UPC · Release
Michael Tilson Thomas
Last verified:
The UPC for “Complete Deutsche Grammophon & Argo Recordings” by Michael Tilson Thomas is 0028948468362. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-01-01. Label: Deutsche Grammophon. This release contains 163 tracks, each with its own ISRC. Tracks include DEF057102060, DEF057102061, DEF057102061.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: I. Daydreams on a Wintry Road. Allegro tranquillo | — | ||
| 2 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: II. Land of Desolation, Land of Mists. Andante cantabile ma non tanto | — | ||
| 3 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: III. Scherzo. Allegro scherzando giocoso | — | ||
| 4 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo | — | ||
| 2-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuso | — | ||
| 2-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 2-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 2-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 2-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 2-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso | — | ||
| 3-1 | Images pour orchestre: I. Gigues | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-2 | Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-3 | Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-4 | Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-5 | Images pour orchestre: III. Rondes de printemps | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-6 | Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — | |
| 4-1 | Sonata for Violin and Piano: I. Allegro vivo | Joseph Silverstein, Michael Tilson Thomas | — | |
| 4-2 | Sonata for Violin and Piano: II. Intermède: Fantasque et léger | Joseph Silverstein, Michael Tilson Thomas | — | |
| 4-3 | Sonata for Violin and Piano: III. Finale: Très animé | Joseph Silverstein, Michael Tilson Thomas | — | |
| 4-4 | Sonata for Cello and Piano in D minor: I. Prologue (Lent) | Jules Eskin, Michael Tilson Thomas | — | |
| 4-5 | Cello Sonata in D minor, CD 144: II. Sérénade. Modérément animé | — | ||
| 4-6 | Sonata for Flute, Viola and Harp: I. Pastorale: Lento, dolce rubato | Doriot Anthony Dwyer, Burton Fine, Ann Hobson Pilot | — | |
| 4-7 | Sonata for Flute, Viola and Harp: II. Interlude: Tempo di minuetto | Doriot Anthony Dwyer, Burton Fine, Ann Hobson Pilot | — | |
| 4-8 | Sonata for Flute, Viola and Harp: III. Finale: Allegro moderato ma risoluto | Doriot Anthony Dwyer, Burton Fine, Ann Hobson Pilot | — | |
| 4-9 | Syrinx | Doriot Anthony Dwyer | — | |
| 5-1 | Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 5-2 | Three Places in New England: II. Putnam’s Camp, Redding, Connecticut | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 5-3 | Three Places in New England: III. The Housatonic at Stockbridge | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 5-4 | Sun‐Treader: 𝅘𝅥 = 69 Poco accelerando (bar 1) | — | ||
| 5-5 | Sun‐Treader: 𝅘𝅥𝅮 = 126 (bar 51a) | — | ||
| 5-6 | Sun‐Treader: Lento (bar 119) | — | ||
| 5-7 | Sun‐Treader: A tempo 𝅘𝅥𝅮 (bar 138a) | — | ||
| 5-8 | Sun‐Treader: 𝅘𝅥 = 69 Poco accelerando (bar 169) | — | ||
| 5-9 | Sun‐Treader: Serene, but with great expression (bar 191) | — | ||
| 6-1 | Le Roi des étoiles, K14 : Molto sostenuto – Maestoso e tranquillo – Tempo primo | — | ||
| 6-2 | Le Sacre du printemps, K15 : Première partie : Introduction | — | ||
