UPC · Release
The Dreaded P.D.Q. Bach Collection
P.D.Q. Bach
015707006224
101 tracksReleased 1996-01-01Vanguard
Last verified:
015707006224 is the Universal Product Code (UPC barcode) for the release “The Dreaded P.D.Q. Bach Collection” by P.D.Q. Bach, released 1996-01-01 on Vanguard. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC.
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0Number system
15707Manufacturer
00622Product
4Check digit
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Credit Chain
UPCThe Dreaded P.D.Q. Bach Collection
IPI1 songwriter
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In the Vanguard Vault, Part 1 | — | ||
| 2 | Introduction | — | ||
| 3 | Concerto for Horn and Hardart, S. 27: Allegro | — | ||
| 4 | Concerto for Horn and Hardart, S. 27: Tema con variazione | — | ||
| 5 | Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero | — | ||
| 7 | Cantata: Iphigenia in Brooklyn, S. 53162: Aria | — | ||
| 8 | Cantata: Iphigenia in Brooklyn, S. 53162: Recitative | — | ||
| 9 | Cantata: Iphigenia in Brooklyn, S. 53162: Ground | — | ||
| 13 | Quodlibet for Small Orchestra: Allegro | — | ||
| 14 | Quodlibet for Small Orchestra: Adagio | — | ||
| 17 | Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz | — | ||
| 18 | Sinfonia Concertante, S. 98.6: Andante senza moto | — | ||
| 19 | Sinfonia Concertante, S. 98.6: Presto nicht schleppend | — | ||
| 21 | Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full” | — | ||
| 22 | Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country” | — | ||
| 23 | Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme” | — | ||
| 24 | Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra | — | ||
| 25 | Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he” | — | ||
| 26 | Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept” | — | ||
| 27 | Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in” | — | ||
| 28 | Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds” | — | ||
| 29 | Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying” | — | ||
| 30 | Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed” | — | ||
| 31 | Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry” | — | ||
| 2-2 | “Unbegun” Symphony: Ⅲ. Minuet | — | ||
| 2-3 | “Unbegun” Symphony: Ⅳ. Andante – Allegro | — | ||
| 2-5 | Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto | — | ||
| 2-6 | Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno) | — | ||
| 2-7 | Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio | — | ||
| 2-8 | Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo) | — | ||
| 2-9 | Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio | — | ||
| 2-10 | Report From Hoople: Bright and Early Show: Signature Theme / Intro | — | ||
| 2-11 | Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / Tag | — | ||
| 2-12 | Report From Hoople: Bright and Early Show: Station Break | — | ||
| 2-13 | Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?” | — | ||
| 2-14 | Report From Hoople: Bright and Early Show: Intro | — | ||
| 2-15 | Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony | — | ||
| 2-16 | Report From Hoople: Bright and Early Show: Time / Weather / News | — | ||
| 2-18 | Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano | — | ||
| 2-19 | Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme | — | ||
| 2-20 | Report From Hoople: Dull and Late Show: Signature Theme / Intro | — | ||
| 2-21 | Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo | — | ||
| 2-22 | Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio | — | ||
| 2-23 | Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino | — | ||
| 2-24 | Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto | — | ||
| 2-25 | Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio | — | ||
| 2-26 | Report From Hoople: Dull and Late Show: Tag / Station Break | — | ||
| 2-27 | Report From Hoople: Dull and Late Show: What’s My Melodic Line? | — | ||
| 2-28 | Report From Hoople: Dull and Late Show: Time / News / Intro | — | ||
| 2-29 | Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands) | — | ||
| 2-31 | Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge) | — | ||
| 2-32 | Report From Hoople: Dull and Late Show: Commercial: “If You Have Never” | — | ||
| 2-33 | Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme | — | ||
| 3-2 | The Stoned Guest, Part 1: Overture | — | ||
| 3-3 | The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost” | — | ||
| 3-4 | The Stoned Guest, Part 1: Recitative: “Boy!” | — | ||
| 3-5 | The Stoned Guest, Part 1: Aria: “Now is the season” | — | ||
| 3-6 | The Stoned Guest, Part 1: Recitative: “Gesundheit!” | — | ||
| 3-7 | The Stoned Guest, Part 1: Duet: “Woe” | — | ||
| 3-8 | The Stoned Guest, Part 1: Recitative: “Hark!” | — | ||
| 3-9 | The Stoned Guest, Part 1: Aria: “Look at me” | — | ||
| 3-10 | The Stoned Guest, Part 1: Recitative: “That’s the end” | — | ||
| 3-11 | The Stoned Guest, Part 1: Trio: “I’m sure I’d be” | — | ||
| 3-12 | Intermission Feature: Opera Whiz | — | ||
| 3-13 | Plot Synopsis | — | ||
| 3-14 | The Stoned Guest, Part 2: Recitative: “I hate to interrupt” | — | ||
| 3-15 | The Stoned Guest, Part 2: Quartet: “Don Octave” | — | ||
| 3-16 | The Stoned Guest, Part 2: Finale: “O saviour” | — | ||
| 3-17 | Announcement | — | ||
| 3-18 | Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give” | — | ||
| 3-19 | Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth” | — | ||
| 3-20 | Final Announcement | — | ||
| 4-2 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture | — | ||
| 4-3 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper” | — | ||
| 4-4 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim” | — | ||
| 4-5 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter” | — | ||
| 4-6 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot” | — | ||
| 4-7 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto” | — | ||
| 4-8 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk” | — | ||
| 4-9 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?” | — | ||
