UPC · Album
The Wall
Pink Floyd
Last verified:
015775253728 is the Universal Product Code (UPC barcode) for the release “The Wall” by Pink Floyd, released 1991-01-01 on Mobile Fidelity Sound Lab, Inc.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBDJQ7900027, USSM17900267, GBDJQ9400010.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Trial | Pink Floyd | GBDJQ7900027 |
| The Thin Ice | Pink Floyd | USSM17900267 |
| One of My Turns | Pink Floyd | GBDJQ9400010 |
| Another Brick in the Wall, Part 2 | Pink Floyd | USSM17900248 |
| Hey You | Pink Floyd | GBDJQ9200039 |
| The Thin Ice | Pink Floyd | GBDJQ9200027 |
| Young Lust | Pink Floyd | GBDJQ9400083 |
| The Show Must Go On | Pink Floyd | GBDJQ9200045 |
| In the Flesh | Pink Floyd | GBDJQ9400001 |
| Another Brick in the Wall, Part 2 | Pink Floyd | GBN9Y1100099 |
| Goodbye Blue Sky | Pink Floyd | GBDJQ7900011 |
| Waiting for the Worms | Pink Floyd | USSM17900270 |
| One of My Turns | Pink Floyd | GBN9Y1100104 |
| Waiting for the Worms | Pink Floyd | GBDJQ9400085 |
| Don’t Leave Me Now | Pink Floyd | GBDJQ9200036 |
| The Trial | Pink Floyd | GBDJQ9400024 |
| Young Lust | Pink Floyd | GBN9Y1100103 |
| Empty Spaces | Pink Floyd | GBDJQ9400008 |
| Empty Spaces | Pink Floyd | GBDJQ9200033 |
| Comfortably Numb | Pink Floyd | GBDJQ9400018 |
| Goodbye Blue Sky | Pink Floyd | GBDJQ9400007 |
| Comfortably Numb | Pink Floyd | GBDJQ7900022 |
| Mother | Pink Floyd | GBDJQ9400006 |
| Run Like Hell | Pink Floyd | USSM17900263 |
| Waiting for the Worms | Pink Floyd | GBDJQ9200048 |
| Hey You | Pink Floyd | GBDJQ9400013 |
| Is There Anybody Out There? | Pink Floyd | GBDJQ9400014 |
| Don’t Leave Me Now | Pink Floyd | GBDJQ9400011 |
| Comfortably Numb | Pink Floyd | GBDJQ9200044 |
| Is There Anybody Out There? | Pink Floyd | GBDJQ7900018 |
| Hey You | Pink Floyd | GBN9Y1100108 |
| The Trial | Pink Floyd | GBDJQ9200050 |
| Young Lust | Pink Floyd | GBDJQ7900013 |
| Goodbye Blue Sky | Pink Floyd | USSM17900254 |
| One of My Turns | Pink Floyd | GBDJQ9200035 |
| Outside the Wall | Pink Floyd | GBDJQ7900028 |
| Young Lust | Pink Floyd | USSM17900271 |
| Run Like Hell | Pink Floyd | GBDJQ9200047 |
| One of My Turns | Pink Floyd | GBDJQ7900014 |
| In the Flesh? | Pink Floyd | GBN9Y1100095 |
| Waiting for the Worms | Pink Floyd | GBDJQ7900025 |
| Waiting for the Worms | Pink Floyd | GBN9Y1100117 |
| Stop | Pink Floyd | GBN9Y1100118 |
| Another Brick in the Wall, Part 2 | Pink Floyd | GBDJQ9200030 |
| In the Flesh? | Pink Floyd | GBDJQ9400020 |
| Young Lust | Pink Floyd | GBDJQ9200034 |
| The Trial | Pink Floyd | USSM17900268 |
| Empty Spaces | Pink Floyd | GBDJQ7900012 |
| Mother | Pink Floyd | GBN9Y1100100 |
| Empty Spaces | Pink Floyd | USSM17900253 |
| In the Flesh? | Pink Floyd | GBDJQ7900004 |
| Stop | Pink Floyd | GBDJQ9200049 |
| In the Flesh? | Pink Floyd | GBDJQ9200026 |
| Another Brick in the Wall, Part 2 | Pink Floyd | GBDJQ7900001 |
| The Trial | Pink Floyd | GBN9Y1100119 |
| Comfortably Numb | Pink Floyd | USSM17900251 |
| The Thin Ice | Pink Floyd | GBDJQ9400002 |
| In the Flesh | Pink Floyd | GBDJQ9200046 |
| Outside the Wall | Pink Floyd | GBN9Y1100120 |
| The Show Must Go On | Pink Floyd | GBDJQ9400019 |
| Don’t Leave Me Now | Pink Floyd | GBN9Y1100105 |
| The Thin Ice | Pink Floyd | GBN9Y1100096 |
| The Show Must Go On | Pink Floyd | GBDJQ7900023 |
| In the Flesh | Pink Floyd | GBDJQ7900005 |
| Outside the Wall | Pink Floyd | GBDJQ9200051 |
| Run Like Hell | Pink Floyd | GBDJQ9400021 |
| Mother | Pink Floyd | GBDJQ9200031 |
| Stop | Pink Floyd | USSM17900264 |
| Run Like Hell | Pink Floyd | GBN9Y1100116 |
| The Thin Ice | Pink Floyd | GBDJQ7900006 |
| Another Brick in the Wall, Part 2 | Pink Floyd | GBDJQ0100002 |
| One of My Turns | Pink Floyd | USSM17900261 |
| Goodbye Blue Sky | Pink Floyd | GBN9Y1100101 |
| Run Like Hell | Pink Floyd | GBDJQ7900024 |
| The Show Must Go On | Pink Floyd | GBN9Y1100114 |
| The Show Must Go On | Pink Floyd | USSM17900299 |
| Is There Anybody Out There? | Pink Floyd | USSM17900258 |
| Hey You | Pink Floyd | USSM17900256 |
| Stop | Pink Floyd | GBDJQ7900026 |
| Comfortably Numb | Pink Floyd | GBN9Y1100113 |
| Goodbye Blue Sky | Pink Floyd | GBDJQ9200032 |
| Is There Anybody Out There? | Pink Floyd | GBN9Y1100109 |
| Mother | Pink Floyd | GBDJQ7900010 |
| Empty Spaces | Pink Floyd | GBN9Y1100102 |
| Outside the Wall | Pink Floyd | GBDJQ9400026 |
| Is There Anybody Out There? | Pink Floyd | GBDJQ9200040 |
| Mother | Pink Floyd | USSM17900259 |
| Stop | Pink Floyd | GBDJQ9400023 |
| Outside the Wall | Pink Floyd | USSM17900262 |
| Another Brick in the Wall, Part 2 | Pink Floyd | GBDJQ9400005 |
| Hey You | Pink Floyd | GBDJQ7900017 |
| In the Flesh | Pink Floyd | GBN9Y1100115 |
| Don’t Leave Me Now | Pink Floyd | USSM17900252 |
| Don’t Leave Me Now | Pink Floyd | GBDJQ7900015 |
What other identifiers does this connect to?
Musical Works (ISWC)
+34 more
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 015775253728?
015775253728 is a Universal Product Code (UPC) assigned to The Wall by Pink Floyd. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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