UPC · Release
Opera for People Who Hate Opera
Various Artists
015095121325
61 tracksReleased 1994-01-01Classical Heritage
Last verified:
015095121325 is the Universal Product Code (UPC barcode) for the release “Opera for People Who Hate Opera” by Various Artists, released 1994-01-01 on Classical Heritage. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 61 tracks, each with its own ISRC. Tracks include USCMG0402073.
Format
0Number system
15095Manufacturer
12132Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOpera for People Who Hate Opera
ISRC1 recording
ISWC4 works
IPI1 songwriter
Track List (61)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Valkyrie: Ride of the Valkyries | — | ||
| 2 | Pagliacci: "Vesti la giubba" | — | ||
| 3 | Cavalleria rusticana: Intermezzo | — | ||
| 4 | The Barber of Seville: Overture | London Festival Orchestra | — | |
| 5 | Highlights from Carmen: Prelude | — | ||
| 6 | Highlights from Carmen: Aragonaise | — | ||
| 7 | Highlights from Carmen: Seguedille | — | ||
| 8 | Highlights from Carmen: Bohemian Dance | — | ||
| 9 | Highlights from Carmen: The Toreador Song | — | ||
| 10 | Prince Igor: Polovtsian Dances nos. 8 and 17 | — | ||
| 11 | La forza del destino: "Pace, pace mio Dio" | — | ||
| 12 | The Marriage of Figaro: Overture | — | ||
| 13 | The Tales of Hoffman: Barcarolle | — | ||
| 14 | II trovatore: Gypsy Chorus | — | ||
| 15 | The Trojans: Royal Hunt and Storm | — | ||
| 16 | Gianni Schicchi: "O mio babbino caro" | — | ||
| 2-1 | Light Cavalry Overture | — | ||
| 2-2 | Rigoletto: "Questo o quella" | — | ||
| 2-3 | Madame Butterfly: "Un bel dì" | — | ||
| 2-4 | La bohème: "Che gelida manina" | — | ||
| 2-5 | La Belle Hélène: Ouverture | — | ||
| 2-6 | Martha: "Ach so fromm…" | — | ||
| 2-7 | Overture and Prelude to The Meistersingers of Nuremberg | — | ||
| 2-8 | Tosca: "Vissi d'arte" | — | ||
| 2-9 | Aida: Atto I, scena 1. “Celeste Aida” | — | ||
| 2-10 | Aida: Triumphal March | — | ||
| 2-11 | Aida: Ballet Music | — | ||
| 2-12 | The Viennese Musical Clock | — | ||
| 2-13 | Overture to Die Fledermaus | — | ||
| 2-14 | H.M.S. Pinafore: "We sail the ocean blue" | — | ||
| 2-15 | H.M.S. Pinafore: "I'm called Little Buttercup" | — | ||
| 2-16 | H.M.S. Pinafore: "When I was a lad" | — | ||
| 2-17 | H.M.S. Pinafore: "Never mind the why and wherefore" | — | ||
| 3-1 | Rigoletto: "La donna e mobile" | — | ||
| 3-2 | Prelude to Act III of Lohengrin | — | ||
| 3-3 | Don Pasquale: Servants' Chorus | — | ||
| 3-4 | Samson and Delilah: "Mon cœur s'ouvre à ta voix" | — | ||
| 3-5 | The Gypsy Baron: Treasure Waltz | — | ||
| 3-6 | The Mikado: "A wand'ring minstrel" | — | ||
| 3-7 | The Mikado: "Three little maids" | — | ||
| 3-8 | The Mikado: "Here's a how-de-do" | — | ||
| 3-9 | The Mikado: "Beauty in the bellow" | — | ||
| 3-10 | The Mikado: "He's gone and married Yum-Yum" | — | ||
| 3-11 | Overture to Fidelio | — | ||
| 3-12 | Eugene Onegin: Waltz | — | ||
| 3-13 | Pagliacci: Peasants' Chorus | — | ||
| 3-14 | Overture to The Jolly Robbers | — | ||
| 3-15 | La traviata: "E strano!… E strano!" | — | ||
| 3-16 | Overture to The Beautiful Galathea | — | ||
| 4-1 | Overture to Ruslan and Lyudmila | — | ||
| 4-2 | Lohengrin: Bridal Chorus | — | ||
| 4-3 | William Tell Overture | — | ||
| 4-4 | Pirates of Penzance: "Pour, o pour the pirate sherry" | — | ||
| 4-5 | Pirates of Penzance: "Oh, better far to live and die" | — | ||
| 4-6 | Pirates of Penzance: "I am the very model of a modern Major-General" | — | ||
