UPC · Release
Miles Davis
Last verified:
The UPC for “The Last Word: The Warner Bros. Years” by Miles Davis is 0081227950101. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Warner Bros. Records. This release contains 86 tracks, each with its own ISRC. Tracks include USRH11505500, USRH11505501, USLIC0500317.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tutu | Miles Davis | T-900.464.543-6 | |
| 2 | Tomaas | Miles Davis | — | |
| 3 | Portia | Miles Davis | — | |
| 4 | Splatch | Miles Davis | T-902.910.652-3 | |
| 5 | Backyard Ritual | Miles Davis | T-070.016.868-8 | |
| 6 | Perfect Way | Miles Davis | T-071.286.264-0 | |
| 7 | Don’t Lose Your Mind | Miles Davis | — | |
| 8 | Full Nelson | Miles Davis | — | |
| 2-1 | Lost in Madrid, Part 1 | Miles Davis, Marcus Miller | — | |
| 2-2 | Siesta / Kitt’s Kiss / Lost in Madrid, Part 2 | Miles Davis, Marcus Miller | — | |
| 2-3 | Theme for Augustine / Wind / Seduction / Kiss | Miles Davis, Marcus Miller | T-070.278.944-3 | |
| 2-4 | Submission | Miles Davis, Marcus Miller | — | |
| 2-5 | Lost in Madrid, Part 3 | Miles Davis, Marcus Miller | — | |
| 2-6 | Conchita / Lament | Miles Davis, Marcus Miller | T-073.092.837-6 | |
| 2-7 | Lost in Madrid, Part 4 / Rat Dance / The Call | Miles Davis, Marcus Miller | — | |
| 2-8 | Claire / Lost in Madrid, Part V | Miles Davis, Marcus Miller | — | |
| 2-9 | Afterglow | Miles Davis, Marcus Miller | — | |
| 2-10 | Los Feliz | Miles Davis, Marcus Miller | — | |
| 3-1 | Catémbe | Miles Davis | T-070.259.710-1 | |
| 3-2 | Cobra | Miles Davis | T-070.032.058-6 | |
| 3-3 | Big Time | Miles Davis | T-070.257.916-5 | |
| 3-4 | Hannibal | Miles Davis | T-070.265.390-4 | |
| 3-5 | Jo‐Jo | Miles Davis | T-070.267.822-5 | |
| 3-6 | Amandla | Miles Davis | T-070.256.568-1 | |
| 3-7 | Jilli | Miles Davis | T-070.090.725-0 | |
| 3-8 | Mr. Pastorius | Miles Davis | T-070.270.379-4 | |
| 4-1 | Kimberley Trumpet | Miles Davis, Michel Legrand | — | |
| 4-2 | The Arrival | Miles Davis, Michel Legrand | — | |
| 4-3 | Concert on the Runway | Miles Davis, Michel Legrand | — | |
| 4-4 | The Departure | Miles Davis, Michel Legrand | — | |
| 4-5 | Dingo Howl | Miles Davis, Michel Legrand | T-910.257.470-9 | |
| 4-6 | Letter as Hero | Miles Davis, Michel Legrand | — | |
| 4-7 | Trumpet Cleaning | Miles Davis, Michel Legrand | — | |
| 4-8 | The Dream | Miles Davis, Michel Legrand | — | |
| 4-9 | Paris Walking I | Miles Davis, Michel Legrand | — | |
| 4-10 | Paris Walking II | Miles Davis, Michel Legrand | — | |
| 4-11 | Kimberley Trumpet in Paris | Miles Davis, Michel Legrand | — | |
| 4-12 | The Music Room | Miles Davis, Michel Legrand | — | |
| 4-13 | Club Entrance | Miles Davis, Michel Legrand | — | |
| 4-14 | The Jam Session | Miles Davis, Michel Legrand | — | |
| 4-15 | Going Home | Miles Davis, Michel Legrand | — | |
| 4-16 | Surprise | Miles Davis, Michel Legrand | — | |
| 5-1 | Mystery | Miles Davis | T-070.116.847-9 | |
| 5-2 | The Doo‐Bop Song | Miles Davis | — | |
