UPC · Release
London Symphony Orchestra, Antal Doráti
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The UPC for “The Mercury Masters: Antal Dorati in London - Volume 1” by London Symphony Orchestra, Antal Doráti is 0028948470150. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-01-01. Label: Mercury. This release contains 242 tracks, each with its own ISRC. Tracks include NLA505700805, NLA505700806, NLA505700807.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules | London Symphony Orchestra, Antal Doráti | — | |
| 2 | Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale | London Symphony Orchestra, Antal Doráti | — | |
| 3 | Suite from "The Love for Three Oranges", op. 33a: III. Marche | London Symphony Orchestra, Antal Doráti | — | |
| 4 | Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo | London Symphony Orchestra, Antal Doráti | — | |
| 5 | Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse | London Symphony Orchestra, Antal Doráti | — | |
| 6 | Suite from "The Love for Three Oranges", op. 33a: VI. La fuite | London Symphony Orchestra, Antal Doráti | — | |
| 7 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 8 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 9 | Scythian Suite, op. 20: III. Night | London Symphony Orchestra, Antal Doráti | — | |
| 10 | Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise | London Symphony Orchestra, Antal Doráti | — | |
| 2-1 | Eine kleine Nachtmusik, K. 525: 1. Allegro | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 2-2 | Eine kleine Nachtmusik, K. 525: 2. Romanze | London Symphony Orchestra, Antal Doráti | — | |
| 2-3 | Eine kleine Nachtmusik, K. 525: 3. Menuetto | London Symphony Orchestra, Antal Doráti | T-335.909.880-5 | |
| 2-4 | Eine kleine Nachtmusik, K. 525: 4. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 2-5 | Symphony in C major (“Linz”), K. 425: 1. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 2-6 | Symphony in C major (“Linz”), K. 425: 2. Poco adagio | London Symphony Orchestra, Antal Doráti | — | |
| 2-7 | Symphony in C major (“Linz”), K. 425: 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 2-8 | Symphony in C major (“Linz”), K. 425: 4. Finale | London Symphony Orchestra, Antal Doráti | — | |
| 3-1 | Le Coq d’or Suite: 1. King Dodon in His Palace | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 3-2 | Le Coq d’or Suite: 2. King Dodon on the Battlefield | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 3-3 | Le Coq d’or Suite: 3. King Dodon With Queen Shemakha | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 3-4 | Le Coq d’or Suite: 4. Marriage Feast and Lamentable End of King Dodon | London Symphony Orchestra, Antal Doráti | — | |
| 3-5 | “Prince Igor”: Polovetsian Dances (with chorus) | London Symphony Orchestra, Chorus, Antal Dorati | T-902.804.388-1 | |
| 4-1 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 1. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 4-2 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 2. Vivace non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 4-3 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 4-4 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 4 Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 4-5 | Fingal’s Cave Overture, op. 26 | London Symphony Orchestra, Antal Doráti | — | |
| 5-1 | The Birds: 1. Prelude | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 5-2 | The Birds: 2. The Dove | London Symphony Orchestra, Antal Doráti | — | |
| 5-3 | The Birds: 3. The Hen | London Symphony Orchestra, Antal Doráti | — | |
| 5-4 | The Birds: 4. The Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 5-5 | The Birds: 5. The Cuckoo | London Symphony Orchestra, Antal Doráti | — | |
| 5-6 | Brazillian Impressions: 1. Tropical Night | London Symphony Orchestra, Antal Doráti | — | |
| 5-7 | Brazillian Impressions: 2. Butantan | London Symphony Orchestra, Antal Doráti | — | |
| 5-8 | Brazillian Impressions: 3. Song and Dance | London Symphony Orchestra, Antal Doráti | — | |
| 6-1 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Theme: Chorale: St. Antoni | London Symphony Orchestra, Antal Doráti | — | |
| 6-2 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation I: Poco più animato | London Symphony Orchestra, Antal Doráti | — | |
| 6-3 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation II: Più vivace | London Symphony Orchestra, Antal Doráti | — | |
| 6-4 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation III: Con moto | London Symphony Orchestra, Antal Doráti | — | |
| 6-5 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation IV: Andante con moto | London Symphony Orchestra, Antal Doráti | T-902.781.946-1 | |
| 6-6 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 6-7 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 6-8 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VII: Grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 6-9 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VIII: Presto non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 6-10 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Finale: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 6-11 | Hungarian Dance no. 5 in G minor | London Symphony Orchestra, Antal Doráti | T-909.573.827-5 | |
| 6-12 | Hungarian Dance no. 6 in D major | London Symphony Orchestra, Antal Doráti | T-917.141.515-9 | |
| 6-13 | Hungarian Dances, WoO 1: No. 7 in A major (orch. Hallén) | — | ||
| 6-14 | Hungarian Dance no. 21 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.160-7 | |
| 6-15 | Hungarian Dance no. 11 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-16 | Hungarian Dance no. 2 in D minor | London Symphony Orchestra, Antal Doráti | T-915.711.186-9 | |
| 6-17 | Hungarian Dance no. 1 in G minor | London Symphony Orchestra, Antal Doráti | T-329.391.159-4 | |
| 6-18 | Hungarian Dance no. 10 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 6-19 | Hungarian Dance no. 3 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 6-20 | Hungarian Dance no. 18 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 6-21 | Hungarian Dance no. 17 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-22 | Hungarian Dance no. 19 in B minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-23 | Hungarian Dance no. 20 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.163-0 | |
| 6-24 | Hungarian Dance no. 12 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-25 | Hungarian Dance no. 15 in B flat major | London Symphony Orchestra, Antal Doráti | — | |
