UPC · Release
ELAIZA
Last verified:
00602478652851 is the Universal Product Code (UPC barcode) for the release “fantasy” by ELAIZA, released 2025-07-23. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include JPPO02302055, JPPO02400190, JPPO02303968.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | わたしたち | ELAIZA | — | |
| 2 | night walk | ELAIZA | — | |
| 3 | ピーチジュース | ELAIZA | — | |
| 4 | META | ELAIZA | — | |
| 5 | たましい | ELAIZA | T-328.280.333-8 | |
| 6 | FREAK | ELAIZA | — | |
| 7 | Catch Up SANTA | ELAIZA | — | |
| 8 | スクラップ&ビルド | ELAIZA | — | |
| 9 | ラブコメみたいな恋をした | ELAIZA | — | |
| 10 | Utopia | ELAIZA | T-311.377.851-7 | |
| 11 | テキトーLOVE | ELAIZA | — | |
| 12 | Fantasy | ELAIZA | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
00602478652851 is a Universal Product Code (UPC) assigned to fantasy by ELAIZA. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
00602478652851 is the Universal Product Code (UPC barcode) for the release “fantasy” by ELAIZA, released 2025-07-23. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include JPPO02302055, JPPO02400190, JPPO02303968.
