UPC · Release
Purcell, Catherine Pierard, James Bowman, John Mark Ainsley, Michael George, Collegium Musicum 90, Richard Hickox
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The UPC for “Dioclesian (complete) / Masque from Timon of Athens” by Purcell, Catherine Pierard, James Bowman, John Mark Ainsley, Michael George, Collegium Musicum 90, Richard Hickox is 0095115056929. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include GBLWD9509601, GBLWD9509602, GBLWD9509603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Prophetess, Z. 627, "The History of Dioclesian": First Musick | Collegium Musicum 90, Richard Hickox | — | |
| 2 | The Prophetess, Z. 627, "The History of Dioclesian": Second Musick | Collegium Musicum 90, Richard Hickox | — | |
| 3 | The Prophetess, Z. 627, "The History of Dioclesian": Overture | Collegium Musicum 90, Richard Hickox | T-902.314.020-7 | |
| 4 | The Prophetess, Z. 627, "The History of Dioclesian": Act I: First Act Tune (Hornpipe) | Collegium Musicum 90, Richard Hickox | — | |
| 5 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Song: Great Diocles the Boar has kill'd (Bass) - Sing Io's! (Chorus) | — | ||
| 6 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Song: Charon the peaceful Shade invites (Soprano) | — | ||
| 7 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Symphony for Trumpets and Violins | — | ||
| 8 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Duet (Soprano, Bass) - Let all mankind the pleasure share (Chorus) | — | ||
| 9 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Martial Song: Let the soldiers rejoice (Tenor) - Trio: Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello - Trio: To Mars let 'em raise (Tenor, Tenor, Bass) - Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello | — | ||
| 10 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: A Symphony of Flutes - Song: Since the toils and the hazards (Alto) - Quartet: Let the priests … (Soprano, Alto, Tenor, Bass) - All sing … (Chorus) | — | ||
| 11 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Dance of Furies | Collegium Musicum 90, Richard Hickox | — | |
| 12 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Second Act Tune | — | ||
| 13 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: Chaconne: Two in one upon a Ground (Flutes) | — | ||
| 14 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: The Chair Dance | Collegium Musicum 90, Richard Hickox | — | |
| 15 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: Prelude for Hautboys - Song: What shall I do? (Tenor) | — | ||
| 16 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: Third Act Tune | — | ||
| 17 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Butterfly Dance | — | ||
| 18 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Tune for Trumpets | — | ||
| 19 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Song: Sound, Fame, thy brazen trumpet sound (Tenor) | — | ||
| 20 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Let all rehearse (Chorus) | — | ||
| 21 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Fourth Act Tune | — | ||
| 2-1 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Country Dance | — | ||
| 2-2 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Call the nymphs (Cupid, Chorus) | — | ||
| 2-3 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Duet: Come, come away (Bacchanalian, Silvan) | — | ||
| 2-4 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Behold, O mighty'st of Gods (Chorus) | — | ||
| 2-5 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Paspe: The first entry of heroes on the stage | — | ||
| 2-6 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Duet: Oh, the sweet delights of love! (Wood-Gods) | — | ||
| 2-7 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Let monarchs fight (Fawn, Chorus) | — | ||
| 2-8 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Make room (Bacchanals, Bacchus) | — | ||
| 2-9 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance of Bacchanals | — | ||
| 2-10 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Still I'm wishing (Follower of Cupid) | — | ||
| 2-11 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Canaries | — | ||
| 2-12 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Tell me why (Shepherd, Shepherdesses) | — | ||
