UPC · Release
Hans Schmidt‐Isserstedt
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The UPC for “Hans Schmidt‐Isserstedt Edition, Volume 1: The Decca Recordings” by Hans Schmidt‐Isserstedt is 0028948439812. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Decca. This release contains 80 tracks, each with its own ISRC. Tracks include GBF076811051, GFF076811052, GBF076811053.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio – Allegro molto e vivace | — | ||
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 3-1 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-2 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-3 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-4 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-5 | Die Weihe des Hauses, op. 124: Overture | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 5-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 5-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto mosso | — | ||
| 5-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 5-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 5-5 | Symphony no. 6 in F, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 5-6 | Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | — | ||
| 6-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 6-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 6-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto | — | ||
| 6-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 6-5 | Overture “Leonore” no. 3 in C major, op. 72b | — | ||
| 7-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-909.876.841-3 | |
| 7-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 8-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Wilhelm Backhaus, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 8-4 | Piano Concerto no. 2 in B‐flat major, op. 19: I. Allegro con brio | — | ||
| 8-5 | Piano Concerto no. 2 in B‐flat major, op. 19: II. Adagio | — | ||
| 8-6 | Piano Concerto no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 9-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 9-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Wilhelm Backhaus, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 9-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 9-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 9-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 10-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 10-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | — | ||
| 10-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | — | ||
| 11-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | — | ||
| 11-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | — | ||
| 11-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo. Allegro assai | — | ||
| 11-4 | Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro | — | ||
| 11-5 | Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio | — | ||
| 11-6 | Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau. Allegro | — | ||
| 12-1 | Symphony no. 5 in E minor, op. 64, TH. 29: I. Andante – Allegro con anima | — | ||
| 12-2 | Symphony no. 5 in E minor, op. 64, TH. 29: II. Andante cantabile, con alcuna licenza – Moderato con anima | — | ||
| 12-3 | Symphony no. 5 in E minor, op. 64, TH. 29: III. Valse. Allegro moderato | — | ||
| 12-4 | Symphony no. 5 in E minor, op. 64, TH. 29: IV. Finale. Andante maestoso – Allegro vivo | — | ||
| 13-1 | Symphony no. 7 in D minor, op. 70, B. 141: I. Allegro maestoso | — | ||
| 13-2 | Symphony no. 7 in D minor, op. 70, B. 141: II. Poco adagio | — | ||
| 13-3 | Symphony no. 7 in D minor, op. 70, B. 141: III. Scherzo. Vivace | — | ||
| 13-4 | Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale. Allegro | — | ||
| 14-1 | Slavonic Dances op. 46 (B. 83) no. 1 in C major: Presto | — | ||
| 14-2 | Slavonic Dances op. 46 (B. 83) no. 2 in E minor: Allegretto scherzando | — | ||
| 14-3 | Slavonic Dances op. 46 (B. 83) no. 3 in A‐flat major: Poco allegro | — | ||
| 14-4 | Slavonic Dances op. 72 (B. 147) no. 8 in A-flat major: Lento grazioso, ma non troppo, quasi tempo di valse | — | ||
| 14-5 | 7 Hungarian Dances op. 1 in G minor: Allegro molto | — | ||
| 14-6 | 7 Hungarian Dances op. 2 in D minor: Allegro non assai | — | ||
| 14-7 | 7 Hungarian Dances op. 3 in F major: Allegretto | — | ||
| 14-8 | 7 Hungarian Dances op. 5 in G minor: Allegro | — | ||
| 14-9 | 7 Hungarian Dances op. 6 in D major: Vivace | — | ||
| 14-10 | 7 Hungarian Dances op. 7 in F major: Allegretto | — | ||
| 14-11 | 7 Hungarian Dances op. 10 in F major: Presto | — |
Musical Works (ISWC)
Identifier Graph