| 6-26 | Hungarian Dance no. 4 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 7-1 | Symphony no. 100 in G major (“Military”): 1. Adagio – Allegro | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 7-2 | Symphony no. 100 in G major (“Military”): 2. Allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Symphony no. 100 in G major (“Military”): 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Symphony no. 100 in G major (“Military”): 4. Finale: Presto | London Symphony Orchestra, Antal Doráti | T-928.635.675-0 | |
| 7-5 | Symphony no. 101 in D major (“The Clock”): 1. Adagio – Presto | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 7-6 | Symphony no. 101 in D major (“The Clock”): 2. Andante | London Symphony Orchestra, Antal Doráti | — | |
| 7-7 | Symphony no. 101 in D major (“The Clock”): 3. Menuetto: Allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 7-8 | Symphony no. 101 in D major (“The Clock”): 4. Finale: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 8-1 | La forza del destino: Overture | London Symphony Orchestra, Antal Doráti | T-306.483.068-4 | |
| 8-2 | Nabucco: Overture | London Symphony Orchestra, Antal Doráti | T-911.382.704-6 | |
| 8-3 | I vespri siciliani: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | La traviata: Prelude to Act I | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | La traviata: Prelude to Act III | London Symphony Orchestra, Antal Doráti | — | |
| 9-1 | Water Music, Suite: I. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 9-2 | Water Music, Suite: II. Air | London Symphony Orchestra, Antal Doráti | — | |
| 9-3 | Water Music, Suite: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 9-4 | Water Music, Suite: IV. Horn-Pipe | London Symphony Orchestra, Antal Doráti | — | |
| 9-5 | Water Music Suite: V. Andante / VI. Allegro deciso | London Symphony Orchestra, Antal Doráti | — | |
| 9-6 | Music for the Royal Fireworks: I. Overture | London Symphony Orchestra, Antal Doráti | — | |
| 9-7 | Music for the Royal Fireworks: II. Alla Siciliana | London Symphony Orchestra, Antal Doráti | — | |
| 9-8 | Music for the Royal Fireworks: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 9-9 | Music for the Royal Fireworks: IV. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 10-1 | Gayne Ballet Music: Sabre Dance | London Symphony Orchestra, Antal Doráti | T-801.025.525-2 | |
| 10-2 | Gayne Ballet Music: Ayesha’s Dance | London Symphony Orchestra, Antal Doráti | — | |
| 10-3 | Gayne Ballet Music: Dance of the Rose Maidens | London Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Gayne Ballet Music: Dance of the Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Gayne Ballet Music: Lullaby | London Symphony Orchestra, Antal Doráti | — | |
| 10-6 | Gayne Ballet Music: Dance of the Young Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 10-7 | Gayne Ballet Music: Armen’s Variation | London Symphony Orchestra, Antal Doráti | — | |
| 10-8 | Gayne Ballet Music: Lezghinka | London Symphony Orchestra, Antal Doráti | — | |
| 10-9 | Romeo and Juliet: Overture-Fantasy After Shakespeare | London Symphony Orchestra, Antal Doráti | T-902.705.918-3 | |
| 11-1 | The Moldau ("Vltava") | London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | A Night on Bald Mountain | London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Les Préludes | London Symphony Orchestra, Antal Doráti | — | |
| 11-4 | Valse triste | London Symphony Orchestra, Antal Doráti | T-000.769.449-6 | |
| 12-1 | The Firebird: I. Introduction | London Symphony Orchestra, Antal Doráti | T-927.059.490-6 | |
| 12-2 | The Firebird: Tableau I, The Enchanted Garden of Kastchei | London Symphony Orchestra, Antal Doráti | — | |
| 12-3 | The Firebird: Tableau I, Appearance of the Firebird, Pursued by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-4 | The Firebird: Tableau I, Dance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 12-5 | The Firebird: Tableau I, Capture of the Firebird by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-6 | The Firebird: Tableau I, Supplication of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 12-7 | The Firebird: Tableau I, Appearance of the Enchanted Princess | London Symphony Orchestra, Antal Doráti | — | |
| 12-8 | The Firebird: Tableau I, The Princesses' Game with the Golden Apples (Scherzo) | London Symphony Orchestra, Antal Doráti | — | |
| 12-9 | The Firebird: Tableau I, Sudden Appearance of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-10 | The Firebird: Tableau I, Khorovod (Round Dance) of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 12-11 | The Firebird: Tableau I, Daybreak | London Symphony Orchestra, Antal Doráti | — | |
| 12-12 | The Firebird: Tableau I, Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-13 | The Firebird: Tableau I, Arrival of Kastchei the Immortal | London Symphony Orchestra, Antal Doráti | T-905.292.018-0 | |
| 12-14 | The Firebird: Tableau I, Dialogue of Kastchei and Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-15 | The Firebird: Tableau I, Intercession of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 12-16 | The Firebird: Tableau I, Appearance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 12-17 | The Firebird, K10: 15. Kashchei's retinue dances under the Firebird's spell | — | ||
| 12-18 | The Firebird: Tableau I, Infernal Dance of All Kastchei's Subjects | London Symphony Orchestra, Antal Doráti | — | |
| 12-19 | The Firebird: Tableau I, Lullaby (Firebird) | London Symphony Orchestra, Antal Doráti | — | |
| 12-20 | The Firebird: Tableau I, Capture of the Firebird by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-21 | The Firebird: Tableau I, Kastchei's Death; Profound Darkness | London Symphony Orchestra, Antal Doráti | — | |
| 12-22 | The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing | London Symphony Orchestra, Antal Doráti | — | |
| 13-1 | Tristan und Isolde, Prelude and Liebestod | London Symphony Orchestra, Antal Doráti | T-900.151.755-1 | |
| 13-2 | Tannhäuser, Overture and Venusberg Music | London Symphony Orchestra, Antal Doráti | — | |
| 13-3 | Lohengrin, Prelude to Act III | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 14-1 | Two Roumanian Rhapsodies, op. 11: No. 1 in A major | London Symphony Orchestra, Antal Doráti | — | |
| 14-2 | Two Roumanian Rhapsodies, op. 11: No. 2 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 14-3 | Hungarian Rhapsody no. 3 | London Symphony Orchestra, Antal Doráti | T-900.009.052-8 | |
