UPC · Release
The California Concerts
Louis Armstrong
Last verified:
011105061322 is the Universal Product Code (UPC barcode) for the release “The California Concerts” by Louis Armstrong, released 1992-01-01 on MCA Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include USMC15182484, USMC15182494, USMC15182516.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | When It's Sleepy Time Down South | — | ||
| 2 | (Back Home Again In) Indiana | Louis Armstrong & His All-Stars | T-900.363.111-6 | |
| 3 | Some Day | — | ||
| 4 | Back o' Town Blues | — | ||
| 5 | Way Down Yonder in New Orleans | Louis Armstrong & His All-Stars | T-070.197.698-8 | |
| 6 | Star Dust | Louis Armstrong & His All-Stars | T-031.563.049-9 | |
| 7 | The Hucklebuck (Live 1951 Pasadena Civic Auditorium) | Louis Armstrong | T-070.074.754-1 | |
| 8 | Honeysuckle Rose | Louis Armstrong & His All-Stars | T-070.074.170-3 | |
| 9 | How High the Moon | — | ||
| 10 | Just You, Just Me | Louis Armstrong & His All-Stars | T-070.089.165-1 | |
| 11 | Bugle Blues | — | ||
| 12 | My Monday Date | Louis Armstrong & His All-Stars | T-070.270.090-0 | |
| 13 | You Can Depend on Me | Louis Armstrong & His All-Stars | T-070.210.388-5 | |
| 2-1 | That’s a Plenty | Louis Armstrong & His All-Stars | T-070.187.554-8 | |
| 2-2 | Body and Soul | — | ||
| 2-3 | Big Daddy Blues | — | ||
| 2-4 | Baby It's Cold Outside, Parts 1 & 2 | Louis Armstrong | T-070.009.990-6 | |
| 2-5 | Muskrat Ramble | — | ||
| 2-6 | When It's Sleepy Time Down South | — | ||
| 2-7 | Indiana | — | ||
| 2-8 | The Gypsy | — | ||
| 2-9 | Some Day | — | ||
| 2-10 | Tin Roof Blues | — | ||
| 2-11 | My Bucket's Got a Hole in It | — | ||
| 2-12 | Rose Room | — | ||
| 2-13 | Perdido | — | ||
| 2-14 | Blues for Bass | — | ||
| 2-15 | Me and My Brother Bill | — | ||
| 3-1 | When You're Smiling | — | ||
| 3-2 | 'Tain't What You Do (It's the Way That You Do It) | — | ||
| 3-3 | Lover, Come Back to Me | — | ||
| 3-4 | Don't Fence Me In | — | ||
| 3-5 | Basin Street Blues | — | ||
| 3-6 | When It's Sleepy Time Down South | — | ||
| 3-7 | Shadrack / When the Saints Go Marching In | — | ||
| 3-8 | C'est Si Bon | — | ||
| 3-9 | The Whiffenpoof Song | — | ||
| 3-10 | Rockin' Chair | — | ||
| 3-11 | Twelfth Street Rag | — | ||
| 3-12 | Muskrat Ramble | — | ||
| 3-13 | St. Louis Blues | — | ||
| 3-14 | The Man I Love | — | ||
| 3-15 | Back o' Town Blues | — | ||
| 3-16 | Old Man Mose | — | ||
| 4-1 | Jeepers Creepers | — | ||
| 4-2 | Margie | — | ||
| 4-3 | Big Mama's Back in Town | — | ||
| 4-4 | Big Butter and Egg Man | — | ||
| 4-5 | Stompin' at the Savoy | — | ||
| 4-6 | When It's Sleepy Time Down South | — | ||
| 4-7 | Struttin' With Some Barbecue | — | ||
| 4-8 | (Up a) Lazy River | — | ||
| 4-9 | Old Man Mose | — | ||
| 4-10 | My Bucket's Got a Hole in It | — | ||
| 4-11 | 's Wonderful | — | ||
| 4-12 | Big Mama's Back in Town | — | ||
| 4-13 | Since I Fell for You | — | ||
| 4-14 | Mop Mop | — | ||
| 4-15 | When It's Sleepy Time Down South | — |
What other identifiers does this connect to?
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What is UPC 011105061322?
011105061322 is a Universal Product Code (UPC) assigned to The California Concerts by Louis Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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