| 5-3 | Chocolate Chip | Miles Davis | — | |
| 5-4 | High Speed Chase | Miles Davis | — | |
| 5-5 | Blow | Miles Davis | — | |
| 5-6 | Sonya | Miles Davis | T-070.169.363-1 | |
| 5-7 | Fantasy | Miles Davis | T-910.220.152-5 | |
| 5-8 | Duke Booty | Miles Davis | T-070.044.848-1 | |
| 5-9 | Mystery (reprise) | Miles Davis | T-070.116.847-9 | |
| 6-1 | Introduction by Claude Nobs and Quincy Jones | Miles Davis, Quincy Jones | T-904.737.154-0 | |
| 6-2 | Boplicity | Miles Davis, Quincy Jones | T-070.233.104-1 | |
| 6-3 | Introduction to Miles Ahead Medley | Miles Davis, Quincy Jones | — | |
| 6-4 | Springsville | Miles Davis, Quincy Jones | — | |
| 6-5 | Maids of Cadiz | Miles Davis, Quincy Jones | — | |
| 6-6 | The Duke | Miles Davis, Quincy Jones | — | |
| 6-7 | My Ship | Miles Davis, Quincy Jones | T-070.111.363-4 | |
| 6-8 | Miles Ahead | Miles Davis, Quincy Jones | T-905.297.131-0 | |
| 6-9 | Blues for Pablo | Miles Davis, Quincy Jones | — | |
| 6-10 | Introduction to Porgy and Bess Medley | Miles Davis, Quincy Jones | — | |
| 6-11 | Orgone | Miles Davis, Quincy Jones | T-070.939.771-6 | |
| 6-12 | Gone, Gone, Gone | Miles Davis, Quincy Jones | T-070.064.767-1 | |
| 6-13 | Summertime | Miles Davis, Quincy Jones | T-800.364.991-1 | |
| 6-14 | Here Come de Honey Man | Miles Davis, Quincy Jones | T-900.017.926-0 | |
| 6-15 | The Pan Piper | Miles Davis, Quincy Jones | — | |
| 6-16 | Solea | Miles Davis, Quincy Jones | T-070.243.742-0 | |
| 7-1 | In a Silent Way | Miles Davis | T-070.241.148-0 | |
| 7-2 | Intruder | Miles Davis | T-918.961.747-8 | |
| 7-3 | New Blues | Miles Davis | T-073.092.783-9 | |
| 7-4 | Human Nature | Miles Davis | T-070.077.785-0 | |
| 7-5 | Mr. Pastorius | Miles Davis | T-070.270.379-4 | |
| 7-6 | Amandla | Miles Davis | — | |
| 7-7 | Wrinkle | Miles Davis | — | |
| 7-8 | Tutu | Miles Davis | T-900.464.543-6 | |
| 7-9 | Full Nelson | Miles Davis | — | |
| 7-10 | Time After Time | Miles Davis | T-070.247.363-9 | |
| 7-11 | Hannibal | Miles Davis | T-070.265.390-4 | |
| 8-1 | Opening Medley (Theme From Jack Johnson / Speak / That’s What Happened) | Miles Davis | T-073.092.802-5 | |
| 8-2 | New Blues | Miles Davis | T-073.092.783-9 | |
| 8-3 | Maze | Miles Davis | T-904.673.312-4 | |
| 8-4 | Human Nature | Miles Davis | T-070.077.785-0 | |
| 8-5 | Portia | Miles Davis | — | |
| 8-6 | Splatch | Miles Davis | T-902.910.652-3 | |
| 8-7 | Time After Time | Miles Davis | T-070.247.363-9 | |
| 8-8 | Carnival | Miles Davis | — |
Identifier Graph
0081227950101 is a Universal Product Code (UPC) assigned to The Last Word: The Warner Bros. Years by Miles Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Portia | Miles Davis | — |
| The Doo‐Bop Song | Miles Davis | — |
| Chocolate Chip | Miles Davis | — |
| High Speed Chase | Miles Davis | — |
| Blow | Miles Davis | — |
| Fantasy | Miles Davis | — |
| Springsville | Miles Davis, Quincy Jones | — |
| Maids of Cadiz | Miles Davis, Quincy Jones | T-700.041.359-4 |
