UPC · Release
Various Artists
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The UPC for “100 Best Piano” by Various Artists is 0094637088654. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-10-27. This release contains 99 tracks, each with its own ISRC. Tracks include GBAYC8903500, USAR20101346, GBAYC8800386.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nocturne in C-sharp minor (doubtful), KK Anh.Ia/6 | Mikhail Pletnev | T-304.253.001-4 | |
| 2 | Grandes études de Paganini (Grand Paganini Études), S. 141 (LW A173): La Campanella | André Watts | — | |
| 3 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Mikhail Pletnev | T-909.266.331-5 | |
| 4 | Étude in E major, op. 10 no. 3: Lento ma non troppo | Stanislav Bunin | T-309.554.576-5 | |
| 5 | Piano Sonata no. 11 in A, K. 331 ‘Rondo alla turca’ (Allegretto) | Dame Moura Lympany | — | |
| 6 | La Fille aux cheveux de lin | Dame Moura Lympany | — | |
| 7 | Moment musical for piano in F minor ("Air russe"), D. 780/3 (Op. 94/3) | Stephen Kovacevich | — | |
| 8 | Waltz no. 6 in D-flat major ("Minute"), op. 64 no. 1, CT. 212 | John Ogdon | — | |
| 9 | The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010.203.179-7 | |
| 10 | Cantata no. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) : "Jesu, Joy of Man's Desiring" | Alexis Weissenberg | T-803.065.676-0 | |
| 11 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 12 | Bagatelle for piano in A minor ("Für Elise"), WoO 59 | Jean-Bernard Pommier | T-900.010.640-1 | |
| 13 | Song Without Words for piano No. 30 in A major ("Frühlingslied"), Op. 62/6 | Jean-Bernard Pommier | T-318.931.026-3 | |
| 14 | Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46 | Stanislav Bunin | — | |
| 15 | Rondo no. 1 in D major, K. 485 | Stanislav Bunin | T-905.312.114-5 | |
| 16 | Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Aldo Ciccolini | — | |
| 17 | Pavane pour une infante défunte, for piano (or orchestra) | Cécile Ousset | T-003.013.767-7 | |
| 2-1 | Piano Concerto No. 26 in D major ("Coronation") K. 537 : 1. Allegro (extract) | Christian Zacharias, Bavarian Radio Symphony Orchestra, David Zinman | — | |
| 2-2 | Waltz for piano No. 1 in E flat major, Op. 18, CT. 207 | Alexis Weissenberg | T-930.825.003-5 | |
| 2-3 | Rhapsody in Blue, for piano & orchestra (orchestrated by F. Grofé) : [Excerpt] | Aalborg Symphony Orchestre, Wayne Marshall | T-070.126.537-3 | |
| 2-5 | Etude for no. 5 in G-flat major, op. 10/5, CT. 18 "Black Keys" | Stanislav Bunin | T-329.453.534-1 | |
| 2-6 | Fantasiestücke (8 Fantasy Pieces), for piano, Op. 12 : Aufschwung | Martha Argerich | — | |
| 2-7 | Rondo capriccioso, for piano in E major, Op. 14 | Helmut Roloff | — | |
| 2-8 | Piano Sonata No. 21 in C major ("Waldstein"), Op. 53 : 1. Allegro (extract) | John Ogdon | — | |
| 2-9 | Années de pèlerinage, 3rd Year, suite for piano, S. 163 (LW A283) : Les Jeux d'eau à la Villa d'Este | André Watts | — | |
| 2-10 | Gaspard de la nuit: I. Ondine (Lent) | Martha Argerich | T-902.777.490-9 | |
| 2-11 | Impromptu for piano No. 2 in F minor, Op. 31 | Cécile Ousset | — | |
| 2-12 | Le Piccadilly (La transatlantique). Marche | Aldo Ciccolini | — | |
| 2-13 | Invitation to the Dance (Aufforderung zum Tanze), rondo brillant for piano, J. 260 (Op. 65) | Thierry de Brunhoff | T-071.426.549-2 | |
| 2-14 | Sonata no. 16 in C major, K. 545 "Sonate facile": I. Allegro | Christian Zacharias | T-301.694.697-3 | |
| 2-15 | Piano Concerto no. 3 in D minor, op. 30: III. Finale (extract) | Orchestre National de France, Leonard Bernstein, Alexis Weissenberg | — | |
