UPC · Release
Minimalism: A Classical Aesthetic
Philip Glass, Michael Nyman, Arvo Pärt
00602448604033
112 tracks
Last verified:
00602448604033 is the Universal Product Code (UPC barcode) for the release “Minimalism: A Classical Aesthetic” by Philip Glass, Michael Nyman, Arvo Pärt. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 112 tracks, each with its own ISRC. Tracks include DEN962100220, GBF071304040, ITUM71600699.
Format
0Indicator
060GS1 prefix
2448Company prefix
60403Product
3Check digit
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
UPCMinimalism: A Classical Aesthetic
ISRC112 recordings
ISWC30 works
IPI8 songwriters
Track List (112)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Tissue No. 7 | Philip Glass | — | |
| 3 | The Piano: Deep Sleep Playing | Valentina Lisitsa | — | |
| 4 | Für Alina | Gianluca Cascioli | — | |
| 5 | Spiegel im Spiegel | Nicola Benedetti, Alexei Grynyuk | T-917.645.859-6 | |
| 6 | Étude no. 6 | Víkingur Ólafsson | T-011.128.487-7 | |
| 7 | Estonian Lullaby | Girls’ Choir of the Vilnius Choir-Singing School “Liepaitės”, Gidon Kremer, Kremerata Baltica | — | |
| 8 | Something She Has to Do. | Valentina Lisitsa | T-071.769.789-6 | |
| 9 | The End of the Affair: Diary of Love | Valentina Lisitsa | T-010.968.374-0 | |
| 11 | The Diary of Anne Frank: Why? | Valentina Lisitsa | T-071.770.447-6 | |
| 12 | China Gates | Alan Feinberg | — | |
| 13 | Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 14 | Shaker Loops: 2. Hymning Slews | San Francisco Symphony, Edo de Waart | — | |
| 15 | Escape! | Valentina Lisitsa | T-071.769.789-6 | |
| 16 | The Piano: The Heart Asks Pleasure First | Jean-Yves Thibaudet | T-010.203.179-7 | |
| 17 | The Diary of Anne Frank - Arr. Harle: If | Michael Nyman, Jess Gillam, BBC Concert Orchestra, Jessica Cottis | — | |
| 18 | Duet for Two Violins and Strings | Daniel Hope, Simos Papanas, Kammerorchester Basel | — | |
| 19 | Two Pieces for Harp: A Room | Floraleda Sacchi | — | |
| 20 | Reed Phase | Steve Reich, Jon Gibson | — | |
| 21 | Hymn to a Great City | Katia & Marielle Labèque | — | |
| 22 | Águas da Amazonia: Tiquiê River | Uakti | T-010.897.575-2 | |
| 23 | In C | Piano Circus | — | |
| 24 | The Piano: The Embrace | Valentina Lisitsa | T-010.203.179-7 | |
| 25 | Glassworks: Opening | Víkingur Ólafsson | T-316.902.801-3 | |
| 26 | Águas da Amazonia: Amazon River | Uakti | T-010.897.575-2 | |
| 27 | Metamorphosis: II | Valentina Lisitsa | — | |
| 28 | Wonderland: Jack | Valentina Lisitsa | T-010.141.479-2 | |
| 29 | The Olympian: Lighting of the Torch | Valentina Lisitsa | — | |
| 30 | The Hours: Why Does Someone Have To Die? | Valentina Lisitsa | T-071.769.789-6 | |
| 31 | Three Movements for Orchestra: 1. Mvt 1 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | — | |
| 32 | 4 Movements for 2 Pianos: II. | Katia & Marielle Labèque | T-316.904.632-2 | |
| 33 | Closing | Valentina Lisitsa | T-011.194.276-7 | |
| 34 | 4 Movements for 2 Pianos: IV. | Katia & Marielle Labèque | T-922.975.344-0 | |
| 35 | Free to X | David Chalmin, Katia Labèque, Raphaël Séguinier, Nicola Tescari | T-305.879.950-7 | |
| 36 | The Time Curve Preludes: II. | Katia Labèque | — | |
| 37 | Choosing Life | Valentina Lisitsa | T-071.769.789-6 | |
| 38 | Étude no. 13 | Víkingur Ólafsson | — | |
| 39 | Carrington: Fly Drive | Valentina Lisitsa | — | |
| 40 | Étude no. 5 | Víkingur Ólafsson | T-071.017.479-0 | |
| 41 | Aguas da Amazonia: Negro River | Philip Glass, Uakti | T-010.897.575-2 | |