| 4-10 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination | — | ||
| 4-11 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice” | — | ||
| 4-12 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name” | — | ||
| 4-13 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions” | — | ||
| 4-14 | Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is” | — | ||
| 4-15 | The O.K. Chorale from the Toot Suite for calliope four hands, S. 212° | — | ||
| 4-17 | “Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker | — | ||
| 4-18 | “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons | — | ||
| 4-19 | “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle | — | ||
| 4-20 | “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker | — | ||
| 4-21 | “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore | — | ||
| 4-22 | “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle | — | ||
| 4-24 | The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy | — | ||
| 4-25 | The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir | — | ||
| 4-26 | The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane | — | ||
| 4-27 | The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh | — | ||
| 4-28 | The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl | — | ||
| 4-29 | The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl) | — | ||
| 4-30 | In the Vanguard Vault, Part 2 | — | ||
| 4-31 | The “Sanka” Cantata | — | ||
| 4-32 | In the Vanguard Vault, Part 3 | — |
In the Vanguard Vault, Part 1
—
Introduction
—
Concerto for Horn and Hardart, S. 27: Allegro
—
Concerto for Horn and Hardart, S. 27: Tema con variazione
—
Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero
—
Cantata: Iphigenia in Brooklyn, S. 53162: Aria
—
Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
—
Cantata: Iphigenia in Brooklyn, S. 53162: Ground
—
Quodlibet for Small Orchestra: Allegro
—
Quodlibet for Small Orchestra: Adagio
—
Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz
—
Sinfonia Concertante, S. 98.6: Andante senza moto
—
Sinfonia Concertante, S. 98.6: Presto nicht schleppend
—
Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra
—
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”
—
Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”
—
“Unbegun” Symphony: Ⅲ. Minuet
—
“Unbegun” Symphony: Ⅳ. Andante – Allegro
—
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto
—
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno)
—
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio
—
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo)
—
Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio
—
Report From Hoople: Bright and Early Show: Signature Theme / Intro
—
Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / Tag
—
Report From Hoople: Bright and Early Show: Station Break
—
Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?”
—
Report From Hoople: Bright and Early Show: Intro
—
Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
—
Report From Hoople: Bright and Early Show: Time / Weather / News
—
Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano
—
Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme
—
Report From Hoople: Dull and Late Show: Signature Theme / Intro
—
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo
—
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio
—
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino
—
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto
—
Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio
—
Report From Hoople: Dull and Late Show: Tag / Station Break
—
Report From Hoople: Dull and Late Show: What’s My Melodic Line?
—
Report From Hoople: Dull and Late Show: Time / News / Intro
—
Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands)
—
Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge)
—
Report From Hoople: Dull and Late Show: Commercial: “If You Have Never”
—
Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme
—
The Stoned Guest, Part 1: Overture
—
The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”
—
The Stoned Guest, Part 1: Recitative: “Boy!”
—
The Stoned Guest, Part 1: Aria: “Now is the season”
—
The Stoned Guest, Part 1: Recitative: “Gesundheit!”
—
The Stoned Guest, Part 1: Duet: “Woe”
—
The Stoned Guest, Part 1: Recitative: “Hark!”
—
The Stoned Guest, Part 1: Aria: “Look at me”
—
The Stoned Guest, Part 1: Recitative: “That’s the end”
—
The Stoned Guest, Part 1: Trio: “I’m sure I’d be”
—
Intermission Feature: Opera Whiz
—
Plot Synopsis
—
The Stoned Guest, Part 2: Recitative: “I hate to interrupt”
—
The Stoned Guest, Part 2: Quartet: “Don Octave”
—
The Stoned Guest, Part 2: Finale: “O saviour”
—
Announcement
—
Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
—
Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”
—
Final Announcement
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
—
Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
—
The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°
—
“Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker
—
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons
—
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle
—
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker
—
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore
—
“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle
—
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
—
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir
—
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
—
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
—
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
—
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
—
In the Vanguard Vault, Part 2
—
The “Sanka” Cantata
—
In the Vanguard Vault, Part 3
—
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What is UPC 015707006224?
015707006224 is a Universal Product Code (UPC) assigned to The Dreaded P.D.Q. Bach Collection by P.D.Q. Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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