| The Duke | Miles Davis, Quincy Jones | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Last Word: The Warner Bros. Years” by Miles Davis is 0081227950101. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2015-01-01. Label: Warner Bros. Records. This release contains 86 tracks, each with its own ISRC. Tracks include USRH11505500, USRH11505501, USLIC0500317.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tutu | Miles Davis | T-900.464.543-6 | |
| 2 | Tomaas | Miles Davis | — | |
| 3 | Portia | Miles Davis | — | |
| 4 | Splatch | Miles Davis | T-902.910.652-3 | |
| 5 | Backyard Ritual | Miles Davis | T-070.016.868-8 | |
| 6 | Perfect Way | Miles Davis | T-071.286.264-0 | |
| 7 | Don’t Lose Your Mind | Miles Davis | — | |
| 8 | Full Nelson | Miles Davis | — | |
| 2-1 | Lost in Madrid, Part 1 | Miles Davis, Marcus Miller | — | |
| 2-2 | Siesta / Kitt’s Kiss / Lost in Madrid, Part 2 | Miles Davis, Marcus Miller | — | |
| 2-3 | Theme for Augustine / Wind / Seduction / Kiss | Miles Davis, Marcus Miller | T-070.278.944-3 | |
| 2-4 | Submission | Miles Davis, Marcus Miller | — | |
| 2-5 | Lost in Madrid, Part 3 | Miles Davis, Marcus Miller | — | |
| 2-6 | Conchita / Lament | Miles Davis, Marcus Miller | T-073.092.837-6 | |
| 2-7 | Lost in Madrid, Part 4 / Rat Dance / The Call | Miles Davis, Marcus Miller | — | |
| 2-8 | Claire / Lost in Madrid, Part V | Miles Davis, Marcus Miller | — | |
| 2-9 | Afterglow | Miles Davis, Marcus Miller | — | |
| 2-10 | Los Feliz | Miles Davis, Marcus Miller | — | |
| 3-1 | Catémbe | Miles Davis | T-070.259.710-1 | |
| 3-2 | Cobra | Miles Davis | T-070.032.058-6 | |
| 3-3 | Big Time | Miles Davis | T-070.257.916-5 | |
| 3-4 | Hannibal | Miles Davis | T-070.265.390-4 | |
| 3-5 | Jo‐Jo | Miles Davis | T-070.267.822-5 | |
| 3-6 | Amandla | Miles Davis | T-070.256.568-1 | |
| 3-7 | Jilli | Miles Davis | T-070.090.725-0 | |
| 3-8 | Mr. Pastorius | Miles Davis | T-070.270.379-4 | |
| 4-1 | Kimberley Trumpet | Miles Davis, Michel Legrand | — | |
| 4-2 | The Arrival | Miles Davis, Michel Legrand | — | |
| 4-3 | Concert on the Runway | Miles Davis, Michel Legrand | — | |
| 4-4 | The Departure | Miles Davis, Michel Legrand | — | |
| 4-5 | Dingo Howl | Miles Davis, Michel Legrand | T-910.257.470-9 | |
| 4-6 | Letter as Hero | Miles Davis, Michel Legrand | — | |
| 4-7 | Trumpet Cleaning | Miles Davis, Michel Legrand | — | |
| 4-8 | The Dream | Miles Davis, Michel Legrand | — | |
| 4-9 | Paris Walking I | Miles Davis, Michel Legrand | — | |
| 4-10 | Paris Walking II | Miles Davis, Michel Legrand | — | |
| 4-11 | Kimberley Trumpet in Paris | Miles Davis, Michel Legrand | — | |
| 4-12 | The Music Room | Miles Davis, Michel Legrand | — | |
| 4-13 | Club Entrance | Miles Davis, Michel Legrand | — | |
| 4-14 | The Jam Session | Miles Davis, Michel Legrand | — | |
| 4-15 | Going Home | Miles Davis, Michel Legrand | — | |
| 4-16 | Surprise | Miles Davis, Michel Legrand | — | |
