UPC · Album
36 All-Time Favorites!
Johnny Mathis
Last verified:
011301538529 is the Universal Product Code (UPC barcode) for the release “36 All-Time Favorites!” by Johnny Mathis, released 1998-01-01 on Sony Music Special Products. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include USSM10008379, USSM10008383, USSM17700040.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Twelfth of Never | Johnny Mathis | USSM10008379 |
| A Certain Smile | Johnny Mathis | USSM10008383 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM17700040 |
| The Greatest Gift | Johnny Mathis | USSM11604215 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM19904260 |
| When Sunny Gets Blue | Johnny Mathis | USSM10403426 |
| Sweet Lorraine | Johnny Mathis | USSM11606870 |
| Love Theme From Romeo and Juliet (A Time for Us) | Johnny Mathis | USSM16900271 |
| Maria | Johnny Mathis | FR6V81865578 |
| Small World | Johnny Mathis | USSM19914635 |
| Misty | Johnny Mathis | USSM19914659 |
| A Certain Smile | Johnny Mathis | USSM19914641 |
| A Certain Smile | Johnny Mathis | USSM15800901 |
| Moanin' Low | Johnny Mathis | USSM16001339 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM10008387 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM17700350 |
| Twelfth of Never | Johnny Mathis | USSM10102844 |
| I’m Stone in Love With You | Johnny Mathis | USSM10305244 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM19801993 |
| Evergreen (Love Theme From “A Star Is Born”) | Johnny Mathis | USSM17700676 |
| I’m Stone in Love With You | Johnny Mathis | USSM19903842 |
| I’m Glad There Is You | Johnny Mathis, Percy Faith and His Orchestra | USSM11606859 |
| The Way We Were | Johnny Mathis | USSM19903830 |
| Maria | Johnny Mathis | USSM15900472 |
| Chances Are | Johnny Mathis | USSM15700334 |
| Misty | Johnny Mathis | USSM15900470 |
| While We’re Young | Johnny Mathis, Percy Faith and His Orchestra | USSM11606861 |
| Moanin' Low | Johnny Mathis | FR6V81865566 |
| Ace in the Hole | Johnny Mathis, Nelson Riddle and His Orchestra | USSM10900908 |
| Small World | Johnny Mathis | USSM10008384 |
| Misty | Johnny Mathis | USSM15901038 |
| Then I’ll Be Tired of You | Johnny Mathis, Percy Faith and His Orchestra | USSM11606858 |
| Chances Are | Johnny Mathis | USSM10102843 |
| Chances Are | Johnny Mathis | USSM15700492 |
| Where Is the Love | Johnny Mathis | USSM11604275 |
| A Certain Smile | Johnny Mathis | USSM15800503 |
| My Funny Valentine | Johnny Mathis | USSM15800806 |
| (Where Do I Begin) Love Story | Johnny Mathis | USSM11606875 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM10007521 |
| Love Theme From Romeo and Juliet (A Time for Us) | Johnny Mathis | USSM10900967 |
| Chances Are | Johnny Mathis | USSM15700524 |
| Too Much, Too Little, Too Late | Johnny Mathis, Deniece Williams | USSM10102898 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 011301538529?
011301538529 is a Universal Product Code (UPC) assigned to 36 All-Time Favorites! by Johnny Mathis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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