UPC · Album
Cantatas, BWV 161, 170 & 177
Johann Sebastian Bach, René Jacobs, Linde Consort and 1 more
Last verified:
0094636328157 is the Universal Product Code (UPC barcode) for the release “Cantatas, BWV 161, 170 & 177” by Johann Sebastian Bach, René Jacobs, Linde Consort, Hans-Martin Linde. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include GBAYC9705509, GBAYC9705510, GBAYC9705511.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Komm, du süsse Todesstunde, BWV 161: No. 1. Aria. "Komm, du süße Todesstunde" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705509 |
| Komm, du süsse Todesstunde, BWV 161: No. 2. Rezitativ. "Welt, deine Lust ist Last" | Nigel Rogers, Linde Consort, Hans-Martin Linde | GBAYC9705510 |
| Komm, du süsse Todesstunde, BWV 161: No. 3. Aria. "Mein Verlangen" | Nigel Rogers, Linde Consort, Hans-Martin Linde | GBAYC9705511 |
| Komm, du süsse Todesstunde, BWV 161: No. 4. Rezitativ. "Der Schluß ist schon gemacht" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705512 |
| Komm, du süsse Todesstunde, BWV 161: No. 5. Chor. "Wenn es meines Gottes Wille" | Basel Boys Choir, Linde Consort, Hans-Martin Linde | GBAYC9705513 |
| Komm, du süsse Todesstunde, BWV 161: No. 6. Choral. "Der Leib zwar in der Erden" | Basel Boys Choir, Linde Consort, Hans-Martin Linde | GBAYC9705514 |
| Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1. Aria. "Vergnügte Ruh beliebte Seelenlust" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705516 |
| Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 2. Rezitativ. "Die Welt, das Sündenhaus" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705517 |
| Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 3. Aria. "Wie jammern mich doch die verkehrten Herzen" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705518 |
| Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 4. Rezitativ. "Wer sollte sich demnach wohl hier zu leben wünschen" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705519 |
| Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5. Aria. "Mir ekelt mehr zu leben" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705520 |
| Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 1. Chor. "Ich ruf zu dir, Herr Jesu Christ" | Basel Boys Choir, Linde Consort, Hans-Martin Linde | GBAYC9705522 |
| Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 2. Aria. "Ich bitt noch mehr, o Herre Gott" | René Jacobs, Linde Consort, Hans-Martin Linde | GBAYC9705523 |
| Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 3. Aria. "Verleih, daß ich aus Herzensgrund" | Barbara Schlick, Linde Consort, Hans-Martin Linde | GBAYC9705524 |
| Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 4. Aria. "Laß mich kein Lust noch Furcht" | Nigel Rogers, Linde Consort, Hans-Martin Linde | GBAYC9705525 |
| Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 5. Choral. "Ich lieg im Streit und widerstreb" | Basel Boys Choir, Linde Consort, Hans-Martin Linde | GBAYC9705526 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
What is UPC 0094636328157?
0094636328157 is a Universal Product Code (UPC) assigned to Cantatas, BWV 161, 170 & 177 by Johann Sebastian Bach, René Jacobs, Linde Consort, Hans-Martin Linde. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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