| 5-1 | Mystery | Miles Davis | T-070.116.847-9 | |
| 5-2 | The Doo‐Bop Song | Miles Davis | — | |
| 5-3 | Chocolate Chip | Miles Davis | — | |
| 5-4 | High Speed Chase | Miles Davis | — | |
| 5-5 | Blow | Miles Davis | — | |
| 5-6 | Sonya | Miles Davis | T-070.169.363-1 | |
| 5-7 | Fantasy | Miles Davis | T-910.220.152-5 | |
| 5-8 | Duke Booty | Miles Davis | T-070.044.848-1 | |
| 5-9 | Mystery (reprise) | Miles Davis | T-070.116.847-9 | |
| 6-1 | Introduction by Claude Nobs and Quincy Jones | Miles Davis, Quincy Jones | T-904.737.154-0 | |
| 6-2 | Boplicity | Miles Davis, Quincy Jones | T-070.233.104-1 | |
| 6-3 | Introduction to Miles Ahead Medley | Miles Davis, Quincy Jones | — | |
| 6-4 | Springsville | Miles Davis, Quincy Jones | — | |
| 6-5 | Maids of Cadiz | Miles Davis, Quincy Jones | — | |
| 6-6 | The Duke | Miles Davis, Quincy Jones | — | |
| 6-7 | My Ship | Miles Davis, Quincy Jones | T-070.111.363-4 | |
| 6-8 | Miles Ahead | Miles Davis, Quincy Jones | T-905.297.131-0 | |
| 6-9 | Blues for Pablo | Miles Davis, Quincy Jones | — | |
| 6-10 | Introduction to Porgy and Bess Medley | Miles Davis, Quincy Jones | — | |
| 6-11 | Orgone | Miles Davis, Quincy Jones | T-070.939.771-6 | |
| 6-12 | Gone, Gone, Gone | Miles Davis, Quincy Jones | T-070.064.767-1 | |
| 6-13 | Summertime | Miles Davis, Quincy Jones | T-800.364.991-1 | |
| 6-14 | Here Come de Honey Man | Miles Davis, Quincy Jones | T-900.017.926-0 | |
| 6-15 | The Pan Piper | Miles Davis, Quincy Jones | — | |
| 6-16 | Solea | Miles Davis, Quincy Jones | T-070.243.742-0 | |
| 7-1 | In a Silent Way | Miles Davis | T-070.241.148-0 | |
| 7-2 | Intruder | Miles Davis | T-918.961.747-8 | |
| 7-3 | New Blues | Miles Davis | T-073.092.783-9 | |
| 7-4 | Human Nature | Miles Davis | T-070.077.785-0 | |
| 7-5 | Mr. Pastorius | Miles Davis | T-070.270.379-4 | |
| 7-6 | Amandla | Miles Davis | — | |
| 7-7 | Wrinkle | Miles Davis | — | |
| 7-8 | Tutu | Miles Davis | T-900.464.543-6 | |
| 7-9 | Full Nelson | Miles Davis | — | |
| 7-10 | Time After Time | Miles Davis | T-070.247.363-9 | |
| 7-11 | Hannibal | Miles Davis | T-070.265.390-4 | |
| 8-1 | Opening Medley (Theme From Jack Johnson / Speak / That’s What Happened) | Miles Davis | T-073.092.802-5 | |
| 8-2 | New Blues | Miles Davis | T-073.092.783-9 | |
| 8-3 | Maze | Miles Davis | T-904.673.312-4 | |
| 8-4 | Human Nature | Miles Davis | T-070.077.785-0 | |
| 8-5 | Portia | Miles Davis | — | |
| 8-6 | Splatch | Miles Davis | T-902.910.652-3 | |
| 8-7 | Time After Time | Miles Davis | T-070.247.363-9 | |
| 8-8 | Carnival | Miles Davis | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Portia | Miles Davis | — |
| The Doo‐Bop Song | Miles Davis | — |
| Chocolate Chip | Miles Davis | — |
| High Speed Chase | Miles Davis | — |
| Blow | Miles Davis | — |
| Fantasy | Miles Davis | — |
| Springsville | Miles Davis, Quincy Jones | — |
| Maids of Cadiz | Miles Davis, Quincy Jones | T-700.041.359-4 |
| The Duke | Miles Davis, Quincy Jones | — |
