Divertimento After The Ballet The Fairy's Kiss - Danses Suisses | — | ||
| 25-14 | Divertimento After The Ballet The Fairy's Kiss - Scherzo | — | ||
| 25-15 | Divertimento After The Ballet The Fairy's Kiss - Pas De Deux. Adagio - Variation - Coda | — | ||
| 25-16 | Élégie For Viola Solo | — | ||
| 25-17 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - ♩ = 88 | — | ||
| 25-18 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Passacaglia. 60 | — | ||
| 25-19 | Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Gigue. 112-116 | — | ||
| 25-20 | Epitaphium For Flute, Clarinet And Harp | — | ||
| 25-21 | Double Canon For String Quartet | — | ||
| 25-22 | Fanfare For A New Theatre For 2 Trumpets | — | ||
| 26-1 | Scherzo In G Minor | — | ||
| 26-2 | Piano Sonata In F Sharp Minor - Allegro | — | ||
| 26-3 | Piano Sonata In F Sharp Minor -Scherzo. Vivo | — | ||
| 26-4 | Piano Sonata In F Sharp Minor -Andante | — | ||
| 26-5 | Piano Sonata In F Sharp Minor -Finale. Allegro - Andante | — | ||
| 26-6 | 4 Études For Piano Op. 7 - Con Moto | — | ||
| 26-7 | 4 Études For Piano Op. 7 - Allegro Brillante | — | ||
| 26-8 | 4 Études For Piano Op. 7 - Andantino | — | ||
| 26-9 | 4 Études For Piano Op. 7 - Vivo | — | ||
| 26-10 | Valse Des Fleurs For Piano Duet | — | ||
| 26-11 | 3 Easy Pieces For Piano Duet - Marche | — | ||
| 26-12 | 3 Easy Pieces For Piano Duet - Valse | — | ||
| 26-13 | 3 Easy Pieces For Piano Duet - Polka | — | ||
| 26-14 | Souvenir D'Une Marche Boche | — | ||
| 26-15 | 5 Easy Pieces For Piano Duet - Andante | — | ||
| 26-16 | 5 Easy Pieces For Piano Duet - Española | — | ||
| 26-17 | 5 Easy Pieces For Piano Duet - Balalaika | — | ||
| 26-18 | 5 Easy Pieces For Piano Duet - Napolitana | — | ||
| 26-19 | 5 Easy Pieces For Piano Duet - Galop | — | ||
| 26-20 | Valse Pour Les Enfants | — | ||
| 26-21 | Ragtime | — | ||
| 26-22 | Piano-Rag-Music | — | ||
| 26-23 | The Five Fingers - Andantino | — | ||
| 26-24 | The Five Fingers - Allegro | — | ||
| 26-25 | The Five Fingers - Allegretto | — | ||
| 26-26 | The Five Fingers - Larghetto | — | ||
| 26-27 | The Five Fingers - Moderato | — | ||
| 26-28 | The Five Fingers - Lento | — | ||
| 26-29 | The Five Fingers - Vivo | — | ||
| 26-30 | The Five Fingers - Pesante | — | ||
| 27-1 | Petrouchka: Russian Dance | Maurizio Pollini | — | |
| 27-2 | Petrouchka: Petrouchka's Room | Maurizio Pollini | — | |
| 27-3 | Three Movements ’Petruschka’: La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Maurizio Pollini | — | |
| 27-4 | Piano Sonata - 112 | — | ||
| 27-5 | Piano Sonata - Adagietto | — | ||
| 27-6 | Piano Sonata - 112 | — | ||
| 27-7 | Serenade In A - Hymne | — | ||
| 27-8 | Serenade In A - Romanza | — | ||
| 27-9 | Serenade In A - Rondoletto | — | ||
| 27-10 | Serenade In A - Cadenza Finale | — | ||
| 27-11 | Concerto For 2 Solo Pianos - Con Moto | — | ||
| 27-12 | Concerto For 2 Solo Pianos - Notturno. Adagietto | — | ||
| 27-13 | Concerto For 2 Solo Pianos - Quattro Variazioni | — | ||
| 27-14 | Concerto For 2 Solo Pianos - Preludio E Fuga. Lento | — | ||
| 27-15 | Tango | — | ||
| 27-16 | Circus Polka For A Young Elephant | — | ||
| 27-17 | Sonata For 2 Pianos - Moderato | — | ||
| 27-18 | Sonata For 2 Pianos - Theme With Variations. Largo | — | ||
| 27-19 | Sonata For 2 Pianos - Allegretto | — | ||
| 28-1 | Violin Concerto In D - Toccata | — | ||
