UPC · Release
“My Disc” The Sheffield / Autosound 2000 Test Disc
Autosound 2000, Inc.
014391004523
84 tracksReleased 1994-01-01Sheffield Lab
Last verified:
014391004523 is the Universal Product Code (UPC barcode) for the release ““My Disc” The Sheffield / Autosound 2000 Test Disc” by Autosound 2000, Inc., released 1994-01-01 on Sheffield Lab. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC. Tracks include USA560643383.
Format
0Number system
14391Manufacturer
00452Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC“My Disc” The Sheffield / Autosound 2000 Test Disc
ISRC1 recording
ISWC2 works
IPI1 songwriter
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Stranger in My Bed | — | ||
| 2 | Dish Rag | Thelma Houston, Pressure Cooker | T0720055786 | |
| 3 | Dance of the Knights | — | ||
| 4 | Dirty Blue | — | ||
| 5 | Wishing Well | — | ||
| 6 | Dock Of The Bay | — | ||
| 7 | [Technical Track] 1 kHz Sine Wave At -20 dBFS | — | ||
| 8 | [Technical Track] 1 kHz Sine Wave At 0 dBFS | — | ||
| 9 | [Technical Track] 20 Hz One Octave Warble | — | ||
| 10 | [Technical Track] 62 Hz One Octave Warble | — | ||
| 11 | [Technical Track] 125 Hz One Octave Warble | — | ||
| 12 | [Technical Track] 250 Hz One Octave Warble | — | ||
| 13 | [Technical Track] 500 Hz One Octave Warble | — | ||
| 14 | [Technical Track] 2.5 kHz One Octave Warble | — | ||
| 15 | [Technical Track] 5 kHz One Octave Warble | — | ||
| 16 | [Technical Track] 10 kHz One Octave Warble | — | ||
| 17 | [Technical Track] 15 kHz One Octave Warble | — | ||
| 18 | [Technical Track] 19 kHz One Octave Warble | — | ||
| 19 | [Technical Track] Person Counting From 1 To 25 | — | ||
| 20 | [Technical Track] Right Channel Identification | — | ||
| 21 | [Technical Track] Left Channel Identification | — | ||
| 22 | [Technical Track] Relative Polarity Between Left & Right Channels | — | ||
| 23 | [Technical Track] Polarity Pulses | — | ||
| 24 | [Technical Track] 1 kHz Sine Wave With Bottom Half Clipped | — | ||
| 25 | [Technical Track] Three People Describing Their Location Within The Sound Stage | — | ||
| 26 | [Technical Track] Same As Track 25 Except Talking Simultaneously | — | ||
| 27 | [Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Stereo | — | ||
| 28 | [Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Mono (L + R) | — | ||
| 29 | [Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Mono (Left Channel Only) | — | ||
| 31 | [Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Mono (Right Channel Only) | — | ||
| 33 | [Technical Track] Music Recorded With Normal Transfer Level Of 0 dB | — | ||
| 34 | [Technical Track] Music Recorded With Transfer Level Of -10 dB | — | ||
| 35 | [Technical Track] Music Recorded With Transfer Level Of -20 dB | — | ||
| 36 | [Technical Track] Music Recorded With Transfer Level Of -30 dB | — | ||
| 37 | [Technical Track] Music Recorded With Transfer Level Of -40 dB | — | ||
| 38 | [Technical Track] Music Recorded With Transfer Level Of -50 dB | — | ||
| 39 | [Technical Track] Music Recorded With Transfer Level Of -60 dB | — | ||
| 40 | [Technical Track] Music Recorded With Transfer Level Of -70 dB | — | ||
| 41 | [Technical Track] Recording Of Digital Black Or 0 Bits | — | ||
| 42 | [Technical Track] High-Frequency Low-Level Alternating Between 0000 And FFFF | — | ||
| 43 | [Technical Track] Correlated Pink Noise 20 Hz To 20 kHz | — | ||
| 44 | [Technical Track] Uncorrelated Pink Noise 20 Hz To 20 kHz | — | ||
| 45 | [Technical Track] Pink Noise Raised In 1 dB Steps Every 3 Seconds | — | ||
| 46 | [Technical Track] Pink Noise Raised In 3 dB Steps 4 Times | — | ||
| 47 | [Technical Track] 1/3 Octave Pink Noise At 25 - 31.5 - 40 Hz | — | ||
| 48 | [Technical Track] 1/3 Octave Pink Noise At 50 - 63 - 80 Hz | — | ||
| 49 | [Technical Track] 1/3 Octave Pink Noise At 100 - 125 - 160 Hz | — | ||
