UPC · Release
American IV: The Man Comes Around
Johnny Cash
Last verified:
008817036823 is the Universal Product Code (UPC barcode) for the release “American IV: The Man Comes Around” by Johnny Cash, released 2002-01-01 on American Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 114 tracks, each with its own ISRC. Tracks include US3M50345017, USDJ20200650, USDJ20200652.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (114)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Man Comes Around | Johnny Cash | T-071.708.524-9 | |
| 2 | Hurt | Johnny Cash | T-070.207.393-5 | |
| 3 | Give My Love to Rose | Johnny Cash | T-070.064.302-2 | |
| 4 | Bridge Over Troubled Water | Johnny Cash | T-070.880.931-7 | |
| 5 | I Hung My Head | Johnny Cash | T-010.014.466-8 | |
| 6 | First Time Ever I Saw Your Face | Johnny Cash | T-070.881.430-5 | |
| 7 | Personal Jesus | Johnny Cash | T-011.391.699-6 | |
| 8 | In My Life | Johnny Cash | T-010.161.987-7 | |
| 9 | Sam Hall | Johnny Cash | — | |
| 10 | Danny Boy | Johnny Cash | T-901.661.503-5 | |
| 11 | Desperado | Johnny Cash | T-070.248.712-4 | |
| 12 | I’m So Lonesome I Could Cry | Johnny Cash | T-904.017.744-4 | |
| 13 | Tear Stained Letter | Johnny Cash | T-070.185.173-1 | |
| 14 | Streets of Laredo | Johnny Cash | T-700.067.792-1 | |
| 15 | We’ll Meet Again | Johnny Cash | T-010.434.833-5 | |
| 2-1 | Interview, Part 1 | — | ||
| 2-2 | Interview, Part 2 | — | ||
| 2-3 | Interview, Part 3 | — | ||
| 2-4 | Interview, Part 4 | — | ||
| 2-5 | Interview, Part 5 | — | ||
| 2-6 | Interview, Part 6 | — | ||
| 2-7 | Interview, Part 7 | — | ||
| 2-8 | Interview, Part 8 | — | ||
| 2-9 | Interview, Part 9 | — | ||
| 2-10 | Interview, Part 10 | — | ||
| 2-11 | Interview, Part 11 | — | ||
| 2-12 | Interview, Part 12 | — | ||
| 2-13 | Interview, Part 13 | — | ||
| 2-14 | Interview, Part 14 | — | ||
| 2-15 | Interview, Part 15 | — | ||
| 2-16 | Interview, Part 16 | — | ||
| 2-17 | Interview, Part 17 | — | ||
| 2-18 | Interview, Part 18 | — | ||
| 2-19 | Interview, Part 19 | — | ||
| 2-20 | Interview, Part 20 | — | ||
| 2-21 | Interview, Part 21 | — | ||
| 2-22 | Interview, Part 22 | — | ||
| 2-23 | Interview, Part 23 | — | ||
| 2-24 | Interview, Part 24 | — | ||
| 2-25 | Interview, Part 25 | — | ||
| 2-26 | Interview, Part 26 | — | ||
| 2-27 | Interview, Part 27 | — | ||
| 2-28 | Interview, Part 28 | — | ||
| 2-29 | Interview, Part 29 | — | ||
| 2-30 | Interview, Part 30 | — | ||
| 2-31 | Interview, Part 31 | — | ||
| 2-32 | Interview, Part 32 | — | ||
| 2-33 | Interview, Part 33 | — | ||
| 2-34 | Interview, Part 34 | — | ||
| 2-35 | Interview, Part 35 | — | ||
| 2-36 | Interview, Part 36 | — | ||
| 2-37 | Interview, Part 37 | — | ||
| 2-38 | Interview, Part 38 | — | ||
| 2-39 | Interview, Part 39 | — | ||
| 2-40 | Interview, Part 40 | — | ||
| 2-41 | Interview, Part 41 | — | ||
| 2-42 | Interview, Part 42 | — | ||
| 2-43 | Interview, Part 43 | — | ||
| 2-44 | Interview, Part 44 | — | ||
| 2-45 | Interview, Part 45 | — | ||
| 2-46 | Interview, Part 46 | — | ||
| 2-47 | Interview, Part 47 | — | ||
| 2-48 | Interview, Part 48 | — | ||
| 2-49 | Interview, Part 49 | — | ||
| 2-50 | Interview, Part 50 | — | ||
| 2-51 | Interview, Part 51 | — | ||
| 2-52 | Interview, Part 52 | — | ||
| 2-53 | Interview, Part 53 | — | ||
| 2-54 | Interview, Part 54 | — | ||
| 2-55 | Interview, Part 55 | — | ||
| 2-56 | Interview, Part 56 | — | ||
| 2-57 | Interview, Part 57 | — | ||
| 2-58 | Interview, Part 58 | — | ||
| 2-59 | Interview, Part 59 | — | ||
| 2-60 | Interview, Part 60 | — | ||
| 2-61 | Interview, Part 61 | — | ||
| 2-62 | Interview, Part 62 | — | ||
| 2-63 | Interview, Part 63 | — | ||
| 2-64 | Interview, Part 64 | — | ||
| 2-65 | Interview, Part 65 | — | ||
| 2-66 | Interview, Part 66 | — | ||
| 2-67 | Interview, Part 67 | — | ||
| 2-68 | Interview, Part 68 | — | ||
| 2-69 | Interview, Part 69 | — | ||
| 2-70 | Interview, Part 70 | — | ||
| 2-71 | Interview, Part 71 | — | ||
| 2-72 | Interview, Part 72 | — | ||
| 2-73 | Interview, Part 73 | — | ||
| 2-74 | Interview, Part 74 | — | ||
| 2-75 | Interview, Part 75 | — | ||
| 2-76 | Interview, Part 76 | — | ||
| 2-77 | Interview, Part 77 | — | ||
| 2-78 | Interview, Part 78 | — | ||
| 2-79 | Interview, Part 79 | — | ||
| 2-80 | Interview, Part 80 | — | ||
| 2-81 | Interview, Part 81 | — | ||
| 2-82 | Interview, Part 82 | — | ||
| 2-83 | Interview, Part 83 | — | ||
| 2-84 | Interview, Part 84 | — | ||
| 2-85 | Interview, Part 85 | — | ||
| 2-86 | Interview, Part 86 | — | ||
| 2-87 | Interview, Part 87 | — | ||
| 2-88 | Interview, Part 88 | — | ||
| 2-89 | Interview, Part 89 | — | ||
| 2-90 | Interview, Part 90 | — | ||
| 2-91 | Interview, Part 91 | — | ||
| 2-92 | Interview, Part 92 | — | ||
| 2-93 | Interview, Part 93 | — | ||
| 2-94 | Interview, Part 94 | — | ||
| 2-95 | Interview, Part 95 | — | ||
| 2-96 | Interview, Part 96 | — | ||
| 2-97 | Interview, Part 97 | — | ||
| 2-98 | Interview, Part 98 | — | ||
| 2-99 | Interview, Part 99 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+22 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 008817036823?
008817036823 is a Universal Product Code (UPC) assigned to American IV: The Man Comes Around by Johnny Cash. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 114 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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