UPC · Release
50 Christmas Classics
Various Artists
Last verified:
00600753415177 is the Universal Product Code (UPC barcode) for the release “50 Christmas Classics” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBEKZ0400448.
Format
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Candlelight Carol | Aled Jones, English Session Orchestra | T-010.163.826-9 | |
| 2 | Weihnachts‐Oratorium, BWV 248, Pt. 1: No. 1, Chorus. Jauchzet, frohlocket, auf, preiset die Tage | — | ||
| 3 | O Christmas Tree | — | ||
| 4 | Panis Angelicus | — | ||
| 5 | Do You Hear What I Hear? | — | ||
| 6 | Away in a Manger | — | ||
| 7 | O Holy Night | — | ||
| 8 | The Three Kings | — | ||
| 9 | “White Christmas” | — | ||
| 10 | Adeste Fideles (O come, all ye faithful) (live) | — | ||
| 11 | Have Yourself a Merry Little Christmas | — | ||
| 12 | “Still, Still, Still” | — | ||
| 13 | Let There Be Peace on Earth | — | ||
| 14 | Ceremony of Carols, Op. 28: Balulalow | — | ||
| 15 | Messiah – first version of 1752; edited by Donald Burrows – Part 1: 16. Air: Rejoice greatly, o daughter of Zion | — | ||
| 16 | The Twelve Days of Christmas | — | ||
| 17 | Lieutenant Kijé, Symphonic Suite, Op. 60: 4. Troïka | — | ||
| 18 | The Nutcracker, Op. 71, TH.14 / Act 2: No. 14c Pas de deux: Variation II (Dance of the Sugar‐Plum Fairy) | — | ||
| 19 | O Little Town of Bethlehem | — | ||
| 20 | In the Bleak Midwinter | — | ||
| 21 | Mary’s Lullaby | — | ||
| 22 | Sleigh Ride | — | ||
| 23 | Weihnachts‐Oratorium, BWV 248, Pt. 2: No. 10, Sinfonia pastorale | — | ||
| 24 | Patapan | — | ||
| 25 | O Tannenbaum | — | ||
| 26 | We Three Kings of Orient Are (arr. John Iveson) | — | ||
| 27 | Little Drummer Boy | — | ||
| 28 | Ave Maria, D. 839 (orch. Gamley) | — | ||
| 29 | L’Enfance du Christ, Op.25 / Partie 2: La fuite en Egypte: Il s’en va loin de la terre | — | ||
| 30 | Wiegenlied, Op. 49, No. 4 | — | ||
| 31 | O magnum mysterium – trans. Denis Arnold (1926/86)/ed.for perf.J.E.Gardiner (1943–) | — | ||
| 32 | Stille Nacht, heilige Nacht | — | ||
| 33 | Gloria in excelsis Deo | — | ||
| 34 | In dulci jubilo, Op. 10 | — | ||
| 35 | Ave Maria, CG 89a (after J.S. Bach: Prelude in C Major, BWV 846) (arr. Sabatini) | — | ||
| 36 | Lullaby My Jesus | — | ||
| 37 | What Child Is This (Greensleeves) | — | ||
| 38 | It Came Upon the Midnight Clear (arr. Meyer) | — | ||
| 39 | I Saw Three Ships | — | ||
| 40 | Silent Night | — | ||
| 41 | Fantasia on Christmas Carols | — | ||
| 42 | Good King Wenceslas | — | ||
| 43 | Joy to the World | — | ||
| 44 | Goin’ Home | — | ||
| 45 | Repentir (O Divine Redeemer), CG 434 | — | ||
| 46 | Amazing Grace | — | ||
| 47 | Winter Wonderland | — | ||
| 48 | Mary’s Boy Child | — | ||
| 49 | Once in Royal David’s City | — | ||
| 50 | We Wish You a Merry Christmas (arr. John Rutter) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 00600753415177?
00600753415177 is a Universal Product Code (UPC) assigned to 50 Christmas Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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