| 50 | [Technical Track] 1/3 Octave Pink Noise At 200 - 250 - 315 Hz | — | ||
| 51 | [Technical Track] 1/3 Octave Pink Noise At 400 - 500 - 630 Hz | — | ||
| 52 | [Technical Track] 1/3 Octave Pink Noise At 800 Hz - 1 - 1.2 kHz | — | ||
| 53 | [Technical Track] 1/3 Octave Pink Noise At 1.6 - 2 - 2.5 kHz | — | ||
| 54 | [Technical Track] 1/3 Octave Pink Noise At 3.15 - 4 - 5 kHz | — | ||
| 55 | [Technical Track] 1/3 Octave Pink Noise At 6.3 - 8 - 10 kHz | — | ||
| 56 | [Technical Track] 1/3 Octave Pink Noise At 12.5 - 16 - 20 kHz | — | ||
| 57 | [Technical Track] 20 Hz To 20 kHz Continuous Warble | — | ||
| 58 | [Technical Track] 100 Hz To 20 Hz Warble For Subwoofer Evaluation | — | ||
| 59 | [Technical Track] Individual Frequencies From 10 Hz To 99 Hz | — | ||
| 60 | [Technical Track] Flat Low Distortion Sweep From 20 - 200 Hz | — | ||
| 61 | [Technical Track] Flat Low Distortion Sweep From 200 Hz - 2 kHz | — | ||
| 62 | [Technical Track] Flat Low Distortion Sweep From 2 - 20 kHz | — | ||
| 63 | [Technical Track] Contains The Musical Note A (440 Hz) | — | ||
| 64 | [Technical Track] 100 Hz Tone Burst With Duty Cycle Of 25% | — | ||
| 65 | [Technical Track] 1 kHz Tone Burst With Duty Cycle Of 25% | — | ||
| 66 | [Technical Track] 10 kHz Tone Burst With Duty Cycle Of 25% | — | ||
| 67 | [Technical Track] 100 Hz Square Wave | — | ||
| 68 | [Technical Track] 1 kHz Square Wave | — | ||
| 69 | [Technical Track] Full Dynamics Of The Original Recording | — | ||
| 70 | [Technical Track] Compressed Version Of The Original Recording With Same Peak Level | — | ||
| 71 | [Technical Track] Tone With 0.03% Distortion | — | ||
| 72 | [Technical Track] Tone With 0.1% Distortion | — | ||
| 73 | [Technical Track] Tone With 0.3% Distortion | — | ||
| 74 | [Technical Track] Tone With 1% Distortion | — | ||
| 75 | [Technical Track] Tone With 3% Distortion | — | ||
| 76 | [Technical Track] Tone With 10% Distortion | — | ||
| 77 | [Technical Track] Music With Distortion Of About 0.03% | — | ||
| 78 | [Technical Track] Music With Distortion Of About 0.1% | — | ||
| 79 | [Technical Track] Music With Distortion Of About 0.3% | — | ||
| 80 | [Technical Track] Music With Distortion Of About 1% | — | ||
| 81 | [Technical Track] Music With Distortion Of About 3% | — | ||
| 82 | [Technical Track] Music With Distortion Of About 10% | — | ||
| 83 | [Technical Track] Musical Selection With No Added Delay | — | ||
| 84 | [Technical Track] Musical Selection With 7 ms Of Group Delay Below 100 Hz | — | ||
| 85 | [Technical Track] Standing Between Penske's Pits And Main Straightaway | — | ||
| 86 | [Technical Track] Short Walk Down Pit Row Of Race Car Track | — |
Stranger in My Bed
—
Dance of the Knights
—
Dirty Blue
—
Wishing Well
—
Dock Of The Bay
—
[Technical Track] 1 kHz Sine Wave At -20 dBFS
—
[Technical Track] 1 kHz Sine Wave At 0 dBFS
—
[Technical Track] 20 Hz One Octave Warble
—
[Technical Track] 62 Hz One Octave Warble
—
[Technical Track] 125 Hz One Octave Warble
—
[Technical Track] 250 Hz One Octave Warble
—
[Technical Track] 500 Hz One Octave Warble
—
[Technical Track] 2.5 kHz One Octave Warble
—
[Technical Track] 5 kHz One Octave Warble
—
[Technical Track] 10 kHz One Octave Warble
—
[Technical Track] 15 kHz One Octave Warble
—
[Technical Track] 19 kHz One Octave Warble
—
[Technical Track] Person Counting From 1 To 25
—
[Technical Track] Right Channel Identification
—
[Technical Track] Left Channel Identification
—
[Technical Track] Relative Polarity Between Left & Right Channels
—
[Technical Track] Polarity Pulses
—
[Technical Track] 1 kHz Sine Wave With Bottom Half Clipped
—
[Technical Track] Three People Describing Their Location Within The Sound Stage
—
[Technical Track] Same As Track 25 Except Talking Simultaneously
—
[Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Stereo
