UPC · Release
Classical Music for People Who Hate Classical Music
Various Artists
015095121226
58 tracksReleased 1994-01-01Classical Heritage
Last verified:
015095121226 is the Universal Product Code (UPC barcode) for the release “Classical Music for People Who Hate Classical Music” by Various Artists, released 1994-01-01 on Classical Heritage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include USCMG0301552, USCMG0401197, USCMG0500278.
Format
0Number system
15095Manufacturer
12122Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClassical Music for People Who Hate Classical Music
ISRC58 recordings
ISWC30 works
IPI2 songwriters
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Canon in D major | Collegium Aureum, The English Philharmonic Orchestra, London Festival Orchestra, Simon Addison | — | |
| 2 | Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro | Oregon Bach Festival Chamber Orchestra, Helmuth Rilling | — | |
| 3 | Largo and Allegro From The Winter From "The Four Seasons" | [unknown] | — | |
| 4 | Fanfare | The English Philharmonic Orchestra, Simon Addison | T-071.622.233-1 | |
| 5 | Orchestral Suite No. 3: Air on the G string | The English Philharmonic Orchestra, London Festival Orchestra, Philharmonic Orchestra London, Simon Addison | T-914.248.874-2 | |
| 6 | Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro | Camerata Academica Salzburg, Camerata Accademica Hamburg, Camerata Academica, Ljubljana Symphony Orchestra, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, The Northstar Orchestra, Philharmonia Slavonica, Camerata Labacensis, Günter Kehr, Francesco Macci, Alfred Scholz, Alexander von Pitamic | — | |
| 7 | Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Martha Bergerich, Academica Salzburg | — | |
| 8 | Introduction to Symphony No. 5 | Simfonični orkester RTV Slovenija | — | |
| 9 | Finale from "William Tell Overture" | Philharmonia Orchestra | — | |
| 10 | Aida: Triumphal March | London Festival Orchestra | — | |
| 11 | An der schönen blauen Donau, op. 314 | Vienna Opera Orchestra, Alfred Scholz | T-061.409.365-0 | |
| 12 | Waltz of the Flowers | Berlin Festival Orchestra | T-910.950.463-4 | |
| 13 | Finale from 1812 Overture | Philharmonia Orchestra | — | |
| 2-1 | Sabre Dance | Houston Symphony | T-801.025.525-2 | |
| 2-2 | Finale From Light Cavalry Overture | Philharmonia Orchestra | T-909.345.747-7 | |
| 2-3 | Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | T-308.092.565-7 | |
| 2-4 | Ein Sommernachtstraum op. 61 "Hochzeitsmarsch" | London Festival Orchestra, London Philharmonic Orchestra, Süddeutsche Philharmonie, Alfred Scholz | T-902.808.179-0 | |
| 2-5 | Radetzky March, Op. 228 | Vienna Opera Orchestra, Joseph Francek | T-011.727.534-9 | |
| 2-6 | Finale From Symphony No. 9, Choral | Atlanta Symphony Orchestra | — | |
| 2-7 | Polovstian Dance No. 17 From Prince Igor | Simfonični orkester RTV Slovenija | — | |
| 2-8 | Jesu, Joy of Man’s Desiring, BWV 147 | St. Louis Brass Quintet | T-329.518.926-9 | |
| 2-9 | Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song | London Festival Orchestra, Slowakische Staatsphilharmonie, Sven Bengtson, Libor Pesek | — | |
| 2-10 | Sleepers, Wake | London Festival Orchestra | T-011.691.965-3 | |
| 2-11 | Hornpipe From Water Music | Bamberger Symphoniker | — | |
| 2-12 | Largo from Symphony No. 9, "From the New World" | Berlin Symphony Orchestra | — | |
| 2-13 | Emperor Waltz | Orchester der Wiener Volksoper | — | |
| 2-14 | St. Anthony's Chorale From Emperor Quartet | [unknown] | — | |
| 2-15 | Barcarolle From The Tales of Hoffman | Royal Philharmonic Orchestra | — | |
| 2-16 | Farandole from L'Arlésienne | [unknown] | — | |
| 2-17 | Dance of the Mirlitons From The Nutcracker | [unknown] | T-312.199.363-9 | |
| 2-18 | Dance of the Sugar-Plum Fairy From The Nutcracker | [unknown] | T-902.859.518-8 | |
| 2-19 | Highlight From Rhapsody in Blue | [unknown] | T-070.126.537-3 | |