| 4-7 | Pirates of Penzance: "When the foeman bares his steel" | — | ||
| 4-8 | Pirates of Penzance: "With cat-like tread" | — | ||
| 4-9 | Porgy and Bess: Summertime | — | ||
| 4-10 | Overture to The Bartered Bride | — | ||
| 4-11 | The Barber of Seville: "Contro un cor" | — | ||
| 4-12 | Overture to Orpheus in the Underworld | — |
The Valkyrie: Ride of the Valkyries
—
Pagliacci: "Vesti la giubba"
—
Cavalleria rusticana: Intermezzo
—
The Barber of Seville: Overture
London Festival Orchestra
—
Highlights from Carmen: Prelude
—
Highlights from Carmen: Aragonaise
—
Highlights from Carmen: Seguedille
—
Highlights from Carmen: Bohemian Dance
—
Highlights from Carmen: The Toreador Song
—
Prince Igor: Polovtsian Dances nos. 8 and 17
—
La forza del destino: "Pace, pace mio Dio"
—
The Marriage of Figaro: Overture
—
The Tales of Hoffman: Barcarolle
—
II trovatore: Gypsy Chorus
—
The Trojans: Royal Hunt and Storm
—
Gianni Schicchi: "O mio babbino caro"
—
Light Cavalry Overture
—
Rigoletto: "Questo o quella"
—
Madame Butterfly: "Un bel dì"
—
La bohème: "Che gelida manina"
—
La Belle Hélène: Ouverture
—
Martha: "Ach so fromm…"
—
Overture and Prelude to The Meistersingers of Nuremberg
—
Tosca: "Vissi d'arte"
—
Aida: Atto I, scena 1. “Celeste Aida”
—
Aida: Triumphal March
—
Aida: Ballet Music
—
The Viennese Musical Clock
—
Overture to Die Fledermaus
—
H.M.S. Pinafore: "We sail the ocean blue"
—
H.M.S. Pinafore: "I'm called Little Buttercup"
—
H.M.S. Pinafore: "When I was a lad"
—
H.M.S. Pinafore: "Never mind the why and wherefore"
—
Rigoletto: "La donna e mobile"
—
Prelude to Act III of Lohengrin
—
Don Pasquale: Servants' Chorus
—
Samson and Delilah: "Mon cœur s'ouvre à ta voix"
—
The Gypsy Baron: Treasure Waltz
—
The Mikado: "A wand'ring minstrel"
—
The Mikado: "Three little maids"
—
The Mikado: "Here's a how-de-do"
—
The Mikado: "Beauty in the bellow"
—
The Mikado: "He's gone and married Yum-Yum"
—
Overture to Fidelio
—
Eugene Onegin: Waltz
—
Pagliacci: Peasants' Chorus
—
Overture to The Jolly Robbers
—
La traviata: "E strano!… E strano!"
—
Overture to The Beautiful Galathea
—
Overture to Ruslan and Lyudmila
—
Lohengrin: Bridal Chorus
—
William Tell Overture
—
Pirates of Penzance: "Pour, o pour the pirate sherry"
—
Pirates of Penzance: "Oh, better far to live and die"
—
Pirates of Penzance: "I am the very model of a modern Major-General"
—
Pirates of Penzance: "When the foeman bares his steel"
—
Pirates of Penzance: "With cat-like tread"
—
Porgy and Bess: Summertime
—
Overture to The Bartered Bride
—
The Barber of Seville: "Contro un cor"
—
Overture to Orpheus in the Underworld
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000552375670000000055483936000000005788629600000000593466640000000106612866000000010674624X0000000106750345000000010730274700000001083193210000000108935431
+21 more
0000000109209108000000010941436300000001108558360000000113701795000000011444923700000001144995170000000114597619000000011580565100000001195461750000000119550553000000011957303400000001216150370000000121677377000000012169519600000001216987090000000121873722000000012315003400000001234205160000000404368160000000041388671X0000000466238257
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 015095121325?
015095121325 is a Universal Product Code (UPC) assigned to Opera for People Who Hate Opera by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 61 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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