—
[Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Mono (L + R)
—
[Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Mono (Left Channel Only)
—
[Technical Track] Music For Evaluating Accuracy And Focus Of Sound Stage In Mono (Right Channel Only)
—
[Technical Track] Music Recorded With Normal Transfer Level Of 0 dB
—
[Technical Track] Music Recorded With Transfer Level Of -10 dB
—
[Technical Track] Music Recorded With Transfer Level Of -20 dB
—
[Technical Track] Music Recorded With Transfer Level Of -30 dB
—
[Technical Track] Music Recorded With Transfer Level Of -40 dB
—
[Technical Track] Music Recorded With Transfer Level Of -50 dB
—
[Technical Track] Music Recorded With Transfer Level Of -60 dB
—
[Technical Track] Music Recorded With Transfer Level Of -70 dB
—
[Technical Track] Recording Of Digital Black Or 0 Bits
—
[Technical Track] High-Frequency Low-Level Alternating Between 0000 And FFFF
—
[Technical Track] Correlated Pink Noise 20 Hz To 20 kHz
—
[Technical Track] Uncorrelated Pink Noise 20 Hz To 20 kHz
—
[Technical Track] Pink Noise Raised In 1 dB Steps Every 3 Seconds
—
[Technical Track] Pink Noise Raised In 3 dB Steps 4 Times
—
[Technical Track] 1/3 Octave Pink Noise At 25 - 31.5 - 40 Hz
—
[Technical Track] 1/3 Octave Pink Noise At 50 - 63 - 80 Hz
—
[Technical Track] 1/3 Octave Pink Noise At 100 - 125 - 160 Hz
—
[Technical Track] 1/3 Octave Pink Noise At 200 - 250 - 315 Hz
—
[Technical Track] 1/3 Octave Pink Noise At 400 - 500 - 630 Hz
—
[Technical Track] 1/3 Octave Pink Noise At 800 Hz - 1 - 1.2 kHz
—
[Technical Track] 1/3 Octave Pink Noise At 1.6 - 2 - 2.5 kHz
—
[Technical Track] 1/3 Octave Pink Noise At 3.15 - 4 - 5 kHz
—
[Technical Track] 1/3 Octave Pink Noise At 6.3 - 8 - 10 kHz
—
[Technical Track] 1/3 Octave Pink Noise At 12.5 - 16 - 20 kHz
—
[Technical Track] 20 Hz To 20 kHz Continuous Warble
—
[Technical Track] 100 Hz To 20 Hz Warble For Subwoofer Evaluation
—
[Technical Track] Individual Frequencies From 10 Hz To 99 Hz
—
[Technical Track] Flat Low Distortion Sweep From 20 - 200 Hz
—
[Technical Track] Flat Low Distortion Sweep From 200 Hz - 2 kHz
—
[Technical Track] Flat Low Distortion Sweep From 2 - 20 kHz
—
[Technical Track] Contains The Musical Note A (440 Hz)
—
[Technical Track] 100 Hz Tone Burst With Duty Cycle Of 25%
—
[Technical Track] 1 kHz Tone Burst With Duty Cycle Of 25%
—
[Technical Track] 10 kHz Tone Burst With Duty Cycle Of 25%
—
[Technical Track] 100 Hz Square Wave
—
[Technical Track] 1 kHz Square Wave
—
[Technical Track] Full Dynamics Of The Original Recording
—
[Technical Track] Compressed Version Of The Original Recording With Same Peak Level
—
[Technical Track] Tone With 0.03% Distortion
—
[Technical Track] Tone With 0.1% Distortion
—
[Technical Track] Tone With 0.3% Distortion
—
[Technical Track] Tone With 1% Distortion
—
[Technical Track] Tone With 3% Distortion
—
[Technical Track] Tone With 10% Distortion
—
[Technical Track] Music With Distortion Of About 0.03%
—
[Technical Track] Music With Distortion Of About 0.1%
—
[Technical Track] Music With Distortion Of About 0.3%
—
[Technical Track] Music With Distortion Of About 1%
—
[Technical Track] Music With Distortion Of About 3%
—
[Technical Track] Music With Distortion Of About 10%
—
[Technical Track] Musical Selection With No Added Delay
—
[Technical Track] Musical Selection With 7 ms Of Group Delay Below 100 Hz
—
[Technical Track] Standing Between Penske's Pits And Main Straightaway
—
[Technical Track] Short Walk Down Pit Row Of Race Car Track
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 014391004523?
014391004523 is a Universal Product Code (UPC) assigned to “My Disc” The Sheffield / Autosound 2000 Test Disc by Autosound 2000, Inc.. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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