| 2-16 | Variations on "I Got Rhythm" | Wayne Marshall, Aalborg Symphony Orchestra | T-070.902.956-0 | |
| 3-1 | Gymnopédie no. 1 | Aldo Ciccolini | T-920.980.498-8 | |
| 3-2 | Gnossienne for piano No. 1 | Aldo Ciccolini | T-003.010.023-2 | |
| 3-3 | Rêverie, CD 76, L. 68 | Aldo Ciccolini | T-926.359.994-6 | |
| 3-4 | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) | André Watts | — | |
| 3-5 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 3-6 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 3-7 | Tango, op. 165 no. 2 | Dame Moura Lympany | T-041.315.556-2 | |
| 3-8 | Consolation no. 3 in D-flat major "Lento placido", S. 172/3 (LW A111a/2/2) | Tzimon Barto | — | |
| 3-9 | Song Without Words for piano No. 1 in E major, Op. 19b/1 | Daniel Adni | — | |
| 3-10 | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 | John Ogdon | — | |
| 3-11 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 3-12 | Waldszenen (Forest Scenes), for piano, Op. 82 : Vogel als Prophet | Moura Lympany | — | |
| 3-13 | Estampes, L. 100 : 1. Pagodes | Cécile Ousset | — | |
| 3-14 | Prelude and Nocturne for the Left Hand, op. 9: No. 2. Nocturne in D-flat major | Alexis Weissenberg | — | |
| 3-15 | Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115 | Aldo Ciccolini | T-306.230.835-0 | |
| 3-16 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 3-17 | Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — | |
| 4-1 | Etude no. 12 in C minor ("Revolutionary"), op. 10/12, CT. 25 | Stanislav Bunin | — | |
| 4-2 | Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 : 3. Rondo: Allegro (extract) | Emil Gilels, Cleveland Orchestra, George Szell | — | |
| 4-3 | Piano Concerto in A minor, Op. 16 : 1. Allegro molto moderato (extract) | Sviatoslav Richter, Monte Carlo Opera Orchestra, Lovro von Matačić | T-310.234.311-9 | |
| 4-4 | Polonaise for piano No. 3 in A major ("Military"), Op. 40/1, CT. 152 | John Ogdon | — | |
| 4-5 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo - Presto | Mikhail Pletnev | — | |
| 4-6 | Slavonic Dance no. 2 for Piano 4-hands in E minor, B. 78/2 (op. 46/2): Allegro scherzando | Michel Béroff, Jean-Philippe Collard | T-070.243.651-8 | |
| 4-7 | 12 Études, op. 8: No. 12 in D-sharp minor | Dame Moura Lympany | — | |
| 4-8 | The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 | Edwin Fischer | — | |
| 4-9 | Piano Concerto No. 3, Sz 119: I. Allegretto | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 4-10 | Piano Sonata no. 2 in B.flat minor, op. 35, CT. 202: III. Marche funèbre. Lento | Mikhail Pletnev | T-915.712.196-5 | |
| 4-11 | Prelude in C sharp minor Op.3 No.2 | Alexis Weissenberg | — | |
| 4-12 | Piano Sonata No.17 in D minor Op.31 No.2, ‘Tempest’ I : Largo – Allegro | Stephen Kovacevich | T-310.769.687-3 | |
| 4-13 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 4-14 | Islamey (Oriental Fantasy) | Андрей Владимирович Гаврилов | — | |
| 4-15 | Pictures at an Exhibition (Kartinki s vïstavski), for piano : The Great Gate of Kiev | Alexis Weissenberg | — | |
| 4-16 | Piano Concerto No. 1 in B flat minor, Op. 23 : 1. Allegro non troppo e molto maestoso (extract) | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 5-1 | Liebestraum (Nocturne) in A-flat major, S. 541 no. 3 | Alexis Weissenberg | — | |
| 5-2 | Suite bergamasque, for piano, L. 75 : Clair de lune | Alexis Weissenberg | T-304.252.843-4 | |
| 5-3 | Piano Concerto No. 2 in C minor, Op. 18 : 1. Moderato (extract) | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 5-4 | Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180 | John Ogdon | — | |
| 5-5 | Valse romantique | Aldo Ciccolini | — | |
