UPC · Release
Television’s Greatest Hits, Volume 6: Remote Control
Various Artists
Last verified:
016581180024 is the Universal Product Code (UPC barcode) for the release “Television’s Greatest Hits, Volume 6: Remote Control” by Various Artists, released 1996-01-01 on TVT Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include FRX089750070, FRX089750114.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fish | — | ||
| 2 | Night Court | — | ||
| 3 | What’s Happening? | — | ||
| 4 | Diff’rent Strokes (It Takes Diff’rent Strokes) | — | ||
| 5 | Mr. Belvedere (According to Our New Arrivals) | — | ||
| 6 | Growing Pains (As Long as We Got Each Other) | — | ||
| 7 | Charles in Charge | — | ||
| 8 | Silver Spoons (Together) | — | ||
| 9 | Webster (Then Came You) | — | ||
| 10 | Too Close for Comfort | — | ||
| 11 | Who’s the Boss (Brand New Life) | — | ||
| 12 | Perfect Strangers (Nothing’s Gonna Stop Me Now) | — | ||
| 13 | Alice (There’s a New Girl in Town) | — | ||
| 14 | It’s a Living | — | ||
| 15 | Angie (Different Worlds) | — | ||
| 16 | 227 (There’s No Place Like Home) | — | ||
| 17 | The Golden Girls (Thank You for Being a Friend) | — | ||
| 18 | ALF | — | ||
| 19 | Mork & Mindy | — | ||
| 20 | Police Squad | — | ||
| 21 | Family Ties (Without Us) | — | ||
| 22 | Moonlighting | — | ||
| 23 | Soap | — | ||
| 24 | Benson | — | ||
| 25 | The Benny Hill Show (Yakety Sax) | Boots Randolph | T-070.248.156-8 | |
| 26 | The Young Ones | — | ||
| 27 | The People’s Court | — | ||
| 28 | Family Feud | — | ||
| 29 | The Price Is Right | — | ||
| 30 | Siskel and Ebert | — | ||
| 31 | Monday Night Football (Superstar, a.k.a Heavy Action) | — | ||
| 32 | Lifestyles of the Rich and Famous (Come With Me Now) | — | ||
| 33 | Fame | — | ||
| 34 | Paper Chase | — | ||
| 35 | Fantasy Island | — | ||
| 36 | Falcon Crest | — | ||
| 37 | The Colbys | — | ||
| 38 | Highway to Heaven (Heaven) | — | ||
| 39 | The Dukes of Hazzard (Good Ol’ Boys) | — | ||
| 40 | B.J. and the Bear | — | ||
| 41 | Movin’ On | — | ||
| 42 | The Fall Guy (The Unknown Stuntman) | — | ||
| 43 | James at 15 (It’s All Up to You) | — | ||
| 44 | Eight Is Enough | — | ||
| 45 | Baa Baa Black Sheep | — | ||
| 46 | Trapper John M.D. | — | ||
| 47 | CHiPs | — | ||
| 48 | Vega$ | — | ||
| 49 | Matt Houston | — | ||
| 50 | Cagney & Lacey | — | ||
| 51 | T.J. Hooker | — | ||
| 52 | Hardcastle and McCormick (Drive) | — | ||
| 53 | Hunter | — | ||
| 54 | Mac Gyver | Randy Edelman | T-071.000.885-7 | |
| 55 | Knight Rider | — | ||
| 56 | Airwolf | — | ||
| 57 | The Incredible Hulk | — | ||
| 58 | V: The Series | — | ||
| 59 | The New Twilight Zone | — | ||
| 60 | Doctor Who | — | ||
| 61 | Mystery! | — | ||
| 62 | The Hardy Boys / Nancy Drew Mysteries | — | ||
| 63 | Roots | — | ||
| 64 | Vietnam: A Television History | — | ||
| 65 | Cosmos (Heaven and Hell) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 016581180024?
016581180024 is a Universal Product Code (UPC) assigned to Television’s Greatest Hits, Volume 6: Remote Control by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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