| 6-3 | Le Sacre du printemps, K15 : Première partie : Les augueres prinantiers | — | ||
| 6-4 | Le Sacre du printemps, K15 : Première partie : Jeu du rapt | — | ||
| 6-5 | Le Sacre du printemps, K15 : Première partie : Rondes printanières | — | ||
| 6-6 | Le Sacre du printemps, K15 : Première partie : Jeux des cités rivales | — | ||
| 6-7 | Le Sacre du printemps, K15 : Première partie : Cortège du sage | — | ||
| 6-8 | Le Sacre du printemps, K15 : Première partie : L’Adoration de la Terre – Le sage | — | ||
| 6-9 | Le Sacre du printemps, K15 : Première partie : Danse de la terre | — | ||
| 6-10 | Le Sacre du printemps, K15 : Seconde partie : Introduction | — | ||
| 6-11 | Le Sacre du printemps, K15 : Seconde partie : Cercles mystérieux des adolescentes | — | ||
| 6-12 | Le Sacre du printemps, K15 : Seconde partie : Glorification d’élue | — | ||
| 6-13 | Le Sacre du printemps, K15 : Seconde partie : Évocations des ancêtres | — | ||
| 6-14 | Le Sacre du printemps, K15 : Seconde partie : Action rituelle des ancêtres | — | ||
| 6-15 | Le Sacre du printemps, K15 : Seconde partie : Danse sacrale (l’Élue) | — | ||
| 7-1 | Symphony no. 2: I. Moderato | — | ||
| 7-2 | Symphony no. 2: II. Adagio | — | ||
| 7-3 | Symphony no. 2: III. Allegro | — | ||
| 7-4 | Violin Concerto: I. Allegro risoluto – cadenza | — | ||
| 7-5 | Violin Concerto: II. Introduzione. Adagio – Allegretto | — | ||
| 8-1 | Cello Concerto no. 1, op. 107: I. Allegretto | Mischa Maisky, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 8-2 | Cello Concerto no. 1 in E‐flat major, op. 107: II. Moderato | — | ||
| 8-3 | Cello Concerto no. 1 in E‐flat major, op. 107: III. Cadenza | — | ||
| 8-4 | Cello Concerto no. 1 in E‐flat major, op. 107: IV. Finale. Allegro con moto | — | ||
| 8-5 | Cello Concerto no. 2, op. 126: I. Largo | Mischa Maisky, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 8-6 | Cello Concerto no. 2 in G major, op. 126: II. Allegretto | — | ||
| 8-7 | Cello Concerto no. 2 in G major, op. 126: III. Finale. Allegretto | — | ||
| 9-1 | On the Town: Act I: I Feel Like I'm Not Out of Bed Yet | — | ||
| 9-2 | On the Town: Act I: New York, New York | — | ||
| 9-3 | On the Town: Act I: Presentation of Miss Turnstiles | — | ||
| 9-4 | On the Town: Act I: Gabey's Comin' / Pickup Song | — | ||
| 9-5 | Taxi Number: Come Up to My Place | Tyne Daly, Kurt Ollmann, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-6 | Carried Away | David Garrison, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-7 | On the Town: Act I: Lonely Town | — | ||
| 9-8 | On the Town: Act I: High School Girls | — | ||
| 9-9 | On the Town: Act I: Lonely Town - Pas de deux | — | ||
| 9-10 | Carnegie Hall Pavane | Evelyn Lear, London Voices, Marie McLaughlin, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-11 | On the Town: Act I: I Can Cook Too | — | ||
| 9-12 | Lucky to Be Me | Thomas Hampson, London Voices, London Symphony Orchestra, Michael Tilson Thomas | T-070.097.785-0 | |
| 9-13 | On the Town: Act I: Times Square: Finale, Act I | — | ||
| 9-14 | On the Town: Act II: So Long, Baby | — | ||
| 9-15 | On the Town: Act II: I Wish I Was Dead | — | ||
| 9-16 | On the Town: Act II: Ya Got Me | — | ||
| 9-17 | Ain't Got No Tears Left | Cleo Laine, Michael Tilson Thomas, London Symphony Orchestra | T-070.256.635-5 | |
| 9-18 | Pitkin's Song | Samuel Ramey, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-19 | On the Town: Act II: Subway Ride and Imaginary Coney Island | — | ||