| 2-20 | Orpheus in the Underworld: Can-Can | [unknown] | — | |
| 3-1 | Introduction to ''Also sprach Zarathustra'' | [unknown] | — | |
| 3-2 | Saltarello Presto From Symphony No. 4, ''Italian'' | [unknown] | — | |
| 3-3 | Piano Concerto no. 20 in D minor, K. 466: II. Romanze | Angela Giulini, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — | |
| 3-4 | Ride of the Valkyries from ''The Valkyrie'' | [unknown] | T-902.771.445-0 | |
| 3-5 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 3-6 | Toccata and Fugue in D minor BWV 565 | Hans-Christoph Becker-Foss | T-909.243.105-5 | |
| 3-7 | Trumpet Voluntary | Camerata Romana | — | |
| 3-8 | Music for the Royal Fireworks: IV. La Rejouissance | Bamberg Philharmonic Orchestra, London Festival Orchestra, London Symphony Orchestra, Musici di San Marco, Radio Symphony Orchestra, Slovak Philharmonic Orchestra, Slovak Philharmonic Chamber Orchestra, Český národní symfonický orchestr, Oliver von Dohnányi, Sidney Lark, Francesco Macci, Rolf Reinhardt, Bernhard Stopler, Bohdan Warchal | — | |
| 3-9 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 3-10 | The Barber of Seville: Overture | London Festival Orchestra | — | |
| 3-11 | Adagio sostenuto from Piano Concerto No. 2 | [unknown] | — | |
| 4-1 | Carmina burana: Fortuna imperatrix mundi: O fortuna - Fortune plango vulnera | Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel | — | |
| 4-2 | Dawn from "Peer Gynt" | [unknown] | — | |
| 4-3 | Lohengrin, WWV 75: Vorspiel | London Festival Orchestra, London Symphony Orchestra, Slovenská filharmónia, Julian Armstrong, Bystrík Režucha, Alfred Scholz | T-905.386.770-2 | |
| 4-4 | Troika from "Lieutenant Kije" | [unknown] | — | |
| 4-5 | Adagio for Strings | New York Philharmonic, Leonard Bernstein | T-070.000.199-5 | |
| 4-6 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 4-7 | Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: Allegro | Joseph Brezina, Feliz Elias, Alberto Tozzi, Tomasco Vecchi, Camerata Labacensis, Camerata Romana, Musici di San Marco, Eugen Duvier, Francesco Macci | — | |
| 4-8 | Le nozze di Figaro, K. 492: Overture | Royal Philharmonic Orchestra, Jane Glover | — | |
| 4-9 | (Rondo) all turca | [unknown] | T-912.655.618-1 | |
| 4-10 | Xerxes: Largo | London Festival Orchestra | — | |
| 4-11 | Allegro vivace from Symphony No. 5 | [unknown] | — | |
| 4-12 | Enchanted Lake from "Swan Lake" Suite | London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel | — | |
| 4-13 | Clair de lune | [unknown] | — | |
| 4-14 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — |
Canon in D major
Collegium Aureum, The English Philharmonic Orchestra, London Festival Orchestra, Simon Addison
—
Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro
Oregon Bach Festival Chamber Orchestra, Helmuth Rilling
—
Largo and Allegro From The Winter From "The Four Seasons"
[unknown]
—
The English Philharmonic Orchestra, London Festival Orchestra, Philharmonic Orchestra London, Simon Addison
Serenade Nr. 13, G‐Dur, K 525, „Eine kleine Nachtmusik“: I. Allegro
Camerata Academica Salzburg, Camerata Accademica Hamburg, Camerata Academica, Ljubljana Symphony Orchestra, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, The Northstar Orchestra, Philharmonia Slavonica, Camerata Labacensis, Günter Kehr, Francesco Macci, Alfred Scholz, Alexander von Pitamic
—
Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Martha Bergerich, Academica Salzburg
—
Introduction to Symphony No. 5
Simfonični orkester RTV Slovenija
—
Finale from "William Tell Overture"
Philharmonia Orchestra
—
Aida: Triumphal March
London Festival Orchestra
—
Finale from 1812 Overture
Philharmonia Orchestra
—
London Festival Orchestra, London Philharmonic Orchestra, Süddeutsche Philharmonie, Alfred Scholz
Finale From Symphony No. 9, Choral
Atlanta Symphony Orchestra
—
Polovstian Dance No. 17 From Prince Igor
Simfonični orkester RTV Slovenija
—
Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song