| 42 | Morning Passages | Valentina Lisitsa | T-071.769.789-6 | |
| 43 | Metamorphosis: III | Valentina Lisitsa | T-011.144.544-3 | |
| 44 | Images: Prelude 5 | Marielle Labèque | — | |
| 45 | Águas da Amazonia: Purus River | Uakti | T-010.897.575-2 | |
| 46 | Étude no. 15 | Víkingur Ólafsson | — | |
| 47 | Cello Counterpoint: I. Fast | Peter Gregson | — | |
| 48 | The Piano: The Attraction of the Pedalling Ankle | Valentina Lisitsa | — | |
| 49 | 4 Movements for 2 Pianos: III. | Katia & Marielle Labèque | T-922.975.339-3 | |
| 50 | The Piano: All Imperfect Things | Valentina Lisitsa | — | |
| 51 | The Piano: Big My Secret | Valentina Lisitsa | T-900.053.663-0 | |
| 52 | Gattaca: The Departure | Valentina Lisitsa | T-010.151.647-5 | |
| 53 | Wichita Sutra Vortex | Valentina Lisitsa | T-900.143.891-1 | |
| 54 | Metamorphosis: I | Valentina Lisitsa | T-011.197.744-6 | |
| 55 | Aguas da Amazonia: Tapajós River | Philip Glass, Uakti | T-010.897.575-2 | |
| 56 | The Diary of Anne Frank: Goodbye Moortle | Valentina Lisitsa | — | |
| 57 | Metamorphosis: IV | Valentina Lisitsa | T-316.904.611-7 | |
| 58 | Cello Counterpoint: III. Fast | Peter Gregson | — | |
| 59 | The Time Curve Preludes: I. | Marielle Labèque | T-932.637.060-9 | |
| 60 | The Hours: An Unwelcome Friend | Valentina Lisitsa | T-072.593.714-3 | |
| 61 | The Time Curve Preludes: XVII. | Marielle Labèque | — | |
| 62 | Aguas da Amazonia: Xingu River | Philip Glass, Uakti | T-010.897.575-2 | |
| 63 | Shaker Loops: IV. A Final Shaking | San Francisco Symphony, Edo de Waart | — | |
| 64 | The Piano: Silver‐Fingered Fling | Valentina Lisitsa | — | |
| 65 | Short Ride in a Fast Machine | Orchestre symphonique de Montréal, Kent Nagano | — | |
| 66 | Cello Counterpoint: II. Slow | Peter Gregson | — | |
| 67 | Shaker Loops: III. Loops and Verses | San Francisco Symphony, Edo de Waart | — | |
| 68 | Postlude | Marielle Labèque | — | |
| 69 | Images: Prelude 7 | Marielle Labèque | — | |
| 70 | Wonderland: Bill | Valentina Lisitsa | T-010.078.253-3 | |
| 71 | Aguas da Amazonia: Japurá River | Philip Glass, Uakti | T-010.897.575-2 | |
| 72 | Études no. 3 | Víkingur Ólafsson | T-923.005.029-0 | |
| 73 | The Time Curve Preludes: VII. | Katia Labèque | T-329.497.346-5 | |
| 74 | Trysting Fields From “Drowning by Numbers” | Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey | T-010.021.626-9 | |
| 75 | The Poet Acts | Valentina Lisitsa, Katia Labèque | T-010.072.246-0 | |
| 76 | Études no. 9 (Reworked by CFCF) | Víkingur Ólafsson, CFCF | T-011.128.487-7 | |
| 77 | Águas da Amazonia: Paru River | Uakti | T-010.897.575-2 | |
| 78 | The Piano: Lost and Found | Valentina Lisitsa | — | |
| 79 | Drowning by Numbers: Sheep 'N' Tides | Valentina Lisitsa | T-010.203.080-7 | |
| 80 | Glassworks: Opening (reworked by Christian Badzura) | Siggi String Quartet, Víkingur Ólafsson | T-316.902.801-3 | |
| 81 | Étude no. 2 | Víkingur Ólafsson | T-316.904.638-8 | |
| 82 | The Hours | Valentina Lisitsa | T-071.769.789-6 | |
| 83 | Étude no. 14 | Víkingur Ólafsson | T-923.059.400-0 | |
| 84 | The Diary of Anne Frank: Candlefire | Valentina Lisitsa | — | |
| 85 | Water Dances: IV. Gliding | Katia & Marielle Labèque | — | |
| 86 | The Draughtman’s Contract: Chasing Sheep Is Best Left to Shepherds | Valentina Lisitsa | T-010.152.136-1 | |
| 87 | Études no. 18 | Víkingur Ólafsson | — | |
| 88 | Images: Interlude 4 | Marielle Labèque | T-011.165.393-0 | |
| 91 | Dead Things | Valentina Lisitsa | T-071.769.789-6 | |