| 9-20 | On the Town: Act II: The Great Lover Displays Himself | — | ||
| 9-21 | On the Town: Act II: Pas de deux | — | ||
| 9-22 | Some Other Time | Tyne Daly, David Garrison, Kurt Ollmann, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | T-070.136.536-7 | |
| 9-23 | On the Town: Act II: The Real Coney Island | — | ||
| 9-24 | On the Town: Act II: Finale | — | ||
| 9-25 | On the Town: Appendix: The Intermission's Great | — | ||
| 10-1 | Arias and Barcarolles: 1. Prelude | — | ||
| 10-2 | Arias and Barcarolles: 2. Love Duet | — | ||
| 10-3 | Arias and Barcarolles: 3. Little Smary | — | ||
| 10-4 | Arias and Barcarolles: 4. The Love of My Life | — | ||
| 10-5 | Arias and Barcarolles: 5. Greeting | — | ||
| 10-6 | Arias and Barcarolles: 6. Oif Mayn Khas'neh (At My Wedding) | — | ||
| 10-7 | Arias and Barcarolles: 7. Mr. and Mrs. Webb Say Goodnight | — | ||
| 10-8 | Arias and Barcarolles: 8. Nachspiel (Postlude) | — | ||
| 10-9 | A Quiet Place: 1. Prologue | — | ||
| 10-10 | A Quiet Place: 2. Sam's Aria | — | ||
| 10-11 | A Quiet Place: 3. Trio | — | ||
| 10-12 | A Quiet Place: 4. Jass Trio ('Mornin' Sun') | — | ||
| 10-13 | A Quiet Place: 5. Chorale | — | ||
| 10-14 | A Quiet Place: 6. Postlude to Act I | — | ||
| 10-15 | Symphonic Dances from West Side Story: 1. Prologue | — | ||
| 10-16 | Symphonic Dances from West Side Story: 2. Somewhere | — | ||
| 10-17 | Symphonic Dances from West Side Story: 3. Scherzo | — | ||
| 10-18 | Symphonic Dances from West Side Story: 4. Mambo | — | ||
| 10-19 | Symphonic Dances from West Side Story: 5. Cha-cha | — | ||
| 10-20 | Symphonic Dances from West Side Story: 6. Meeting Scene | — | ||
| 10-21 | Symphonic Dances from West Side Story: 7. Cool Fugue | — | ||
| 10-22 | Symphonic Dances from West Side Story: 8. Rumble | — | ||
| 10-23 | Symphonic Dances from West Side Story: 9. Finale | — | ||
| 11-1 | Il sogno: Prelude | — | ||
| 11-2 | Il sogno: Overture | — | ||
| 11-3 | Il sogno: Puck One | — | ||
| 11-4 | Il sogno: Act I: The Court | — | ||
| 11-5 | Il sogno: Act I: The State of Affairs | — | ||
| 11-6 | Il sogno: Act I: Hermia and Lysander | — | ||
| 11-7 | Il sogno: Act I: The Jealousy of Helena | — | ||
| 11-8 | Il sogno: Act I: Workers’ Playtime | — | ||
| 11-9 | Il sogno: Act II: Oberon and Titania | — | ||
| 11-10 | Il sogno: Act II: The Conspiracy of Oberon and Puck | — | ||
| 11-11 | Il sogno: Act II: Slumber | — | ||
| 11-12 | Il sogno: Act II: Puck Two | — | ||
| 11-13 | Il sogno: Act II: The Identity Parade | — | ||
| 11-14 | Il sogno: Act II: The Face of Bottom | — | ||
| 11-15 | Il sogno: Act II: The Spark of Love | — | ||
| 11-16 | Il sogno: Act II: Tormentress | — | ||
| 11-17 | Il sogno: Act II: Oberon Humbled | — | ||
| 11-18 | Il sogno: Act II: Twisted – Entangled – Transform and Exchange | — | ||
| 11-19 | Il sogno: Act II: The Fairy and the Ass | — | ||
| 11-20 | Il sogno: Act II: Sleep | — | ||
| 11-21 | Il sogno: Act II: Bottom Awakes | — | ||
| 11-22 | Il sogno: Act II: Lovers Arise | — | ||
| 11-23 | Il sogno: Act III: The Play | — | ||
| 11-24 | Il sogno: Act III: The Wedding | — | ||
| 12-1 | Sinfonía india (Symphony no. 2) | — | ||
| 12-2 | Danzón cubano | — | ||
| 12-3 | Suite de ‘La Rebambaramba’: Final del primer cuadro | — | ||
| 12-4 | Suite de ‘La Rebambaramba’: Comparsa lucumi | — | ||
