UPC · Album
Club Verboten
Various Artists
Last verified:
010963013528 is the Universal Product Code (UPC barcode) for the release “Club Verboten” by Various Artists, released 1997-01-01 on DCC Compact Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC. Tracks include DEU240305616, DEU240802047, FR6F31455980.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| J’ai deux amours | Joséphine Baker | DEU240305616 |
| I Ain’t Goin’ to Play Second Fiddle | Bessie Smith | DEU240802047 |
| I Wanna Be Loved by You | Marilyn Monroe | FR6F31455980 |
| Something’s Coming | Larry Kert | FR6V80894432 |
| Non, je ne regrette rien | Édith Piaf | FRZ110601408 |
| Non, je ne regrette rien | Édith Piaf | FRZ111200837 |
| J’ai deux amours | Joséphine Baker | FRZ113100010 |
| Non, je ne regrette rien | Édith Piaf | FRZ116000530 |
| Non, je ne regrette rien, La disparition de Louis Leplée | Édith Piaf | FRZ116006079 |
| Something’s Coming | Larry Kert | GBGQH0801071 |
| Non, je ne regrette rien | Édith Piaf | GBUM70703619 |
| I Ain’t Goin’ to Play Second Fiddle | Bessie Smith | HKI190238918 |
| All the Time | Barry Manilow | USAR17600146 |
| Not the Boy Next Door | Peter Allen | USAR18300119 |
| All the Time | Barry Manilow | USAR19200117 |
| Walk on the Wild Side | Lou Reed | USAR19901104 |
| This Is My Life (La vita) | Shirley Bassey | USCA20001703 |
| I Am Woman | Helen Reddy | USCA20600249 |
| I Am Woman | Helen Reddy | USCA28700079 |
| I Am Woman | Helen Reddy | USCA29200415 |
| Adagio for Strings | New York Philharmonic, Leonard Bernstein | USCMG0303330 |
| This Is My Life (La vita) | Shirley Bassey | USEM39500108 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USLIC0601857 |
| Chica Chica Boom Chic | Carmen Miranda | USMC14150524 |
| Walk on the Wild Side | Lou Reed | USRC10200418 |
| Walk on the Wild Side | Lou Reed | USRC10200429 |
| Walk on the Wild Side (remastered) | Lou Reed | USRC10300139 |
| Walk on the Wild Side | Lou Reed | USRC17201948 |
| Walk on the Wild Side | Lou Reed | USRC17208294 |
| Walk on the Wild Side | Lou Reed | USRC19205582 |
| Walk on the Wild Side | Lou Reed | USRC19606712 |
| I Ain’t Goin’ to Play Second Fiddle | Bessie Smith | USSM10028762 |
| I Ain’t Goin’ to Play Second Fiddle | Bessie Smith | USSM10308361 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USSM10313980 |
| Something’s Coming | Larry Kert | USSM10411920 |
| Something’s Coming | Larry Kert | USSM11703223 |
| I Ain’t Goin’ to Play Second Fiddle | Bessie Smith | USSM12500009 |
| Cry | Johnny Ray, The Four Lads | USSM15100287 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USSM16701024 |
| San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | USSM16701025 |
| Adagio for Strings | New York Philharmonic, Leonard Bernstein | USSM17100143 |
| Danse Macabre, op. 40 | Pittsburgh Symphony Orchestra, Lorin Maazel | USSM19300184 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
What is UPC 010963013528?
010963013528 is a Universal Product Code (UPC) assigned to Club Verboten by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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