| 14-4 | Hungarian Rhapsody no. 2 | London Symphony Orchestra, Antal Doráti | T-900.009.052-8 | |
| 15-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 15-2 | Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 15-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 15-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 15-5 | Carnaval Overture, op. 92 | London Symphony Orchestra, Antal Doráti | — | |
| 15-6 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 15-7 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 15-8 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso | London Symphony Orchestra, Antal Doráti | — | |
| 15-9 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 16-1 | Appalachian Spring: I. Very Slowly | London Symphony Orchestra, Antal Doráti | — | |
| 16-2 | Appalachian Spring: II. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 16-3 | Appalachian Spring: III. Moderato: The Bride and Her Intended | London Symphony Orchestra, Antal Doráti | — | |
| 16-4 | Appalachian Spring: IV. Fast: The Revivalist and His Flock | London Symphony Orchestra, Antal Doráti | — | |
| 16-5 | Appalachian Spring: V. Allegro: Solo Dance of the Bride | London Symphony Orchestra, Antal Doráti | — | |
| 16-6 | Appalachian Spring: VI. Meno mosso | London Symphony Orchestra, Antal Doráti | — | |
| 16-7 | Appalachian Spring: VII. Doppio movimento: Variations on a Shaker Hymn | London Symphony Orchestra, Antal Doráti | — | |
| 16-8 | Appalachian Spring: VIII. Moderato: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 16-9 | Billy the Kid: Introduction: The Open Prairie | London Symphony Orchestra, Antal Doráti | — | |
| 16-10 | Billy the Kid: Street in a Frontier Town | London Symphony Orchestra, Antal Doráti | T-070.138.025-7 | |
| 16-11 | Billy the Kid: Mexican Dance and Finale | London Symphony Orchestra, Antal Doráti | — | |
| 16-12 | Billy the Kid: Prairie Night (Card Game at Night) | London Symphony Orchestra, Antal Doráti | — | |
| 16-13 | Billy the Kid: Gun Battle | London Symphony Orchestra, Antal Doráti | — | |
| 16-14 | Billy the Kid: Celebration (After Billy's Capture) | London Symphony Orchestra, Antal Doráti | — | |
| 16-15 | Billy the Kid: Waltz | London Symphony Orchestra, Antal Doráti | — | |
| 16-16 | Billy the Kid: Billy's Death | London Symphony Orchestra, Antal Doráti | — | |
| 16-17 | Billy the Kid: The Open Prairie Again | London Symphony Orchestra, Antal Doráti | — | |
| 17-1 | Symphony No. 5 In E Minor, op. 64: Andante | London Symphony, Antal Doráti | — | |
| 17-2 | Symphony No. 5 In E Minor, op. 64: Andante Cantabile, Con Alcuna Licenza | London Symphony, Antal Doráti | — | |
| 17-3 | Symphony No. 5 In E Minor, op. 64: Valse. Allegro Moderato | London Symphony, Antal Doráti | — | |
| 17-4 | Symphony No. 5 In E Minor, op. 64: Finale. Andante Maestoso | London Symphony, Antal Doráti | — | |
| 18-1 | Russian Easter Overture, op. 36 | London Symphony Orchestra, Antal Doráti | — | |
| 18-2 | Prince Igor: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 18-3 | Capriccio Espagnol, op. 34: I. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 18-4 | Capriccio Espagnol, op. 34: II. Variazioni | London Symphony Orchestra, Antal Doráti | — | |
| 18-5 | Capriccio Espagnol, op. 34: III. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 18-6 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | London Symphony Orchestra, Antal Doráti | — | |
| 18-7 | Capriccio Espagnol, op. 34: V. Fandango asturiano | London Symphony Orchestra, Antal Doráti | — | |
| 18-8 | “Prince Igor”: Polovetsian Dances (with chorus) | London Symphony Orchestra, Chorus, Antal Dorati | T-902.804.388-1 | |
| 19-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 19-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | London Symphony Orchestra, Antal Doráti | — | |
| 19-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 19-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio | London Symphony Orchestra, Antal Doráti | — | |
| 20-1 | Wellington's Victory, op. 91: I. Battle | London Symphony Orchestra, Antal Doráti | — | |
| 20-2 | Wellington's Victory, op. 91: II. Symphony of Triumph | London Symphony Orchestra, Antal Doráti | — | |
| 20-3 | Commentary to "Wellington's Victory" | Deems Taylor | — | |
| 20-4 | Leonore Overture no. 3, op. 72b | London Symphony Orchestra, Antal Doráti | — | |
| 20-5 | The Creatures of Prometheus, Op. 43: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 21-1 | "Lulu" Suite: I. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 21-2 | "Lulu" Suite: II. Ostinato | London Symphony Orchestra, Antal Doráti | — | |
| 21-3 | "Lulu" Suite: III. Lulu's Song | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-4 | "Lulu" Suite: IV. Variations | London Symphony Orchestra, Antal Doráti | — | |
| 21-5 | "Lulu" Suite: V. Adagio | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-6 | Wozzeck, Three Excerpts: Act I: Scenes 2 and 3 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-7 | Wozzeck, Three Excerpts: Act III: Scene 1 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-8 | Wozzeck, Three Excerpts: Act III: Scenes 4 and 5 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 22-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima | London Symphony Orchestra, Antal Doráti | — | |
| 22-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona | London Symphony Orchestra, Antal Doráti | — | |
| 22-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 22-4 | Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco | London Symphony Orchestra, Antal Doráti | — | |
| 23-1 | Symphony no. 40 in G minor, K. 550: 1. Molto allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-2 | Symphony no. 40 in G minor, K. 550: 2. Andante | London Symphony Orchestra, Antal Doráti | — | |
| 23-3 | Symphony no. 40 in G minor, K. 550: 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 23-4 | Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai) | London Symphony Orchestra, Antal Doráti | — | |
| 23-5 | Symphony no. 45 in F-sharp minor (“Farewell”): 1. Allegro assai | London Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 23-6 | Symphony no. 45 in F-sharp minor (“Farewell”): 2. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 23-7 | Symphony no. 45 in F-sharp minor (“Farewell”): 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 23-8 | Symphony no. 45 in F-sharp minor (“Farewell”): 4. Presto – Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 24-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 24-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | — | ||