| 28-2 | Violin Concerto In D - Aria I | — | ||
| 28-3 | Violin Concerto In D - Aria II | — | ||
| 28-4 | Violin Concerto In D - Capriccio | — | ||
| 28-5 | The Star-Spangled Banner | — | ||
| 28-6 | The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy' | — | ||
| 28-7 | The Soldier's Tale - Part 1: 'Le Diable Paraît' | — | ||
| 28-8 | The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy' | — | ||
| 28-9 | The Soldier's Tale - Part 1: Pastorale - 'Ah! Brigand!' | — | ||
| 28-10 | The Soldier's Tale - Part 1: 'Il S'Est Mis À Lire Le Livre' | — | ||
| 28-11 | The Soldier's Tale - Part 1: 'Regardez, Monsieur' | — | ||
| 28-12 | Histoire du soldat - Part 1: Musique de la troisième scène | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-13 | The Soldier's Tale - Part 2: 'Un Autre Pays À Présent' | — | ||
| 28-14 | The Soldier's Tale - Part 2: 'On A Fait Marcher La Musique' | — | ||
| 28-15 | Histoire du soldat - Part 2: Petit concert | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-16 | Histoire du soldat - Part 2: Trois danses: Tango-Valse-Ragtime | Jean Cocteau, Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-17 | Histoire du soldat - Part 2: Danse du diable | Jean Cocteau, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-18 | Histoire du soldat - Part 2: Petit choral | Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-19 | Histoire du soldat - Part 2: Couplet du diable | Peter Ustinov, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-20 | Histoire du soldat - Part 2: Grand choral | Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Ulysse Delécluse, Henri Helaerts, Maurice André, Roland Schnorkh, Charles Peschier, Manoug Parikian, Joachim Gut, Igor Markevitch | — | |
| 28-21 | The Soldier's Tale - Part 2: Triumphal March Of The Devil - 'Le Soldat A Baissé La Tête' | — | ||
| 29-1 | Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance | — | ||
| 29-2 | Petrushka - Petrushka's Room | — | ||
| 29-3 | Petrushka - The Moor's Room - Dance Of The Ballerina | — | ||
| 29-4 | Petrushka - The Shrovetide Fair - Dance Of The Nursemaids | — | ||
| 29-5 | The Rite Of Spring - The Adoration Of The Earth: Introduction | — | ||
| 29-6 | The Rite Of Spring - The Adoration Of The Earth: The Augurs Of Spring (Dances Of The Young Girls) | — | ||
| 29-7 | The Rite Of Spring - The Adoration Of The Earth: Game Of Abduction | — | ||
| 29-8 | The Rite Of Spring - The Adoration Of The Earth: Spring Rounds | — | ||
| 29-9 | The Rite Of Spring - The Adoration Of The Earth: Games Of The Rival Tribes | — | ||
| 29-10 | The Rite Of Spring - The Adoration Of The Earth: Procession Of The Sage - Adoration Of The Earth | — | ||
| 29-11 | The Rite Of Spring - The Adoration Of The Earth: The Sage | — | ||
| 29-12 | The Rite Of Spring - The Adoration Of The Earth: Dance Of The Earth | — | ||
| 29-13 | The Rite Of Spring - The Sacrifice: Introduction | — | ||
| 29-14 | The Rite Of Spring - The Sacrifice: Mystic Circles Of The Young Girls | — | ||
| 29-15 | The Rite Of Spring - The Sacrifice: Glorification Of The Chosen One | — | ||
| 29-16 | The Rite Of Spring - The Sacrifice: Evocation Of The Ancestors | — | ||
| 29-17 | The Rite Of Spring - The Sacrifice: Ritual Action Of The Ancestors | — | ||
| 29-18 | The Rite Of Spring - The Sacrifice: Sacrificial Dance (The Chosen One) | — | ||
| 30-1 | Chant Funèbre Op. 5 | — |
