UPC · Release
Alan Parsons, Stephen Court
Last verified:
The UPC for “Sound Check” by Alan Parsons, Stephen Court is 015775101524. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Mobile Fidelity Sound Lab. This release contains 92 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 1kHz Ref. Tone @ -14dB FS | — | ||
| 2 | Pink Noise L | — | ||
| 3 | Pink Noise R | — | ||
| 4 | Pink Noise L+R & Phase Check | — | ||
| 5 | Pink Noise: Bass 0–200Hz & Phase Check | — | ||
| 6 | Pink Noise: Low Mid 200Hz–1kHz & Phase Check | — | ||
| 7 | Pink Noise: High Mid 1kHz – ∞ & Phase Check | — | ||
| 8 | Pink Noise: HF 7kHz – ∞ & Phase Check | — | ||
| 9 | ⅓ Octave: 1kHz Ref. Tone | — | ||
| 10 | ⅓ Octave: 20Hz | — | ||
| 11 | ⅓ Octave: 25Hz | — | ||
| 12 | ⅓ Octave: 31.5Hz | — | ||
| 13 | ⅓ Octave: 40Hz | — | ||
| 14 | ⅓ Octave: 50Hz | — | ||
| 15 | ⅓ Octave: 63Hz | — | ||
| 16 | ⅓ Octave: 80Hz | — | ||
| 17 | ⅓ Octave: 100Hz | — | ||
| 18 | ⅓ Octave: 125Hz | — | ||
| 19 | ⅓ Octave: 160Hz | — | ||
| 20 | ⅓ Octave: 200Hz | — | ||
| 21 | ⅓ Octave: 250Hz | — | ||
| 22 | ⅓ Octave: 315Hz | — | ||
| 23 | ⅓ Octave: 400Hz | — | ||
| 24 | ⅓ Octave: 500Hz | — | ||
| 25 | ⅓ Octave: 630Hz | — | ||
| 26 | ⅓ Octave: 800Hz | — | ||
| 27 | ⅓ Octave: 1kHz | — | ||
| 28 | ⅓ Octave: 1.25kHz | — | ||
| 29 | ⅓ Octave: 1.6kHz | — | ||
| 30 | ⅓ Octave: 2kHz | — | ||
| 31 | ⅓ Octave: 2.5kHz | — | ||
| 32 | ⅓ Octave: 3.15kHz | — | ||
| 33 | ⅓ Octave: 4kHz | — | ||
| 34 | ⅓ Octave: 5kHz | — | ||
| 35 | ⅓ Octave: 6.3kHz | — | ||
| 36 | ⅓ Octave: 8kHz | — | ||
| 37 | ⅓ Octave: 10kHz | — | ||
| 38 | ⅓ Octave: 12.5kHz | — | ||
| 39 | ⅓ Octave: 16kHz | — | ||
| 40 | ⅓ Octave: 20kHz | — | ||
| 41 | Sweeps: 1kHz Ref. Warble | — | ||
| 42 | Sweeps: 1kHz–500Hz, 500Hz–250Hz, 250Hz–125Hz, 125Hz–20Hz | — | ||
| 43 | Sweeps: 1kHz–2kHz, 2kHz–4kHz, 4kHz–8kHz | — | ||
| 44 | Sine: 1kHz Ref. Tone @ -14dB FS | — | ||
| 45 | Sine: 60Hz | — | ||
| 46 | Sine: 100Hz | — | ||
| 47 | Sine: 250Hz | — | ||
| 48 | Sine: 500Hz | — | ||
| 49 | Sine: 1kHz | — | ||
| 50 | Sine: 2kHz | — | ||
| 51 | Sine: 3kHz | — | ||
| 52 | Sine: 5kHz | — | ||
| 53 | Sine: 10kHz | — | ||
| 54 | Sine: 12kHz | — | ||
| 55 | Sine: 15kHz | — | ||
| 56 | Sine Sweep: 20Hz–20kHz | — | ||
| 57 | Square: 1kHz @ -20dB FS | — | ||
| 58 | Square: 5kHz @ -20dB FS | — | ||
| 59 | Max Level Tone: 1kHz Sine @ 0dB FS | — | ||
| 60 | Spoken Word | — | ||