| 24-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 25-1 | Die Meistersinger von Nürnberg, Overture | London Symphony Orchestra, Antal Doráti | — | |
| 25-2 | Parsifal, Good Friday Spell | London Symphony Orchestra, Antal Doráti | — | |
| 25-3 | Tannhäuser: Overture | London Symphony Orchestra, Antal Doráti | T-925.645.336-8 | |
| 25-4 | Lohengrin, Prelude to Act I | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 26-1 | Concerto in B minor for Violoncello and Orchestra, op. 104: 1. Allegro | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 26-2 | Concerto in B minor for Violoncello and Orchestra, op. 104: 2. Adagio ma non troppo | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 26-3 | Concerto in B minor for Violoncello and Orchestra, op. 104: 3. Finale. Allegro moderato | János Starker, London Symphony Orchestra, Antal Doráti | T-323.984.111-9 | |
| 26-4 | Kol Nidrei, op. 47 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 27-1 | The Nutcracker: Overture (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 27-2 | The Nutcracker, op. 71, Act I, Tableau I: I. Decorating and Lighting the Christmas Tree | London Symphony Orchestra, Antal Doráti | — | |
| 27-3 | The Nutcracker, op. 71, Act I, Tableau I: II. March | London Symphony Orchestra, Antal Doráti | — | |
| 27-4 | The Nutcracker, op. 71, Act I, Tableau I: III. Dance Scene: Galop and Dance of the Parents | London Symphony Orchestra, Antal Doráti | — | |
| 27-5 | The Nutcracker, op. 71, Act I, Tableau I: IV. Scene: Presents for the Children | London Symphony Orchestra, Antal Doráti | — | |
| 27-6 | The Nutcracker, op. 71, Act I, Tableau I: V. Scene and The Grandfather Dance | London Symphony Orchestra, Antal Doráti | — | |
| 27-7 | The Nutcracker, op. 71, Act I, Tableau I: VI. Scene: The Guests Depart – The Children Go to Bed – The Magic Spell Begins | London Symphony Orchestra, Antal Doráti | — | |
| 27-8 | The Nutcracker, op. 71, Act I, Tableau I: VII. The Nutcracker Battles the Army of the Mouse King – He Wins and Is Transformed into Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 27-9 | The Nutcracker: [No.8] Journey Through the Snow (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 27-10 | The Nutcracker, op. 71, Act I, Tableau II: IX. Waltz of the Snowflakes | London Symphony Orchestra, Antal Doráti | — | |
| 27-11 | The Nutcracker, op. 71, Act II, Tableau III: X. Scene. Arrival in Fairyland | London Symphony Orchestra, Antal Doráti | — | |
| 27-12 | The Nutcracker, op. 71, Act II, Tableau III: XI. Scene. Festival in Honor of the Children and Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 27-13 | The Nutcracker, op. 71, Act II, Tableau III: XIIa. Character Dances (Divertissement): Chocolate (Spanish Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 27-14 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 27-15 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 27-16 | The Nutcracker, op. 71, Act II, Tableau III: XIId. Character Dances (Divertissement): Russian Dance (Trepak) | London Symphony Orchestra, Antal Doráti | — | |
| 27-17 | The Nutcracker, op. 71, Act II, Tableau III: XIIe. Character Dances (Divertissement): Dance of the Toy Flutes | London Symphony Orchestra, Antal Doráti | — | |
| 27-18 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 27-19 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 27-20 | The Nutcracker, op. 71, Act II, Tableau III: XIV. Dances of the Sugar Plum Fairy and Prince Charming: Pas de Deux | London Symphony Orchestra, Antal Doráti | — | |
| 27-21 | The Nutcracker, op. 71, Act II, Tableau III: XIVa. Dances of the Sugar Plum Fairy and Prince Charming: Dance of Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 27-22 | The Nutcracker, op. 71, Act II, Tableau III: XIVb. Dances of the Sugar Plum Fairy and Prince Charming: Dance of the Sugar Plum Fairy | London Symphony Orchestra, Antal Doráti | — | |
| 27-23 | The Nutcracker, op. 71, Act II, Tableau III: XIVc. Dances of the Sugar Plum Fairy and Prince Charming: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 27-24 | The Nutcracker, op. 71, Act II, Tableau III: XV. Waltz Finale | London Symphony Orchestra, Antal Doráti | T-306.229.926-3 | |
| 27-25 | The Nutcracker, op. 71, Act II, Tableau III: XV. Apotheosis | London Symphony Orchestra, Antal Doráti | — | |
| 28-1 | Violin Concerto in D major, op. 77: 1. Allegro non troppo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 28-2 | Violin Concerto in D major, op. 77: 2. Adagio | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 28-3 | Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 29-1 | Oberon, J. 306: Overture | London Symphony Orchestra, Antal Doráti | T-900.143.997-0 | |
| 29-2 | Symphony No. 4 in D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | London Symphony Orchestra, Antal Doráti | — | |
| 29-3 | Symphony No. 4 in D Minor, Op. 120: 2. Romanze. Ziemlich langsam | London Symphony Orchestra, Antal Doráti | — | |
| 29-4 | Symphony No. 4 in D Minor, Op. 120: 3. Scherzo | London Symphony Orchestra, Antal Doráti | — | |
| 29-5 | Symphony No. 4 in D Minor, Op. 120: 4. Langsam - Lebhaft | London Symphony Orchestra, Antal Doráti | — | |
| 29-6 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" | London Symphony Orchestra, Antal Doráti | — | |
| 29-7 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | London Symphony Orchestra, Antal Doráti | — | |
| 29-8 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" | London Symphony Orchestra, Antal Doráti | — | |
| 29-9 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm" | London Symphony Orchestra, Antal Doráti | — | |
| 29-10 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | London Symphony Orchestra, Antal Doráti | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters | London Symphony Orchestra, Antal Doráti | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0028948470150 is a Universal Product Code (UPC) assigned to The Mercury Masters: Antal Dorati in London - Volume 1 by London Symphony Orchestra, Antal Doráti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 242 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Mercury Masters: Antal Dorati in London - Volume 1” by London Symphony Orchestra, Antal Doráti is 0028948470150. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-01-01. Label: Mercury. This release contains 242 tracks, each with its own ISRC. Tracks include NLA505700805, NLA505700806, NLA505700807.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules | London Symphony Orchestra, Antal Doráti | — | |