| 2-13 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance | — | ||
| 2-14 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: All our days (Pleasure, Chorus) | — | ||
| 2-15 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Let us dance (Pleasure, Chorus) | — | ||
| 2-16 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance | — | ||
| 2-17 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Trio and Chorus: Triumph, triumph, victorous Love | — | ||
| 2-18 | The Prophetess, Z. 627, "The History of Dioclesian": Appendices: Song: Since from my dear Astrea's sight (Soprano) | — | ||
| 2-19 | The Prophetess, Z. 627, "The History of Dioclesian": Appendices: Song: When first saw (Tenor) | — | ||
| 2-20 | The History of Timon of Athens, The Man-Hater, Z. 632: Duet: Hark how the songsters | — | ||
| 2-21 | The History of Timon of Athens, The Man-Hater, Z. 632: Love in their little veins (Cupid) | — | ||
| 2-22 | The History of Timon of Athens, The Man-Hater, Z. 632: Trio: But ah! How much are our delights | — | ||
| 2-23 | The History of Timon of Athens, The Man-Hater, Z. 632: Solo: Hence with your trifling deity (Bass) | — | ||
| 2-24 | The History of Timon of Athens, The Man-Hater, Z. 632: Trio: But over us no griefs prevail | — | ||
| 2-25 | The History of Timon of Athens, The Man-Hater, Z. 632: Come, come all to me (Cupid) | — | ||
| 2-26 | The History of Timon of Athens, The Man-Hater, Z. 632: Chorus: Who can resist such mighty charms | — | ||
| 2-27 | The History of Timon of Athens, The Man-Hater, Z. 632: Return, revolting rebels (Bacchus) | — | ||
| 2-28 | The History of Timon of Athens, The Man-Hater, Z. 632: The cares of lovers (Cupid) | — | ||
| 2-29 | The History of Timon of Athens, The Man-Hater, Z. 632: Solo: Love quickly is pall'd (Alto) | — | ||
| 2-30 | The History of Timon of Athens, The Man-Hater, Z. 632: Duet: Come, let us agree (Cupid, Bacchus) | — | ||
| 2-31 | The History of Timon of Athens, The Man-Hater, Z. 632: Chorus: Come, let us agree | — | ||
| 2-32 | The History of Timon of Athens, The Man-Hater, Z. 632: Curtain Tune on a Ground | — |
Musical Works (ISWC)
Identifier Graph
0095115056929 is a Universal Product Code (UPC) assigned to Dioclesian (complete) / Masque from Timon of Athens by Purcell, Catherine Pierard, James Bowman, John Mark Ainsley, Michael George, Collegium Musicum 90, Richard Hickox. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Dioclesian (complete) / Masque from Timon of Athens” by Purcell, Catherine Pierard, James Bowman, John Mark Ainsley, Michael George, Collegium Musicum 90, Richard Hickox is 0095115056929. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include GBLWD9509601, GBLWD9509602, GBLWD9509603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Prophetess, Z. 627, "The History of Dioclesian": First Musick | Collegium Musicum 90, Richard Hickox | — | |
| 2 | The Prophetess, Z. 627, "The History of Dioclesian": Second Musick | Collegium Musicum 90, Richard Hickox | — | |
| 3 | The Prophetess, Z. 627, "The History of Dioclesian": Overture | Collegium Musicum 90, Richard Hickox | T-902.314.020-7 | |
| 4 | The Prophetess, Z. 627, "The History of Dioclesian": Act I: First Act Tune (Hornpipe) | Collegium Musicum 90, Richard Hickox | — | |
| 5 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Song: Great Diocles the Boar has kill'd (Bass) - Sing Io's! (Chorus) | — | ||
| 6 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Song: Charon the peaceful Shade invites (Soprano) | — | ||
| 7 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Symphony for Trumpets and Violins | — | ||
| 8 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Duet (Soprano, Bass) - Let all mankind the pleasure share (Chorus) | — | ||
| 9 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Martial Song: Let the soldiers rejoice (Tenor) - Trio: Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello - Trio: To Mars let 'em raise (Tenor, Tenor, Bass) - Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello | — | ||
| 10 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: A Symphony of Flutes - Song: Since the toils and the hazards (Alto) - Quartet: Let the priests … (Soprano, Alto, Tenor, Bass) - All sing … (Chorus) | — | ||
| 11 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Dance of Furies | Collegium Musicum 90, Richard Hickox | — | |
