UPC · Release
John Adams, Steve Reich, Solisti New York, Ransom Wilson
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The UPC for “John Adams: Grand Pianola / Steve Reich: Eight Lines / Vermont Counterpoint” by John Adams, Steve Reich, Solisti New York, Ransom Wilson is 0094633153455. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. This release contains 4 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Grand Pianola Music: I. / II. | — | ||
| 2 | Grand Pianola Music: III. “On the Dominant Divide” | — | ||
| 3 | Vermont Counterpoint | — | ||
| 4 | Eight Lines | — |
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0094633153455 is a Universal Product Code (UPC) assigned to John Adams: Grand Pianola / Steve Reich: Eight Lines / Vermont Counterpoint by John Adams, Steve Reich, Solisti New York, Ransom Wilson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 4 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “John Adams: Grand Pianola / Steve Reich: Eight Lines / Vermont Counterpoint” by John Adams, Steve Reich, Solisti New York, Ransom Wilson is 0094633153455. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. This release contains 4 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Grand Pianola Music: I. / II. | — | ||
| 2 | Grand Pianola Music: III. “On the Dominant Divide” | — | ||
| 3 | Vermont Counterpoint | — | ||
| 4 | Eight Lines | — |
