UPC · Release
Gilbert, Sullivan, The D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash, James Walker, Isidore Godfrey
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The UPC for “The Best of Gilbert and Sullivan” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash, James Walker, Isidore Godfrey is 011301705921. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. This release contains 44 tracks, each with its own ISRC. Tracks include GBF077340101, GBF077340102, GBF077340104.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Mikado: Overture | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-901.158.945-0 | |
| 2 | The Mikado: Act I. “If you want to know who we are” | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 3 | The Mikado: A Wand'ring Minstrel I | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-310.692.078-5 | |
| 4 | The Mikado: Act I. “As someday it may happen that a victim must be found” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 5 | The Mikado: Act I. “Three little maids from school are we” | Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-909.735.202-8 | |
| 6 | The Mikado: Act I. “For he’s going to marry Yum-Yum” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 7 | The Mikado: Act II. “Braid the raven hair, Weave the supple tresses” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 8 | The Mikado: Act II. “The sun whose rays are all ablaze” | Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-011.700.255-7 | |
| 9 | The Mikado: Act II. “A more humane Mikado never did in Japan exist” | John Ayldon, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 10 | The Criminal Cried as He Dropp'd Him Down | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 11 | The Mikado: The Flowers That Bloom in the Spring, Tra La | D’Oyly Carte Opera Chorus, Peggy Ann Jones, Valerie Masterson, John Reed, Kenneth Sandford, Colin Wright, Royal Philharmonic Orchestra, Royston Nash | T-912.860.535-6 | |
| 12 | The Mikado: On a Tree By a River a Little Tom Tit | John Reed, Royal Philharmonic Orchestra, Royston Nash | — | |
| 13 | The Mikado: Act II. “For he’s gone and married Yum-Yum” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 2-1 | H.M.S. Pinafore: Overture | — | ||
| 2-2 | H.M.S. Pinafore: We Sail the Ocean Blue | — | ||
| 2-3 | H.M.S. Pinafore: I'm Called Little Buttercup | — | ||
| 2-4 | H.M.S. Pinafore: The Nightingale Sighed | — | ||
| 2-5 | H.M.S. Pinafore: A Maiden Fair to See | — | ||
| 2-6 | H.M.S. Pinafore: I Am the Captain of the Pinafore | — | ||
| 2-7 | H.M.S. Pinafore: Sorry Her Lot Who Loves Too Well | — | ||
| 2-8 | H.M.S. Pinafore: Over the Bright Blue Sea / Sir Joseph's Barge Is Seen | — | ||
| 2-9 | H.M.S. Pinafore: Now Give Three Cheers... I Am the Monarch of the Sea | — | ||
| 2-10 | H.M.S. Pinafore: When I Was a Lad I Served a Term | — | ||
| 2-11 | H.M.S. Pinafore: A British Tar Is a Soaring Soul | — | ||
| 2-12 | H.M.S. Pinafore: Let's Give Three Cheers for the Sailor's Bride | — | ||
| 2-13 | H.M.S. Pinafore: Fair Moon to Thee I Sing | — | ||
| 2-14 | H.M.S. Pinafore: Things Are Seldom What They Seem | — | ||
| 2-15 | H.M.S. Pinafore: Never Mind the Why and Wherefore | — | ||
| 2-16 | H.M.S. Pinafore: Kind Captain, I've Important Information | — | ||
| 2-17 | H.M.S. Pinafore: Farewell My Own | — | ||
| 2-18 | H.M.S. Pinafore: A Many Years Ago | — | ||
| 2-19 | H.M.S. Pinafore: O Joy O Rapture Unforeseen | — | ||
| 3-1 | The Pirates of Penzance: Overture | — | ||
| 3-2 | The Pirates of Penzance: Pour o Pour the Pirate Sherry | — | ||
| 3-3 | The Pirates of Penzance: Oh, Better Far to Live and Die | — | ||
| 3-4 | The Pirates of Penzance: Climbing Over Rocky Mountain | — | ||
| 3-5 | The Pirates of Penzance: Poor Wand'ring One! | — | ||
| 3-6 | The Pirates of Penzance: Hold, Monsters! | — | ||
| 3-7 | The Pirates of Penzance: I Am the Very Model of a Modern Major-General | — | ||
| 3-8 | The Pirates of Penzance: When the Foeman Bares His Steel | — | ||
| 3-9 | The Pirates of Penzance: Ah, Leave Me Not to Pine Alone and Desolate | — | ||
| 3-10 | The Pirates of Penzance: When a Felon's Not Engaged in His Employment | — | ||
| 3-11 | The Pirates of Penzance: With Cat-Like Tread | — | ||
| 3-12 | The Pirates of Penzance: Poor Wand'ring Ones, Though Ye Have Surely Strayed | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
011301705921 is a Universal Product Code (UPC) assigned to The Best of Gilbert and Sullivan by Gilbert, Sullivan, The D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash, James Walker, Isidore Godfrey. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Best of Gilbert and Sullivan” by Gilbert, Sullivan, The D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash, James Walker, Isidore Godfrey is 011301705921. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. This release contains 44 tracks, each with its own ISRC. Tracks include GBF077340101, GBF077340102, GBF077340104.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Mikado: Overture | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-901.158.945-0 | |
| 2 | The Mikado: Act I. “If you want to know who we are” | Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 3 | The Mikado: A Wand'ring Minstrel I | Colin Wright, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-310.692.078-5 | |
| 4 | The Mikado: Act I. “As someday it may happen that a victim must be found” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 5 | The Mikado: Act I. “Three little maids from school are we” | Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-909.735.202-8 | |
| 6 | The Mikado: Act I. “For he’s going to marry Yum-Yum” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 7 | The Mikado: Act II. “Braid the raven hair, Weave the supple tresses” | Peggy Ann Jones, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 8 | The Mikado: Act II. “The sun whose rays are all ablaze” | Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | T-011.700.255-7 | |
| 9 | The Mikado: Act II. “A more humane Mikado never did in Japan exist” | John Ayldon, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 10 | The Criminal Cried as He Dropp'd Him Down | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 11 | The Mikado: The Flowers That Bloom in the Spring, Tra La | D’Oyly Carte Opera Chorus, Peggy Ann Jones, Valerie Masterson, John Reed, Kenneth Sandford, Colin Wright, Royal Philharmonic Orchestra, Royston Nash | T-912.860.535-6 | |
| 12 | The Mikado: On a Tree By a River a Little Tom Tit | John Reed, Royal Philharmonic Orchestra, Royston Nash | — | |
| 13 | The Mikado: Act II. “For he’s gone and married Yum-Yum” | John Reed, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus | — | |
| 2-1 | H.M.S. Pinafore: Overture | — | ||
| 2-2 | H.M.S. Pinafore: We Sail the Ocean Blue | — | ||
| 2-3 | H.M.S. Pinafore: I'm Called Little Buttercup | — | ||
| 2-4 | H.M.S. Pinafore: The Nightingale Sighed | — | ||
| 2-5 | H.M.S. Pinafore: A Maiden Fair to See | — | ||
| 2-6 | H.M.S. Pinafore: I Am the Captain of the Pinafore | — | ||
| 2-7 | H.M.S. Pinafore: Sorry Her Lot Who Loves Too Well | — | ||
| 2-8 | H.M.S. Pinafore: Over the Bright Blue Sea / Sir Joseph's Barge Is Seen | — | ||
| 2-9 | H.M.S. Pinafore: Now Give Three Cheers... I Am the Monarch of the Sea | — | ||
| 2-10 | H.M.S. Pinafore: When I Was a Lad I Served a Term | — | ||
| 2-11 | H.M.S. Pinafore: A British Tar Is a Soaring Soul | — | ||
| 2-12 | H.M.S. Pinafore: Let's Give Three Cheers for the Sailor's Bride | — | ||
| 2-13 | H.M.S. Pinafore: Fair Moon to Thee I Sing | — | ||
| 2-14 | H.M.S. Pinafore: Things Are Seldom What They Seem | — | ||
| 2-15 | H.M.S. Pinafore: Never Mind the Why and Wherefore | — | ||
| 2-16 | H.M.S. Pinafore: Kind Captain, I've Important Information | — | ||
| 2-17 | H.M.S. Pinafore: Farewell My Own | — | ||
| 2-18 | H.M.S. Pinafore: A Many Years Ago | — | ||
| 2-19 | H.M.S. Pinafore: O Joy O Rapture Unforeseen | — | ||
| 3-1 | The Pirates of Penzance: Overture | — | ||
| 3-2 | The Pirates of Penzance: Pour o Pour the Pirate Sherry | — | ||
| 3-3 | The Pirates of Penzance: Oh, Better Far to Live and Die | — | ||
| 3-4 | The Pirates of Penzance: Climbing Over Rocky Mountain | — | ||
| 3-5 | The Pirates of Penzance: Poor Wand'ring One! | — | ||
| 3-6 | The Pirates of Penzance: Hold, Monsters! | — | ||
| 3-7 | The Pirates of Penzance: I Am the Very Model of a Modern Major-General | — | ||
| 3-8 | The Pirates of Penzance: When the Foeman Bares His Steel | — | ||
| 3-9 | The Pirates of Penzance: Ah, Leave Me Not to Pine Alone and Desolate | — | ||
| 3-10 | The Pirates of Penzance: When a Felon's Not Engaged in His Employment | — | ||
| 3-11 | The Pirates of Penzance: With Cat-Like Tread | — | ||
| 3-12 | The Pirates of Penzance: Poor Wand'ring Ones, Though Ye Have Surely Strayed | — |
