UPC · Release
Intro
Lola Young
Last verified:
00602508505966 is the Universal Product Code (UPC barcode) for the release “Intro” by Lola Young, released 2019-11-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 7 tracks, each with its own ISRC. Tracks include GBUM71905807, GBUM71905812, GBUM71905247.
Format
- Indicator:
- Packaging-level digit (0 = base item, 1-8 = larger packs).
- GS1 prefix:
- Country/region prefix assigned by GS1.
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit.
Credit Chain
Track List (7)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Grey and Lilac (intro) | Lola Young | T-931.674.585-4 | |
| 2 | The Actual Intro | Lola Young | T-930.583.195-2 | |
| 3 | 6 Feet Under | Lola Young | T-931.083.621-6 | |
| 4 | 3rd of Jan | Lola Young | T-930.417.375-9 | |
| 5 | THE MAN | Lola Young | T-931.496.609-1 | |
| 6 | Blind Love | Lola Young | T-925.037.425-5 | |
| 7 | Burn (outro 4 intro) | Lola Young | T-900.152.614-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 00602508505966?
00602508505966 is a Universal Product Code (UPC) assigned to Intro by Lola Young. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 7 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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