| 2 | Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale | London Symphony Orchestra, Antal Doráti | — | |
| 3 | Suite from "The Love for Three Oranges", op. 33a: III. Marche | London Symphony Orchestra, Antal Doráti | — | |
| 4 | Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo | London Symphony Orchestra, Antal Doráti | — | |
| 5 | Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse | London Symphony Orchestra, Antal Doráti | — | |
| 6 | Suite from "The Love for Three Oranges", op. 33a: VI. La fuite | London Symphony Orchestra, Antal Doráti | — | |
| 7 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 8 | Scythian Suite, op. 20: I. Invocation to Veles and Ala | London Symphony Orchestra, Antal Doráti | — | |
| 9 | Scythian Suite, op. 20: III. Night | London Symphony Orchestra, Antal Doráti | — | |
| 10 | Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise | London Symphony Orchestra, Antal Doráti | — | |
| 2-1 | Eine kleine Nachtmusik, K. 525: 1. Allegro | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 2-2 | Eine kleine Nachtmusik, K. 525: 2. Romanze | London Symphony Orchestra, Antal Doráti | — | |
| 2-3 | Eine kleine Nachtmusik, K. 525: 3. Menuetto | London Symphony Orchestra, Antal Doráti | T-335.909.880-5 | |
| 2-4 | Eine kleine Nachtmusik, K. 525: 4. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 2-5 | Symphony in C major (“Linz”), K. 425: 1. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 2-6 | Symphony in C major (“Linz”), K. 425: 2. Poco adagio | London Symphony Orchestra, Antal Doráti | — | |
| 2-7 | Symphony in C major (“Linz”), K. 425: 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 2-8 | Symphony in C major (“Linz”), K. 425: 4. Finale | London Symphony Orchestra, Antal Doráti | — | |
| 3-1 | Le Coq d’or Suite: 1. King Dodon in His Palace | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 3-2 | Le Coq d’or Suite: 2. King Dodon on the Battlefield | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 3-3 | Le Coq d’or Suite: 3. King Dodon With Queen Shemakha | London Symphony Orchestra, Antal Doráti | T-802.124.289-8 | |
| 3-4 | Le Coq d’or Suite: 4. Marriage Feast and Lamentable End of King Dodon | London Symphony Orchestra, Antal Doráti | — | |
| 3-5 | “Prince Igor”: Polovetsian Dances (with chorus) | London Symphony Orchestra, Chorus, Antal Dorati | T-902.804.388-1 | |
| 4-1 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 1. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 4-2 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 2. Vivace non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 4-3 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 4-4 | Symphony no. 3 in A minor, op. 56 (“Scotch”): 4 Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 4-5 | Fingal’s Cave Overture, op. 26 | London Symphony Orchestra, Antal Doráti | — | |
| 5-1 | The Birds: 1. Prelude | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 5-2 | The Birds: 2. The Dove | London Symphony Orchestra, Antal Doráti | — | |
| 5-3 | The Birds: 3. The Hen | London Symphony Orchestra, Antal Doráti | — | |
| 5-4 | The Birds: 4. The Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 5-5 | The Birds: 5. The Cuckoo | London Symphony Orchestra, Antal Doráti | — | |
| 5-6 | Brazillian Impressions: 1. Tropical Night | London Symphony Orchestra, Antal Doráti | — | |
| 5-7 | Brazillian Impressions: 2. Butantan | London Symphony Orchestra, Antal Doráti | — | |
| 5-8 | Brazillian Impressions: 3. Song and Dance | London Symphony Orchestra, Antal Doráti | — | |
| 6-1 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Theme: Chorale: St. Antoni | London Symphony Orchestra, Antal Doráti | — | |
| 6-2 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation I: Poco più animato | London Symphony Orchestra, Antal Doráti | — | |
| 6-3 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation II: Più vivace | London Symphony Orchestra, Antal Doráti | — | |
| 6-4 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation III: Con moto | London Symphony Orchestra, Antal Doráti | — | |
| 6-5 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation IV: Andante con moto | London Symphony Orchestra, Antal Doráti | T-902.781.946-1 | |
| 6-6 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 6-7 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation V: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 6-8 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VII: Grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 6-9 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Variation VIII: Presto non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 6-10 | Variations on a Theme of Haydn in B flat major "St. Anthony Variations", op. 56a: Finale: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 6-11 | Hungarian Dance no. 5 in G minor | London Symphony Orchestra, Antal Doráti | T-909.573.827-5 | |
| 6-12 | Hungarian Dance no. 6 in D major | London Symphony Orchestra, Antal Doráti | T-917.141.515-9 | |
| 6-13 | Hungarian Dances, WoO 1: No. 7 in A major (orch. Hallén) | — | ||
| 6-14 | Hungarian Dance no. 21 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.160-7 | |
| 6-15 | Hungarian Dance no. 11 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-16 | Hungarian Dance no. 2 in D minor | London Symphony Orchestra, Antal Doráti | T-915.711.186-9 | |
| 6-17 | Hungarian Dance no. 1 in G minor | London Symphony Orchestra, Antal Doráti | T-329.391.159-4 | |
| 6-18 | Hungarian Dance no. 10 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 6-19 | Hungarian Dance no. 3 in F major | London Symphony Orchestra, Antal Doráti | — | |
| 6-20 | Hungarian Dance no. 18 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 6-21 | Hungarian Dance no. 17 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-22 | Hungarian Dance no. 19 in B minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-23 | Hungarian Dance no. 20 in E minor | London Symphony Orchestra, Antal Doráti | T-329.391.163-0 | |
| 6-24 | Hungarian Dance no. 12 in D minor | London Symphony Orchestra, Antal Doráti | — | |
| 6-25 | Hungarian Dance no. 15 in B flat major | London Symphony Orchestra, Antal Doráti | — | |
