UPC · Release
The Decca Legacy
Rafael Frühbeck de Burgos
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0028948446285 is the Universal Product Code (UPC barcode) for the release “The Decca Legacy” by Rafael Frühbeck de Burgos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC. Tracks include GBF077211961, GBF077211962, GBF077211963.
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- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Midsummer Night's Dream, op. 61: Overture, op. 21 | — | ||
| 2 | A Midsummer Night's Dream, op. 61: No. 1. Scherzo | — | ||
| 3 | A Midsummer Night's Dream, op. 61: No. 2. Fairies' March | — | ||
| 4 | A Midsummer Night's Dream, op. 61: No. 3. Song with Chorus "Bunte Schlangen, zweigezüngt" | — | ||
| 5 | A Midsummer Night's Dream, op. 61: No. 4. Melodrama. The Speels. Andante | — | ||
| 6 | A Midsummer Night's Dream, op. 61: No. 5. Intermezzo | — | ||
| 7 | A Midsummer Night's Dream, op. 61: No. 6. Shepherds' Melodies | — | ||
| 8 | A Midsummer Night's Dream, op. 61: No. 7. Notturno. Con moto tranquillo | — | ||
| 9 | A Midsummer Night's Dream, op. 61: No. 8. Melodrama. Andante | — | ||
| 10 | A Midsummer Night's Dream, op. 61: No. 9. Wedding March | — | ||
| 11 | A Midsummer Night's Dream, op. 61: No. 10. Prologue & Funeral March | — | ||
| 12 | A Midsummer Night's Dream, op. 61: No. 11. Dance of the Clowns | — | ||
| 13 | A Midsummer Night's Dream, op. 61: No. 12. Allegro vivace come 1 (Music between Act V, Scenes 1 & 2) | — | ||
| 14 | A Midsummer Night's Dream, op. 61: Finale. Bei des Feuers mattem Flimmern | — | ||
| 2-1 | A Midsummer Night's Dream Overture, op. 21 | — | ||
| 2-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | — | ||
| 2-3 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo. Sehr mässig | — | ||
| 2-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 2-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich | — | ||
| 2-6 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | — | ||
| 3-1 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 3-2 | Violin Concerto in E minor, op. 64: II. Andante – Allegretto non troppo | — | ||
| 3-3 | Violin Concerto in E minor, op. 64: III. Allegro molto vivace | — | ||
| 3-4 | Violin Concerto no. 1 in G minor, op. 26: I. Prelude. Allegro moderato | — | ||
| 3-5 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | — | ||
| 3-6 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 4-1 | El amor brujo: No. 1. Introducción y escena – No. 2. En la cueva. La noche | — | ||
| 4-2 | El amor brujo: No. 3. Canción del amor dolido | — | ||
| 4-3 | El amor brujo: No. 4. El aparecido – No. 5. Danza del terror | — | ||
| 4-4 | El amor brujo: No. 6. El círculo mágico (Romance del pescador) – No. 7. A media noche. Los sortilegios | — | ||
| 4-5 | El amor brujo: No. 8. Danza ritual del fuego | — | ||
| 4-6 | El amor brujo: No. 9. Escena | — | ||
| 4-7 | El amor brujo: No. 10. Canción del fuego fatuo | — | ||
| 4-8 | El amor brujo: No. 11. Pantomima | — | ||
| 4-9 | El amor brujo: No. 12. Danza del juego de amor | — | ||
| 4-10 | El amor brujo: No. 13. Final. Las campanas del amanecer | — | ||
| 4-11 | Goyescas, H. 65: Intermezzo | — | ||
| 4-12 | Pavane pour une infante défunte, M. 19 | — | ||
| 4-13 | Miroirs, M. 43: IV. Alborada del gracioso, M. 43c | — | ||
| 5-1 | Suite española: Castilla | — | ||
| 5-2 | Suite española: Asturias | — | ||
| 5-3 | Suite española: Aragón | — | ||
| 5-4 | Suite española: Cádiz | — | ||
| 5-5 | Suite española: Sevilla | — | ||
