UPC · Release
The Very Best of Bach
Johann Sebastian Bach
0094633815827
20 tracksReleased 2006-02-06
Last verified:
0094633815827 is the Universal Product Code (UPC barcode) for the release “The Very Best of Bach” by Johann Sebastian Bach, released 2006-02-06. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEA349202364, DEA349202365, GBAYC8702325.
Format
009GS1 prefix
4633Company prefix
81582Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Very Best of Bach
ISRC16 recordings
ISWC16 works
IPI1 songwriter
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toccata & Fugue in D minor, BWV 565: I. Toccata | Werner Jacob | — | |
| 2 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Werner Jacob | — | |
| 3 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 4 | Orchestral Suite no. 3 in D, BWV 1068: Ouverture | English Chamber Orchestra, Sir Philip Ledger | — | |
| 5 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914248874-2 | |
| 6 | Concerto for 2 Violins in D minor, BWV 1043: I. Vivace | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 7 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 8 | Concerto for two violins & strings in D minor, BWV 1043: III. Allegro | Jane Murdoch, Jonathan Rees, Scottish Ensemble | T7000951715 | |
| 9 | Partita in A minor, for solo flute, BWV 1013 - I. Allemande | — | ||
| 10 | Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!” | Nancy Argenta, Sonnerie, Monica Huggett | — | |
| 11 | Suite no. 1 in G major, BWV 1007: I. Prélude | Ralph Kirshbaum | — | |
| 12 | Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro | Bob van Asperen, Melante Amsterdam | — | |
| 13 | Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — | |
| 14 | Concerto for keyboard & strings in F minor, BWV 1056: III. Presto | Bob van Asperen, Melante Amsterdam | — | |
| 15 | Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" | Edith Mathis, Sybil Michelow, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 16 | Orchestral Suite No. 2 in B minor, BWV 1067 - VI. Menuet | — | ||
| 17 | Orchestral Suite No. 2 in B minor, BWV 1067 - VII. Badinerie | — | ||
| 18 | Goldberg-Variationen, BWV 988: Aria | Maggie Cole | T9021286884 | |
| 19 | Suite in E minor, BWV 996: V. Bourrée | Sharon Isbin | T3108055029 | |
| 20 | Suite in E minor, for lute, BWV 996 - Gigue | — |
Toccata & Fugue in D minor, BWV 565: I. Toccata
Werner Jacob
—
Toccata & Fugue in D minor, BWV 565: II. Fugue
Werner Jacob
—
Taverner Consort, Taverner Players, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: Ouverture
English Chamber Orchestra, Sir Philip Ledger
—
English Chamber Orchestra, Philip Ledger
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble
—
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble
—
Jane Murdoch, Jonathan Rees, Scottish Ensemble
Partita in A minor, for solo flute, BWV 1013 - I. Allemande
—
Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!”
Nancy Argenta, Sonnerie, Monica Huggett
—
Suite no. 1 in G major, BWV 1007: I. Prélude
Ralph Kirshbaum
—
Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro
Bob van Asperen, Melante Amsterdam
—
Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo
Bob van Asperen, Melante Amsterdam
—
Concerto for keyboard & strings in F minor, BWV 1056: III. Presto
Bob van Asperen, Melante Amsterdam
—
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten"
Edith Mathis, Sybil Michelow, Consortium Musicum, Wolfgang Gönnenwein
—
Orchestral Suite No. 2 in B minor, BWV 1067 - VI. Menuet
—
Orchestral Suite No. 2 in B minor, BWV 1067 - VII. Badinerie
—
Suite in E minor, for lute, BWV 996 - Gigue
—
Additional database matches (17)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| St. John Passion, BWV 245: Es ist vollbracht! | Stephanie Blythe, Jérôme Hantaï, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | T-915.681.108-4 |
| Keyboard Partita no. 1 in B-flat major, BWV 825: I. Praeludium | Piotr Anderszewski | T9280128838 |
| Keyboard Partita no. 1 in B-flat major, BWV 825: VII. Gigue | Piotr Anderszewski | — |
| The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude | Bob van Asperen | T-910.415.372-2 |
| Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia | Taverner Players, Andrew Parrott | — |
| Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — |
| Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — |
| Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — |
| Magnificat in D major, BWV 243: 1. Coro "Magnificat anima mea" | Nederlands Kamerkoor, La Petite Bande, Sigiswald Kuijken | — |
| Magnificat in D major, BWV 243: 8. Aria (Tenore) "Deposuit potentes" | Christoph Prégardien, La Petite Bande, Sigiswald Kuijken | — |
| St John Passion, BWV 245: Part II. No. 39 "Ruht wohl, ihr heiligen Gebeine" | Taverner Consort, Taverner Choir, Taverner Players, Andrew Parrott | T-915.682.948-0 |
| Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro | Bob van Asperen, Melante Amsterdam | — |
| Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — |
| Concerto for keyboard & strings in F minor, BWV 1056: III. Presto | Bob van Asperen, Melante Amsterdam | — |
| Concerto a-moll BWV 1065: I. [without tempo marking] | Bob Van Asperen, Carsten Lohff, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | T8014111059 |
| Concerto a-moll BWV 1065: II. Largo | Bob Van Asperen, Gustav Leonhardt, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | — |
| Concerto a-moll BWV 1065: III. Allegro | Bob Van Asperen, Gustav Leonhardt, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | — |
Stephanie Blythe, Jérôme Hantaï, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson
Keyboard Partita no. 1 in B-flat major, BWV 825: VII. Gigue
Piotr Anderszewski
—
Bob van Asperen
Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia
Taverner Players, Andrew Parrott
—
Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
—
Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
—
Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
—
Magnificat in D major, BWV 243: 1. Coro "Magnificat anima mea"
Nederlands Kamerkoor, La Petite Bande, Sigiswald Kuijken
—
Magnificat in D major, BWV 243: 8. Aria (Tenore) "Deposuit potentes"
Christoph Prégardien, La Petite Bande, Sigiswald Kuijken
—
Taverner Consort, Taverner Choir, Taverner Players, Andrew Parrott
Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro
Bob van Asperen, Melante Amsterdam
—
Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo
Bob van Asperen, Melante Amsterdam
—
Concerto for keyboard & strings in F minor, BWV 1056: III. Presto
Bob van Asperen, Melante Amsterdam
—
Bob Van Asperen, Carsten Lohff, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam
Concerto a-moll BWV 1065: II. Largo
Bob Van Asperen, Gustav Leonhardt, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam
—
Concerto a-moll BWV 1065: III. Allegro
Bob Van Asperen, Gustav Leonhardt, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005514877500000000551701470000000063090593000000007840457500000000800058640000000081014965000000008106295900000000812559530000000083714527000000008396653X
+29 more
000000010133537X000000010781058100000001093719810000000109433046000000010945021700000001098785200000000109957923000000011010503100000001103042250000000110887379000000011089864100000001109288710000000110934841000000011297410X0000000114485334000000011449965600000001147463380000000114767614000000011490456X000000011495995800000001164895310000000118103241000000011938871X000000012037159500000001210033130000000121422964000000012353867X00000004066954720000000469429331
Identifier Graph
People also ask
SourcesMLCMusicBrainzNotes3 sources
Verified on
What is UPC 0094633815827?
0094633815827 is a Universal Product Code (UPC) assigned to The Very Best of Bach by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm