UPC · Release
Wolfgang Amadeus Mozart
Last verified:
0094633818255 is the Universal Product Code (UPC barcode) for the release “The Very Best of Mozart” by Wolfgang Amadeus Mozart, released 2006-01-09. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include GBAYC8906119, GBAYC8100061, GBAYC9007239.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | English Chamber Orchestra, Jeffrey Tate | — |
| 2-2 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T9182451178 |
| 2-3 | Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja" | London Classical Players, Sir Roger Norrington | — |
| 2-4 | Die Zauberflöte: Akt II. Nr. 10 Aria con coro „O Isis und Osiris“ (Sarastro, Priester) | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | — |
| 2-5 | Die Zauberflöte: Akt II. Nr. 4 Rezitativ and Aria „O zitt’re nicht, mein lieber Sohn!“ (Königin der Nacht) | Beverly Hoch, London Classical Players, Sir Roger Norrington | — |
| 2-6 | Die Zauberflöte: Akt II. Nr. 21 Finale „Pa‐pa‐ge‐na!“ (Papageno, Papagena) | Catherine Pierard, Andreas Schmidt, London Classical Players, Sir Roger Norrington | — |
| 2-7 | Piano Sonata no. 11 in A major, op. 6 no. 2, K. 331 "Alla Turca": III. Allegretto. Turkish March | Jean-Bernard Pommier | T-922059784-2 |
| 2-8 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Michel Portal, Cherubini Quartet | — |
| 2-9 | Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011552099-4 |
| 2-10 | String Quartet no. 14 in G major, op. 10 no. 1, K. 387 "Spring": IV. Molto allegro | Smithson String Quartet | — |
| 2-11 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | London Chamber Orchestra, Christopher Warren-Green | — |
| 2-12 | La tartine de beurre | Emile Naoumoff | — |
| 2-13 | Concerto no. 4 in E-flat major, K. 495: Rondo. Allegro vivace | Timothy Brown, Sigiswald Kuijken, Orchestra of the Age of Enlightenment | — |
| 2-14 | Die Entführung aus dem Serail, K. 384: Ouvertüre | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 2-15 | Concerto for Flute and Harp in C major, K. 299: II. Andantino | Samuel Coles, Naoko Yoshino, English Chamber Orchestra, Yehudi Menuhin | T-911534020-0 |
| 2-16 | Mass no. 15 in C major, K. 317 "Coronation Mass": II. Gloria | Patrizia Kwella, Ulla Groenewold, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Missa in C minor, K. 427 "Grosse Messe": III. Et incarnatus est | Barbara Schlick, Monika Frimmer, Christoph Prégardien, Klaus Mertens, Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | T9242249270 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071522859-3 |
| Le nozze di Figaro, K. 492: Sinfonia | Wiener Philharmoniker, Riccardo Muti | — |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929689299-4 |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | — |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-010194871-3 |
| Symphony no. 40 in G minor, K. 550: I. Molto allegro | Sinfonia Varsovia, Yehudi Menuhin | — |
| Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | Sinfonia Varsovia, Yehudi Menuhin | T-312542381-2 |
| Don Giovanni, K. 527: Overture | London Classical Players, Sir Roger Norrington | T3064828617 |
| Don Giovanni, K. 527: Atto I. Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Nancy Argenta, Andreas Schmidt, London Classical Players, Roger Norrington | — |
| Don Giovanni, K. 527, Act 1: Aria. "Fin ch'han dal vino" (Don Giovanni) | Andreas Schmidt, London Classical Players, Sir Roger Norrington | T-924347599-2 |
| Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto | Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen | — |
| Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) | Efrat Ben-Nun, Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | T-905386342-6 |
| Requiem in D minor, K. 626: II. Kyrie eleison (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — |
| Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — |
| Le nozze di Figaro, K. 492: Act 2 Scene 1: No. 10, Cavatina, "Porgi, amor" (Contessa) | Véronique Gens, Orchestra of the Age of Enlightenment, Ivor Bolton | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0094633818255 is a Universal Product Code (UPC) assigned to The Very Best of Mozart by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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