UPC · Release
A Ghost Is Born
Wilco
0075597899016
80 tracksReleased 2025-01-01Nonesuch
Last verified:
0075597899016 is the Universal Product Code (UPC barcode) for the release “A Ghost Is Born” by Wilco, released 2025-01-01 on Nonesuch. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 80 tracks, each with its own ISRC. Tracks include USNO10480901, USNO10480902, USNO10480903.
Format
007GS1 prefix
5597Company prefix
89901Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCA Ghost Is Born
ISRC40 recordings
ISWC39 works
Track List (80)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | At Least That’s What You Said | Wilco | T-072.198.172-1 | |
| 2 | Hell Is Chrome | Wilco | T-072.285.274-5 | |
| 3 | Spiders (Kidsmoke) | Wilco | T-072.198.173-2 | |
| 4 | Muzzle of Bees | Wilco | T-072.198.177-6 | |
| 5 | Hummingbird | Wilco | T-913.111.273-7 | |
| 6 | Handshake Drugs | Wilco | T-072.198.123-2 | |
| 7 | Wishful Thinking | Wilco | T-072.198.178-7 | |
| 8 | Company in My Back | Wilco | T-072.198.174-3 | |
| 9 | I’m a Wheel | Wilco | T-072.198.175-4 | |
| 10 | Theologians | Wilco | T-072.101.935-7 | |
| 11 | Less Than You Think | Wilco | T-904.683.198-5 | |
| 12 | The Late Greats | Wilco | T-072.198.176-5 | |
| 2-1 | At Least That’s What You Said - 8/13/02 SOMA-Chicago Version | Wilco | T-072.198.172-1 | |
| 2-2 | Hell Is Chrome - 10/5/03 SOMA-Chicago Version | Wilco | T-072.285.274-5 | |
| 2-3 | Spiders (Kidsmoke) - 9/28/03 SOMA-Chicago Version | Wilco | T-072.198.173-2 | |
| 2-4 | Muzzle Of Bees - 7/15/03 SOMA-Chicago Version | Wilco | T-072.198.177-6 | |
| 2-5 | Hummingbird - 2/8/02 SOMA-Chicago Version | Wilco | T-913.111.273-7 | |
| 2-6 | Handshake Drugs - 11/13/03 Sear Sound-NYC Version | Wilco | T-072.198.123-2 | |
| 2-7 | Wishful Thinking - 11/1/03 Sear Sound-NYC Version | Wilco | T-072.198.178-7 | |
| 2-8 | Company In My Back - 2/8/03 Hothouse-St. Kilda, Melbourne Version | Wilco | T-072.198.174-3 | |
| 2-9 | I’m A Wheel - August 2002 SOMA-Chicago Version | Wilco | T-072.198.175-4 | |
| 2-10 | Theologians - 3/19/03 SOMA-Chicago Version | Wilco | T-072.101.935-7 | |
| 2-11 | Less Than You Think - 11/11/03 Sear Sound-NYC Version | Wilco | T-904.683.198-5 | |
| 2-12 | The Late Greats - 7/19/03 SOMA-Chicago Version | Wilco | T-072.198.176-5 | |
| 2-13 | Kicking Television - 3/18/03 SOMA-Chicago Version | Wilco | T-911.555.015-7 | |
| 2-14 | The High Heat - 2/5/02 SOMA-Chicago Version | Wilco | T-072.153.392-1 | |
| 2-15 | Panthers - March 2003 SOMA-Chicago Version | Wilco | T-073.097.535-5 | |
| 2-16 | Diamond Claw - 3/21/03 SOMA-Chicago Version | Wilco | T-072.285.285-8 | |
| 2-17 | Bob Dylan’s 49th Beard - June 2002 SOMA-Chicago Version | Wilco | — | |
| 2-18 | More Like The Moon - 2/8/02 SOMA-Chicago Version | Wilco | — | |
| 2-19 | Improbable Germany - 10/7/03 SOMA-Chicago Version | Wilco | — | |
| 3-1 | Handshake Drugs (first version) | Wilco | T-072.198.123-2 | |
| 3-2 | Hummingbird (February 2002 SOMA-Chicago) | — | ||
| 3-3 | The High Heat (2/4/02 SOMA-Chicago) | — | ||
| 3-4 | Spiders (Kidsmoke) (February 2002 SOMA-Chicago) | — | ||
| 3-5 | Diamond Claw (March 2003 SOMA-Chicago) | — | ||
| 3-6 | Muzzle of Bees (October 2003 Sear Sound-NYC) | — | ||
| 3-7 | Like a Stone (11/10/03 Sear Sound-NYC) | — | ||
| 3-8 | Leave Me (Like You Found Me) (6/26/02 SOMA-Chicago) | — | ||
| 3-9 | Losing Interest (11/11/03 Sear Sound-NYC) | — | ||
| 3-10 | Old Maid (6/26/02 SOMA-Chicago) | — | ||
| 3-11 | Spiders (Kidsmoke) (August 2002 SOMA-Chicago) | — | ||
| 3-12 | Panthers (October 2003 Sear Sound-NYC) | — | ||
| 3-13 | Muzzle of Bees (7/16/03 SOMA-Chicago) | — | ||
| 3-14 | Diamond Claw (10/9/03 SOMA-Chicago) | — | ||
| 3-15 | Losing Interest (7/20/03 SOMA-Chicago) | — | ||
