UPC · Release
Show Boat (1988 studio cast)
Jerome Kern
Last verified:
0077774910828 is the Universal Product Code (UPC barcode) for the release “Show Boat (1988 studio cast)” by Jerome Kern, released 1988-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture | — | ||
| 2 | Act 1, Scene 1: Cotton Blossom: Niggers All Work on De Mississippi... | — | ||
| 3 | Act 1, Scene 1: Cotton Blossom: 'Andy!!!...' | — | ||
| 4 | Act 1, Scene 1: Cap'n Andy's Ballyhoo: 'Here Comes the Show Boat Parade!...' | — | ||
| 5 | Act 1, Scene 1: Cap'n Andy's Ballyhoo: 'Hey Julie...' | — | ||
| 6 | Act 1, Scene 1: Cap'n Andy's Ballyhoo: 'It's a Man...' | — | ||
| 7 | Act 1, Scene 1: Where's the Mate for Me?: Who Cares If My Boat Goes Upstream... | — | ||
| 8 | Act 1, Scene 1: Make Believe: Only Make Believe I Love You... | — | ||
| 9 | Act 1, Scene 1: Ol' Man River: 'Oh, Joe!...' | — | ||
| 10 | Act 1, Scene 2: Can't Help Lovin' Dat Man: 'What Cher Doin' All by Yourself, Miss Nola?...' | — | ||
| 11 | Act 1, Scene 3: Life on the Wicked Stage: Why Do Stage Struck Maidens Clamor... | — | ||
| 12 | Act 1, Scene 3: Till Good Luck Comes My Way: The Man Who Ventures With Chance... | — | ||
| 13 | Act 1, Scene 4: Mis'ry's Comin' Aroun': Mis'ry's Comin' Aroun'... | — | ||
| 14 | Act 1, Scene 4: Mis'ry's Comin' Aroun': 'Take Her Up, Rubberface!...' | — | ||
| 15 | Act 1, Scene 4: Mis'ry's Comin' Aroun': 'Hello, Windy...' | — | ||
| 16 | Act 1, Scene 4: Mis'ry's Comin' Aroun': 'You Needn't All Look at Us...' | — | ||
| 17 | Act 1, Scene 4: Mis'ry's Comin' Aroun': 'Looks Like a Swell...' | — | ||
| 2-1 | Act 1, Scene 5: I Would Like to Play a Lover's Part: Her Face Is Fair to Look Upon... | — | ||
| 2-2 | Act 1, Scene 5: I Might Fall Back on You: Little Girl, You Are Safe With Me... | — | ||
| 2-3 | Act 1, Scene 5: Queenie's Ballyhoo: 'Is De Theatre Fillin' Up, Cap'n Andy?...' | — | ||
| 2-4 | Act 1, Scene 6: Villain Dance | — | ||
| 2-5 | Act 1, Scene 7: You Are Love: 'That You, Nola?...' | — | ||
| 2-6 | Act 1, Scene 8: Finale Act 1: Oh Tell Me, Did You Ever!... | — | ||
| 2-7 | Act 2, Scene 1: At the Fair: When We Tell Them About It All... | — | ||
| 2-8 | Act 2, Scene 1: Why Do I Love You?: I'm Walking on the Air, Dear... | — | ||
| 2-9 | Act 2, Scene 1: In Dahomey: Dyunga Doe!... | — | ||
| 2-10 | Act 2, Scene 3: Convent Scene: Alma Redmptoris Mater... | — | ||
| 2-11 | Act 2, Scene 4: 'all Right, Jake...' | — | ||
| 2-12 | Act 2, Scene 4: Bill: I Used to Dream... | — | ||
| 2-13 | Magnolia's Audition: Can't Help Lovin' Dat Man (reprise): Fish Gotta Swim, Birds Gotta Fly... | — | ||
| 2-14 | Magnolia's Audition: Can't Help Lovin' Dat Man (reprise): 'Whaddaya Say, Boss?...' | — | ||
| 2-15 | Act 2, Scene 6: Trocadero Opening Chorus: Let's Make the New Year... | — | ||
| 2-16 | Act 2, Scene 6: Apache Dance | — | ||
| 2-17 | Act 2, Scene 6: Goodbye, My Lady Love: So You're Going Away... | — | ||
| 2-18 | Act 2, Scene 6: After the Ball: 'Ladies and Gentlemen...' | — | ||
| 2-19 | Act 2, Scene 7: Ol' Man River (reprise): Ol' Man River... | — | ||
| 2-20 | Act 2, Scene 7: Hey, Feller!: When You Yen for a Gent... | — | ||
| 2-21 | Act 2, Scene 8: You Are Love (reprise): 'That You, Nola?...' | — | ||
| 3-1 | Act 2, Scene 9: Cottom Blossom (reprise): Cotton Blossom... | — | ||
| 3-2 | Act 2, Scene 9: It's Getting Hotter in the North: Now Up in the Northern Land... | — | ||
| 3-3 | Act 2, Scene 9: It's Getting Hotter in the North: 'Say, Cap'n Andy...' | — | ||
| 3-4 | Act 2, Scene 9: Finale Ultimo: 'Hello, Gay...' | — | ||
| 3-5 | Appendix: Pantry Scene (Act 1, Scene Two; Deleted: 1927): 'What Cher Doin' All by Yourself, Miss Nola?...' | — | ||
| 3-6 | Appendix: Waterfront Saloon Scene (Act 1, Scene 3; Deleted: 1927): 'Number Four, Black!...' | — | ||
| 3-7 | Appendix: Yes, Ma'am (Act 1, Scene 3; Unused: 1927): Bet Your Hat... | — | ||
| 3-8 | Appendix: Kim's Imitations (Why Do I Love You?) (Act 2, Scene 9; Ziegfeld Production: 1927): Why Do I Love You?... | — | ||
| 3-9 | Appendix: Dance Away the Night (Act 2, Scene 9; London: 1928): Music in the Air... | — | ||
| 3-10 | Appendix: A Pack of Cards (Act 1, Scene 6?; Unused: 1927): One Night as I Sat by My Fireside So Weary... | — | ||
| 3-11 | Appendix: The Creole Love Song (Act 1, Scene 7; Unused: 1927): 'That You, Nola?...' | — | ||
| 3-12 | Appendix: Out There in an Orchard (Act 2, Scene 4; Unused: 1927): There Was a Sun Sinking Slowly in the West... | — | ||
| 3-13 | Appendix: Gallivantin' Aroun' (Universal Film: 1936): Liza Matilda Hill... | — | ||
| 3-14 | Appendix: I Have the Room Above Her (Universal Film: 1936): 'Seems to Me I've Seen That Stocking Someplace...' | — | ||
| 3-15 | Appendix: Ah Still Suits Me (Universal Film: 1936): 'Joe! Dere You Go Again!...' | — | ||
| 3-16 | Appendix: Nobody Else but Me (Act 2, Scene 9; 1946 Revival): I Was a Shy, Demure Type...' | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 0077774910828?
0077774910828 is a Universal Product Code (UPC) assigned to Show Boat (1988 studio cast) by Jerome Kern. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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