UPC · Release
Great Melodies of the Classics
Various Artists
015095120427
51 tracksReleased 1993-01-01Classical Heritage
Last verified:
015095120427 is the Universal Product Code (UPC barcode) for the release “Great Melodies of the Classics” by Various Artists, released 1993-01-01 on Classical Heritage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC. Tracks include USCMG0402236, USCMG0303097, USCMG0301552.
Format
0Number system
15095Manufacturer
12042Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCGreat Melodies of the Classics
ISRC11 recordings
ISWC14 works
IPI7 songwriters
Track List (51)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fanfare | The English Philharmonic Orchestra, Simon Addison | T-071.622.233-1 | |
| 2 | Orchestral Suite No. 3: Air on the G string | The English Philharmonic Orchestra, London Festival Orchestra, Philharmonic Orchestra London, Simon Addison | T-914.248.874-2 | |
| 3 | Canon in D major | Collegium Aureum, The English Philharmonic Orchestra, London Festival Orchestra, Simon Addison | — | |
| 4 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 5 | The Spring in E major, Op. 8, No. 1 from The Four Seasons / Largo e pianissimo sempre | — | ||
| 6 | The Spring in E major, Op. 8, No. 1 from The Four Seasons / Allegro: Rustic Dance | — | ||
| 7 | Water Music Suite / Allegro | — | ||
| 8 | Water Music Suite / Air | — | ||
| 9 | Water Music Suite / Bouree | — | ||
| 10 | Water Music Suite / Hornpipe | — | ||
| 11 | Water Music Suite / Andante espressivo | — | ||
| 12 | Water Music Suite / Hornpipe 2 | — | ||
| 13 | Brandenburg Concerto No. 2 in F major, BWV 1047 / [Allegro] | — | ||
| 14 | Brandenburg Concerto No. 2 in F major, BWV 1047 / Andante | — | ||
| 15 | Brandenburg Concerto No. 2 in F major, BWV 1047 / Allegro assai | — | ||
| 16 | Table Music Overture | — | ||
| 17 | Toccata and Fugue in D minor BWV 565 | Hans-Christoph Becker-Foss | T-909.243.105-5 | |
| 2-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 2-2 | Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro | Camerata Academica Salzburg, Camerata Accademica Hamburg, Camerata Academica, Ljubljana Symphony Orchestra, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, The Northstar Orchestra, Philharmonia Slavonica, Camerata Labacensis, Günter Kehr, Francesco Macci, Alfred Scholz, Alexander von Pitamic | — | |
| 2-3 | Eine kleine Nachtmusik, K. 525: II. Romance. Andante | — | ||
| 2-4 | "Eine kleine Nachtmusik", Serenade no. 13 in G major, K. 525: Menuetto and Trio - Allegretto | Camerata Academica of Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academia Salzburg, Philharmonic Orchestra London, Mainz Chamber Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz | — | |
| 2-5 | Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | — | ||
| 2-6 | Symphony No. 94 in G major, "Surprise": I. Adagio - Vivace assai | — | ||
| 2-7 | Symphony No. 94 in G major, "Surprise": II. Andante | — | ||
| 2-8 | Symphony No. 94 in G major, "Surprise": III. Menuet. Allegro Molto | — | ||
| 2-9 | Symphony No. 94 in G major, "Surprise": IV. Finale. Allegro di molto | — | ||
| 2-10 | Symphony No. 5 in B-flat major: Allegro vivace | — | ||
| 2-11 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 2-12 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo | — | ||
| 3-1 | Light Cavalry Overture | — | ||
| 3-2 | Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato | — | ||
| 3-3 | Overture to William Tell | — | ||
| 3-4 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — | |
| 3-5 | Overture To ''Die Fledermaus'' (''The Bat'') | — | ||
| 3-6 | A Midsummer Night's Dream Suite: Overture | — | ||
| 3-7 | A Midsummer Night's Dream Suite: Scherzo | — | ||
| 3-8 | A Midsummer Night's Dream Suite: Nocturne | — | ||
| 3-9 | A Midsummer Night's Dream Suite: Wedding March | — | ||
| 3-10 | A Midsummer Night's Dream Suite: Puck's Dance | — | ||
| 4-1 | The Valkyrie: Ride of the Valkyries | — | ||
| 4-2 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | — | ||
| 4-3 | Peer Gynt Suite No. 1, Op. 46: II. Aase's Death | — | ||
| 4-4 | Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | — | ||
| 4-5 | Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | — | ||
| 4-6 | Les Préludes, S.97 | — | ||
| 4-7 | Orpheus in the Underworld: Overture | — | ||
| 4-8 | The Moldau | — | ||
| 4-9 | Prelude to the Afternoon of a Faun | — | ||