| 12-5 | Suite de ‘La Rebambaramba’: Comparsa de la culebra | — | ||
| 12-6 | Suite de ‘La Rebambaramba’: Final de la obra | — | ||
| 12-7 | Sensemayá | — | ||
| 12-8 | Tres danzas cubanas: Danza del tambor | — | ||
| 12-9 | Tres danzas cubanas: Motivos de danzas | — | ||
| 12-10 | Tres danzas cubanas: Danza lucumi | — | ||
| 12-11 | Ritmica V | — | ||
| 12-12 | Tangazo | — | ||
| 12-13 | Danzas del ballet 'Estancia', op. 8a: Los trabajadores agrícolas | — | ||
| 12-14 | Danzas del ballet 'Estancia', op. 8a: Danza del trigo | — | ||
| 12-15 | Danzas del ballet 'Estancia', op. 8a: Los peones de hacienda | — | ||
| 12-16 | Danzas del ballet 'Estancia', op. 8a: Danza final (Malambo) | — | ||
| 13-1 | Concerto for Alto Saxophone: I. Recitative | — | ||
| 13-2 | Concerto for Alto Saxophone: II. Adagio (Passacaglia) | — | ||
| 13-3 | Concerto for Alto Saxophone: III. Rondo alla marcia: Allegro brioso | — | ||
| 13-4 | Hymn | — | ||
| 13-5 | Music for Brass Instruments: I. Chorale Fantasy (on 'Christ lay in the Bonds of Death') | — | ||
| 13-6 | Music for Brass Instruments: II. Intermezzo | — | ||
| 13-7 | Music for Brass Instruments: III. Fugue | — | ||
| 13-8 | The Tower of Saint Barbara: I. Barbara | — | ||
| 13-9 | The Tower of Saint Barbara: II. The King | — | ||
| 13-10 | The Tower of Saint Barbara: III. The Tower | — | ||
| 13-11 | The Tower of Saint Barbara: IV. The Martyrdom | — | ||
| 14-1 | Piano and Orchestra | — | ||
| 14-2 | Cello and Orchestra | — | ||
| 14-3 | Coptic Light | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0028948468362 is a Universal Product Code (UPC) assigned to Complete Deutsche Grammophon & Argo Recordings by Michael Tilson Thomas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 163 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Deutsche Grammophon & Argo Recordings” by Michael Tilson Thomas is 0028948468362. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-01-01. Label: Deutsche Grammophon. This release contains 163 tracks, each with its own ISRC. Tracks include DEF057102060, DEF057102061, DEF057102061.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: I. Daydreams on a Wintry Road. Allegro tranquillo | — | ||
| 2 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: II. Land of Desolation, Land of Mists. Andante cantabile ma non tanto | — | ||
| 3 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: III. Scherzo. Allegro scherzando giocoso | — | ||
| 4 | Symphony no. 1 in G minor, op. 13, TH. 24 “Winter Dreams”: IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo | — | ||
| 2-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuso | — | ||
| 2-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | — | ||
| 2-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 2-4 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 2-5 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 2-6 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso | — | ||
| 3-1 | Images pour orchestre: I. Gigues | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-2 | Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-3 | Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-4 | Images pour orchestre: IIc. Ibéria - Le matin d’un jour de fête | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-5 | Images pour orchestre: III. Rondes de printemps | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-6 | Prélude à l'après-midi d'un faune | Doriot Anthony Dwyer, Orchestre Symphonique de Boston, Michael Tilson Thomas | — | |