| 61 | Piano | — | ||
| 62 | Acoustic Guitar – Finger‐Style | — | ||
| 63 | Acoustic Guitar – Strummed | — | ||
| 64 | Spanish Guitar | — | ||
| 65 | Electric Guitar – Clean | — | ||
| 66 | Electric Guitar – Distorted | — | ||
| 67 | Bass Guitar | — | ||
| 68 | Flute | — | ||
| 69 | Saxophone | — | ||
| 70 | Vocal | — | ||
| 71 | Bongos | — | ||
| 72 | Tambourine | — | ||
| 73 | Kick Drum | — | ||
| 74 | Snare Drum | — | ||
| 75 | Cymbals and Hi‐Hat | — | ||
| 76 | Toms | — | ||
| 77 | Whole Drum Kit | — | ||
| 78 | Violins | — | ||
| 79 | Cellos and Violas | — | ||
| 80 | The Race | — | ||
| 81 | Limelight | — | ||
| 82 | Seasons of Our Lives | — | ||
| 83 | Bach’s Toccata and Fugue in D Minor | — | ||
| 84 | Sub‐Machine Gun | — | ||
| 85 | Chieftain Tank | — | ||
| 86 | Thunderstorm | — | ||
| 87 | Steam Trains | — | ||
| 88 | 1000mph Jet Flypast | — | ||
| 89 | EBU 25 Frame Timecode (10:00:00 to 10:05:00) | — | ||
| 90 | SMPTE Non‐Drop Frame Timecode (10:00:00 to 10:05:00) | — | ||
| 91 | SMPTE Drop Frame Timecode (10:00:00 to 10:05:00) | — | ||
| 92 | A‐440 Tuning Reference | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
015775101524 is a Universal Product Code (UPC) assigned to Sound Check by Alan Parsons, Stephen Court. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 92 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Sound Check” by Alan Parsons, Stephen Court is 015775101524. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Mobile Fidelity Sound Lab. This release contains 92 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 1kHz Ref. Tone @ -14dB FS | — | ||
| 2 | Pink Noise L | — | ||
| 3 | Pink Noise R | — | ||
| 4 | Pink Noise L+R & Phase Check | — | ||
| 5 | Pink Noise: Bass 0–200Hz & Phase Check | — | ||
| 6 | Pink Noise: Low Mid 200Hz–1kHz & Phase Check | — | ||
| 7 | Pink Noise: High Mid 1kHz – ∞ & Phase Check | — | ||
| 8 | Pink Noise: HF 7kHz – ∞ & Phase Check | — | ||
| 9 | ⅓ Octave: 1kHz Ref. Tone | — | ||
| 10 | ⅓ Octave: 20Hz | — | ||
| 11 | ⅓ Octave: 25Hz | — | ||
| 12 | ⅓ Octave: 31.5Hz | — | ||
| 13 | ⅓ Octave: 40Hz | — | ||
| 14 | ⅓ Octave: 50Hz | — | ||
| 15 | ⅓ Octave: 63Hz | — | ||
| 16 | ⅓ Octave: 80Hz | — | ||
| 17 | ⅓ Octave: 100Hz | — | ||
| 18 | ⅓ Octave: 125Hz | — | ||
| 19 | ⅓ Octave: 160Hz | — | ||
| 20 | ⅓ Octave: 200Hz | — | ||
| 21 | ⅓ Octave: 250Hz | — | ||
| 22 | ⅓ Octave: 315Hz | — | ||
