UPC · Album
The Classic Experience II
Various Artists
0077779443123
36 tracksReleased 1990-01-01EMI
Last verified:
0077779443123 is the Universal Product Code (UPC barcode) for the release “The Classic Experience II” by Various Artists, released 1990-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEA349502258, DEA349502268, FRZ117000630.
Format
007GS1 prefix
7779Company prefix
44312Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Classic Experience II
ISRC41 recordings
ISWC17 works
IPI1 songwriter
Track List (41)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502258 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502268 |
| Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract) | Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ117000630 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118701170 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | GBAYC0000001 |
| Carmen : Prélude | Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC0202604 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC0202823 |
| Pizzicati from Sylvia | New Philharmonia Orchestra, Charles Mackerras | GBAYC0800256 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | GBAYC2000054 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie | William Bennett, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8400243 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Carmen : Prélude | Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC8500344 |
| Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | GBAYC8500360 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | GBAYC8500776 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | GBAYC8501542 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | GBAYC8602467 |
| Cello Concerto, op. 85: I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC8602566 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8700809 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | GBAYC8702014 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYC8801306 |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8802143 |
| In the Hall of the Mountain King from 'Peer Gynt' | Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | GBAYC8802155 |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8805740 |
| Pizzicati from Sylvia | New Philharmonia Orchestra, Charles Mackerras | GBAYC8806157 |
| Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8902007 |
| Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | GBAYC9001091 |
| Pavane, op. 50 | Gareth Morris, Orchestre national de l’ORTF, Sir Thomas Beecham | GBAYC9001592 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC9002476 |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003019 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC9502536 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | GBAYC9701010 |
| Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | GBAYC9701443 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | GBAYC9701681 |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702893 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYD8800169 |
| The Nutcracker: Waltz of the Flowers | Royal Philharmonic Orchestra, George Weldon | GBAYD8800677 |
| Swan Lake: Scene | Royal Philharmonic Orchestra, George Weldon | GBAYD8800680 |
| Concerto no. 2 in G minor, RV 315 “L’estate”: III. Presto | Nigel Kennedy, English Chamber Orchestra | GBAYD8900151 |
| Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | GBAYD9000594 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Lakmé : Acte I. « Viens, Mallika … » (Flower Duet) (Extract)
Chœurs du Théâtre National de l’Opéra-Comique, Mady Mesplé, Danielle Millet, National Opera Orchestra, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Lakmé : « Dôme épais … » (Flower Duet)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Finlandia, op. 26
Hallé Orchestra, Sir John Barbirolli
Carmen : Prélude
Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Pizzicati from Sylvia
New Philharmonia Orchestra, Charles Mackerras
Finlandia, op. 26
Hallé Orchestra, Sir John Barbirolli
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
William Bennett, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Carmen : Prélude
Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Carmen : « Les tringles des sistres tintaient » (Chanson bohème)
Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre
Finlandia, op. 26
Hallé Orchestra, Sir John Barbirolli
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
Cello Concerto, op. 85: I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
In the Hall of the Mountain King from 'Peer Gynt'
Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
Pizzicati from Sylvia
New Philharmonia Orchestra, Charles Mackerras
Also sprach Zarathustra (Thus Spake Zarathustra)
David Bell, London Philharmonic Orchestra, Klaus Tennstedt
Gymnopédie no. 1
City of Birmingham Symphony Orchestra, Louis Frémaux
Pavane, op. 50
Gareth Morris, Orchestre national de l’ORTF, Sir Thomas Beecham
Nessun Dorma from 'Turandot'
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti
Carmen : « Les tringles des sistres tintaient » (Chanson bohème)
Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
The Nutcracker: Waltz of the Flowers
Royal Philharmonic Orchestra, George Weldon
Swan Lake: Scene
Royal Philharmonic Orchestra, George Weldon
Concerto no. 2 in G minor, RV 315 “L’estate”: III. Presto
Nigel Kennedy, English Chamber Orchestra
Gymnopédie no. 1
City of Birmingham Symphony Orchestra, Louis Frémaux
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000059321379000000006097350X00000000630905930000000073662284000000008106277200000000810854640000000081386267000000008169243200000001066174480000000108710312
+40 more
0000000108964232000000010911085300000001091274790000000109370671000000010942652400000001101426250000000110164752000000011027389500000001103269770000000110386101000000011082996100000001108636920000000110933953000000011297410X000000011439796700000001144618850000000114533607000000011454217500000001145427570000000114553130000000011463049000000001147254810000000114767198000000011478915100000001155882980000000119456479000000011947503900000001195461750000000119550553000000012020029400000001209584840000000121174593000000012126161100000001213054690000000121615037000000012167737700000001216951960000000121754651000000012186165X0000000121888721
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What is UPC 0077779443123?
0077779443123 is a Universal Product Code (UPC) assigned to The Classic Experience II by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm