UPC · Release
Philip Glass, Michael Nyman, Arvo Pärt
Last verified:
The UPC for “Minimalism: A Classical Aesthetic” by Philip Glass, Michael Nyman, Arvo Pärt is 00602448604033. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 112 tracks, each with its own ISRC. Tracks include DEN962100220, GBF071304040, ITUM71600699.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Tissue No. 7 | Philip Glass | — | |
| 3 | The Piano: Deep Sleep Playing | Valentina Lisitsa | — | |
| 4 | Für Alina | Gianluca Cascioli | — | |
| 5 | Spiegel im Spiegel | Nicola Benedetti, Alexei Grynyuk | T-917.645.859-6 | |
| 6 | Étude no. 6 | Víkingur Ólafsson | T-011.128.487-7 | |
| 7 | Estonian Lullaby | Girls’ Choir of the Vilnius Choir-Singing School “Liepaitės”, Gidon Kremer, Kremerata Baltica | — | |
| 8 | Something She Has to Do. | Valentina Lisitsa | T-071.769.789-6 | |
| 9 | The End of the Affair: Diary of Love | Valentina Lisitsa | T-010.968.374-0 | |
| 11 | The Diary of Anne Frank: Why? | Valentina Lisitsa | T-071.770.447-6 | |
| 12 | China Gates | Alan Feinberg | — | |
| 13 | Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 14 | Shaker Loops: 2. Hymning Slews | San Francisco Symphony, Edo de Waart | — | |
| 15 | Escape! | Valentina Lisitsa | T-071.769.789-6 | |
| 16 | The Piano: The Heart Asks Pleasure First | Jean-Yves Thibaudet | T-010.203.179-7 | |
| 17 | The Diary of Anne Frank - Arr. Harle: If | Michael Nyman, Jess Gillam, BBC Concert Orchestra, Jessica Cottis | — | |
| 18 | Duet for Two Violins and Strings | Daniel Hope, Simos Papanas, Kammerorchester Basel | — | |
| 19 | Two Pieces for Harp: A Room | Floraleda Sacchi | — | |
| 20 | Reed Phase | Steve Reich, Jon Gibson | — | |
| 21 | Hymn to a Great City | Katia & Marielle Labèque | — | |
| 22 | Águas da Amazonia: Tiquiê River | Uakti | T-010.897.575-2 | |
| 23 | In C | Piano Circus | — | |
| 24 | The Piano: The Embrace | Valentina Lisitsa | T-010.203.179-7 | |
| 25 | Glassworks: Opening | Víkingur Ólafsson | T-316.902.801-3 | |
| 26 | Águas da Amazonia: Amazon River | Uakti | T-010.897.575-2 | |
| 27 | Metamorphosis: II | Valentina Lisitsa | — | |
| 28 | Wonderland: Jack | Valentina Lisitsa | T-010.141.479-2 | |
| 29 | The Olympian: Lighting of the Torch | Valentina Lisitsa | — | |
| 30 | The Hours: Why Does Someone Have To Die? | Valentina Lisitsa | T-071.769.789-6 | |
| 31 | Three Movements for Orchestra: 1. Mvt 1 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 32 | 4 Movements for 2 Pianos: II. | Katia & Marielle Labèque | T-316.904.632-2 | |
| 33 | Closing | Valentina Lisitsa | T-011.194.276-7 | |
| 34 | 4 Movements for 2 Pianos: IV. | Katia & Marielle Labèque | T-922.975.344-0 | |
| 35 | Free to X | David Chalmin, Katia Labèque, Raphaël Séguinier, Nicola Tescari | T-305.879.950-7 | |
| 36 | The Time Curve Preludes: II. | Katia Labèque | — | |
| 37 | Choosing Life | Valentina Lisitsa | T-071.769.789-6 | |
| 38 | Étude no. 13 | Víkingur Ólafsson | — | |
| 39 | Carrington: Fly Drive | Valentina Lisitsa | — | |
| 40 | Étude no. 5 | Víkingur Ólafsson | T-071.017.479-0 | |
| 41 | Aguas da Amazonia: Negro River | Philip Glass, Uakti | T-010.897.575-2 | |
| 42 | Morning Passages | Valentina Lisitsa | T-071.769.789-6 | |