| 23 | ⅓ Octave: 400Hz | — | ||
| 24 | ⅓ Octave: 500Hz | — | ||
| 25 | ⅓ Octave: 630Hz | — | ||
| 26 | ⅓ Octave: 800Hz | — | ||
| 27 | ⅓ Octave: 1kHz | — | ||
| 28 | ⅓ Octave: 1.25kHz | — | ||
| 29 | ⅓ Octave: 1.6kHz | — | ||
| 30 | ⅓ Octave: 2kHz | — | ||
| 31 | ⅓ Octave: 2.5kHz | — | ||
| 32 | ⅓ Octave: 3.15kHz | — | ||
| 33 | ⅓ Octave: 4kHz | — | ||
| 34 | ⅓ Octave: 5kHz | — | ||
| 35 | ⅓ Octave: 6.3kHz | — | ||
| 36 | ⅓ Octave: 8kHz | — | ||
| 37 | ⅓ Octave: 10kHz | — | ||
| 38 | ⅓ Octave: 12.5kHz | — | ||
| 39 | ⅓ Octave: 16kHz | — | ||
| 40 | ⅓ Octave: 20kHz | — | ||
| 41 | Sweeps: 1kHz Ref. Warble | — | ||
| 42 | Sweeps: 1kHz–500Hz, 500Hz–250Hz, 250Hz–125Hz, 125Hz–20Hz | — | ||
| 43 | Sweeps: 1kHz–2kHz, 2kHz–4kHz, 4kHz–8kHz | — | ||
| 44 | Sine: 1kHz Ref. Tone @ -14dB FS | — | ||
| 45 | Sine: 60Hz | — | ||
| 46 | Sine: 100Hz | — | ||
| 47 | Sine: 250Hz | — | ||
| 48 | Sine: 500Hz | — | ||
| 49 | Sine: 1kHz | — | ||
| 50 | Sine: 2kHz | — | ||
| 51 | Sine: 3kHz | — | ||
| 52 | Sine: 5kHz | — | ||
| 53 | Sine: 10kHz | — | ||
| 54 | Sine: 12kHz | — | ||
| 55 | Sine: 15kHz | — | ||
| 56 | Sine Sweep: 20Hz–20kHz | — | ||
| 57 | Square: 1kHz @ -20dB FS | — | ||
| 58 | Square: 5kHz @ -20dB FS | — | ||
| 59 | Max Level Tone: 1kHz Sine @ 0dB FS | — | ||
| 60 | Spoken Word | — | ||
| 61 | Piano | — | ||
| 62 | Acoustic Guitar – Finger‐Style | — | ||
| 63 | Acoustic Guitar – Strummed | — | ||
| 64 | Spanish Guitar | — | ||
| 65 | Electric Guitar – Clean | — | ||
| 66 | Electric Guitar – Distorted | — | ||
| 67 | Bass Guitar | — | ||
| 68 | Flute | — | ||
| 69 | Saxophone | — | ||
| 70 | Vocal | — | ||
| 71 | Bongos | — | ||
| 72 | Tambourine | — | ||
| 73 | Kick Drum | — | ||
| 74 | Snare Drum | — | ||
| 75 | Cymbals and Hi‐Hat | — | ||
| 76 | Toms | — | ||
| 77 | Whole Drum Kit | — | ||
| 78 | Violins | — | ||
| 79 | Cellos and Violas | — | ||
| 80 | The Race | — | ||
| 81 | Limelight | — | ||
| 82 | Seasons of Our Lives | — | ||
| 83 | Bach’s Toccata and Fugue in D Minor | — | ||
| 84 | Sub‐Machine Gun | — | ||
| 85 | Chieftain Tank | — | ||
| 86 | Thunderstorm | — | ||
| 87 | Steam Trains | — | ||
| 88 | 1000mph Jet Flypast | — | ||
| 89 | EBU 25 Frame Timecode (10:00:00 to 10:05:00) | — | ||
| 90 | SMPTE Non‐Drop Frame Timecode (10:00:00 to 10:05:00) | — | ||
| 91 | SMPTE Drop Frame Timecode (10:00:00 to 10:05:00) | — | ||
| 92 | A‐440 Tuning Reference | — |