| 5-6 | Jeux d'eau, for piano | Cécile Ousset | T-003.011.149-9 | |
| 5-7 | Valse-Impromptu (I & II), for piano, S. 213 (LW 84c) | Alexis Weissenberg | — | |
| 5-8 | Waltz for piano in A flat major, Op. 39/15 | Jean-Bernard Pommier | T-306.229.926-3 | |
| 5-9 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 5-10 | Nocturne no. 5 in F‐sharp major, op. 15 no. 2 | Maurizio Pollini | T-306.230.833-8 | |
| 5-11 | Alborada del Gracioso | Cécile Ousset | T-305.194.489-5 | |
| 5-12 | Sonata for keyboard in D minor, K. 9 (L. 413), "Pastorale" | Aldo Ciccolini | — | |
| 5-13 | Piece for piano in F major (K. 33b) | Stanislav Bunin | — | |
| 5-14 | Valse oubliée no. 1, S. 215/1 (LW A311/1) | André Watts | — | |
| 5-15 | Waltz for piano No. 7 in C sharp minor, Op. 64/2, CT. 213 | John Ogdon | T-321.873.365-0 | |
| 5-16 | Petite suite, CD 71, L. 65: I. En bateau | Michel Béroff, Jean-Philippe Collard | — | |
| 5-17 | Piano Concerto No. 1 in E minor, Op. 11, CT. 47 : 1. Allegro maestoso (extract) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308.381.369-4 | |
| 6-1 | A Maiden's Prayer (Molitwa dziewicy) for piano, Op. 3 (or Op. 4) | Jean-Bernard Pommier | — | |
| 6-2 | Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.687.877-9 | |
| 6-3 | Kinderszenen, op. 15: Träumerei | Alexis Weissenberg | — | |
| 6-4 | Two-Part Invention no. 1 in C major, BWV 772 (BC L42) | Aldo Ciccolini | — | |
| 6-5 | Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ("The Harmonious Blacksmith"), HWV 430 | Moura Lympany | — | |
| 6-6 | Le Coucou, rondeau for harpsichord in E minor (Pièces de clavecin, Suite No. 3) | Moura Lympany | — | |
| 6-7 | Cançons i dansas no. 1, for piano ("La Filla del carmesí - Danse de Castellterçol") | Gonzalo Soriano | — | |
| 6-8 | Children's Corner: No. 6. Golliwogg's Cake-walk | Moura Lympany | — | |
| 6-9 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 6-10 | Three-Part Invention (Sinfonia) no. 1 in C major, BWV 787 (BC L42) | Aldo Ciccolini | — | |
| 6-11 | Melody in F, op. 3, no. 1 | Moura Lympany | — | |
| 6-12 | The Seasons, op. 37b: XI. Novembre (Course en troïka) | Mikhail Pletnev | — | |
| 6-13 | The Seasons, op. 37a: No. 6. June. Barcarolle | Mikhail Pletnev | — | |
| 6-14 | Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale No. 1), BWV 645 (BC K22) | Stanislav Bunin | — | |
| 6-15 | Minuet In G | Vrouwenkoor Malle Babbe | T-902.137.279-2 | |
| 6-16 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 6-17 | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) : 4. Theme & Variations | Sviatoslav Richter, Michail Kopelman, Dmitri Shebalin, Valentin Berlinsky, Georg Hörtnagel | — |
Identifier Graph
0094637088654 is a Universal Product Code (UPC) assigned to 100 Best Piano by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Belle Excentrique : II. Marche franco-lunaire | Erik Satie | — |
| Gymnopédie no. 1 | Aldo Ciccolini | T-050.018.340-3 |
| Rêverie, CD 76, L. 68 | Aldo Ciccolini | T-304.253.550-8 |
| Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Aldo Ciccolini | T-329.530.213-1 |
| Minuet in G major, WoO 10 no. 2 | Dame Moura Lympany | — |
| Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.610.454-7 |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T-802.445.410-3 |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-802.445.410-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “100 Best Piano” by Various Artists is 0094637088654. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-10-27. This release contains 99 tracks, each with its own ISRC. Tracks include GBAYC8903500, USAR20101346, GBAYC8800386.