| 4-1 | Sonata for Violin and Piano: I. Allegro vivo | Joseph Silverstein, Michael Tilson Thomas | — | |
| 4-2 | Sonata for Violin and Piano: II. Intermède: Fantasque et léger | Joseph Silverstein, Michael Tilson Thomas | — | |
| 4-3 | Sonata for Violin and Piano: III. Finale: Très animé | Joseph Silverstein, Michael Tilson Thomas | — | |
| 4-4 | Sonata for Cello and Piano in D minor: I. Prologue (Lent) | Jules Eskin, Michael Tilson Thomas | — | |
| 4-5 | Cello Sonata in D minor, CD 144: II. Sérénade. Modérément animé | — | ||
| 4-6 | Sonata for Flute, Viola and Harp: I. Pastorale: Lento, dolce rubato | Doriot Anthony Dwyer, Burton Fine, Ann Hobson Pilot | — | |
| 4-7 | Sonata for Flute, Viola and Harp: II. Interlude: Tempo di minuetto | Doriot Anthony Dwyer, Burton Fine, Ann Hobson Pilot | — | |
| 4-8 | Sonata for Flute, Viola and Harp: III. Finale: Allegro moderato ma risoluto | Doriot Anthony Dwyer, Burton Fine, Ann Hobson Pilot | — | |
| 4-9 | Syrinx | Doriot Anthony Dwyer | — | |
| 5-1 | Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 5-2 | Three Places in New England: II. Putnam’s Camp, Redding, Connecticut | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 5-3 | Three Places in New England: III. The Housatonic at Stockbridge | Boston Symphony Orchestra, Michael Tilson Thomas | — | |
| 5-4 | Sun‐Treader: 𝅘𝅥 = 69 Poco accelerando (bar 1) | — | ||
| 5-5 | Sun‐Treader: 𝅘𝅥𝅮 = 126 (bar 51a) | — | ||
| 5-6 | Sun‐Treader: Lento (bar 119) | — | ||
| 5-7 | Sun‐Treader: A tempo 𝅘𝅥𝅮 (bar 138a) | — | ||
| 5-8 | Sun‐Treader: 𝅘𝅥 = 69 Poco accelerando (bar 169) | — | ||
| 5-9 | Sun‐Treader: Serene, but with great expression (bar 191) | — | ||
| 6-1 | Le Roi des étoiles, K14 : Molto sostenuto – Maestoso e tranquillo – Tempo primo | — | ||
| 6-2 | Le Sacre du printemps, K15 : Première partie : Introduction | — | ||
| 6-3 | Le Sacre du printemps, K15 : Première partie : Les augueres prinantiers | — | ||
| 6-4 | Le Sacre du printemps, K15 : Première partie : Jeu du rapt | — | ||
| 6-5 | Le Sacre du printemps, K15 : Première partie : Rondes printanières | — | ||
| 6-6 | Le Sacre du printemps, K15 : Première partie : Jeux des cités rivales | — | ||
| 6-7 | Le Sacre du printemps, K15 : Première partie : Cortège du sage | — | ||
| 6-8 | Le Sacre du printemps, K15 : Première partie : L’Adoration de la Terre – Le sage | — | ||
| 6-9 | Le Sacre du printemps, K15 : Première partie : Danse de la terre | — | ||
| 6-10 | Le Sacre du printemps, K15 : Seconde partie : Introduction | — | ||
| 6-11 | Le Sacre du printemps, K15 : Seconde partie : Cercles mystérieux des adolescentes | — | ||
| 6-12 | Le Sacre du printemps, K15 : Seconde partie : Glorification d’élue | — | ||
| 6-13 | Le Sacre du printemps, K15 : Seconde partie : Évocations des ancêtres | — | ||
| 6-14 | Le Sacre du printemps, K15 : Seconde partie : Action rituelle des ancêtres | — | ||
| 6-15 | Le Sacre du printemps, K15 : Seconde partie : Danse sacrale (l’Élue) | — | ||
| 7-1 | Symphony no. 2: I. Moderato | — | ||
| 7-2 | Symphony no. 2: II. Adagio | — | ||
| 7-3 | Symphony no. 2: III. Allegro | — | ||
| 7-4 | Violin Concerto: I. Allegro risoluto – cadenza | — | ||
| 7-5 | Violin Concerto: II. Introduzione. Adagio – Allegretto | — | ||
| 8-1 | Cello Concerto no. 1, op. 107: I. Allegretto | Mischa Maisky, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 8-2 | Cello Concerto no. 1 in E‐flat major, op. 107: II. Moderato | — | ||