| 92 | The Piano: The Mood That Passes Through You | Valentina Lisitsa | T-010.203.186-6 | |
| 93 | Études no. 5 (Reworked by Christian Badzura) | Víkingur Ólafsson | T-316.902.798-5 | |
| 94 | I'm Going to Make a Cake | Valentina Lisitsa | T-071.769.789-6 | |
| 95 | Águas da Amazonia: Madeira River | Uakti | T-010.897.575-2 | |
| 96 | Experiences, I | Katia & Marielle Labèque | — | |
| 98 | Water Dances: II. Stroking | Katia & Marielle Labèque | — | |
| 99 | 4 Movements for 2 Pianos: I. | Katia & Marielle Labèque | T-802.476.657-3 | |
| 100 | Vladimir’s Blues | Max Richter | — | |
| 101 | The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine - The poet acts | Philip Glass | T-010.072.246-0 | |
| 102 | Cantus in Memoriam Benjamin Britten | English Chamber Orchestra, Nigel Short | — | |
| 103 | Echorus | Daniel Hope, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-072.523.714-8 | |
| 104 | Man With a Movie Camera: Odessa Beach | Valentina Lisitsa | — | |
| 105 | Pat's Aria | John Adams | — | |
| 106 | Étude no. 9 | Víkingur Ólafsson | T-011.128.487-7 | |
| 107 | Berliner Messe: III. Erster Alleluiavers | Tallinna Kammerorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | — | |
| 108 | Lamentate: III. Fragile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 109 | Lamentate: III. Fragile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 110 | Berliner Messe: IV. Zweiter Alleluiavers | Tallinna Kammerorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | — | |
| 111 | Lamentate: VI. Consolante | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 112 | Lamentate: VII. Stridendo | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | — | |
| 113 | O Weisheit | Choir of New College Oxford, Edward Higginbottom | — | |
| 114 | Habitare fratres in unum | Vox Clamantis, Jaan-Eik Tulve | — | |
| 115 | Für Alina | Alice Sara Ott | — | |
| 116 | Christmas Lullaby | Eesti Filharmoonia Kammerkoor, Tallinna Kammerorkester, Tõnu Kaljuste | — | |
| 117 | The Claim: The Exchange | Valentina Lisitsa | — |
Tissue No. 7
Philip Glass
—
The Piano: Deep Sleep Playing
Valentina Lisitsa
—
Für Alina
Gianluca Cascioli
—
Estonian Lullaby
Girls’ Choir of the Vilnius Choir-Singing School “Liepaitės”, Gidon Kremer, Kremerata Baltica
—
China Gates
Alan Feinberg
—
Three Movements for Orchestra: 2. Mvt.2
Steve Reich, Los Angeles Philharmonic, Stefan Asbury
—
Shaker Loops: 2. Hymning Slews
San Francisco Symphony, Edo de Waart
—
The Diary of Anne Frank - Arr. Harle: If
Michael Nyman, Jess Gillam, BBC Concert Orchestra, Jessica Cottis
—
Duet for Two Violins and Strings
Daniel Hope, Simos Papanas, Kammerorchester Basel
—
Two Pieces for Harp: A Room
Floraleda Sacchi
—
Reed Phase
Steve Reich, Jon Gibson
—
Hymn to a Great City
Katia & Marielle Labèque
—
In C
Piano Circus
—
Metamorphosis: II
Valentina Lisitsa
—
The Olympian: Lighting of the Torch
Valentina Lisitsa
—
Three Movements for Orchestra: 1. Mvt 1
Steve Reich, Los Angeles Philharmonic, Stefan Asbury
—
The Time Curve Preludes: II.
Katia Labèque
—
Étude no. 13
Víkingur Ólafsson
—
Carrington: Fly Drive
Valentina Lisitsa
—
Images: Prelude 5
Marielle Labèque
—
Étude no. 15
Víkingur Ólafsson
—
Cello Counterpoint: I. Fast
Peter Gregson
—
The Piano: The Attraction of the Pedalling Ankle
Valentina Lisitsa
—
The Piano: All Imperfect Things
Valentina Lisitsa
—
The Diary of Anne Frank: Goodbye Moortle
Valentina Lisitsa
—
Cello Counterpoint: III. Fast
Peter Gregson
—
The Time Curve Preludes: XVII.