| 6-26 | Hungarian Dance no. 4 in F sharp minor | London Symphony Orchestra, Antal Doráti | — | |
| 7-1 | Symphony no. 100 in G major (“Military”): 1. Adagio – Allegro | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 7-2 | Symphony no. 100 in G major (“Military”): 2. Allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 7-3 | Symphony no. 100 in G major (“Military”): 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 7-4 | Symphony no. 100 in G major (“Military”): 4. Finale: Presto | London Symphony Orchestra, Antal Doráti | T-928.635.675-0 | |
| 7-5 | Symphony no. 101 in D major (“The Clock”): 1. Adagio – Presto | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 7-6 | Symphony no. 101 in D major (“The Clock”): 2. Andante | London Symphony Orchestra, Antal Doráti | — | |
| 7-7 | Symphony no. 101 in D major (“The Clock”): 3. Menuetto: Allegretto | London Symphony Orchestra, Antal Doráti | — | |
| 7-8 | Symphony no. 101 in D major (“The Clock”): 4. Finale: Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 8-1 | La forza del destino: Overture | London Symphony Orchestra, Antal Doráti | T-306.483.068-4 | |
| 8-2 | Nabucco: Overture | London Symphony Orchestra, Antal Doráti | T-911.382.704-6 | |
| 8-3 | I vespri siciliani: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | La traviata: Prelude to Act I | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | La traviata: Prelude to Act III | London Symphony Orchestra, Antal Doráti | — | |
| 9-1 | Water Music, Suite: I. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 9-2 | Water Music, Suite: II. Air | London Symphony Orchestra, Antal Doráti | — | |
| 9-3 | Water Music, Suite: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 9-4 | Water Music, Suite: IV. Horn-Pipe | London Symphony Orchestra, Antal Doráti | — | |
| 9-5 | Water Music Suite: V. Andante / VI. Allegro deciso | London Symphony Orchestra, Antal Doráti | — | |
| 9-6 | Music for the Royal Fireworks: I. Overture | London Symphony Orchestra, Antal Doráti | — | |
| 9-7 | Music for the Royal Fireworks: II. Alla Siciliana | London Symphony Orchestra, Antal Doráti | — | |
| 9-8 | Music for the Royal Fireworks: III. Bourrée | London Symphony Orchestra, Antal Doráti | — | |
| 9-9 | Music for the Royal Fireworks: IV. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 10-1 | Gayne Ballet Music: Sabre Dance | London Symphony Orchestra, Antal Doráti | T-801.025.525-2 | |
| 10-2 | Gayne Ballet Music: Ayesha’s Dance | London Symphony Orchestra, Antal Doráti | — | |
| 10-3 | Gayne Ballet Music: Dance of the Rose Maidens | London Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Gayne Ballet Music: Dance of the Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Gayne Ballet Music: Lullaby | London Symphony Orchestra, Antal Doráti | — | |
| 10-6 | Gayne Ballet Music: Dance of the Young Kurds | London Symphony Orchestra, Antal Doráti | — | |
| 10-7 | Gayne Ballet Music: Armen’s Variation | London Symphony Orchestra, Antal Doráti | — | |
| 10-8 | Gayne Ballet Music: Lezghinka | London Symphony Orchestra, Antal Doráti | — | |
| 10-9 | Romeo and Juliet: Overture-Fantasy After Shakespeare | London Symphony Orchestra, Antal Doráti | T-902.705.918-3 | |
| 11-1 | The Moldau ("Vltava") | London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | A Night on Bald Mountain | London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Les Préludes | London Symphony Orchestra, Antal Doráti | — | |
| 11-4 | Valse triste | London Symphony Orchestra, Antal Doráti | T-000.769.449-6 | |
| 12-1 | The Firebird: I. Introduction | London Symphony Orchestra, Antal Doráti | T-927.059.490-6 | |
| 12-2 | The Firebird: Tableau I, The Enchanted Garden of Kastchei | London Symphony Orchestra, Antal Doráti | — | |
| 12-3 | The Firebird: Tableau I, Appearance of the Firebird, Pursued by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-4 | The Firebird: Tableau I, Dance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 12-5 | The Firebird: Tableau I, Capture of the Firebird by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-6 | The Firebird: Tableau I, Supplication of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 12-7 | The Firebird: Tableau I, Appearance of the Enchanted Princess | London Symphony Orchestra, Antal Doráti | — | |
| 12-8 | The Firebird: Tableau I, The Princesses' Game with the Golden Apples (Scherzo) | London Symphony Orchestra, Antal Doráti | — | |
| 12-9 | The Firebird: Tableau I, Sudden Appearance of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-10 | The Firebird: Tableau I, Khorovod (Round Dance) of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 12-11 | The Firebird: Tableau I, Daybreak | London Symphony Orchestra, Antal Doráti | — | |
| 12-12 | The Firebird: Tableau I, Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-13 | The Firebird: Tableau I, Arrival of Kastchei the Immortal | London Symphony Orchestra, Antal Doráti | T-905.292.018-0 | |
| 12-14 | The Firebird: Tableau I, Dialogue of Kastchei and Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-15 | The Firebird: Tableau I, Intercession of the Princesses | London Symphony Orchestra, Antal Doráti | — | |
| 12-16 | The Firebird: Tableau I, Appearance of the Firebird | London Symphony Orchestra, Antal Doráti | — | |
| 12-17 | The Firebird, K10: 15. Kashchei's retinue dances under the Firebird's spell | — | ||
| 12-18 | The Firebird: Tableau I, Infernal Dance of All Kastchei's Subjects | London Symphony Orchestra, Antal Doráti | — | |
| 12-19 | The Firebird: Tableau I, Lullaby (Firebird) | London Symphony Orchestra, Antal Doráti | — | |
| 12-20 | The Firebird: Tableau I, Capture of the Firebird by Prince Ivan | London Symphony Orchestra, Antal Doráti | — | |
| 12-21 | The Firebird: Tableau I, Kastchei's Death; Profound Darkness | London Symphony Orchestra, Antal Doráti | — | |
| 12-22 | The Firebird: Tableau II, Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing | London Symphony Orchestra, Antal Doráti | — | |
| 13-1 | Tristan und Isolde, Prelude and Liebestod | London Symphony Orchestra, Antal Doráti | T-900.151.755-1 | |
| 13-2 | Tannhäuser, Overture and Venusberg Music | London Symphony Orchestra, Antal Doráti | — | |
| 13-3 | Lohengrin, Prelude to Act III | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 14-1 | Two Roumanian Rhapsodies, op. 11: No. 1 in A major | London Symphony Orchestra, Antal Doráti | — | |
| 14-2 | Two Roumanian Rhapsodies, op. 11: No. 2 in D major | London Symphony Orchestra, Antal Doráti | — | |
