UPC · Release
The Philips Legacy
Rafael Orozco
0028948437344
54 tracksReleased 2024-01-01
Last verified:
0028948437344 is the Universal Product Code (UPC barcode) for the release “The Philips Legacy” by Rafael Orozco, released 2024-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
002GS1 prefix
8948Company prefix
43734Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto No. 2 in F minor, Op.21 - Maestoso | — | ||
| 2 | Piano Concerto No. 2 in F minor, Op.21 - Larghetto | — | ||
| 3 | Piano Concerto No. 2 in F minor, Op.21 - Allegro Vivace | — | ||
| 4 | Andante spianato et Grande Polonaise brillante in E flat major, Op. 22 | — | ||
| 2-1 | Scherzo No. 1 in B minor, Op. 20 | — | ||
| 2-2 | Scherzo No. 2 in B flat minor, Op. 31 | — | ||
| 2-3 | Scherzo No. 3 in C sharp minor, Op. 39 | — | ||
| 2-4 | Scherzo No. 4 in E major, Op. 54 | — | ||
| 2-5 | Nocturne No. 18 in E major, Op. 62 No. 2 | — | ||
| 2-6 | Berceuse in D flat major, Op. 57 | — | ||
| 3-1 | Piano Sonata No. 2 in B flat minor, Op. 35 - Grave - Dioppio movimento | — | ||
| 3-2 | Piano Sonata No. 2 in B flat minor, Op. 35 - Più lento - Tempo I | — | ||
| 3-3 | Piano Sonata No. 2 in B flat minor, Op. 35 - Marche funèbre (Lento) | — | ||
| 3-4 | Piano Sonata No. 2 in B flat minor, Op. 35 - Finale (Presto) | — | ||
| 3-5 | Piano Sonata in B minor, S. 178 - Lento assai - Allegro energico | — | ||
| 3-6 | Piano Sonata in B minor, S. 178 - Andante sostenuto | — | ||
| 3-7 | Piano Sonata in B minor, S. 178 - Allegro energico | — | ||
| 3-8 | Piano Sonata in B minor, S. 178 - Andante sostenuto - Lento assai | — | ||
| 4-1 | Kreisleriana, Op. 16 - Äusserst bewegt | — | ||
| 4-2 | Kreisleriana, Op. 16 - Sehr innig und nicht zu rasch | — | ||
| 4-3 | Kreisleriana, Op. 16 - Sehr aufgeregt | — | ||
| 4-4 | Kreisleriana, Op. 16 - Sehr langsam | — | ||
| 4-5 | Kreisleriana, Op. 16 - Sehr lebhaft | — | ||
| 4-7 | Kreisleriana, Op. 16 - Sehr rasch | — | ||
| 4-8 | Kreisleriana, Op. 16 - Schnell und spielend | — | ||
| 4-9 | Fantaisie in C major, Op. 17 - Durchaus fantastisch und leidenschaftlich vorzutragen | — | ||
| 4-10 | Fantaisie in C major, Op. 17 - Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter | — | ||
| 4-11 | Fantaisie in C major, Op. 17 - Langsam getragen. Durchweg leise zu halten - Etwas bewegter | — | ||
| 5-1 | Prelude in C sharp minor, Op. 3 No. 2 | — | ||
| 5-2 | Prelude in B minor, Op. 32 No. 10 | — | ||
| 5-3 | Prelude in G minor, Op. 23 No. 5 | — | ||
| 5-4 | Melodie in E major, Op. 3 No. 3 | — | ||
| 5-5 | Polichinelle in F sharp minor, Op. 3 No. 4 | — | ||
| 5-6 | Liebesleid (concert transcription after Fritz Kreisler) | — | ||
| 5-7 | Etude-Tableau in C minor, Op. 33 No. 3 | — | ||
| 5-8 | Etude-Tableau in E flat minor, Op. 33 No. 6 | — | ||
| 5-9 | Etude-Tableau in E flat minor, Op. 39 No. 5 | — | ||
| 5-10 | Moment musical in B minor, Op. 16 No. 3 | — | ||
| 6-1 | Piano Concerto No. 1 in F sharp minor, Op. 1 - Vivace | — | ||
| 6-2 | Piano Concerto No. 1 in F sharp minor, Op. 1 - Andante | — | ||
| 6-3 | Piano Concerto No. 1 in F sharp minor, Op. 1 - Allegro vivace | — | ||
| 6-4 | Piano Concerto No. 4 in G minor, Op. 40 - Allegro vivace (Alla breve) | — | ||
| 6-5 | Piano Concerto No. 4 in G minor, Op. 40 - Largo | — | ||
| 6-6 | Piano Concerto No. 4 in G minor, Op. 40 - Allegro vivace | — | ||
| 7-1 | Piano Concerto No. 1 in B flat minor, Op. 23 - Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 7-2 | Piano Concerto No. 1 in B flat minor, Op. 23 - Andante semplice - Prestissimo - Tempo I | — | ||
| 7-3 | Piano Concerto No. 1 in B flat minor, Op. 23 - Allegro con fuoco | — | ||
| 7-4 | Piano Concerto No. 2 in C minor, Op. 18 - Moderato | — | ||
| 7-5 | Piano Concerto No. 2 in C minor, Op. 18 - Adagio sostenuto | — | ||