0028948439812 is a Universal Product Code (UPC) assigned to Hans Schmidt‐Isserstedt Edition, Volume 1: The Decca Recordings by Hans Schmidt‐Isserstedt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Hans Schmidt‐Isserstedt Edition, Volume 1: The Decca Recordings” by Hans Schmidt‐Isserstedt is 0028948439812. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Decca. This release contains 80 tracks, each with its own ISRC. Tracks include GBF076811051, GFF076811052, GBF076811053.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio – Allegro molto e vivace | — | ||
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 2-1 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 2-3 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 2-4 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 3-1 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-2 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-3 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-4 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 3-5 | Die Weihe des Hauses, op. 124: Overture | — | ||
| 4-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 4-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 5-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 5-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto mosso | — | ||
| 5-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 5-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro | — | ||
| 5-5 | Symphony no. 6 in F, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 5-6 | Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | — | ||
| 6-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 6-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 6-3 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto | — | ||
| 6-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 6-5 | Overture “Leonore” no. 3 in C major, op. 72b | — | ||
| 7-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-909.876.841-3 | |
| 7-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 7-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 8-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Wilhelm Backhaus, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 8-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 8-4 | Piano Concerto no. 2 in B‐flat major, op. 19: I. Allegro con brio | — | ||
| 8-5 | Piano Concerto no. 2 in B‐flat major, op. 19: II. Adagio | — | ||
| 8-6 | Piano Concerto no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 9-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 9-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Wilhelm Backhaus, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 9-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | — | ||
| 9-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 9-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 10-1 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | — | ||
| 10-2 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | — | ||
| 10-3 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | — | ||
| 11-1 | Piano Concerto no. 20 in D minor, K. 466: I. Allegro | — | ||
| 11-2 | Piano Concerto no. 20 in D minor, K. 466: II. Romance | — | ||
| 11-3 | Piano Concerto no. 20 in D minor, K. 466: III. Rondo. Allegro assai | — | ||
| 11-4 | Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro | — | ||
| 11-5 | Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio | — | ||
| 11-6 | Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau. Allegro | — | ||
| 12-1 | Symphony no. 5 in E minor, op. 64, TH. 29: I. Andante – Allegro con anima | — | ||
| 12-2 | Symphony no. 5 in E minor, op. 64, TH. 29: II. Andante cantabile, con alcuna licenza – Moderato con anima | — | ||
| 12-3 | Symphony no. 5 in E minor, op. 64, TH. 29: III. Valse. Allegro moderato | — | ||
| 12-4 | Symphony no. 5 in E minor, op. 64, TH. 29: IV. Finale. Andante maestoso – Allegro vivo | — | ||
| 13-1 | Symphony no. 7 in D minor, op. 70, B. 141: I. Allegro maestoso | — | ||
| 13-2 | Symphony no. 7 in D minor, op. 70, B. 141: II. Poco adagio | — | ||
| 13-3 | Symphony no. 7 in D minor, op. 70, B. 141: III. Scherzo. Vivace | — | ||
| 13-4 | Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale. Allegro | — | ||
| 14-1 | Slavonic Dances op. 46 (B. 83) no. 1 in C major: Presto | — | ||
| 14-2 | Slavonic Dances op. 46 (B. 83) no. 2 in E minor: Allegretto scherzando | — | ||
| 14-3 | Slavonic Dances op. 46 (B. 83) no. 3 in A‐flat major: Poco allegro | — | ||
| 14-4 | Slavonic Dances op. 72 (B. 147) no. 8 in A-flat major: Lento grazioso, ma non troppo, quasi tempo di valse | — | ||
| 14-5 | 7 Hungarian Dances op. 1 in G minor: Allegro molto | — | ||
| 14-6 | 7 Hungarian Dances op. 2 in D minor: Allegro non assai | — | ||
| 14-7 | 7 Hungarian Dances op. 3 in F major: Allegretto | — | ||
| 14-8 | 7 Hungarian Dances op. 5 in G minor: Allegro | — | ||
| 14-9 | 7 Hungarian Dances op. 6 in D major: Vivace | — | ||
| 14-10 | 7 Hungarian Dances op. 7 in F major: Allegretto | — | ||
| 14-11 | 7 Hungarian Dances op. 10 in F major: Presto | — |
