Sound Check

UPC · Release

Sound Check

Alan Parsons, Stephen Court

015775101524
92 tracksReleased 1993-01-01Mobile Fidelity Sound Lab

Last verified:

015775101524 is the Universal Product Code (UPC barcode) for the release Sound Check by Alan Parsons, Stephen Court, released 1993-01-01 on Mobile Fidelity Sound Lab. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 92 tracks, each with its own ISRC.

Format

0Number system
15775Manufacturer
10152Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCSound Check
ISWC2 works
IPI2 songwriters

Track List (92)

1kHz Ref. Tone @ -14dB FS
1kHz Ref. Tone @ -14dB FS
Pink Noise L
Pink Noise L
Pink Noise R
Pink Noise R
Pink Noise L+R & Phase Check
Pink Noise L+R & Phase Check
Pink Noise: Bass 0–200Hz & Phase Check
Pink Noise: Bass 0–200Hz & Phase Check
Pink Noise: Low Mid 200Hz–1kHz & Phase Check
Pink Noise: Low Mid 200Hz–1kHz & Phase Check
Pink Noise: High Mid 1kHz – ∞ & Phase Check
Pink Noise: High Mid 1kHz – ∞ & Phase Check
Pink Noise: HF 7kHz – ∞ & Phase Check
Pink Noise: HF 7kHz – ∞ & Phase Check
⅓ Octave: 1kHz Ref. Tone
⅓ Octave: 1kHz Ref. Tone
⅓ Octave: 20Hz
⅓ Octave: 20Hz
⅓ Octave: 25Hz
⅓ Octave: 25Hz
⅓ Octave: 31.5Hz
⅓ Octave: 31.5Hz
⅓ Octave: 40Hz
⅓ Octave: 40Hz
⅓ Octave: 50Hz
⅓ Octave: 50Hz
⅓ Octave: 63Hz
⅓ Octave: 63Hz
⅓ Octave: 80Hz
⅓ Octave: 80Hz
⅓ Octave: 100Hz
⅓ Octave: 100Hz
⅓ Octave: 125Hz
⅓ Octave: 125Hz
⅓ Octave: 160Hz
⅓ Octave: 160Hz
⅓ Octave: 200Hz
⅓ Octave: 200Hz
⅓ Octave: 250Hz
⅓ Octave: 250Hz
⅓ Octave: 315Hz
⅓ Octave: 315Hz
⅓ Octave: 400Hz
⅓ Octave: 400Hz
⅓ Octave: 500Hz
⅓ Octave: 500Hz
⅓ Octave: 630Hz
⅓ Octave: 630Hz
⅓ Octave: 800Hz
⅓ Octave: 800Hz
⅓ Octave: 1kHz
⅓ Octave: 1kHz
⅓ Octave: 1.25kHz
⅓ Octave: 1.25kHz
⅓ Octave: 1.6kHz
⅓ Octave: 1.6kHz
⅓ Octave: 2kHz
⅓ Octave: 2kHz
⅓ Octave: 2.5kHz
⅓ Octave: 2.5kHz
⅓ Octave: 3.15kHz
⅓ Octave: 3.15kHz
⅓ Octave: 4kHz
⅓ Octave: 4kHz
⅓ Octave: 5kHz
⅓ Octave: 5kHz
⅓ Octave: 6.3kHz
⅓ Octave: 6.3kHz
⅓ Octave: 8kHz
⅓ Octave: 8kHz
⅓ Octave: 10kHz
⅓ Octave: 10kHz
⅓ Octave: 12.5kHz
⅓ Octave: 12.5kHz
⅓ Octave: 16kHz
⅓ Octave: 16kHz
⅓ Octave: 20kHz
⅓ Octave: 20kHz
Sweeps: 1kHz Ref. Warble
Sweeps: 1kHz Ref. Warble
Sweeps: 1kHz–500Hz, 500Hz–250Hz, 250Hz–125Hz, 125Hz–20Hz
Sweeps: 1kHz–500Hz, 500Hz–250Hz, 250Hz–125Hz, 125Hz–20Hz
Sweeps: 1kHz–2kHz, 2kHz–4kHz, 4kHz–8kHz
Sweeps: 1kHz–2kHz, 2kHz–4kHz, 4kHz–8kHz
Sine: 1kHz Ref. Tone @ -14dB FS
Sine: 1kHz Ref. Tone @ -14dB FS
Sine: 60Hz
Sine: 60Hz
Sine: 100Hz
Sine: 100Hz
Sine: 250Hz
Sine: 250Hz
Sine: 500Hz
Sine: 500Hz
Sine: 1kHz
Sine: 1kHz
Sine: 2kHz
Sine: 2kHz
Sine: 3kHz
Sine: 3kHz
Sine: 5kHz
Sine: 5kHz
Sine: 10kHz
Sine: 10kHz
Sine: 12kHz
Sine: 12kHz
Sine: 15kHz
Sine: 15kHz
Sine Sweep: 20Hz–20kHz
Sine Sweep: 20Hz–20kHz
Square: 1kHz @ -20dB FS
Square: 1kHz @ -20dB FS
Square: 5kHz @ -20dB FS
Square: 5kHz @ -20dB FS
Max Level Tone: 1kHz Sine @ 0dB FS
Max Level Tone: 1kHz Sine @ 0dB FS
Spoken Word
Spoken Word
Piano
Piano
Acoustic Guitar – Finger‐Style
Acoustic Guitar – Finger‐Style
Acoustic Guitar – Strummed
Acoustic Guitar – Strummed
Spanish Guitar
Spanish Guitar
Electric Guitar – Clean
Electric Guitar – Clean
Electric Guitar – Distorted
Electric Guitar – Distorted
Bass Guitar
Bass Guitar
Flute
Flute
Saxophone
Saxophone
Vocal
Vocal
Bongos
Bongos
Tambourine
Tambourine
Kick Drum
Kick Drum
Snare Drum
Snare Drum
Cymbals and Hi‐Hat
Cymbals and Hi‐Hat
Toms
Toms
Whole Drum Kit
Whole Drum Kit
Violins
Violins
Cellos and Violas
Cellos and Violas
The Race
The Race
Limelight
Limelight
Seasons of Our Lives
Seasons of Our Lives
Bach’s Toccata and Fugue in D Minor
Bach’s Toccata and Fugue in D Minor
Sub‐Machine Gun
Sub‐Machine Gun
Chieftain Tank
Chieftain Tank
Thunderstorm
Thunderstorm
Steam Trains
Steam Trains
1000mph Jet Flypast
1000mph Jet Flypast
EBU 25 Frame Timecode (10:00:00 to 10:05:00)
EBU 25 Frame Timecode (10:00:00 to 10:05:00)
SMPTE Non‐Drop Frame Timecode (10:00:00 to 10:05:00)
SMPTE Non‐Drop Frame Timecode (10:00:00 to 10:05:00)
SMPTE Drop Frame Timecode (10:00:00 to 10:05:00)
SMPTE Drop Frame Timecode (10:00:00 to 10:05:00)
A‐440 Tuning Reference
A‐440 Tuning Reference

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 015775101524?
UPC 015775101524 is the Universal Product Code (barcode) for "Sound Check" by Alan Parsons, Stephen Court, released on Mobile Fidelity Sound Lab.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 015775101524?
UPC 015775101524 contains 92 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 015775101524?

015775101524 is a Universal Product Code (UPC) assigned to Sound Check by Alan Parsons, Stephen Court. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 92 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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