UPC · Release
Zedd, Maren Morris
Last verified:
The UPC for “The Middle (Remixes)” by Zedd, Maren Morris is 00602567872481. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-06-28. This release contains 5 tracks, each with its own ISRC. Tracks include USUM71809310, USUM71809313, USUM71809311.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Middle (Marc Benjamin remix) | Zedd, Maren Morris, Grey | T-923.618.540-3 | |
| 2 | The Middle (Curbi remix) | Zedd, Maren Morris | T-923.618.540-3 | |
| 3 | The Middle (Bougenvilla remix) | Zedd, Maren Morris | T-923.618.540-3 | |
| 4 | The Middle (Maliboux remix) | Zedd, Maren Morris | T-923.618.540-3 | |
| 5 | The Middle (UNKWN remix) | Zedd, Maren Morris | T-923.618.540-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
00602567872481 is a Universal Product Code (UPC) assigned to The Middle (Remixes) by Zedd, Maren Morris. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Middle (Remixes)” by Zedd, Maren Morris is 00602567872481. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-06-28. This release contains 5 tracks, each with its own ISRC. Tracks include USUM71809310, USUM71809313, USUM71809311.
