UPC · Release
Porgy and Bess
George Gershwin, Clamma Dale, Donnie Ray Albert, Houston Grand Opera Orchestra, John DeMain
Last verified:
0035628210920 is the Universal Product Code (UPC barcode) for the release “Porgy and Bess” by George Gershwin, Clamma Dale, Donnie Ray Albert, Houston Grand Opera Orchestra, John DeMain, released 1988-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Porgy and Bess, Act I, Scene 1: Introduction and Jasbo Brown Blues | — | ||
| 2 | Porgy and Bess, Act I, Scene 1: Summertime | — | ||
| 3 | Porgy and Bess, Act I, Scene 1: Oh, nobody knows when de Lord is gonna call | — | ||
| 4 | Porgy and Bess, Act I, Scene 1: A Woman Is a Sometime Thing | — | ||
| 5 | Porgy and Bess, Act I, Scene 1: Here come de honey man; Porgy's Entrance | — | ||
| 6 | Porgy and Bess, Act I, Scene 1: Here comes Big Boy! (Entrance of Crown and Bess) | — | ||
| 7 | Porgy and Bess, Act I, Scene 1: Oh, little stars, little stars | — | ||
| 8 | Porgy and Bess, Act I, Scene 1: Wake up an' hit it out | — | ||
| 9 | Porgy and Bess, Act I, Scene 2: Gone, Gone, Gone | — | ||
| 10 | Porgy and Bess, Act I, Scene 2: Overflow | — | ||
| 11 | Porgy and Bess, Act I, Scene 2: Well, well, well, a saucer-burying setup | — | ||
| 12 | Porgy and Bess, Act I, Scene 2: My Man's Gone Now | — | ||
| 13 | Porgy and Bess, Act I, Scene 2: How de saucer stan' now, my sister? | — | ||
| 14 | Porgy and Bess, Act I, Scene 2: Leavin' for the Promise' Lan' | — | ||
| 2-1 | Porgy and Bess, Act II, Scene 1: It Takes a Long Pull to Get There | — | ||
| 2-2 | Porgy and Bess, Act II, Scene 1: Mus' be you mens forgot about de picnic | — | ||
| 2-3 | Porgy and Bess, Act II, Scene 1: I Got Plenty o' Nuttin' | — | ||
| 2-4 | Porgy and Bess, Act II, Scene 1: Lissen there, what I tells you | — | ||
| 2-5 | Porgy and Bess, Act II, Scene 1: I Hates Yo' Struttin' Style | — | ||
| 2-6 | Porgy and Bess, Act II, Scene 1: Mornin', Lawyer | — | ||
| 2-7 | Porgy and Bess, Act II, Scene 1: Dey's a Buckra comin' | — | ||
| 2-8 | Porgy and Bess, Act II, Scene 1: The Buzzard Song | — | ||
| 2-9 | Porgy and Bess, Act II, Scene 1: Lo, Bess, goin' to the picnic? | — | ||
| 2-10 | Porgy and Bess, Act II, Scene 1: Bess, You Is My Woman | — | ||
| 2-11 | Porgy and Bess, Act II, Scene 1: Oh, I Can'ts Sit Down | — | ||
| 2-12 | Porgy and Bess, Act II, Scene 1: What's de matter wid you, sister? | — | ||
| 2-13 | Porgy and Bess, Act II, Scene 2: I Ain't Got No Shame | — | ||
| 2-14 | Porgy and Bess, Act II, Scene 2: It Ain't Necessarily So | — | ||
| 2-15 | Porgy and Bess, Act II, Scene 2: Dance; Shame on all you sinners | — | ||
| 2-16 | Porgy and Bess, Act II, Scene 2: Crown! | — | ||
| 2-17 | Porgy and Bess, Act II, Scene 2: What You Wasnt wid Bess? | — | ||
| 2-18 | Porgy and Bess, Act II, Scene 2: Lemme go, hear dat boat | — | ||
| 2-19 | Porgy and Bess, Act II, Scene 3: Honey, dat's all de breakfast I got time for | — | ||
| 2-20 | Porgy and Bess, Act II, Scene 3: Take yo' hands off me, I say | — | ||
| 2-21 | Porgy and Bess, Act II, Scene 3: Oh, Doctor Jesus | — | ||
| 2-22 | Porgy and Bess, Act II, Scene 3: Strawberry Woman; Honey Man; Crab Man | — | ||
| 2-23 | Porgy and Bess, Act II, Scene 3: Now de time, oh, Gawd | — | ||
| 2-24 | Porgy and Bess, Act II, Scene 3: I Loves You, Porgy | — | ||
| 3-1 | Porgy and Bess, Act II, Scene 3: Why you been out on that wharf so long, Clara? | — | ||
| 3-2 | Porgy and Bess, Act II, Scene 4: Oh, Doctor Jesus (Hurricane Scene); Summertime (Reprise) | — | ||
| 3-3 | Porgy and Bess, Act II, Scene 4: What make you so still, Bess; Oh, dere's somebody knockin' | — | ||
| 3-4 | Porgy and Bess, Act II, Scene 4: You is a nice parcel of Christians | — | ||
| 3-5 | Porgy and Bess, Act II, Scene 4: A Red-Headed Woman | — | ||
| 3-6 | Porgy and Bess, Act II, Scene 4: Jake's boat in de river | — | ||
| 3-7 | Porgy and Bess, Act III, Scene 1: Clara, Clara | — | ||
| 3-8 | Porgy and Bess, Act III, Scene 1: You low-lived skunk | — | ||
| 3-9 | Porgy and Bess, Act III, Scene 1: Summertime (Reprise); death of Crown | — | ||
| 3-10 | Porgy and Bess, Act III, Scene 2: Wait for us at the corner, Al | — | ||
| 3-11 | Porgy and Bess, Act III, Scene 2: What is your name? | — | ||
| 3-12 | Porgy and Bess, Act III, Scene 2: Oh, Gawd! They goin' make him look on Crown's face! | — | ||
| 3-13 | Porgy and Bess, Act III, Scene 2: There's a Boat Dat's Leavin' Soon for New York | — | ||
| 3-14 | Porgy and Bess, Act III, Scene 3: Catfish Row Interlude | — | ||
| 3-15 | Porgy and Bess, Act III, Scene 3: Good mornin', sistuh! Good mornin', brudder! | — | ||
| 3-16 | Porgy and Bess, Act III, Scene 3: It's Porgy comin' home | — | ||
| 3-17 | Porgy and Bess, Act III, Scene 3: Oh, Bess, Oh, Where's My Bess | — | ||
| 3-18 | Porgy and Bess, Act III, Scene 3: Bess is gone | — | ||
| 3-19 | Porgy and Bess, Act III, Scene 3: Oh, Lawd, I'm on My Way | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 0035628210920?
0035628210920 is a Universal Product Code (UPC) assigned to Porgy and Bess by George Gershwin, Clamma Dale, Donnie Ray Albert, Houston Grand Opera Orchestra, John DeMain. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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