| 4-10 | Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | T-308.092.565-7 | |
| 4-11 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 4-12 | Carmen: March of the Smugglers | — |
The English Philharmonic Orchestra, London Festival Orchestra, Philharmonic Orchestra London, Simon Addison
Canon in D major
Collegium Aureum, The English Philharmonic Orchestra, London Festival Orchestra, Simon Addison
—
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
—
The Spring in E major, Op. 8, No. 1 from The Four Seasons / Largo e pianissimo sempre
—
The Spring in E major, Op. 8, No. 1 from The Four Seasons / Allegro: Rustic Dance
—
Water Music Suite / Allegro
—
Water Music Suite / Air
—
Water Music Suite / Bouree
—
Water Music Suite / Hornpipe
—
Water Music Suite / Andante espressivo
—
Water Music Suite / Hornpipe 2
—
Brandenburg Concerto No. 2 in F major, BWV 1047 / [Allegro]
—
Brandenburg Concerto No. 2 in F major, BWV 1047 / Andante
—
Brandenburg Concerto No. 2 in F major, BWV 1047 / Allegro assai
—
Table Music Overture
—
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
—
Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro
Camerata Academica Salzburg, Camerata Accademica Hamburg, Camerata Academica, Ljubljana Symphony Orchestra, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, The Northstar Orchestra, Philharmonia Slavonica, Camerata Labacensis, Günter Kehr, Francesco Macci, Alfred Scholz, Alexander von Pitamic
—
Eine kleine Nachtmusik, K. 525: II. Romance. Andante
—
"Eine kleine Nachtmusik", Serenade no. 13 in G major, K. 525: Menuetto and Trio - Allegretto
Camerata Academica of Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academia Salzburg, Philharmonic Orchestra London, Mainz Chamber Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz
—
Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
—
Symphony No. 94 in G major, "Surprise": I. Adagio - Vivace assai
—
Symphony No. 94 in G major, "Surprise": II. Andante
—
Symphony No. 94 in G major, "Surprise": III. Menuet. Allegro Molto
—
Symphony No. 94 in G major, "Surprise": IV. Finale. Allegro di molto
—
Symphony No. 5 in B-flat major: Allegro vivace
—
Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo
—
Light Cavalry Overture
—
Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
—
Overture to William Tell
—
Boléro, op. 81
Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel
—
Overture To ''Die Fledermaus'' (''The Bat'')
—
A Midsummer Night's Dream Suite: Overture
—
A Midsummer Night's Dream Suite: Scherzo
—
A Midsummer Night's Dream Suite: Nocturne
—
A Midsummer Night's Dream Suite: Wedding March
—
A Midsummer Night's Dream Suite: Puck's Dance
—
The Valkyrie: Ride of the Valkyries
—
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
—
Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
—
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
—
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
—
Les Préludes, S.97
—
Orpheus in the Underworld: Overture
—
The Moldau
—
Prelude to the Afternoon of a Faun
—
Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor
Carmen: March of the Smugglers
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
| Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante
Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio
—
Carmen Suite no. 1: VI. Les Toréadors
Alfred Scholz
—
Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055142146000000005670586000000000592977940000000063246076000000008940377000000000896312550000000094845012000000010568289700000001067034260000000107284315
+33 more
00000001088022920000000108935431000000010893549000000001089644780000000109110802000000010920910800000001093739360000000109432158000000010945383X00000001096241680000000109771459000000011022876000000001109287400000000113701795000000011421725X0000000114449237000000011677614300000001167911240000000117372802000000011955055300000001195730340000000120958492000000012109076000000001214495180000000121510673000000012187372200000001227139820000000122779084000000012280979X000000012293064500000001231500340000000123319637000000012337322X
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What is UPC 015095120427?
015095120427 is a Universal Product Code (UPC) assigned to Great Melodies of the Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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