| 14-3 | Hungarian Rhapsody no. 3 | London Symphony Orchestra, Antal Doráti | T-900.009.052-8 | |
| 14-4 | Hungarian Rhapsody no. 2 | London Symphony Orchestra, Antal Doráti | T-900.009.052-8 | |
| 15-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 15-2 | Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 15-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 15-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 15-5 | Carnaval Overture, op. 92 | London Symphony Orchestra, Antal Doráti | — | |
| 15-6 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 15-7 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 15-8 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso | London Symphony Orchestra, Antal Doráti | — | |
| 15-9 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 16-1 | Appalachian Spring: I. Very Slowly | London Symphony Orchestra, Antal Doráti | — | |
| 16-2 | Appalachian Spring: II. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 16-3 | Appalachian Spring: III. Moderato: The Bride and Her Intended | London Symphony Orchestra, Antal Doráti | — | |
| 16-4 | Appalachian Spring: IV. Fast: The Revivalist and His Flock | London Symphony Orchestra, Antal Doráti | — | |
| 16-5 | Appalachian Spring: V. Allegro: Solo Dance of the Bride | London Symphony Orchestra, Antal Doráti | — | |
| 16-6 | Appalachian Spring: VI. Meno mosso | London Symphony Orchestra, Antal Doráti | — | |
| 16-7 | Appalachian Spring: VII. Doppio movimento: Variations on a Shaker Hymn | London Symphony Orchestra, Antal Doráti | — | |
| 16-8 | Appalachian Spring: VIII. Moderato: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 16-9 | Billy the Kid: Introduction: The Open Prairie | London Symphony Orchestra, Antal Doráti | — | |
| 16-10 | Billy the Kid: Street in a Frontier Town | London Symphony Orchestra, Antal Doráti | T-070.138.025-7 | |
| 16-11 | Billy the Kid: Mexican Dance and Finale | London Symphony Orchestra, Antal Doráti | — | |
| 16-12 | Billy the Kid: Prairie Night (Card Game at Night) | London Symphony Orchestra, Antal Doráti | — | |
| 16-13 | Billy the Kid: Gun Battle | London Symphony Orchestra, Antal Doráti | — | |
| 16-14 | Billy the Kid: Celebration (After Billy's Capture) | London Symphony Orchestra, Antal Doráti | — | |
| 16-15 | Billy the Kid: Waltz | London Symphony Orchestra, Antal Doráti | — | |
| 16-16 | Billy the Kid: Billy's Death | London Symphony Orchestra, Antal Doráti | — | |
| 16-17 | Billy the Kid: The Open Prairie Again | London Symphony Orchestra, Antal Doráti | — | |
| 17-1 | Symphony No. 5 In E Minor, op. 64: Andante | London Symphony, Antal Doráti | — | |
| 17-2 | Symphony No. 5 In E Minor, op. 64: Andante Cantabile, Con Alcuna Licenza | London Symphony, Antal Doráti | — | |
| 17-3 | Symphony No. 5 In E Minor, op. 64: Valse. Allegro Moderato | London Symphony, Antal Doráti | — | |
| 17-4 | Symphony No. 5 In E Minor, op. 64: Finale. Andante Maestoso | London Symphony, Antal Doráti | — | |
| 18-1 | Russian Easter Overture, op. 36 | London Symphony Orchestra, Antal Doráti | — | |
| 18-2 | Prince Igor: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 18-3 | Capriccio Espagnol, op. 34: I. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 18-4 | Capriccio Espagnol, op. 34: II. Variazioni | London Symphony Orchestra, Antal Doráti | — | |
| 18-5 | Capriccio Espagnol, op. 34: III. Alborada | London Symphony Orchestra, Antal Doráti | — | |
| 18-6 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | London Symphony Orchestra, Antal Doráti | — | |
| 18-7 | Capriccio Espagnol, op. 34: V. Fandango asturiano | London Symphony Orchestra, Antal Doráti | — | |
| 18-8 | “Prince Igor”: Polovetsian Dances (with chorus) | London Symphony Orchestra, Chorus, Antal Dorati | T-902.804.388-1 | |
| 19-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto – Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 19-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | London Symphony Orchestra, Antal Doráti | — | |
| 19-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 19-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio – Più andante – Allegro non troppo, ma con brio | London Symphony Orchestra, Antal Doráti | — | |
| 20-1 | Wellington's Victory, op. 91: I. Battle | London Symphony Orchestra, Antal Doráti | — | |
| 20-2 | Wellington's Victory, op. 91: II. Symphony of Triumph | London Symphony Orchestra, Antal Doráti | — | |
| 20-3 | Commentary to "Wellington's Victory" | Deems Taylor | — | |
| 20-4 | Leonore Overture no. 3, op. 72b | London Symphony Orchestra, Antal Doráti | — | |
| 20-5 | The Creatures of Prometheus, Op. 43: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 21-1 | "Lulu" Suite: I. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 21-2 | "Lulu" Suite: II. Ostinato | London Symphony Orchestra, Antal Doráti | — | |
| 21-3 | "Lulu" Suite: III. Lulu's Song | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-4 | "Lulu" Suite: IV. Variations | London Symphony Orchestra, Antal Doráti | — | |
| 21-5 | "Lulu" Suite: V. Adagio | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-6 | Wozzeck, Three Excerpts: Act I: Scenes 2 and 3 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-7 | Wozzeck, Three Excerpts: Act III: Scene 1 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 21-8 | Wozzeck, Three Excerpts: Act III: Scenes 4 and 5 | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 22-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima | London Symphony Orchestra, Antal Doráti | — | |
| 22-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona | London Symphony Orchestra, Antal Doráti | — | |
| 22-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 22-4 | Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco | London Symphony Orchestra, Antal Doráti | — | |
| 23-1 | Symphony no. 40 in G minor, K. 550: 1. Molto allegro | London Symphony Orchestra, Antal Doráti | — | |
| 23-2 | Symphony no. 40 in G minor, K. 550: 2. Andante | London Symphony Orchestra, Antal Doráti | — | |
| 23-3 | Symphony no. 40 in G minor, K. 550: 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 23-4 | Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai) | London Symphony Orchestra, Antal Doráti | — | |
| 23-5 | Symphony no. 45 in F-sharp minor (“Farewell”): 1. Allegro assai | London Symphony Orchestra, Antal Doráti | T-306.395.786-4 | |
| 23-6 | Symphony no. 45 in F-sharp minor (“Farewell”): 2. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 23-7 | Symphony no. 45 in F-sharp minor (“Farewell”): 3. Menuetto | London Symphony Orchestra, Antal Doráti | — | |