Marielle Labèque
—
Shaker Loops: IV. A Final Shaking
San Francisco Symphony, Edo de Waart
—
The Piano: Silver‐Fingered Fling
Valentina Lisitsa
—
Short Ride in a Fast Machine
Orchestre symphonique de Montréal, Kent Nagano
—
Cello Counterpoint: II. Slow
Peter Gregson
—
Shaker Loops: III. Loops and Verses
San Francisco Symphony, Edo de Waart
—
Postlude
Marielle Labèque
—
Images: Prelude 7
Marielle Labèque
—
Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey
The Piano: Lost and Found
Valentina Lisitsa
—
Siggi String Quartet, Víkingur Ólafsson
The Diary of Anne Frank: Candlefire
Valentina Lisitsa
—
Water Dances: IV. Gliding
Katia & Marielle Labèque
—
Études no. 18
Víkingur Ólafsson
—
Experiences, I
Katia & Marielle Labèque
—
Water Dances: II. Stroking
Katia & Marielle Labèque
—
Vladimir’s Blues
Max Richter
—
Cantus in Memoriam Benjamin Britten
English Chamber Orchestra, Nigel Short
—
Man With a Movie Camera: Odessa Beach
Valentina Lisitsa
—
Pat's Aria
John Adams
—
Berliner Messe: III. Erster Alleluiavers
Tallinna Kammerorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
—
Lamentate: III. Fragile
Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko
—
Lamentate: III. Fragile
Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko
—
Berliner Messe: IV. Zweiter Alleluiavers
Tallinna Kammerorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
—
Lamentate: VI. Consolante
Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko
—
Lamentate: VII. Stridendo
Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko
—
O Weisheit
Choir of New College Oxford, Edward Higginbottom
—
Habitare fratres in unum
Vox Clamantis, Jaan-Eik Tulve
—
Für Alina
Alice Sara Ott
—
Christmas Lullaby
Eesti Filharmoonia Kammerkoor, Tallinna Kammerorkester, Tõnu Kaljuste
—
The Claim: The Exchange
Valentina Lisitsa
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Poet Acts | Katia Labèque | T-010.072.246-0 |
| Lamentate: III. Fragile | Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko | T-011.702.394-5 |
| Vater Unser (Version for Cello and Piano) | Camille Thomas, Julien Brocal | — |
| A Zed and Two Noughts - Time Lapse | Simon Ghraichy | T-917.066.235-8 |
| Truman Sleeps (short version) | Valentina Lisitsa | T-070.930.671-7 |
| The Truman Show: Truman Sleeps | Valentina Lisitsa | T-070.930.671-7 |
Katia Labèque
Alexei Lubimov, SWR Stuttgart Radio Symphony Orchestra, Andrey Boreyko
Vater Unser (Version for Cello and Piano)
Camille Thomas, Julien Brocal
—
Simon Ghraichy
Valentina Lisitsa
Valentina Lisitsa
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.021.626-9T-010.078.253-3T-010.141.479-2T-010.203.080-7T-010.021.626-9T-010.072.246-0T-010.078.253-3T-010.141.479-2T-010.151.647-5T-010.152.136-1
+20 more
T-010.203.080-7T-010.897.575-2T-010.968.374-0T-011.128.487-7T-011.144.544-3T-011.702.394-5T-070.930.671-7T-071.017.479-0T-071.769.789-6T-071.770.447-6T-072.523.714-8T-316.902.798-5T-316.902.801-3T-316.904.611-7T-316.904.638-8T-900.053.663-0T-900.143.891-1T-917.645.859-6T-923.005.029-0T-923.059.400-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000044615868000000005405553400000000594405620000000071408901000000007249384500000000783981440000000078537159000000008080893100000000816117270000000083576240
+20 more
00000000837376220000000083982492000000008412618800000000848264670000000106709764000000010721968700000001072931740000000109374170000000010939596700000001094067770000000109446533000000010970204X00000001107914140000000110910612000000011093557X000000011297410X0000000114506983000000011463785200000001148937090000000114972247
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What is UPC 00602448604033?
00602448604033 is a Universal Product Code (UPC) assigned to Minimalism: A Classical Aesthetic by Philip Glass, Michael Nyman, Arvo Pärt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 112 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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