| 7-6 | Piano Concerto No. 2 in C minor, Op. 18 - Allegro scherzando | — | ||
| 8-1 | Piano Concerto No. 3 in D minor, Op. 30 - Allegro ma non tanto | — | ||
| 8-2 | Piano Concerto No. 3 in D minor, Op. 30 - Intermezzo (Adagio) | — | ||
| 8-3 | Piano Concerto No. 3 in D minor, Op. 30 - Finale (Alla breve) | — | ||
| 8-4 | Rhapsody on a theme of Paganini, Op. 43 | — |
Piano Concerto No. 2 in F minor, Op.21 - Maestoso
—
Piano Concerto No. 2 in F minor, Op.21 - Larghetto
—
Piano Concerto No. 2 in F minor, Op.21 - Allegro Vivace
—
Andante spianato et Grande Polonaise brillante in E flat major, Op. 22
—
Scherzo No. 1 in B minor, Op. 20
—
Scherzo No. 2 in B flat minor, Op. 31
—
Scherzo No. 3 in C sharp minor, Op. 39
—
Scherzo No. 4 in E major, Op. 54
—
Nocturne No. 18 in E major, Op. 62 No. 2
—
Berceuse in D flat major, Op. 57
—
Piano Sonata No. 2 in B flat minor, Op. 35 - Grave - Dioppio movimento
—
Piano Sonata No. 2 in B flat minor, Op. 35 - Più lento - Tempo I
—
Piano Sonata No. 2 in B flat minor, Op. 35 - Marche funèbre (Lento)
—
Piano Sonata No. 2 in B flat minor, Op. 35 - Finale (Presto)
—
Piano Sonata in B minor, S. 178 - Lento assai - Allegro energico
—
Piano Sonata in B minor, S. 178 - Andante sostenuto
—
Piano Sonata in B minor, S. 178 - Allegro energico
—
Piano Sonata in B minor, S. 178 - Andante sostenuto - Lento assai
—
Kreisleriana, Op. 16 - Äusserst bewegt
—
Kreisleriana, Op. 16 - Sehr innig und nicht zu rasch
—
Kreisleriana, Op. 16 - Sehr aufgeregt
—
Kreisleriana, Op. 16 - Sehr langsam
—
Kreisleriana, Op. 16 - Sehr lebhaft
—
Kreisleriana, Op. 16 - Sehr rasch
—
Kreisleriana, Op. 16 - Schnell und spielend
—
Fantaisie in C major, Op. 17 - Durchaus fantastisch und leidenschaftlich vorzutragen
—
Fantaisie in C major, Op. 17 - Mässig. Durchaus energisch - Etwas langsamer - Viel bewegter
—
Fantaisie in C major, Op. 17 - Langsam getragen. Durchweg leise zu halten - Etwas bewegter
—
Prelude in C sharp minor, Op. 3 No. 2
—
Prelude in B minor, Op. 32 No. 10
—
Prelude in G minor, Op. 23 No. 5
—
Melodie in E major, Op. 3 No. 3
—
Polichinelle in F sharp minor, Op. 3 No. 4
—
Liebesleid (concert transcription after Fritz Kreisler)
—
Etude-Tableau in C minor, Op. 33 No. 3
—
Etude-Tableau in E flat minor, Op. 33 No. 6
—
Etude-Tableau in E flat minor, Op. 39 No. 5
—
Moment musical in B minor, Op. 16 No. 3
—
Piano Concerto No. 1 in F sharp minor, Op. 1 - Vivace
—
Piano Concerto No. 1 in F sharp minor, Op. 1 - Andante
—
Piano Concerto No. 1 in F sharp minor, Op. 1 - Allegro vivace
—
Piano Concerto No. 4 in G minor, Op. 40 - Allegro vivace (Alla breve)
—
Piano Concerto No. 4 in G minor, Op. 40 - Largo
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Piano Concerto No. 4 in G minor, Op. 40 - Allegro vivace
—
Piano Concerto No. 1 in B flat minor, Op. 23 - Allegro non troppo e molto maestoso - Allegro con spirito
—
Piano Concerto No. 1 in B flat minor, Op. 23 - Andante semplice - Prestissimo - Tempo I
—
Piano Concerto No. 1 in B flat minor, Op. 23 - Allegro con fuoco
—
Piano Concerto No. 2 in C minor, Op. 18 - Moderato
—
Piano Concerto No. 2 in C minor, Op. 18 - Adagio sostenuto
—
Piano Concerto No. 2 in C minor, Op. 18 - Allegro scherzando
—
Piano Concerto No. 3 in D minor, Op. 30 - Allegro ma non tanto
—
Piano Concerto No. 3 in D minor, Op. 30 - Intermezzo (Adagio)
—
Piano Concerto No. 3 in D minor, Op. 30 - Finale (Alla breve)
—
Rhapsody on a theme of Paganini, Op. 43
—
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What is UPC 0028948437344?
0028948437344 is a Universal Product Code (UPC) assigned to The Philips Legacy by Rafael Orozco. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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