| 43 | Metamorphosis: III | Valentina Lisitsa | T-011.144.544-3 | |
| 44 | Images: Prelude 5 | Marielle Labèque | — | |
| 45 | Águas da Amazonia: Purus River | Uakti | T-010.897.575-2 | |
| 46 | Étude no. 15 | Víkingur Ólafsson | — | |
| 47 | Cello Counterpoint: I. Fast | Peter Gregson | — | |
| 48 | The Piano: The Attraction of the Pedalling Ankle | Valentina Lisitsa | — | |
| 49 | 4 Movements for 2 Pianos: III. | Katia & Marielle Labèque | T-922.975.339-3 | |
| 50 | The Piano: All Imperfect Things | Valentina Lisitsa | — | |
| 51 | The Piano: Big My Secret | Valentina Lisitsa | T-900.053.663-0 | |
| 52 | Gattaca: The Departure | Valentina Lisitsa | T-010.151.647-5 | |
| 53 | Wichita Sutra Vortex | Valentina Lisitsa | T-900.143.891-1 | |
| 54 | Metamorphosis: I | Valentina Lisitsa | T-011.197.744-6 | |
| 55 | Aguas da Amazonia: Tapajós River | Philip Glass, Uakti | T-010.897.575-2 | |
| 56 | The Diary of Anne Frank: Goodbye Moortle | Valentina Lisitsa | — | |
| 57 | Metamorphosis: IV | Valentina Lisitsa | T-316.904.611-7 | |
| 58 | Cello Counterpoint: III. Fast | Peter Gregson | — | |
| 59 | The Time Curve Preludes: I. | Marielle Labèque | T-932.637.060-9 | |
| 60 | The Hours: An Unwelcome Friend | Valentina Lisitsa | T-072.593.714-3 | |
| 61 | The Time Curve Preludes: XVII. | Marielle Labèque | — | |
| 62 | Aguas da Amazonia: Xingu River | Philip Glass, Uakti | T-010.897.575-2 | |
| 63 | Shaker Loops: IV. A Final Shaking | San Francisco Symphony, Edo de Waart | — | |
| 64 | The Piano: Silver‐Fingered Fling | Valentina Lisitsa | — | |
| 65 | Short Ride in a Fast Machine | Orchestre symphonique de Montréal, Kent Nagano | — | |
| 66 | Cello Counterpoint: II. Slow | Peter Gregson | — | |
| 67 | Shaker Loops: III. Loops and Verses | San Francisco Symphony, Edo de Waart | — | |
| 68 | Postlude | Marielle Labèque | — | |
| 69 | Images: Prelude 7 | Marielle Labèque | — | |
| 70 | Wonderland: Bill | Valentina Lisitsa | T-010.078.253-3 | |
| 71 | Aguas da Amazonia: Japurá River | Philip Glass, Uakti | T-010.897.575-2 | |
| 72 | Études no. 3 | Víkingur Ólafsson | T-923.005.029-0 | |
| 73 | The Time Curve Preludes: VII. | Katia Labèque | T-329.497.346-5 | |
| 74 | Trysting Fields From “Drowning by Numbers” | Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey | T-010.021.626-9 | |
| 75 | The Poet Acts | Valentina Lisitsa, Katia Labèque | T-010.072.246-0 | |
| 76 | Études no. 9 (Reworked by CFCF) | Víkingur Ólafsson, CFCF | T-011.128.487-7 | |
| 77 | Águas da Amazonia: Paru River | Uakti | T-010.897.575-2 | |
| 78 | The Piano: Lost and Found | Valentina Lisitsa | — | |
| 79 | Drowning by Numbers: Sheep 'N' Tides | Valentina Lisitsa | T-010.203.080-7 | |
| 80 | Glassworks: Opening (reworked by Christian Badzura) | Siggi String Quartet, Víkingur Ólafsson | T-316.902.801-3 | |
| 81 | Étude no. 2 | Víkingur Ólafsson | T-316.904.638-8 | |
| 82 | The Hours | Valentina Lisitsa | T-071.769.789-6 | |
| 83 | Étude no. 14 | Víkingur Ólafsson | T-923.059.400-0 | |
| 84 | The Diary of Anne Frank: Candlefire | Valentina Lisitsa | — | |
| 85 | Water Dances: IV. Gliding | Katia & Marielle Labèque | — | |
| 86 | The Draughtman’s Contract: Chasing Sheep Is Best Left to Shepherds | Valentina Lisitsa | T-010.152.136-1 | |