| 8-3 | Cello Concerto no. 1 in E‐flat major, op. 107: III. Cadenza | — | ||
| 8-4 | Cello Concerto no. 1 in E‐flat major, op. 107: IV. Finale. Allegro con moto | — | ||
| 8-5 | Cello Concerto no. 2, op. 126: I. Largo | Mischa Maisky, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 8-6 | Cello Concerto no. 2 in G major, op. 126: II. Allegretto | — | ||
| 8-7 | Cello Concerto no. 2 in G major, op. 126: III. Finale. Allegretto | — | ||
| 9-1 | On the Town: Act I: I Feel Like I'm Not Out of Bed Yet | — | ||
| 9-2 | On the Town: Act I: New York, New York | — | ||
| 9-3 | On the Town: Act I: Presentation of Miss Turnstiles | — | ||
| 9-4 | On the Town: Act I: Gabey's Comin' / Pickup Song | — | ||
| 9-5 | Taxi Number: Come Up to My Place | Tyne Daly, Kurt Ollmann, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-6 | Carried Away | David Garrison, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-7 | On the Town: Act I: Lonely Town | — | ||
| 9-8 | On the Town: Act I: High School Girls | — | ||
| 9-9 | On the Town: Act I: Lonely Town - Pas de deux | — | ||
| 9-10 | Carnegie Hall Pavane | Evelyn Lear, London Voices, Marie McLaughlin, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-11 | On the Town: Act I: I Can Cook Too | — | ||
| 9-12 | Lucky to Be Me | Thomas Hampson, London Voices, London Symphony Orchestra, Michael Tilson Thomas | T-070.097.785-0 | |
| 9-13 | On the Town: Act I: Times Square: Finale, Act I | — | ||
| 9-14 | On the Town: Act II: So Long, Baby | — | ||
| 9-15 | On the Town: Act II: I Wish I Was Dead | — | ||
| 9-16 | On the Town: Act II: Ya Got Me | — | ||
| 9-17 | Ain't Got No Tears Left | Cleo Laine, Michael Tilson Thomas, London Symphony Orchestra | T-070.256.635-5 | |
| 9-18 | Pitkin's Song | Samuel Ramey, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 9-19 | On the Town: Act II: Subway Ride and Imaginary Coney Island | — | ||
| 9-20 | On the Town: Act II: The Great Lover Displays Himself | — | ||
| 9-21 | On the Town: Act II: Pas de deux | — | ||
| 9-22 | Some Other Time | Tyne Daly, David Garrison, Kurt Ollmann, Frederica von Stade, London Symphony Orchestra, Michael Tilson Thomas | T-070.136.536-7 | |
| 9-23 | On the Town: Act II: The Real Coney Island | — | ||
| 9-24 | On the Town: Act II: Finale | — | ||
| 9-25 | On the Town: Appendix: The Intermission's Great | — | ||
| 10-1 | Arias and Barcarolles: 1. Prelude | — | ||
| 10-2 | Arias and Barcarolles: 2. Love Duet | — | ||
| 10-3 | Arias and Barcarolles: 3. Little Smary | — | ||
| 10-4 | Arias and Barcarolles: 4. The Love of My Life | — | ||
| 10-5 | Arias and Barcarolles: 5. Greeting | — | ||
| 10-6 | Arias and Barcarolles: 6. Oif Mayn Khas'neh (At My Wedding) | — | ||
| 10-7 | Arias and Barcarolles: 7. Mr. and Mrs. Webb Say Goodnight | — | ||
| 10-8 | Arias and Barcarolles: 8. Nachspiel (Postlude) | — | ||
| 10-9 | A Quiet Place: 1. Prologue | — | ||
| 10-10 | A Quiet Place: 2. Sam's Aria | — | ||
| 10-11 | A Quiet Place: 3. Trio | — | ||
| 10-12 | A Quiet Place: 4. Jass Trio ('Mornin' Sun') | — | ||
| 10-13 | A Quiet Place: 5. Chorale | — | ||
| 10-14 | A Quiet Place: 6. Postlude to Act I | — | ||
| 10-15 | Symphonic Dances from West Side Story: 1. Prologue | — | ||
| 10-16 | Symphonic Dances from West Side Story: 2. Somewhere | — | ||
| 10-17 | Symphonic Dances from West Side Story: 3. Scherzo | — | ||