| 23-8 | Symphony no. 45 in F-sharp minor (“Farewell”): 4. Presto – Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 24-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | — | ||
| 24-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | — | ||
| 24-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 25-1 | Die Meistersinger von Nürnberg, Overture | London Symphony Orchestra, Antal Doráti | — | |
| 25-2 | Parsifal, Good Friday Spell | London Symphony Orchestra, Antal Doráti | — | |
| 25-3 | Tannhäuser: Overture | London Symphony Orchestra, Antal Doráti | T-925.645.336-8 | |
| 25-4 | Lohengrin, Prelude to Act I | London Symphony Orchestra, Antal Doráti | T-050.071.427-1 | |
| 26-1 | Concerto in B minor for Violoncello and Orchestra, op. 104: 1. Allegro | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 26-2 | Concerto in B minor for Violoncello and Orchestra, op. 104: 2. Adagio ma non troppo | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 26-3 | Concerto in B minor for Violoncello and Orchestra, op. 104: 3. Finale. Allegro moderato | János Starker, London Symphony Orchestra, Antal Doráti | T-323.984.111-9 | |
| 26-4 | Kol Nidrei, op. 47 | János Starker, London Symphony Orchestra, Antal Doráti | — | |
| 27-1 | The Nutcracker: Overture (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 27-2 | The Nutcracker, op. 71, Act I, Tableau I: I. Decorating and Lighting the Christmas Tree | London Symphony Orchestra, Antal Doráti | — | |
| 27-3 | The Nutcracker, op. 71, Act I, Tableau I: II. March | London Symphony Orchestra, Antal Doráti | — | |
| 27-4 | The Nutcracker, op. 71, Act I, Tableau I: III. Dance Scene: Galop and Dance of the Parents | London Symphony Orchestra, Antal Doráti | — | |
| 27-5 | The Nutcracker, op. 71, Act I, Tableau I: IV. Scene: Presents for the Children | London Symphony Orchestra, Antal Doráti | — | |
| 27-6 | The Nutcracker, op. 71, Act I, Tableau I: V. Scene and The Grandfather Dance | London Symphony Orchestra, Antal Doráti | — | |
| 27-7 | The Nutcracker, op. 71, Act I, Tableau I: VI. Scene: The Guests Depart – The Children Go to Bed – The Magic Spell Begins | London Symphony Orchestra, Antal Doráti | — | |
| 27-8 | The Nutcracker, op. 71, Act I, Tableau I: VII. The Nutcracker Battles the Army of the Mouse King – He Wins and Is Transformed into Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 27-9 | The Nutcracker: [No.8] Journey Through the Snow (3.0 Mix) | London Symphony Orchestra, Antal Doráti | — | |
| 27-10 | The Nutcracker, op. 71, Act I, Tableau II: IX. Waltz of the Snowflakes | London Symphony Orchestra, Antal Doráti | — | |
| 27-11 | The Nutcracker, op. 71, Act II, Tableau III: X. Scene. Arrival in Fairyland | London Symphony Orchestra, Antal Doráti | — | |
| 27-12 | The Nutcracker, op. 71, Act II, Tableau III: XI. Scene. Festival in Honor of the Children and Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 27-13 | The Nutcracker, op. 71, Act II, Tableau III: XIIa. Character Dances (Divertissement): Chocolate (Spanish Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 27-14 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 27-15 | The Nutcracker, op. 71, Act II, Tableau III: XIIc. Character Dances (Divertissement): Tea (Chinese Dance) | London Symphony Orchestra, Antal Doráti | — | |
| 27-16 | The Nutcracker, op. 71, Act II, Tableau III: XIId. Character Dances (Divertissement): Russian Dance (Trepak) | London Symphony Orchestra, Antal Doráti | — | |
| 27-17 | The Nutcracker, op. 71, Act II, Tableau III: XIIe. Character Dances (Divertissement): Dance of the Toy Flutes | London Symphony Orchestra, Antal Doráti | — | |
| 27-18 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 27-19 | The Nutcracker, op. 71, Act II, Tableau III: XIII. Waltz of the Flowers | London Symphony Orchestra, Antal Doráti | — | |
| 27-20 | The Nutcracker, op. 71, Act II, Tableau III: XIV. Dances of the Sugar Plum Fairy and Prince Charming: Pas de Deux | London Symphony Orchestra, Antal Doráti | — | |
| 27-21 | The Nutcracker, op. 71, Act II, Tableau III: XIVa. Dances of the Sugar Plum Fairy and Prince Charming: Dance of Prince Charming | London Symphony Orchestra, Antal Doráti | — | |
| 27-22 | The Nutcracker, op. 71, Act II, Tableau III: XIVb. Dances of the Sugar Plum Fairy and Prince Charming: Dance of the Sugar Plum Fairy | London Symphony Orchestra, Antal Doráti | — | |
| 27-23 | The Nutcracker, op. 71, Act II, Tableau III: XIVc. Dances of the Sugar Plum Fairy and Prince Charming: Coda | London Symphony Orchestra, Antal Doráti | — | |
| 27-24 | The Nutcracker, op. 71, Act II, Tableau III: XV. Waltz Finale | London Symphony Orchestra, Antal Doráti | T-306.229.926-3 | |
| 27-25 | The Nutcracker, op. 71, Act II, Tableau III: XV. Apotheosis | London Symphony Orchestra, Antal Doráti | — | |
| 28-1 | Violin Concerto in D major, op. 77: 1. Allegro non troppo | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 28-2 | Violin Concerto in D major, op. 77: 2. Adagio | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 28-3 | Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace | Henryk Szeryng, London Symphony Orchestra, Antal Doráti | — | |
| 29-1 | Oberon, J. 306: Overture | London Symphony Orchestra, Antal Doráti | T-900.143.997-0 | |
| 29-2 | Symphony No. 4 in D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | London Symphony Orchestra, Antal Doráti | — | |
| 29-3 | Symphony No. 4 in D Minor, Op. 120: 2. Romanze. Ziemlich langsam | London Symphony Orchestra, Antal Doráti | — | |
| 29-4 | Symphony No. 4 in D Minor, Op. 120: 3. Scherzo | London Symphony Orchestra, Antal Doráti | — | |
| 29-5 | Symphony No. 4 in D Minor, Op. 120: 4. Langsam - Lebhaft | London Symphony Orchestra, Antal Doráti | — | |
| 29-6 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" | London Symphony Orchestra, Antal Doráti | — | |
| 29-7 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | London Symphony Orchestra, Antal Doráti | — | |
| 29-8 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" | London Symphony Orchestra, Antal Doráti | — | |
| 29-9 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm" | London Symphony Orchestra, Antal Doráti | — | |
| 29-10 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | London Symphony Orchestra, Antal Doráti | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters | London Symphony Orchestra, Antal Doráti | — |