London Festival Orchestra, Slowakische Staatsphilharmonie, Sven Bengtson, Libor Pesek
—
Hornpipe From Water Music
Bamberger Symphoniker
—
Largo from Symphony No. 9, "From the New World"
Berlin Symphony Orchestra
—
Emperor Waltz
Orchester der Wiener Volksoper
—
St. Anthony's Chorale From Emperor Quartet
[unknown]
—
Barcarolle From The Tales of Hoffman
Royal Philharmonic Orchestra
—
Farandole from L'Arlésienne
[unknown]
—
Orpheus in the Underworld: Can-Can
[unknown]
—
Introduction to ''Also sprach Zarathustra''
[unknown]
—
Saltarello Presto From Symphony No. 4, ''Italian''
[unknown]
—
Piano Concerto no. 20 in D minor, K. 466: II. Romanze
Angela Giulini, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio
—
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
—
Trumpet Voluntary
Camerata Romana
—
Music for the Royal Fireworks: IV. La Rejouissance
Bamberg Philharmonic Orchestra, London Festival Orchestra, London Symphony Orchestra, Musici di San Marco, Radio Symphony Orchestra, Slovak Philharmonic Orchestra, Slovak Philharmonic Chamber Orchestra, Český národní symfonický orchestr, Oliver von Dohnányi, Sidney Lark, Francesco Macci, Rolf Reinhardt, Bernhard Stopler, Bohdan Warchal
—
The Barber of Seville: Overture
London Festival Orchestra
—
Adagio sostenuto from Piano Concerto No. 2
[unknown]
—
Carmina burana: Fortuna imperatrix mundi: O fortuna - Fortune plango vulnera
Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
—
Dawn from "Peer Gynt"
[unknown]
—
London Festival Orchestra, London Symphony Orchestra, Slovenská filharmónia, Julian Armstrong, Bystrík Režucha, Alfred Scholz
Troika from "Lieutenant Kije"
[unknown]
—
Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor
Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo BWV 1043: Allegro
Joseph Brezina, Feliz Elias, Alberto Tozzi, Tomasco Vecchi, Camerata Labacensis, Camerata Romana, Musici di San Marco, Eugen Duvier, Francesco Macci
—
Le nozze di Figaro, K. 492: Overture
Royal Philharmonic Orchestra, Jane Glover
—
Xerxes: Largo
London Festival Orchestra
—
Allegro vivace from Symphony No. 5
[unknown]
—
Enchanted Lake from "Swan Lake" Suite
London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel
—
Clair de lune
[unknown]
—
Boléro, op. 81
Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
| Radetzky March, Op. 228 | Vienna Opera Orchestra, Joseph Francek | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
Carmen Suite no. 1: VI. Les Toréadors
Alfred Scholz
—
Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel
Radetzky March, Op. 228
Vienna Opera Orchestra, Joseph Francek
—
Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto
Dubravka Tomšič
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-011.727.534-9T-070.000.199-5T-070.000.199-5T-801.025.525-2T-801.025.525-2T-901.134.571-4T-909.243.105-5T-909.345.747-7T-909.243.105-5T-909.345.747-7
+20 more
T-912.655.618-1T-914.248.874-2T-914.248.874-2T-914.729.240-8T-915.711.225-9T-925.881.218-9T-927.349.106-8T-928.635.317-1T-003.006.377-4T-011.691.965-3T-011.727.534-9T-061.409.365-0T-070.126.537-3T-071.622.233-1T-308.092.565-7T-312.199.363-9T-329.518.926-9T-902.771.445-0T-902.808.179-0T-902.859.518-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000015605951000000005514214600000000567058600000000059297794000000006309071000000000632460760000000076934177000000007867862100000000896312550000000094845012
+20 more
000000010233692100000001066128660000000107284315000000010729481200000001083138940000000108802292000000010893543100000001089354900000000108964478000000010920910800000001093739360000000109414363000000010945383X00000001097714590000000110110842000000011029232400000001109287400000000113701795000000011421725X0000000114401145
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What is UPC 015095121226?
015095121226 is a Universal Product Code (UPC) assigned to Classical Music for People Who Hate Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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