UPC · Release
Romantic Opera
Giuseppe Verdi, Giacomo Puccini
00602445583508
40 tracks
Last verified:
00602445583508 is the Universal Product Code (UPC barcode) for the release “Romantic Opera” by Giuseppe Verdi, Giacomo Puccini. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBBBA9050360, GBF071301380, GBBBB1400001.
Format
0Indicator
060GS1 prefix
2445Company prefix
58350Product
8Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCRomantic Opera
ISRC40 recordings
ISWC22 works
IPI1 songwriter
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2 | Aida: Act 1. “Celeste Aida” | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | T-900065376-9 | |
| 3 | Gianni Schicchi: “O mio babbino caro” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-901222501-3 | |
| 4 | Don Giovanni : Atto I, scena 2. “Là ci darem la mano” (Don Giovanni, Zerlina) | Monica Groop, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | — | |
| 5 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 6 | La Bohème: Atto II. “Quando men n’vo soletta” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | — | |
| 7 | Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | — | |
| 8 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004938007-5 | |
| 9 | Les Pêcheurs de perles: Act 1, no. 2b. Duo: "Au fond du temple saint" | Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | T0717254255 | |
| 10 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900162132-5 | |
| 11 | Carmen : Acte II. « La Fleur que tu m’avais jetée » (Flower Song) | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T9002482840 | |
| 12 | Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina) | Agnes Baltsa, Academy of St Martin in the Fields, Neville Marriner | — | |
| 13 | L’elisir d’amore: Atto II. “Una furtiva lagrima” | Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi | — | |
| 14 | La Traviata: Atto I. “Follie! Delirio vano è questo!” … “Sempre libera” | Alfredo Kraus, Kiri Te Kanawa, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | — | |
| 15 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 16 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » | The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti | T3056256481 | |
| 17 | Tosca: Atto III. “E lucevan le stelle” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 18 | La traviata: Act 1. “Libiamo ne’ lieti calici” (Brindisi) | Luciano Pavarotti, Joan Sutherland, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | T-906859796-6 | |
| 19 | La rondine: Atto I. Aria “Chi il bel sogno di Doretta” (Magda) | Renée Fleming, English Chamber Orchestra, Jeffrey Tate | T3212317443 | |
| 20 | Manon Lescaut: Atto I. “Donna non vidi mai” | José Carreras, London Symphony Orchestra, Jesús López Cobos | — | |
| 21 | Le nozze di Figaro: Atto II. “Voi che sapete” | Cecilia Bartoli, Wiener Kammerorchester, György Fischer | — | |
| 22 | Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | London Philharmonic Orchestra, Sir Georg Solti | T9025256488 | |
| 23 | Roméo et Juliette : Acte I. « Ah, je veux vivre » | Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 24 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T3147286093 | |
| 25 | La Belle Hélène : Acte I. « Au mont Ida, trois déesses » (Le jugement de Pâris) | Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi | — | |
| 26 | Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — | |
| 27 | La Bohème: Atto I. “Sì. Mi chiamano Mimì” | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 28 | Tosca: Atto I. “Recondita armonia” | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | T3064826780 | |
| 29 | Norma: "Casta diva" (Norma) | Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | T-031601295-9 | |
| 30 | Rigoletto: Atto III. “Bella figlia dell’amore” | Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | — | |
| 31 | Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | T0050008382 | |
| 32 | Le Nozze di Figaro: Atto II. “Porgi amor” | Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | T-306482540-3 | |
| 33 | Rusalka: "Měsíčku na nebi hlubokém" (O silver moon) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | T0100552804 | |
| 34 | Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno) | Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | — | |
| 35 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-900134452-1 | |
| 36 | La Bohème: Atto III. “Donde lieta uscì al tuo grido” | Angela Gheorghiu, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | — | |
| 37 | Les Pêcheurs de Perles : Acte I. « Je crois entendre encore » | Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi | T7024245738 | |
| 38 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071153499-4 | |
| 39 | Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti | — | |
| 40 | Tristan und Isolde: Akt III. “Mild und leise wie er lächelt” (Isoldes Liebestod) | Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | T3064826860 |
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Don Giovanni : Atto I, scena 2. “Là ci darem la mano” (Don Giovanni, Zerlina)
Monica Groop, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti
—
La Wally: Ebben?… Ne andrò lontana
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
La Bohème: Atto II. “Quando men n’vo soletta”
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
—
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
—
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton
Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina)
Agnes Baltsa, Academy of St Martin in the Fields, Neville Marriner
—
L’elisir d’amore: Atto II. “Una furtiva lagrima”
Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi
—
La Traviata: Atto I. “Follie! Delirio vano è questo!” … “Sempre libera”
Alfredo Kraus, Kiri Te Kanawa, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
Tosca: Atto III. “E lucevan le stelle”
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Luciano Pavarotti, Joan Sutherland, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge
Renée Fleming, English Chamber Orchestra, Jeffrey Tate
Manon Lescaut: Atto I. “Donna non vidi mai”
José Carreras, London Symphony Orchestra, Jesús López Cobos
—
Le nozze di Figaro: Atto II. “Voi che sapete”
Cecilia Bartoli, Wiener Kammerorchester, György Fischer
—
London Philharmonic Orchestra, Sir Georg Solti
Roméo et Juliette : Acte I. « Ah, je veux vivre »
Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras
—
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
La Belle Hélène : Acte I. « Au mont Ida, trois déesses » (Le jugement de Pâris)
Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi
—
Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix »
Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis
—
La Bohème: Atto I. “Sì. Mi chiamano Mimì”
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Rigoletto: Atto III. “Bella figlia dell’amore”
Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge
—
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno)
Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
—
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
La Bohème: Atto III. “Donde lieta uscì al tuo grido”
Angela Gheorghiu, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
—
Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi
Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge
Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti
—
Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Aida: Act 1. “Celeste Aida” | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | T3149460691 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306482666-6 |
| Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | London Philharmonic Orchestra, Sir Georg Solti | — |
| La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
—
Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
London Philharmonic Orchestra, Sir Georg Solti
—
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006097350X000000007839821600000000816924320000000083983858000000008506757000000000898621680000000105682897000000010670342600000001072812290000000108602274
+40 more
0000000108694084000000010914421X000000010922378600000001093804740000000109645962000000011060868300000001108294270000000110829638000000011297410X000000011439722X0000000114397967000000011450226100000001145155800000000114523548000000011453360700000001146866890000000114712250000000011471979400000001147254810000000114765483000000011476697X0000000114927630000000011507285700000001165851870000000117984710000000011833751500000001193903850000000119456479000000011951497400000001199261350000000120191498000000012022482700000001203491520000000120978012000000012106800200000001211442470000000121174593000000012120429700000001212540080000000121275546
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What is UPC 00602445583508?
00602445583508 is a Universal Product Code (UPC) assigned to Romantic Opera by Giuseppe Verdi, Giacomo Puccini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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