UPC · Release
Stade de France 98 - XXème anniversaire
Johnny Hallyday
Last verified:
00600753852644 is the Universal Product Code (UPC barcode) for the release “Stade de France 98 - XXème anniversaire” by Johnny Hallyday, released 2018-11-23. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include FRUM71801655, FRUM71801657, FRUM71801658.
Format
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | La Musique que j'aime | Johnny Hallyday | — | |
| 3 | Rock’n’Roll Man | Johnny Hallyday | T-003.048.394-3 | |
| 4 | Je veux te graver dans ma vie | Johnny Hallyday | — | |
| 5 | La Fille aux cheveux clairs | Johnny Hallyday | T-003.009.627-5 | |
| 6 | Noir c’est noir | Johnny Hallyday | — | |
| 7 | Les Coups | Johnny Hallyday | — | |
| 8 | Jusqu’à minuit | Johnny Hallyday | — | |
| 9 | Je suis seul | Johnny Hallyday | T-003.011.078-1 | |
| 10 | Derrière l'amour | Johnny Hallyday | T-003.010.382-2 | |
| 11 | Rock’n’Roll Attitude | Johnny Hallyday, Pascal Obispo | T-003.048.394-3 | |
| 12 | Oh ! Ma jolie Sarah | Johnny Hallyday | — | |
| 13 | Et puis je sais | Johnny Hallyday, Patrick Bruel | — | |
| 14 | Medley Unplugged : Quand revient la nuit / Laura / Retiens la nuit / Si j’étais un charpentier / J’ai oublié de vivre | Johnny Hallyday | — | |
| 15 | Medley Rock’n’Roll : Blue Suede Shoes / Be Bop a Lula / Whole Lotta Shakin Goin’ On | Johnny Hallyday | T-003.048.394-3 | |
| 16 | Joue pas de Rock’n’Roll pour moi | Johnny Hallyday | — | |
| 17 | Salut Charlie | Johnny Hallyday, Michel Mallory | — | |
| 18 | Gabrielle | Johnny Hallyday | — | |
| 19 | Peter Gunn (instrumental) | Johnny Hallyday | T-916.959.014-1 | |
| 20 | Je suis né dans la rue | Johnny Hallyday | T-003.011.078-1 | |
| 21 | Le Pénitencier | Johnny Hallyday, Florent Pagny | T-331.685.700-4 | |
| 22 | La Génération perdue | Johnny Hallyday | T-003.009.957-0 | |
| 23 | Le Bon Temps du Rock’n’Roll | Johnny Hallyday | — | |
| 24 | Introduction symphonique | Johnny Hallyday | — | |
| 25 | Que je t’aime | Johnny Hallyday | — | |
| 26 | Ce que je sais | Johnny Hallyday, Yvan Cassar | T-003.111.640-1 | |
| 27 | Requiem pour un fou | Johnny Hallyday, Lara Fabian | T-003.023.021-7 | |
| 28 | Diego, libre dans sa tête | Johnny Hallyday | T-003.037.606-7 | |
| 29 | L’Envie | Johnny Hallyday | — | |
| 30 | J’la croise tous les matins | Johnny Hallyday, Jean-Jacques Goldman | — | |
| 31 | Cet homme que voila | Johnny Hallyday | T-005.001.037-1 | |
| 32 | O Carole | Johnny Hallyday | T-070.242.598-6 | |
| 33 | Dégage | Johnny Hallyday | T-070.881.725-7 | |
| 34 | Allumer le feu | Johnny Hallyday | T-003.111.351-5 | |
| 35 | Sur ma vie (Live au Stade de France / 11 sept. 1998) | Johnny Hallyday | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Intro (instrumental) | Johnny Hallyday | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 00600753852644?
00600753852644 is a Universal Product Code (UPC) assigned to Stade de France 98 - XXème anniversaire by Johnny Hallyday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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