| 10-18 | Symphonic Dances from West Side Story: 4. Mambo | — | ||
| 10-19 | Symphonic Dances from West Side Story: 5. Cha-cha | — | ||
| 10-20 | Symphonic Dances from West Side Story: 6. Meeting Scene | — | ||
| 10-21 | Symphonic Dances from West Side Story: 7. Cool Fugue | — | ||
| 10-22 | Symphonic Dances from West Side Story: 8. Rumble | — | ||
| 10-23 | Symphonic Dances from West Side Story: 9. Finale | — | ||
| 11-1 | Il sogno: Prelude | — | ||
| 11-2 | Il sogno: Overture | — | ||
| 11-3 | Il sogno: Puck One | — | ||
| 11-4 | Il sogno: Act I: The Court | — | ||
| 11-5 | Il sogno: Act I: The State of Affairs | — | ||
| 11-6 | Il sogno: Act I: Hermia and Lysander | — | ||
| 11-7 | Il sogno: Act I: The Jealousy of Helena | — | ||
| 11-8 | Il sogno: Act I: Workers’ Playtime | — | ||
| 11-9 | Il sogno: Act II: Oberon and Titania | — | ||
| 11-10 | Il sogno: Act II: The Conspiracy of Oberon and Puck | — | ||
| 11-11 | Il sogno: Act II: Slumber | — | ||
| 11-12 | Il sogno: Act II: Puck Two | — | ||
| 11-13 | Il sogno: Act II: The Identity Parade | — | ||
| 11-14 | Il sogno: Act II: The Face of Bottom | — | ||
| 11-15 | Il sogno: Act II: The Spark of Love | — | ||
| 11-16 | Il sogno: Act II: Tormentress | — | ||
| 11-17 | Il sogno: Act II: Oberon Humbled | — | ||
| 11-18 | Il sogno: Act II: Twisted – Entangled – Transform and Exchange | — | ||
| 11-19 | Il sogno: Act II: The Fairy and the Ass | — | ||
| 11-20 | Il sogno: Act II: Sleep | — | ||
| 11-21 | Il sogno: Act II: Bottom Awakes | — | ||
| 11-22 | Il sogno: Act II: Lovers Arise | — | ||
| 11-23 | Il sogno: Act III: The Play | — | ||
| 11-24 | Il sogno: Act III: The Wedding | — | ||
| 12-1 | Sinfonía india (Symphony no. 2) | — | ||
| 12-2 | Danzón cubano | — | ||
| 12-3 | Suite de ‘La Rebambaramba’: Final del primer cuadro | — | ||
| 12-4 | Suite de ‘La Rebambaramba’: Comparsa lucumi | — | ||
| 12-5 | Suite de ‘La Rebambaramba’: Comparsa de la culebra | — | ||
| 12-6 | Suite de ‘La Rebambaramba’: Final de la obra | — | ||
| 12-7 | Sensemayá | — | ||
| 12-8 | Tres danzas cubanas: Danza del tambor | — | ||
| 12-9 | Tres danzas cubanas: Motivos de danzas | — | ||
| 12-10 | Tres danzas cubanas: Danza lucumi | — | ||
| 12-11 | Ritmica V | — | ||
| 12-12 | Tangazo | — | ||
| 12-13 | Danzas del ballet 'Estancia', op. 8a: Los trabajadores agrícolas | — | ||
| 12-14 | Danzas del ballet 'Estancia', op. 8a: Danza del trigo | — | ||
| 12-15 | Danzas del ballet 'Estancia', op. 8a: Los peones de hacienda | — | ||
| 12-16 | Danzas del ballet 'Estancia', op. 8a: Danza final (Malambo) | — | ||
| 13-1 | Concerto for Alto Saxophone: I. Recitative | — | ||
| 13-2 | Concerto for Alto Saxophone: II. Adagio (Passacaglia) | — | ||
| 13-3 | Concerto for Alto Saxophone: III. Rondo alla marcia: Allegro brioso | — | ||
| 13-4 | Hymn | — | ||
| 13-5 | Music for Brass Instruments: I. Chorale Fantasy (on 'Christ lay in the Bonds of Death') | — | ||
| 13-6 | Music for Brass Instruments: II. Intermezzo | — | ||
| 13-7 | Music for Brass Instruments: III. Fugue | — | ||
| 13-8 | The Tower of Saint Barbara: I. Barbara | — | ||
| 13-9 | The Tower of Saint Barbara: II. The King | — | ||
| 13-10 | The Tower of Saint Barbara: III. The Tower | — | ||
| 13-11 | The Tower of Saint Barbara: IV. The Martyrdom | — | ||
| 14-1 | Piano and Orchestra | — | ||
| 14-2 | Cello and Orchestra | — | ||
| 14-3 | Coptic Light | — |