| 5-6 | Suite española: Granada | — | ||
| 5-7 | Suite española: Cataluña | — | ||
| 5-8 | Suite española: Córdoba | — | ||
| 6-1 | Piano Concerto in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 6-2 | Piano Concerto in D-flat major, op. 38: II. Andante con anima | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 6-3 | Piano Concerto in D-flat major: III. Allegro brilliante | Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 6-4 | Symphonic Variations | London Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-911.781.420-7 | |
| 6-5 | Fantaisie for Piano & Orchestra, op. 111 | Alicia de Larrocha, Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos | — | |
| 7-1 | Concierto breve: I. Energico | Alicia de Larrocha, Rafael Frühbeck de Burgos, Royal Philharmonic Orchestra | — | |
| 7-2 | Concierto breve: II. Dolce | Alicia de Larrocha, Rafael Frühbeck de Burgos, Royal Philharmonic Orchestra | — | |
| 7-3 | Concierto breve: III. Vivo | Alicia de Larrocha, Rafael Frühbeck de Burgos, Royal Philharmonic Orchestra | — | |
| 7-4 | Concerto for Piano & Orchestra: I. Allegro | Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-011.422.353-8 | |
| 7-5 | Concerto for Piano & Orchestra: II. Larghetto | Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | T-802.445.410-3 | |
| 7-6 | Concerto for Piano & Orchestra: III. Vivace con fuoco | Royal Philharmonic Orchestra, Rafael Frühbeck de Burgos, Alicia de Larrocha | — | |
| 8-1 | Nights in the Gardens of Spain: I. En el Generalife | — | ||
| 8-2 | Nights in the Gardens of Spain: II. Danza lejana | — | ||
| 8-3 | Nights in the Gardens of Spain: III. En los jardines de la Sierra de Córdoba | — | ||
| 8-4 | Rapsodia española | — | ||
| 8-5 | Rapsodia sinfónica | — | ||
| 9-1 | Fantasia for a Courtier: Villano y ricercare | — | ||
| 9-2 | Fantasia for a Courtier: Españoleta y fanfare de la caballería de Nápoles | — | ||
| 9-3 | Fantasia for a Courtier: Danza de las hachas | — | ||
| 9-4 | Fantasia for a Courtier: Canario | — | ||
| 9-5 | Concerto for Guitar & Orchestra: Gráfico de la farruca - Cadenicas | — | ||
| 9-6 | Concerto for Guitar & Orchestra: Improvisación sobre gráfico de la seguiriya | — | ||
| 9-7 | Concerto for Guitar & Orchestra: Gráfico de la bulería y tiento | — | ||
| 10-1 | Concertino en la mineur: Allegro. Entrada | — | ||
| 10-2 | Concertino en la mineur: Romanza | — | ||
| 10-3 | Concertino en la mineur: Scherzo | — | ||
| 10-4 | Concertino en la mineur: Rondó | — | ||
| 10-5 | Homenaje a la seguidilla: Andante y allegretto | — | ||
| 10-6 | Homenaje a la seguidilla: Andante | — | ||
| 10-7 | Homenaje a la seguidilla: Allegretto, allegro y sostenuto | — | ||
| 11-1 | Concierto: Tres gráficos para guitarra y orquesta: I. Gráfico de la farruca y cadencias | — | ||
| 11-2 | Concierto: Tres gráficos para guitarra y orquesta: II. Improvisación sobre un gráfico de la siguiriya | — | ||
| 11-3 | Concierto: Tres gráficos para guitarra y orquesta: III. Gráfico de la bulería y tiento | — | ||
| 11-4 | Tablas para guitarra y orquesta: I. Canto libre | — | ||
| 11-5 | Tablas para guitarra y orquesta: II. Scherzando [attacca] | — | ||
| 11-6 | Tablas para guitarra y orquesta: III. Elegía | — | ||
| 11-7 | Tablas para guitarra y orquesta: IV. Molto vivace | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 0028948446285?
0028948446285 is a Universal Product Code (UPC) assigned to The Decca Legacy by Rafael Frühbeck de Burgos. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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