| 3-16 | Spiders (Kidsmoke) (October 2003 SOMA-Chicago) | — | ||
| 3-17 | The Thanks I Get (6/26/02 SOMA-Chicago) | — | ||
| 3-18 | Two Hat Blues (March 2003 SOMA-Chicago) | — | ||
| 3-19 | Improbable Germany (January 2002 The Loft-Chicago) | — | ||
| 4-1 | Muzzle of Bees | Wilco | T-072.198.177-6 | |
| 4-2 | Company in My Back | Wilco | T-072.198.174-3 | |
| 4-3 | I Am Trying to Break Your Heart | — | ||
| 4-4 | A Shot in the Arm | — | ||
| 4-5 | Hell Is Chrome | Wilco | T-072.285.274-5 | |
| 4-6 | Handshake Drugs | Wilco | T-072.198.123-2 | |
| 4-7 | Jesus, Etc. | — | ||
| 4-8 | Hummingbird | Wilco | T-913.111.273-7 | |
| 4-9 | I'm Always in Love | — | ||
| 4-10 | At Least That's What You Said | — | ||
| 4-11 | Ashes of American Flags | — | ||
| 4-12 | Theologians | Wilco | T-072.101.935-7 | |
| 5-1 | I'm the Man Who Loves You | — | ||
| 5-2 | Poor Places | — | ||
| 5-3 | Spiders (Kidsmoke) | Wilco | T-072.198.173-2 | |
| 5-4 | She's a Jar | — | ||
| 5-5 | A Magazine Called Sunset | — | ||
| 5-6 | Kingpin | — | ||
| 5-7 | The Late Greats | Wilco | T-072.198.176-5 | |
| 5-8 | I'm a Wheel | — | ||
| 5-9 | Via Chicago | — | ||
| 5-10 | California Stars | — | ||
| 5-11 | Christ for President | — | ||
| 6-1 | Fundamental 1 | — | ||
| 6-2 | Fundamental 2 | — | ||
| 7-1 | Fundamental 3 | — | ||
| 7-2 | Fundamental 4 | — | ||
| 8-1 | Fundamental 5 | — | ||
| 8-2 | Fundamental 6 | — | ||
| 9-1 | Fundamental 7 | — |
Bob Dylan’s 49th Beard - June 2002 SOMA-Chicago Version
Wilco
—
More Like The Moon - 2/8/02 SOMA-Chicago Version
Wilco
—
Improbable Germany - 10/7/03 SOMA-Chicago Version
Wilco
—
Hummingbird (February 2002 SOMA-Chicago)
—
The High Heat (2/4/02 SOMA-Chicago)
—
Spiders (Kidsmoke) (February 2002 SOMA-Chicago)
—
Diamond Claw (March 2003 SOMA-Chicago)
—
Muzzle of Bees (October 2003 Sear Sound-NYC)
—
Like a Stone (11/10/03 Sear Sound-NYC)
—
Leave Me (Like You Found Me) (6/26/02 SOMA-Chicago)
—
Losing Interest (11/11/03 Sear Sound-NYC)
—
Old Maid (6/26/02 SOMA-Chicago)
—
Spiders (Kidsmoke) (August 2002 SOMA-Chicago)
—
Panthers (October 2003 Sear Sound-NYC)
—
Muzzle of Bees (7/16/03 SOMA-Chicago)
—
Diamond Claw (10/9/03 SOMA-Chicago)
—
Losing Interest (7/20/03 SOMA-Chicago)
—
Spiders (Kidsmoke) (October 2003 SOMA-Chicago)
—
The Thanks I Get (6/26/02 SOMA-Chicago)
—
Two Hat Blues (March 2003 SOMA-Chicago)
—
Improbable Germany (January 2002 The Loft-Chicago)
—
I Am Trying to Break Your Heart
—
A Shot in the Arm
—
Jesus, Etc.
—
I'm Always in Love
—
At Least That's What You Said
—
Ashes of American Flags
—
I'm the Man Who Loves You
—
Poor Places
—
She's a Jar
—
A Magazine Called Sunset
—
Kingpin
—
I'm a Wheel
—
Via Chicago
—
California Stars
—
Christ for President
—
Fundamental 1
—
Fundamental 2
—
Fundamental 3
—
Fundamental 4
—
Fundamental 5
—
Fundamental 6
—
Fundamental 7
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-070.880.987-3T-070.909.867-8T-071.188.591-4T-071.413.019-4T-071.902.781-2T-072.101.935-7T-072.198.123-2T-072.198.172-1T-072.198.173-2T-072.198.174-3
+29 more
T-072.198.175-4T-072.198.176-5T-072.198.177-6T-072.198.178-7T-072.285.274-5T-072.101.935-7T-072.198.123-2T-072.198.172-1T-072.198.173-2T-072.198.174-3T-072.198.175-4T-072.198.176-5T-072.198.177-6T-072.198.178-7T-072.285.274-5T-073.097.535-5T-073.079.795-1T-073.097.535-5T-903.558.709-8T-904.683.198-5T-904.683.198-5T-911.555.015-7T-911.555.015-7T-913.111.273-7T-913.111.273-7T-916.145.469-9T-916.145.508-9T-072.153.392-1T-072.285.285-8
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 0075597899016?
0075597899016 is a Universal Product Code (UPC) assigned to A Ghost Is Born by Wilco. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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