| 87 | Études no. 18 | Víkingur Ólafsson | — | |
| 88 | Images: Interlude 4 | Marielle Labèque | T-011.165.393-0 | |
| 91 | Dead Things | Valentina Lisitsa | T-071.769.789-6 | |
| 92 | The Piano: The Mood That Passes Through You | Valentina Lisitsa | T-010.203.186-6 | |
| 93 | Études no. 5 (Reworked by Christian Badzura) | Víkingur Ólafsson | T-316.902.798-5 | |
| 94 | I'm Going to Make a Cake | Valentina Lisitsa | T-071.769.789-6 | |
| 95 | Águas da Amazonia: Madeira River | Uakti | T-010.897.575-2 | |
| 96 | Experiences, I | Katia & Marielle Labèque | — | |
| 98 | Water Dances: II. Stroking | Katia & Marielle Labèque | — | |
| 99 | 4 Movements for 2 Pianos: I. | Katia & Marielle Labèque | T-802.476.657-3 | |
| 100 | Vladimir’s Blues | Max Richter | — | |
| 101 | The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine - The poet acts | Philip Glass | T-010.072.246-0 | |
| 102 | Cantus in Memoriam Benjamin Britten | English Chamber Orchestra, Nigel Short | — | |
| 103 | Echorus | Daniel Hope, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-072.523.714-8 | |
| 104 | Man With a Movie Camera: Odessa Beach | Valentina Lisitsa | — | |
| 105 | Pat's Aria | John Adams | — | |
| 106 | Étude no. 9 | Víkingur Ólafsson | T-011.128.487-7 | |
| 107 | Berliner Messe: III. Erster Alleluiavers | Tallinna Kammerorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | — | |
| 108 | Lamentate: III. Fragile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 109 | Lamentate: III. Fragile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 110 | Berliner Messe: IV. Zweiter Alleluiavers | Tallinna Kammerorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | — | |
| 111 | Lamentate: VI. Consolante | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 112 | Lamentate: VII. Stridendo | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 113 | O Weisheit | Choir of New College Oxford, Edward Higginbottom | — | |
| 114 | Habitare fratres in unum | Vox Clamantis, Jaan-Eik Tulve | — | |
| 115 | Für Alina | Alice Sara Ott | — | |
| 116 | Christmas Lullaby | Eesti Filharmoonia Kammerkoor, Tallinna Kammerorkester, Tõnu Kaljuste | — | |
| 117 | The Claim: The Exchange | Valentina Lisitsa | — |
Identifier Graph
00602448604033 is a Universal Product Code (UPC) assigned to Minimalism: A Classical Aesthetic by Philip Glass, Michael Nyman, Arvo Pärt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 112 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Poet Acts | Katia Labèque | T-010.072.246-0 |
| Lamentate: III. Fragile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | T-011.702.394-5 |
| Vater Unser (Version for Cello and Piano) | Camille Thomas, Julien Brocal | — |
| A Zed and Two Noughts - Time Lapse | Simon Ghraichy | T-917.066.235-8 |
| Truman Sleeps (short version) | Valentina Lisitsa | T-070.930.671-7 |
| The Truman Show: Truman Sleeps | Valentina Lisitsa | T-070.930.671-7 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Minimalism: A Classical Aesthetic” by Philip Glass, Michael Nyman, Arvo Pärt is 00602448604033. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 112 tracks, each with its own ISRC. Tracks include DEN962100220, GBF071304040, ITUM71600699.