| 12 | The Prophetess, Z. 627, "The History of Dioclesian": Act II: Second Act Tune | — | ||
| 13 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: Chaconne: Two in one upon a Ground (Flutes) | — | ||
| 14 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: The Chair Dance | Collegium Musicum 90, Richard Hickox | — | |
| 15 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: Prelude for Hautboys - Song: What shall I do? (Tenor) | — | ||
| 16 | The Prophetess, Z. 627, "The History of Dioclesian": Act III: Third Act Tune | — | ||
| 17 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Butterfly Dance | — | ||
| 18 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Tune for Trumpets | — | ||
| 19 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Song: Sound, Fame, thy brazen trumpet sound (Tenor) | — | ||
| 20 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Let all rehearse (Chorus) | — | ||
| 21 | The Prophetess, Z. 627, "The History of Dioclesian": Act IV: Fourth Act Tune | — | ||
| 2-1 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Country Dance | — | ||
| 2-2 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Call the nymphs (Cupid, Chorus) | — | ||
| 2-3 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Duet: Come, come away (Bacchanalian, Silvan) | — | ||
| 2-4 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Behold, O mighty'st of Gods (Chorus) | — | ||
| 2-5 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Paspe: The first entry of heroes on the stage | — | ||
| 2-6 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Duet: Oh, the sweet delights of love! (Wood-Gods) | — | ||
| 2-7 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Let monarchs fight (Fawn, Chorus) | — | ||
| 2-8 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Make room (Bacchanals, Bacchus) | — | ||
| 2-9 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance of Bacchanals | — | ||
| 2-10 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Still I'm wishing (Follower of Cupid) | — | ||
| 2-11 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Canaries | — | ||
| 2-12 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Tell me why (Shepherd, Shepherdesses) | — | ||
| 2-13 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance | — | ||
| 2-14 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: All our days (Pleasure, Chorus) | — | ||
| 2-15 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Let us dance (Pleasure, Chorus) | — | ||
| 2-16 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance | — | ||
| 2-17 | The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Trio and Chorus: Triumph, triumph, victorous Love | — | ||
| 2-18 | The Prophetess, Z. 627, "The History of Dioclesian": Appendices: Song: Since from my dear Astrea's sight (Soprano) | — | ||
| 2-19 | The Prophetess, Z. 627, "The History of Dioclesian": Appendices: Song: When first saw (Tenor) | — | ||
| 2-20 | The History of Timon of Athens, The Man-Hater, Z. 632: Duet: Hark how the songsters | — | ||
| 2-21 | The History of Timon of Athens, The Man-Hater, Z. 632: Love in their little veins (Cupid) | — | ||
| 2-22 | The History of Timon of Athens, The Man-Hater, Z. 632: Trio: But ah! How much are our delights | — | ||
| 2-23 | The History of Timon of Athens, The Man-Hater, Z. 632: Solo: Hence with your trifling deity (Bass) | — | ||
| 2-24 | The History of Timon of Athens, The Man-Hater, Z. 632: Trio: But over us no griefs prevail | — | ||
| 2-25 | The History of Timon of Athens, The Man-Hater, Z. 632: Come, come all to me (Cupid) | — | ||
| 2-26 | The History of Timon of Athens, The Man-Hater, Z. 632: Chorus: Who can resist such mighty charms | — | ||
| 2-27 | The History of Timon of Athens, The Man-Hater, Z. 632: Return, revolting rebels (Bacchus) | — | ||
| 2-28 | The History of Timon of Athens, The Man-Hater, Z. 632: The cares of lovers (Cupid) | — | ||
| 2-29 | The History of Timon of Athens, The Man-Hater, Z. 632: Solo: Love quickly is pall'd (Alto) | — | ||
| 2-30 | The History of Timon of Athens, The Man-Hater, Z. 632: Duet: Come, let us agree (Cupid, Bacchus) | — | ||
| 2-31 | The History of Timon of Athens, The Man-Hater, Z. 632: Chorus: Come, let us agree | — | ||
| 2-32 | The History of Timon of Athens, The Man-Hater, Z. 632: Curtain Tune on a Ground | — |
